Copied by one scribe. Of Spanish origin. Inscription, in a later hand: 'Pere Pau Cams, ascolà de St. Miquel. Bernay Roura, ascolà de St. Miquel, 1636.'
E-Boc MS 6
Documentation Center of the Orfeo Català (CEDOC) [formerly: Biblioteca de l'Orfeó Català], Barcelona, Spain
manuscript of polyphony: c. 1580
| Archive | Documentation Center of the Orfeo Català (CEDOC) [formerly: Biblioteca de l'Orfeó Català], Barcelona, Spain (E-Boc) |
|---|---|
| Shelfmark | MS 6 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 468 x 360 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| Provenance |
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| Contents | Contains 35 compositions, 26 from 7 composers, 9 are anonymous. |
General Description
Binding
Original covers of brown tooled leather over boards
Watermark
star and wing, cannot be identified
Notation
black void mensural
Foliation
Modern pencil foliation
Decoration
Cardboard binding with black leather covers.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
3 Masses, 1 Credo, 2 Magnificats, 1 hymn, 3 Lamentations, 2 Passions, 7 motets, 1 falsobordone piece = 20
Çorita-1, Montes-1, Morales-5, Vila-1, anon-12
i + 98 paper folios, 468 x 360. Modern pencil foliation. Original covers of brown tooled leather over boards. No index. Copied by one scribe.
Ca. 1580. Of Spanish origin. Inscription, in a later hand: "Pere Pau Cams, ascolà de St. Miquel. Bernay Roura, ascolà de St. Miquel, 1636."
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‡ denotes primary source study
Puentes-Blanco, Andrea. 2018. Música y devoción en Barcelona (ca. 1550-1626): estudio de libros de polifonía, contextos y prácticas musicales. Universitat de Barcelona, Ph. D. Pages: I:98-109, II:130-141. Notes: physical description; contents list; concordances.
Del Sol, Manuel. 2014. Lamentaciones de Cristobal de Morales: Historia y Autenticidad. Revista de Musicologia, vol. 37, no.1: 107-139.
Gregori i Cifre, Josep Maria. 1986. La música del Renaixement a la catedral de Barcelona, 1450 – 1580. Universitat Autònoma de Barcelona, Ph. D.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 121. Notes: contents list (partial); concordances (partial); incipits (partial).
Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XI, 57. Notes: mention of MS.
Anglès, Higinio. 1941. La Música Espanola desde la Edad Media hasta Nuestros Dias. Catálogo de la Exposición Histórica, Barcelona. Pages: 34-5. Notes: physical description; contents list.
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description