D-As MS 2° 142a ('Augsburg songbook')

Staats- und Stadtbibliothek, Augsburg, Germany

manuscript of polyphony: 1505-14

Archive	Staats- und Stadtbibliothek, Augsburg, Germany (D-As)
Shelfmark	MS 2° 142a ('Augsburg songbook')
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	303 x 208 mm
Other Identifiers	CCM: AugsS 142a olim (Former shelfmark): Clm. 43; SchlettKK 18
Notations	black void mensural
Relationships	Herwart, Johann Heinrich (1520–1583) (owner)
External Links	images images of printed library catalogue
Provenance	Augsburg, Bavaria, Germany
Contents	85 pieces from 14 composers

General Description

The manuscript consists of three distinct sections, differing from one another in contents and watermarks. However, Parts I and III have common scribes. Part I (ff. 1-35): Mixed contents, but mostly a German-Swiss repertory. Part II (ff. 36-57): French secular pieces and motets by Josquin, A. Agricola, and anonymous. Part III (ff. 58-76): Textless pieces or pieces with German incipits. Many concordances with RISM 1512/1. Copied in Augsburg (GottA). The manuscript once belonged to Johann Heinrich Herwart (1520-83), a resident of Augsburg; it remained in the possession of the Herwart family until 1620, when it was presented to the Augsburg library.

DIAMM, 2017

Physical Description

Part II (ff. 36-57) originally misbound, with some folios in incorrect order.

DIAMM, 2017

Binding

Original covers of wood, with a spine of white leather

DIAMM, 2017

Watermark

Watermark in Part I is PiccardK II, 173; watermark in Part II is PiccardO XVI, 72; watermark in Part III is PiccardO V, 255 (JonasA).

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Modern foliation, 1-77.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 hymn, 5 motets, 1 Latin/German sacred piece, 2 German sacred pieces, 7 French secular pieces, 16 German secular pieces, 1 Italian secular piece (many of the preceding have text incipits only), 43 textless pieces = 76+4 duplicates = 80

(Of the textless pieces, the following have been identified from concordant sources: 3 motets, 1 German sacred piece, 4 French secular pieces, 9 German secular pieces = 17)

(Adam von Fulda)-2, A. Agricola-7, (Dietrich)-1, (Finck)-1, (Grefinger/Senfl)-1, (Hofhaimer)-2, (Isaac)-1, Josquin-7, (Obrecht)-1, (Senfl)-3 + 5?, (Wolff)-1, anon-44

77 paper folios, 303 x 208. Modern foliation, 1-77. Original covers of wood, with a spine of white leather. No index. The manuscript consists of three distinct sections, differing from one another in contents and watermarks. However, Parts I and III have common scribes.

Part I (ff. 1-35): Mixed contents, but mostly a German-Swiss repertory. Part II (ff. 36-57): French secular pieces and motets by Josquin, A. Agricola, and anonymous. Originally misbound, with some folios in incorrect order. Part III (ff. 58-76): Textless pieces or pieces with German incipits. Many concordances with RISM 1512/1.

1505-14 (GottA). Copied in Augsburg (GottA). The manuscript once belonged to Johann Heinrich Herwart (1520-83), a resident of Augsburg; it remained in the possession of the Herwart family until 1620, when it was presented to the Augsburg library.

Vol 4

Contents: 2 hymns (1 without text), 6 motets (1 without text), 1 Latin/German sacred piece, 3 German sacred pieces, 25 German secular pieces (9 without text), 10 French secular pieces (3 without text), 1 Italian secular piece, 1 Latin secular piece (without text), 21 textless pieces, 5 dances =75 + 4 duplicates = 79

Composers: Change "A. Agricola-?" to "A. Agricola-ô, A. Agricola-(Busnois) -1"; change "anon-44" to "anon-43."

Physical: Watermark in Part I is PiccardK II, 173; watermark in Part II is PiccardO XVI, 72; watermark in Part III is PiccardO V, 255 (JonasA).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–2	Festum nunc celebre	-	Hofhaimer, Paul
Festum nunc celebre Hofhaimer, Paul Appears on: 1v–2 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Festum nunc celebre
1v–2	Festum nunc celebre	-	Hofhaimer, Paul
Festum nunc celebre Hofhaimer, Paul Appears on: 1v–2 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Festum nunc celebre
2v–4	Surge virgo - 1a pars (of 3): Surge virgo et nostras sponso preces aperi	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Surge virgo - 1a pars (of 3): Surge virgo et nostras sponso preces aperi Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 2v–4 Genres: Motet, Psalm Voice: [no designation] Languages: Latin Voice Text: Surge virgo et nostras sponso preces General Note (II. Ab estu mundi
4v–5	Pange lingua gloriosi corporis misterium	-	Anonymous
Pange lingua gloriosi corporis misterium Anonymous Appears on: 4v–5 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Pange lingua
4v–5	Pange lingua gloriosi corporis misterium	-	Anonymous
Pange lingua gloriosi corporis misterium Anonymous Appears on: 4v–5 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Pange lingua
5v	Allein Dein Huld gebiert die schuld	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Allein Dein Huld gebiert die schuld Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 5v Genres: Song Voice: [no designation] Languages: German Voice Text: Allein dein huld
6	[untexted]	-	-
[untexted] - Appears on: 6 Genres: textless Voice: [no designation] Languages: none
6v–7	O schönes weib	-	Finck, Heinrich
O schönes weib Finck, Heinrich Appears on: 6v–7 Genres: Song Voice: [no designation] Languages: German Voice Text: O schönes weib
7v–8	[untexted]	-	-
[untexted] - Appears on: 7v–8 Genres: textless Voice: [no designation] Languages: none
8v–9	Tantum ergo sacramentum = Pange lingua gloriosi	-	Anonymous
Tantum ergo sacramentum = Pange lingua gloriosi Anonymous Appears on: 8v–9 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tantum ergo sacramentum (Pange lingua gloriosi)
9v–10	Ecce panis angelorum factus cibus	-	Anonymous
Ecce panis angelorum factus cibus Anonymous Appears on: 9v–10 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Ecce panis angelorum factus cibus
10v–11	[untexted]	-	-
[untexted] - Appears on: 10v–11 Genres: textless Voice: [no designation] Languages: none
11v–12	[untexted]	-	-
[untexted] - Appears on: 11v–12 Genres: textless Voice: [no designation] Languages: none
12v	Duo	-	Despres, Josquin (ca. 1450–1521)
Duo Despres, Josquin (ca. 1450–1521) Appears on: 12v Genres: textless Voice: [no designation] Languages: insufficient Voice Text: Duo
13	[untexted dance]	-	-
[untexted dance] - Appears on: 13 Genres: Dance Voice: [no designation] Languages: none Voice Text: (Untexted) Dance
13v–14	[untexted]	-	-
[untexted] - Appears on: 13v–14 Genres: textless Voice: [no designation] Languages: none
14v	Ach lieb mit leid wie hast Dein B'scheid	-	Hofhaimer, Paul
Ach lieb mit leid wie hast Dein B'scheid Hofhaimer, Paul Appears on: 14v Genres: Song Voice: [no designation] Languages: German Voice Text: Ach lieb mit laid
15	[untexted]	-	-
[untexted] - Appears on: 15 Genres: textless Voice: [no designation] Languages: none
15v	So man lang macht betracht und acht [S284, 5vv]	-	Senfl, Ludwig (ca. 1486–ca. 1543)
So man lang macht betracht und acht [S284, 5vv] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 15v Genres: Lied Voice: [no designation] Languages: German Voice Text: So man lang macht betracht
16	[untexted]	-	-
[untexted] - Appears on: 16 Genres: textless Voice: [no designation] Languages: none
16v–17	[untexted]	-	-
[untexted] - Appears on: 16v–17 Genres: textless Voice: [no designation] Languages: none
17v–18	[untexted]	-	-
[untexted] - Appears on: 17v–18 Genres: textless Voice: [no designation] Languages: none
18v–19	La Gambetta: Mantuanner dantz de schallter cel	-	Anonymous
La Gambetta: Mantuanner dantz de schallter cel Anonymous Appears on: 18v–19 Genres: Dance Voice: [no designation] Languages: none Voice Text: La Gambetta: Mantuanner dantz de schallter cel.
19v	Mir ist ein schoöns maidelein	-	Anonymous
Mir ist ein schoöns maidelein Anonymous Appears on: 19v Genres: Song Voice: [no designation] Languages: German Voice Text: Mir ist ein schoöns maidelein
20	Passamezzo moderno	-	Anonymous
Passamezzo moderno Anonymous Appears on: 20 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Passamezzo moderno
20v	La Monina	-	Anonymous
La Monina Anonymous Appears on: 20v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: La Monina
21v	[untexted]	-	-
[untexted] - Appears on: 21v Genres: textless Voice: [no designation] Languages: none
22v	Ir zucht und lob	-	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Ir zucht und lob Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 22v Genres: Song Voice: [no designation] Languages: German Voice Text: Ir zucht und lob
23	Geduld und Huld will haben ich und leiden	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Geduld und Huld will haben ich und leiden Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 23 Genres: Sacred Song Voice: [no designation] Languages: German Voice Text: Geduld umb huld
23v–24	Dies est laetitiae in ortu regali (M33)	-	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Dies est laetitiae in ortu regali (M33) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 23v–24 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dies est laetitiae in ortu regali
24v	Geduld und Huld will haben ich und leiden	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Geduld und Huld will haben ich und leiden Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 24v Genres: Sacred Song Voice: [no designation] Languages: German Voice Text: Geduld umb huld
25	Dies est laetitiae in ortu regali (M33)	-	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Dies est laetitiae in ortu regali (M33) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 25 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dies est laetitiae in ortu regali General Note single voice (D) only
25v–26	Christ ist erstanden	-	Anonymous
Christ ist erstanden Anonymous Appears on: 25v–26 Genres: Hymn, Motet, Sacred Song Voice: [no designation] Languages: German Voice Text: Christ ist erstanden
26v–27	Weibliche Zucht	-	Anonymous
Weibliche Zucht Anonymous Appears on: 26v–27 Genres: Song Voice: [no designation] Languages: German Voice Text: Wipliche zucht
27v–28	Elend hat mich umfangen	-	Anonymous
Elend hat mich umfangen Anonymous Appears on: 27v–28 Genres: Song Voice: [no designation] Languages: German Voice Text: Ellent hat mich umfangen
28v	Ein Maidlein weiss mit fleis	-	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Ein Maidlein weiss mit fleis Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 28v Genres: Song Voice: [no designation] Languages: German Voice Text: Ain maidlein weis mit vleis
29	Gehe wie es will, demnach ich soll mich	-	Wolff, Martin
Gehe wie es will, demnach ich soll mich Wolff, Martin Appears on: 29 Genres: Song Voice: [no designation] Languages: German Voice Text: Geh wie es woll
29v–30	Ach Jupiter hetzt du gewalt so manigfalt	-	von Fulda, Adam (ca. 1445–1505)
Ach Jupiter hetzt du gewalt so manigfalt von Fulda, Adam (ca. 1445–1505) Appears on: 29v–30 Genres: Song Voice: [no designation] Languages: German Voice Text: Ach Juppiter hetstu gewalt
30v	Dies sind die Heilgen Zehn Gebot [ii]	-	Walter, Johann (1496–1570)
Dies sind die Heilgen Zehn Gebot [ii] Walter, Johann (1496–1570) Appears on: 30v Genres: Chorale, Sacred Song Voice: [no designation] Languages: German Voice Text: Dis sind die hailigen zehn gebot
31v–32	Si sumpsero pennas meas diluculo	-	Obrecht, Jacobus (ca. 1457–1505)
Si sumpsero pennas meas diluculo Obrecht, Jacobus (ca. 1457–1505) Appears on: 31v–32 Genres: Psalm motet Voice: [no designation] Languages: Latin Voice Text: Si sumpsero pennas meas diluculo
32v–33	Apollo aller Kunst ein hort, vernimm mein Wort	-	von Fulda, Adam (ca. 1445–1505)
Apollo aller Kunst ein hort, vernimm mein Wort von Fulda, Adam (ca. 1445–1505) Appears on: 32v–33 Voice: [no designation] Languages: German Voice Text: Apollo aller kunst ein hort
33v–34	Christ ist erstanden	-	Anonymous
Christ ist erstanden Anonymous Appears on: 33v–34 Genres: Hymn, Motet, Sacred Song Voice: [no designation] Languages: German Voice Text: Christ ist erstanden
34v	Si sumpsero pennas meas diluculo	-	Obrecht, Jacobus (ca. 1457–1505)
Si sumpsero pennas meas diluculo Obrecht, Jacobus (ca. 1457–1505) Appears on: 34v Genres: Psalm motet Voice: [no designation] Languages: Latin Voice Text: Si sumpsero pennas meas diluculo
35	Zwischen Berg und tiefe Tal, da liegt	-	Isaac, Heinrich (ca. 1450–1517)
Zwischen Berg und tiefe Tal, da liegt Isaac, Heinrich (ca. 1450–1517) Appears on: 35 Genres: Song Voice: [no designation] Languages: German Voice Text: Zwischen berg und tiefe tal
35v	Mein herz hat sich mit lieb	-	Senfl, Ludwig (ca. 1486–ca. 1543) (?) Hofhaimer, Paul (?)
Mein herz hat sich mit lieb Senfl, Ludwig (ca. 1486–ca. 1543) (?) Hofhaimer, Paul (?) Appears on: 35v Genres: Lied Voice: [no designation] Languages: German Voice Text: Mein hertz hat sich zu dir verpflicht
36v–38	Missus est Gabriel angelus ad Mariam 20.6	-	Despres, Josquin (ca. 1450–1521)
Missus est Gabriel angelus ad Mariam 20.6 Despres, Josquin (ca. 1450–1521) Appears on: 36v–38 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Missus est Gabriel
38v–40	Missus est Gabriel angelus ad Mariam 20.6	Josquinus	Despres, Josquin (ca. 1450–1521)
Missus est Gabriel angelus ad Mariam 20.6 Despres, Josquin (ca. 1450–1521) Appears on: 38v–40 Genres: Motet Source Attribution: Josquinus Voice: [no designation] Languages: Latin Voice Text: Missus est Gabriel angelus
40v–42	Fors seulement l'attente que je meure	-	Anonymous
Fors seulement l'attente que je meure Anonymous Appears on: 40v–42 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Fors seullement
42v–43	Entre je suis en grand pensée 28.13	-	Despres, Josquin (ca. 1450–1521)
Entre je suis en grand pensée 28.13 Despres, Josquin (ca. 1450–1521) Appears on: 42v–43 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Entre je suis (In meinen sinn)
43v–44	Delevi ut nubem iniquitates tuas (= Faulte d'argent c'est douleur non pareille 29.7)	-	Despres, Josquin (ca. 1450–1521)
Delevi ut nubem iniquitates tuas (= Faulte d'argent c'est douleur non pareille 29.7) Despres, Josquin (ca. 1450–1521) Appears on: 43v–44 Genres: Contrafactum, Motet Voice: [no designation] Languages: French Voice Text: Faulte dargennt
44v–45	Le villain 28.22	-	Despres, Josquin (ca. 1450–1521)
Le villain 28.22 Despres, Josquin (ca. 1450–1521) Appears on: 44v–45 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Le villain
45v–46	Mijn herz altijt heeft verlanghen	-	Rue, Pierre de la (ca. 1452–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Mijn herz altijt heeft verlanghen Rue, Pierre de la (ca. 1452–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 45v–46 Genres: Italian secular Voice: [no designation] Languages: French Voice Text: Dung aultre amer
46	D'un autre aimer mon coeur s'abesseroit (II)	-	Agricola, Alexander (ca. 1445–1506)
D'un autre aimer mon coeur s'abesseroit (II) Agricola, Alexander (ca. 1445–1506) Appears on: 46 Genres: Chanson General Note Ct & B only; S & T @ f.57v
46v–47	Fortuna desperata iniqua e maledecta	-	Agricola, Alexander (ca. 1445–1506)
Fortuna desperata iniqua e maledecta Agricola, Alexander (ca. 1445–1506) Appears on: 46v–47 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Fortuna desperata
47v–49	Ave domina sancta Maria	-	Agricola, Alexander (ca. 1445–1506)
Ave domina sancta Maria Agricola, Alexander (ca. 1445–1506) Appears on: 47v–49 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave domina sancta Maria
49v–50	Ave domina sancta Maria	-	Agricola, Alexander (ca. 1445–1506)
Ave domina sancta Maria Agricola, Alexander (ca. 1445–1506) Appears on: 49v–50 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave domina sancta Maria
50v–51	Dulces exuviae dum fata Deusque	-	Agricola, Alexander (ca. 1445–1506)
Dulces exuviae dum fata Deusque Agricola, Alexander (ca. 1445–1506) Appears on: 50v–51 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dulces exuviae dum fata deusque
51v–53	Tout a par moi (I)	-	Agricola, Alexander (ca. 1445–1506)
Tout a par moi (I) Agricola, Alexander (ca. 1445–1506) Appears on: 51v–53 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Tout a par moi
53v–54	D'un autre aimer mon coeur s'abesseroit (I)	-	Agricola, Alexander (ca. 1445–1506)
D'un autre aimer mon coeur s'abesseroit (I) Agricola, Alexander (ca. 1445–1506) Appears on: 53v–54 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Dung aultre amer
54v–55	[untexted]	-	-
[untexted] - Appears on: 54v–55 Genres: textless Voice: [no designation] Languages: none
55v–57	Le serviteur	-	Anonymous
Le serviteur Anonymous Appears on: 55v–57 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Le serviteur
57v	D'un autre aimer mon coeur s'abesseroit (II)	-	Agricola, Alexander (ca. 1445–1506)
D'un autre aimer mon coeur s'abesseroit (II) Agricola, Alexander (ca. 1445–1506) Appears on: 57v Genres: Chanson General Note S & T only; Ct & B @ f.46
58	[untexted]	-	-
[untexted] - Appears on: 58 Genres: textless Voice: [no designation] Languages: none
58v–59	[untexted]	-	-
[untexted] - Appears on: 58v–59 Genres: textless Voice: [no designation] Languages: none
59v–60	Pater noster	-	Anonymous
Pater noster Anonymous Appears on: 59v–60 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pater noster
60v–61	Pater noster qui es in caelis	-	Anonymous
Pater noster qui es in caelis Anonymous Appears on: 60v–61 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pater noster qui es in caelis
61v–62	Damoiselle	-	Anonymous
Damoiselle Anonymous Appears on: 61v–62 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Damoiselle
62v–63	[untexted]	-	-
[untexted] - Appears on: 62v–63 Genres: textless Voice: [no designation] Languages: none
63v–64	[untexted]	-	-
[untexted] - Appears on: 63v–64 Genres: textless Voice: [no designation] Languages: none
64v–65	[untexted]	-	-
[untexted] - Appears on: 64v–65 Genres: textless Voice: [no designation] Languages: none
65v	[untexted]	-	-
[untexted] - Appears on: 65v Genres: textless Voice: [no designation] Languages: none
66	[untexted]	-	-
[untexted] - Appears on: 66 Genres: textless Voice: [no designation] Languages: none
66v–67	Unser Pfarrer ist auf der Bahn	-	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Unser Pfarrer ist auf der Bahn Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 66v–67 Genres: Song Voice: [no designation] Languages: German Voice Text: Unser Pfarrer ist auf der Bahn
67v–69	[untexted]	-	-
[untexted] - Appears on: 67v–69 Genres: textless Voice: [no designation] Languages: none
69v–70	O Mutter Gotts mein zuversicht	-	Anonymous
O Mutter Gotts mein zuversicht Anonymous Appears on: 69v–70 Genres: Sacred Song Voice: [no designation] Languages: German Voice Text: O Mutter Gotts mein zuversicht
70	[untexted]	-	-
[untexted] - Appears on: 70 Genres: textless Voice: [no designation] Languages: none
70v	Mein glick gat auf die seiten aus	-	Anonymous
Mein glick gat auf die seiten aus Anonymous Appears on: 70v Genres: Song Voice: [no designation] Languages: German Voice Text: Mein glick gat auf die seiten aus
71	Mein dienst und treu ich clag	-	Anonymous
Mein dienst und treu ich clag Anonymous Appears on: 71 Genres: Song Voice: [no designation] Languages: German Voice Text: Mein dienst und treu ich clag
71v	Jetz Scheidens Weh	-	Anonymous
Jetz Scheidens Weh Anonymous Appears on: 71v Genres: Song Voice: [no designation] Languages: German Voice Text: Jetz schaidens wee
72	Es leit so harrt	-	Dietrich, Sixt (ca. 1493–1548)
Es leit so harrt Dietrich, Sixt (ca. 1493–1548) Appears on: 72 Genres: Song Voice: [no designation] Languages: German Voice Text: Es leit so hart
72v–73	Hilf fraw von Ach	-	Anonymous
Hilf fraw von Ach Anonymous Appears on: 72v–73 Genres: Song Voice: [no designation] Languages: German Voice Text: Hilff fraw von Ach
73v–74	Ach Maidlein rein ich hab allein	-	Grefinger, Wolfgang (?) Senfl, Ludwig (ca. 1486–ca. 1543)
Ach Maidlein rein ich hab allein Grefinger, Wolfgang (?) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 73v–74 Genres: Song Voice: [no designation] Languages: German Voice Text: Ach medlin rain ich dir allain
74v–75	Kein Lieb ahn Leid	-	Anonymous
Kein Lieb ahn Leid Anonymous Appears on: 74v–75 Genres: Song Voice: [no designation] Languages: German Voice Text: Kain lieb an laid
75v	Er weiblich zuicht	-	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Er weiblich zuicht Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 75v Genres: Song Voice: [no designation] Languages: German Voice Text: Er weiblich zuicht
76v–77	[untexted]	-	-
[untexted] - Appears on: 76v–77 Genres: textless Voice: [no designation] Languages: none

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	Ave domina sancta Maria – 49v–50 Ave domina sancta Maria – 47v–49 D'un autre aimer mon coeur s'abesseroit (I) – 53v–54 D'un autre aimer mon coeur s'abesseroit (II) – 46 D'un autre aimer mon coeur s'abesseroit (II) – 57v Dulces exuviae dum fata Deusque – 50v–51 Fortuna desperata iniqua e maledecta – 46v–47 Tout a par moi (I) – 51v–53
Anonymous	Christ ist erstanden – 25v–26 Christ ist erstanden – 33v–34 Damoiselle – 61v–62 Ecce panis angelorum factus cibus – 9v–10 Elend hat mich umfangen – 27v–28 Fors seulement l'attente que je meure – 40v–42 Hilf fraw von Ach – 72v–73 Jetz Scheidens Weh – 71v Kein Lieb ahn Leid – 74v–75 La Gambetta: Mantuanner dantz de schallter cel – 18v–19 La Monina – 20v Le serviteur – 55v–57 Mein dienst und treu ich clag – 71 Mein glick gat auf die seiten aus – 70v Mir ist ein schoöns maidelein – 19v O Mutter Gotts mein zuversicht – 69v–70 Pange lingua gloriosi corporis misterium – 4v–5 Pange lingua gloriosi corporis misterium – 4v–5 Passamezzo moderno – 20 Pater noster – 59v–60 Pater noster qui es in caelis – 60v–61 Tantum ergo sacramentum = Pange lingua gloriosi – 8v–9 Weibliche Zucht – 26v–27 [untexted dance] – 13 [untexted] – 13v–14 [untexted] – 54v–55 [untexted] – 62v–63 [untexted] – 58v–59 [untexted] – 7v–8 [untexted] – 10v–11 [untexted] – 63v–64 [untexted] – 58 [untexted] – 16 [untexted] – 16v–17 [untexted] – 15 [untexted] – 17v–18 [untexted] – 21v [untexted] – 6 [untexted] – 11v–12 [untexted] – 76v–77 [untexted] – 64v–65 [untexted] – 70 [untexted] – 67v–69 [untexted] – 66 [untexted] – 65v
Despres, Josquin (ca. 1450–1521)	Delevi ut nubem iniquitates tuas (= Faulte d'argent c'est douleur non pareille 29.7) – 43v–44 Duo – 12v Entre je suis en grand pensée 28.13 – 42v–43 Le villain 28.22 – 44v–45 Missus est Gabriel angelus ad Mariam 20.6 – 36v–38 Missus est Gabriel angelus ad Mariam 20.6 – 38v–40
Dietrich, Sixt (ca. 1493–1548)	Es leit so harrt – 72
Finck, Heinrich	O schönes weib – 6v–7
Grefinger, Wolfgang	(?) Ach Maidlein rein ich hab allein – 73v–74
Hofhaimer, Paul	Ach lieb mit leid wie hast Dein B'scheid – 14v Festum nunc celebre – 1v–2 Festum nunc celebre – 1v–2 (?) Mein herz hat sich mit lieb – 35v
Isaac, Heinrich (ca. 1450–1517)	Zwischen Berg und tiefe Tal, da liegt – 35
Obrecht, Jacobus (ca. 1457–1505)	(?) Mijn herz altijt heeft verlanghen – 45v–46 Si sumpsero pennas meas diluculo – 31v–32 Si sumpsero pennas meas diluculo – 34v
Rue, Pierre de la (ca. 1452–1518)	(?) Mijn herz altijt heeft verlanghen – 45v–46
Senfl, Ludwig (ca. 1486–ca. 1543)	Ach Maidlein rein ich hab allein – 73v–74 Allein Dein Huld gebiert die schuld – 5v (?) Dies est laetitiae in ortu regali (M33) – 23v–24 (?) Dies est laetitiae in ortu regali (M33) – 25 (?) Ein Maidlein weiss mit fleis – 28v (?) Er weiblich zuicht – 75v Geduld und Huld will haben ich und leiden – 24v Geduld und Huld will haben ich und leiden – 23 (?) Ir zucht und lob – 22v (?) Mein herz hat sich mit lieb – 35v So man lang macht betracht und acht [S284, 5vv] – 15v Surge virgo - 1a pars (of 3): Surge virgo et nostras sponso preces aperi – 2v–4 (?) Unser Pfarrer ist auf der Bahn – 66v–67
Walter, Johann (1496–1570)	Dies sind die Heilgen Zehn Gebot [ii] – 30v
Wolff, Martin	Gehe wie es will, demnach ich soll mich – 29
von Fulda, Adam (ca. 1445–1505)	Ach Jupiter hetzt du gewalt so manigfalt – 29v–30 Apollo aller Kunst ein hort, vernimm mein Wort – 32v–33

Composition	Composers (? Uncertain)	Folios / Pages
[untexted dance]	-	13
[untexted]	-	6
[untexted]	-	7v–8
[untexted]	-	10v–11
[untexted]	-	11v–12
[untexted]	-	13v–14
[untexted]	-	15
[untexted]	-	16
[untexted]	-	16v–17
[untexted]	-	17v–18
[untexted]	-	21v
[untexted]	-	54v–55
[untexted]	-	58
[untexted]	-	58v–59
[untexted]	-	62v–63
[untexted]	-	63v–64
[untexted]	-	64v–65
[untexted]	-	65v
[untexted]	-	66
[untexted]	-	67v–69
[untexted]	-	70
[untexted]	-	76v–77
Ach Jupiter hetzt du gewalt so manigfalt	von Fulda, Adam (ca. 1445–1505)	29v–30
Ach lieb mit leid wie hast Dein B'scheid	Hofhaimer, Paul	14v
Ach Maidlein rein ich hab allein	Grefinger, Wolfgang (?) Senfl, Ludwig (ca. 1486–ca. 1543)	73v–74
Allein Dein Huld gebiert die schuld	Senfl, Ludwig (ca. 1486–ca. 1543)	5v
Apollo aller Kunst ein hort, vernimm mein Wort	von Fulda, Adam (ca. 1445–1505)	32v–33
Ave domina sancta Maria	Agricola, Alexander (ca. 1445–1506)	47v–49
Ave domina sancta Maria	Agricola, Alexander (ca. 1445–1506)	49v–50
Christ ist erstanden	Anonymous	25v–26
Christ ist erstanden	Anonymous	33v–34
D'un autre aimer mon coeur s'abesseroit (I)	Agricola, Alexander (ca. 1445–1506)	53v–54
D'un autre aimer mon coeur s'abesseroit (II)	Agricola, Alexander (ca. 1445–1506)	46
D'un autre aimer mon coeur s'abesseroit (II)	Agricola, Alexander (ca. 1445–1506)	57v
Damoiselle	Anonymous	61v–62
Delevi ut nubem iniquitates tuas (= Faulte d'argent c'est douleur non pareille 29.7)	Despres, Josquin (ca. 1450–1521)	43v–44
Dies est laetitiae in ortu regali (M33)	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	23v–24
Dies est laetitiae in ortu regali (M33)	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	25
Dies sind die Heilgen Zehn Gebot [ii]	Walter, Johann (1496–1570)	30v
Dulces exuviae dum fata Deusque	Agricola, Alexander (ca. 1445–1506)	50v–51
Duo	Despres, Josquin (ca. 1450–1521)	12v
Ecce panis angelorum factus cibus	Anonymous	9v–10
Ein Maidlein weiss mit fleis	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	28v
Elend hat mich umfangen	Anonymous	27v–28
Entre je suis en grand pensée 28.13	Despres, Josquin (ca. 1450–1521)	42v–43
Er weiblich zuicht	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	75v
Es leit so harrt	Dietrich, Sixt (ca. 1493–1548)	72
Festum nunc celebre	Hofhaimer, Paul	1v–2
Festum nunc celebre	Hofhaimer, Paul	1v–2
Fors seulement l'attente que je meure	Anonymous	40v–42
Fortuna desperata iniqua e maledecta	Agricola, Alexander (ca. 1445–1506)	46v–47
Geduld und Huld will haben ich und leiden	Senfl, Ludwig (ca. 1486–ca. 1543)	23
Geduld und Huld will haben ich und leiden	Senfl, Ludwig (ca. 1486–ca. 1543)	24v
Gehe wie es will, demnach ich soll mich	Wolff, Martin	29
Hilf fraw von Ach	Anonymous	72v–73
Ir zucht und lob	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	22v
Jetz Scheidens Weh	Anonymous	71v
Kein Lieb ahn Leid	Anonymous	74v–75
La Gambetta: Mantuanner dantz de schallter cel	Anonymous	18v–19
La Monina	Anonymous	20v
Le serviteur	Anonymous	55v–57
Le villain 28.22	Despres, Josquin (ca. 1450–1521)	44v–45
Mein dienst und treu ich clag	Anonymous	71
Mein glick gat auf die seiten aus	Anonymous	70v
Mein herz hat sich mit lieb	Senfl, Ludwig (ca. 1486–ca. 1543) (?) Hofhaimer, Paul (?)	35v
Mijn herz altijt heeft verlanghen	Rue, Pierre de la (ca. 1452–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	45v–46
Mir ist ein schoöns maidelein	Anonymous	19v
Missus est Gabriel angelus ad Mariam 20.6	Despres, Josquin (ca. 1450–1521)	36v–38
Missus est Gabriel angelus ad Mariam 20.6	Despres, Josquin (ca. 1450–1521)	38v–40
O Mutter Gotts mein zuversicht	Anonymous	69v–70
O schönes weib	Finck, Heinrich	6v–7
Pange lingua gloriosi corporis misterium	Anonymous	4v–5
Pange lingua gloriosi corporis misterium	Anonymous	4v–5
Passamezzo moderno	Anonymous	20
Pater noster	Anonymous	59v–60
Pater noster qui es in caelis	Anonymous	60v–61
Si sumpsero pennas meas diluculo	Obrecht, Jacobus (ca. 1457–1505)	31v–32
Si sumpsero pennas meas diluculo	Obrecht, Jacobus (ca. 1457–1505)	34v
So man lang macht betracht und acht [S284, 5vv]	Senfl, Ludwig (ca. 1486–ca. 1543)	15v
Surge virgo - 1a pars (of 3): Surge virgo et nostras sponso preces aperi	Senfl, Ludwig (ca. 1486–ca. 1543)	2v–4
Tantum ergo sacramentum = Pange lingua gloriosi	Anonymous	8v–9
Tout a par moi (I)	Agricola, Alexander (ca. 1445–1506)	51v–53
Unser Pfarrer ist auf der Bahn	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	66v–67
Weibliche Zucht	Anonymous	26v–27
Zwischen Berg und tiefe Tal, da liegt	Isaac, Heinrich (ca. 1450–1517)	35

‡ denotes primary source study

Gottwald, Clytus. 1974. Die Musikhandschriften der Staats- und Stadtbibliothek Augsburg. Handschriftenkataloge der Staats- und Stadtbibliothek Augsburg. Wiesbaden. Pages: 4-10.

Benthem, Jaap van. 1968-70. Die Chanson Entré je suis à 4 von Josquin des Prez und ihre Überlieferung. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 203-10.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II,7.

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Wiesbaden. Pages: 230-42.

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,iv,xxii,l-3; V,lxvi-lxvii,lxxi,68-70).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation.

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: VI,93.

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken. Amsterdam. Pages: II,v.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I,444-5.

Schletterer, H M. 1878=79. Katalog der in der Kreis- und Stadt-Bibliothek ... zu Augsburg befindlichen Musikwerke. Monatshefte für Musikgeschichte, .

Eitner, Robert. 1873. Ein Liedercodex aus dem Anfange des sechszehnten Jahrhunderts. Monatshefte für Musikgeschichte, 117-22.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description