E-Boc MS 6 - DIAMM

E-Boc MS 6

Documentation Center of the Orfeo Català (CEDOC) [formerly: Biblioteca de l'Orfeó Català], Barcelona, Spain

manuscript of polyphony: c. 1580

Archive	Documentation Center of the Orfeo Català (CEDOC) [formerly: Biblioteca de l'Orfeó Català], Barcelona, Spain (E-Boc)
Shelfmark	MS 6
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	468 x 360 mm
Other Identifiers	CCM: BarcOC 6 olim (Former shelfmark): Ms. M 12-VI-38;
Notations	black void mensural
Relationships	Cams, Père Pau (mentioned in liminary text) Roura, Bernay (mentioned in liminary text)
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database Books of Hispanic Polyphony IMAGES
Provenance	St. Miquel , Barcelona, Spain
Contents	35 pieces from 8 composers

General Description

Copied by one scribe. Of Spanish origin. Inscription, in a later hand: 'Pere Pau Cams, ascolà de St. Miquel. Bernay Roura, ascolà de St. Miquel, 1636.'

Cristina Urchueguía; transl. Henry Hope, 2011

Binding

Original covers of brown tooled leather over boards

Cristina Urchueguía; transl. Henry Hope, 2011

Watermark

star and wing, cannot be identified

Cristina Urchueguía; transl. Henry Hope, 2011

Notation

black void mensural

Cristina Urchueguía; transl. Henry Hope, 2011

Foliation

Modern pencil foliation

Cristina Urchueguía; transl. Henry Hope, 2011

Decoration

Cardboard binding with black leather covers.

Cristina Urchueguía; transl. Henry Hope, 2011

Surface

paper

Cristina Urchueguía; transl. Henry Hope, 2011

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses, 1 Credo, 2 Magnificats, 1 hymn, 3 Lamentations, 2 Passions, 7 motets, 1 falsobordone piece = 20

Çorita-1, Montes-1, Morales-5, Vila-1, anon-12

i + 98 paper folios, 468 x 360. Modern pencil foliation. Original covers of brown tooled leather over boards. No index. Copied by one scribe.

Ca. 1580. Of Spanish origin. Inscription, in a later hand: "Pere Pau Cams, ascolà de St. Miquel. Bernay Roura, ascolà de St. Miquel, 1636."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–17	Passio Domini secundum Matthaeum	-	Robledo, Melchor
Passio Domini secundum Matthaeum Robledo, Melchor Appears on: 1v–17 Genres: Passion Concordances E-AL 2 ff. 1r-16 'Robledo'; E-Bbc 708 (ff. 1v-13) anon
17v–29	Passio Domini secundum Johannem	-	Robledo, Melchor (?)
Passio Domini secundum Johannem Robledo, Melchor (?) Appears on: 17v–29 Genres: Passion Concordances E-AL 2, ff. 16v-25 anon; E-Bbc 708 ff.13v-23 anon
29v–31	Aleph - Quomodo obtexit caligine	-	Anonymous
Aleph - Quomodo obtexit caligine Anonymous Appears on: 29v–31 Genres: Lamentations Concordances E-Bbc 708, ff. 23v-25
31v–33	Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum	-	Morales, Cristóbal de (ca. 1500–1553)
Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum Morales, Cristóbal de (ca. 1500–1553) Appears on: 31v–33 Genres: Lamentations, Motet
33v–34	Te lucis ante terminum	-	Anonymous
Te lucis ante terminum Anonymous Appears on: 33v–34 Genres: Hymn
34v–35	Salve regina (4vv) - 1a pars (of 4): Vita dulcedo	-	Morales, Cristóbal de (ca. 1500–1553)
Salve regina (4vv) - 1a pars (of 4): Vita dulcedo Morales, Cristóbal de (ca. 1500–1553) Appears on: 34v–35 Genres: BVM, Motet, Salve Regina
35v–36	Salve regina (4vv) - 2a pars (of 4): Ad te suspiramus gementes et flentes	-	Morales, Cristóbal de (ca. 1500–1553)
Salve regina (4vv) - 2a pars (of 4): Ad te suspiramus gementes et flentes Morales, Cristóbal de (ca. 1500–1553) Appears on: 35v–36 Genres: BVM, Motet, Salve Regina
36v–37	Salve regina (4vv) - 3a pars (of 4): Et Jesum benedictum fructum ventris - O clemens	-	Morales, Cristóbal de (ca. 1500–1553)
Salve regina (4vv) - 3a pars (of 4): Et Jesum benedictum fructum ventris - O clemens Morales, Cristóbal de (ca. 1500–1553) Appears on: 36v–37 Genres: BVM, Motet, Salve Regina
37v–38	Salve regina (4vv) - 4a pars (of 4): O dulcis	-	Morales, Cristóbal de (ca. 1500–1553)
Salve regina (4vv) - 4a pars (of 4): O dulcis Morales, Cristóbal de (ca. 1500–1553) Appears on: 37v–38 Genres: BVM, Motet, Salve Regina
38v–40	Regina caeli (5vv) - 1a pars (of 2): Regina caeli laetare	-	Victoria, Tomas Luis de (1548–1611)
Regina caeli (5vv) - 1a pars (of 2): Regina caeli laetare Victoria, Tomas Luis de (1548–1611) Appears on: 38v–40 Genres: Motet, Regina caeli laetare
40v–42	Regina caeli (5vv) - 2a pars (of 2): Resurrexit sicut dixit	-	Victoria, Tomas Luis de (1548–1611)
Regina caeli (5vv) - 2a pars (of 2): Resurrexit sicut dixit Victoria, Tomas Luis de (1548–1611) Appears on: 40v–42 Genres: Motet, Regina caeli laetare
42v–43	Lamed - O vos omnes	P[etr]us Vila	Vila, Alberch i Ferrament
Lamed - O vos omnes Vila, Alberch i Ferrament Appears on: 42v–43 Genres: Lamentations Source Attribution: P[etr]us Vila
43v–47	Magnificat primi toni: Et exultavit [K.914]	Christoforus Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat primi toni: Et exultavit [K.914] Morales, Cristóbal de (ca. 1500–1553) Appears on: 43v–47 Genres: BVM, Canticle, Magnificat Source Attribution: Christoforus Morales
47v–49	Missa Benedicta es caelorum regina: Kyrie	Morales	Morales, Cristóbal de (ca. 1500–1553)
Missa Benedicta es caelorum regina: Kyrie Morales, Cristóbal de (ca. 1500–1553) Appears on: 47v–49 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Morales
49v–52	Missa Benedicta es caelorum regina: Gloria	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Benedicta es caelorum regina: Gloria Morales, Cristóbal de (ca. 1500–1553) Appears on: 49v–52 Genres: Gloria (et in terra pax), Mass Ordinary
52v–56	Missa Benedicta es caelorum regina: Credo	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Benedicta es caelorum regina: Credo Morales, Cristóbal de (ca. 1500–1553) Appears on: 52v–56 Genres: Credo (patrem omnipotentem), Mass Ordinary
56v–59	Missa Benedicta es caelorum regina: Sanctus	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Benedicta es caelorum regina: Sanctus Morales, Cristóbal de (ca. 1500–1553) Appears on: 56v–59 Genres: Mass Ordinary, Sanctus [& Benedictus]
59v–62	Missa Benedicta es caelorum regina: Agnus	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Benedicta es caelorum regina: Agnus Morales, Cristóbal de (ca. 1500–1553) Appears on: 59v–62 Genres: Agnus Dei, Mass Ordinary
62v–66	Missa Mille regrets: Kyrie	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Mille regrets: Kyrie Morales, Cristóbal de (ca. 1500–1553) Appears on: 62v–66 Genres: Kyrie eleison, Mass Ordinary
66v–70	Missa Mille regrets: Gloria	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Mille regrets: Gloria Morales, Cristóbal de (ca. 1500–1553) Appears on: 66v–70 Genres: Gloria (et in terra pax), Mass Ordinary
70v–77	Missa Mille regrets: Credo	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Mille regrets: Credo Morales, Cristóbal de (ca. 1500–1553) Appears on: 70v–77 Genres: Credo (patrem omnipotentem), Mass Ordinary
77v–80	Missa Mille regrets: Sanctus	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Mille regrets: Sanctus Morales, Cristóbal de (ca. 1500–1553) Appears on: 77v–80 Genres: Mass Ordinary, Sanctus [& Benedictus]
80v–82	Missa Mille regrets: Agnus Dei	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Mille regrets: Agnus Dei Morales, Cristóbal de (ca. 1500–1553) Appears on: 80v–82 Genres: Agnus Dei, Mass Ordinary
82v–85	Magnificat quarti toni: Et exultavit [K.917]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat quarti toni: Et exultavit [K.917] Morales, Cristóbal de (ca. 1500–1553) Appears on: 82v–85 Genres: BVM, Canticle, Magnificat Source Attribution: Morales
85v–87	Alma redemptoris mater (4vv) - 1a pars (of 2): Alma redemptoris mater	-	Lheritier, Jean (ca. 1480–ca. 1551)
Alma redemptoris mater (4vv) - 1a pars (of 2): Alma redemptoris mater Lheritier, Jean (ca. 1480–ca. 1551) Appears on: 85v–87 Genres: Alma redemptoris mater, BVM, Motet
87v–89	Alma redemptoris mater (4vv) - 2a pars (of 2): Tu quae genuisti	-	Lheritier, Jean (ca. 1480–ca. 1551)
Alma redemptoris mater (4vv) - 2a pars (of 2): Tu quae genuisti Lheritier, Jean (ca. 1480–ca. 1551) Appears on: 87v–89 Genres: Alma redemptoris mater, BVM, Motet
89v–91	Ave regina caelorum II: Gaude gloriosa	Montes	Montes
Ave regina caelorum II: Gaude gloriosa Montes Appears on: 89v–91 Genres: Ave regina caelorum, Motet Source Attribution: Montes
91v–92	Missa: Kyrie, Sanctus, Agnus	-	Anonymous
Missa: Kyrie, Sanctus, Agnus Anonymous Appears on: 91v–92 Genres: Agnus Dei, Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
92v–96	Credo	Nicasi Çorita	Zorita, Nicasio
Credo Zorita, Nicasio Appears on: 92v–96 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Nicasi Çorita
96v–97	In manus tuas	-	Anonymous
In manus tuas Anonymous Appears on: 96v–97 Genres: Responsory
97v–98	Miserere mei 1o tono	-	Anonymous
Miserere mei 1o tono Anonymous Appears on: 97v–98 Genres: Fauxbourdon/faburden, Psalm
97v–98	Laudate pueri 2o tono	-	Anonymous
Laudate pueri 2o tono Anonymous Appears on: 97v–98 Genres: Psalm Concordances textless here, as also E-LEDc s.s.(1) (ff. 1v-2); in E-Bbc 1166/1967 (ff.56v-57) 'Laudate pueri'; in E-Bbc 681 (ff. 70v-71) 'Magna opera'; in E-Bbc 708 (ff. 45v-46) 'Custdi nos Domine'. Also printed twice, RISM V1108 (1557) & C1 (1578).
97v–98	Nunc dimittis 4o tono	-	Anonymous
Nunc dimittis 4o tono Anonymous Appears on: 97v–98 Genres: Canticle
97v–98	[textless psalm] 6o tono	-	Anonymous
[textless psalm] 6o tono Anonymous Appears on: 97v–98 Genres: Psalm, textless Concordances apparently also textless in E-Bbc 708 (f. 46v)
97v–98	[textless psalm] 8o tono	-	Anonymous
[textless psalm] 8o tono Anonymous Appears on: 97v–98 Genres: Psalm, textless

Composer	Compositions
Anonymous	Aleph - Quomodo obtexit caligine – 29v–31 In manus tuas – 96v–97 Laudate pueri 2o tono – 97v–98 Miserere mei 1o tono – 97v–98 Missa: Kyrie, Sanctus, Agnus – 91v–92 Nunc dimittis 4o tono – 97v–98 Te lucis ante terminum – 33v–34 [textless psalm] 6o tono – 97v–98 [textless psalm] 8o tono – 97v–98
Lheritier, Jean (ca. 1480–ca. 1551)	Alma redemptoris mater (4vv) - 1a pars (of 2): Alma redemptoris mater – 85v–87 Alma redemptoris mater (4vv) - 2a pars (of 2): Tu quae genuisti – 87v–89
Montes	Ave regina caelorum II: Gaude gloriosa – 89v–91
Morales, Cristóbal de (ca. 1500–1553)	Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum – 31v–33 Magnificat primi toni: Et exultavit [K.914] – 43v–47 Magnificat quarti toni: Et exultavit [K.917] – 82v–85 Missa Benedicta es caelorum regina: Agnus – 59v–62 Missa Benedicta es caelorum regina: Credo – 52v–56 Missa Benedicta es caelorum regina: Gloria – 49v–52 Missa Benedicta es caelorum regina: Kyrie – 47v–49 Missa Benedicta es caelorum regina: Sanctus – 56v–59 Missa Mille regrets: Agnus Dei – 80v–82 Missa Mille regrets: Credo – 70v–77 Missa Mille regrets: Gloria – 66v–70 Missa Mille regrets: Kyrie – 62v–66 Missa Mille regrets: Sanctus – 77v–80 Salve regina (4vv) - 1a pars (of 4): Vita dulcedo – 34v–35 Salve regina (4vv) - 2a pars (of 4): Ad te suspiramus gementes et flentes – 35v–36 Salve regina (4vv) - 3a pars (of 4): Et Jesum benedictum fructum ventris - O clemens – 36v–37 Salve regina (4vv) - 4a pars (of 4): O dulcis – 37v–38
Robledo, Melchor	(?) Passio Domini secundum Johannem – 17v–29 Passio Domini secundum Matthaeum – 1v–17
Victoria, Tomas Luis de (1548–1611)	Regina caeli (5vv) - 1a pars (of 2): Regina caeli laetare – 38v–40 Regina caeli (5vv) - 2a pars (of 2): Resurrexit sicut dixit – 40v–42
Vila, Alberch i Ferrament	Lamed - O vos omnes – 42v–43
Zorita, Nicasio	Credo – 92v–96

Composition	Composers (? Uncertain)	Folios / Pages
[textless psalm] 6o tono	Anonymous	97v–98
[textless psalm] 8o tono	Anonymous	97v–98
Aleph - Quomodo obtexit caligine	Anonymous	29v–31
Alma redemptoris mater (4vv) - 1a pars (of 2): Alma redemptoris mater	Lheritier, Jean (ca. 1480–ca. 1551)	85v–87
Alma redemptoris mater (4vv) - 2a pars (of 2): Tu quae genuisti	Lheritier, Jean (ca. 1480–ca. 1551)	87v–89
Ave regina caelorum II: Gaude gloriosa	Montes	89v–91
Credo	Zorita, Nicasio	92v–96
In manus tuas	Anonymous	96v–97
Lamed - O vos omnes	Vila, Alberch i Ferrament	42v–43
Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum	Morales, Cristóbal de (ca. 1500–1553)	31v–33
Laudate pueri 2o tono	Anonymous	97v–98
Magnificat primi toni: Et exultavit [K.914]	Morales, Cristóbal de (ca. 1500–1553)	43v–47
Magnificat quarti toni: Et exultavit [K.917]	Morales, Cristóbal de (ca. 1500–1553)	82v–85
Miserere mei 1o tono	Anonymous	97v–98
Missa Benedicta es caelorum regina: Agnus	Morales, Cristóbal de (ca. 1500–1553)	59v–62
Missa Benedicta es caelorum regina: Credo	Morales, Cristóbal de (ca. 1500–1553)	52v–56
Missa Benedicta es caelorum regina: Gloria	Morales, Cristóbal de (ca. 1500–1553)	49v–52
Missa Benedicta es caelorum regina: Kyrie	Morales, Cristóbal de (ca. 1500–1553)	47v–49
Missa Benedicta es caelorum regina: Sanctus	Morales, Cristóbal de (ca. 1500–1553)	56v–59
Missa Mille regrets: Agnus Dei	Morales, Cristóbal de (ca. 1500–1553)	80v–82
Missa Mille regrets: Credo	Morales, Cristóbal de (ca. 1500–1553)	70v–77
Missa Mille regrets: Gloria	Morales, Cristóbal de (ca. 1500–1553)	66v–70
Missa Mille regrets: Kyrie	Morales, Cristóbal de (ca. 1500–1553)	62v–66
Missa Mille regrets: Sanctus	Morales, Cristóbal de (ca. 1500–1553)	77v–80
Missa: Kyrie, Sanctus, Agnus	Anonymous	91v–92
Nunc dimittis 4o tono	Anonymous	97v–98
Passio Domini secundum Johannem	Robledo, Melchor (?)	17v–29
Passio Domini secundum Matthaeum	Robledo, Melchor	1v–17
Regina caeli (5vv) - 1a pars (of 2): Regina caeli laetare	Victoria, Tomas Luis de (1548–1611)	38v–40
Regina caeli (5vv) - 2a pars (of 2): Resurrexit sicut dixit	Victoria, Tomas Luis de (1548–1611)	40v–42
Salve regina (4vv) - 1a pars (of 4): Vita dulcedo	Morales, Cristóbal de (ca. 1500–1553)	34v–35
Salve regina (4vv) - 2a pars (of 4): Ad te suspiramus gementes et flentes	Morales, Cristóbal de (ca. 1500–1553)	35v–36
Salve regina (4vv) - 3a pars (of 4): Et Jesum benedictum fructum ventris - O clemens	Morales, Cristóbal de (ca. 1500–1553)	36v–37
Salve regina (4vv) - 4a pars (of 4): O dulcis	Morales, Cristóbal de (ca. 1500–1553)	37v–38
Te lucis ante terminum	Anonymous	33v–34

‡ denotes primary source study

Puentes-Blanco, Andrea. 2018. Música y devoción en Barcelona (ca. 1550-1626): estudio de libros de polifonía, contextos y prácticas musicales. Universitat de Barcelona, Ph. D. Pages: I:98-109, II:130-141. Notes: physical description; contents list; concordances.

Del Sol, Manuel. 2014. Lamentaciones de Cristobal de Morales: Historia y Autenticidad. Revista de Musicologia, 107-139.

Gregori i Cifre, Josep Maria. 1986. La música del Renaixement a la catedral de Barcelona, 1450 – 1580. Universitat Autònoma de Barcelona, Ph. D.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 121. Notes: contents list (partial); concordances (partial); incipits (partial).

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XI, 57. Notes: mention of MS.

Anglès, Higinio. 1941. La Música Espanola desde la Edad Media hasta Nuestros Dias. Catálogo de la Exposición Histórica, Barcelona. Pages: 34-5. Notes: physical description; contents list.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description