Copied by Johannes Dreher, for the monastery of Sts. Ulrich and Afra, Augsburg. Belongs to a set of manuscripts from the monastery of Sts. Ulrich and Afra (including AugsS 1, 4, 7, 19, 23, and others not listed in this catalogue), all of which share common scribes, watermarks, and initials.
D-As Tonkunst Schletterer 20
Staats- und Stadtbibliothek, Augsburg, Germany
manuscript of polyphony: 1602
| Archive | Staats- und Stadtbibliothek, Augsburg, Germany (D-As) |
|---|---|
| Shelfmark | Tonkunst Schletterer 20 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 565 x 430 mm |
| Other Identifiers |
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| Notations |
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| Copyists |
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| Provenance |
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| Contents | Contains 50 compositions from 8 composers. |
General Description
Binding
Original covers of tan tooled leather over boards.
Notation
black void mensural
Date
1602 (date in many places in manuscript)
Foliation
Modern foliation
Decoration
A full-page woodblock illustration, coloured by hand, prefaces each set of 8 Magnificats; both primary and secondary initials are also woodblocks
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
50 Magnificats
Asola-1, Cavaccio-8, Gastoldi-8, Lechner-8, Philippe de Monte-8, Morales-8, Palestrina-8, Tudino-1
342 paper folios, 565 x 430. Modern foliation. Original covers of tan tooled leather over boards. No index. Copied by Johannes Dreher. A full-page woodblock illustration, colored by hand, prefaces each set of 8 Magnificats; both primary and secondary initials are also woodblocks. Belongs to a set of manuscripts from the monastery of Sts. Ulrich and Afra (including AugsS 1, 4, 7, 19, 23, and others not listed in this catalogue), all of which share common scribes, watermarks, and initials.
1602 (date in many places in manuscript). Copied for the monastery of Sts. Ulrich and Afra, Augsburg.
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‡ denotes primary source study
Gottwald, Clytus. 1974. Die Musikhandschriften der Staats- und Stadtbibliothek Augsburg. Handschriftenkataloge der Staats- und Stadtbibliothek Augsburg, vol. I. Wiesbaden. Pages: 116-20. Notes: physical description; contents list; concordances.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 119. Notes: contents list (partial); concordances (partial); incipits (partial).
Ameln, Konrad (editor). 1956-. Leonhard Lechner. Kassel and Basel. Pages: IV,xvi,47. Notes: physical description (partial); contents list; facsimile (partial).
Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XVII,44. Notes: mention of MS.
Schletterer, H M. 1878=79. Katalog der in der Kreis- und Stadt-Bibliothek ... zu Augsburg befindlichen Musikwerke. Monatshefte für Musikgeschichte, 10-11: . Pages: 6. Notes: contents list.
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Edward Tambling
Friday, 19 July, 2024
Composer corrected on the de Monte magnificat settings (ff. 131v-167)
Karen Cook
Tuesday, 3 July, 2018
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description