D-As Tonkunst Schletterer 7

Staats- und Stadtbibliothek, Augsburg, Germany

manuscript of polyphony: 1576

Archive Staats- und Stadtbibliothek, Augsburg, Germany (D-As)
Shelfmark Tonkunst Schletterer 7
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Numbering System Foliation
Measurements 570 x 430 mm
Other Identifiers
  • CCM: AugsS 7
  • olim (Former shelfmark): SchlettKK 31
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 57 pieces from 7 composers
General Description

Copied by Johannes Dreher, for the monastery of Sts. Ulrich and Afra, Augsburg. Belongs to a set of manuscripts from the monastery of Sts. Ulrich and Afra (including AugsS 1, 4, 19, 20, 23, and others not listed in this catalogue), all of which share common scribes, watermarks, and initials.

DIAMM, 2017
Binding

Original covers of tan leather over boards. On cover: 'Pars ESTIVALIS / DIVINORUM OFFICIORUM a Festo / Pentecostes Usque ad / Christi Nativitatem. '

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Modern pencil foliation

DIAMM, 2017
Decoration

Woodblock initials

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Requiem Mass, 13 Mass Proper cycles, 1 Te Deum, 1 motet, 1 set of responses = 17

Gastel-1, Isaac-11, (Josquin/Mouton/Silva)-1, Kerle-2, anon-2

293 paper folios, 570 x 430. Modern pencil foliation. Original covers of tan leather over boards. No index. Copied by Johannes Dreher. Woodblock initials. On cover: "Pars ESTIVALIS / DIVINORUM OFFICIORUM a Festo / Pentecostes Usque ad / Christi Nativitatem. ' ' Belongs to a set of manuscripts from the monastery of Sts. Ulrich and Afra (including AugsS 1, 4, 19, 20, 23, and others not listed in this catalogue), all of which share common scribes, watermarks, and initials.

1576 (date on cover and in various places within manuscript). Copied for the monastery of Sts. Ulrich and Afra, Augsburg.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–1v Latin verse [text only] - -

Latin verse [text only]

Appears on: 1–1v
Voice: [no designation]
Languages: Latin
Voice Text: Latin verse
2–6 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu] Henrico Isaac
Appears on: 2–6
Genres: Introit
Source Attribution: Henrico Isaac
Voice: [no designation]
Languages: Latin
Voice Text: (Spiritus domini) Replevit orbem terrarum Vs: (Confirma hoc deus) A templo sancto
5v–8 Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu] [Isaac]
Appears on: 5v–8
Genres: Alleluia, Motet, Veni sancte spiritus
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Veni sancte spiritus reple tuorum
8v–19 Sancti spiritus adsit nobis gratia Que corda nostra sibi faciat [Proprium De Sancto Spiritu] [Isaac]
Appears on: 8v–19
Genres: Sequence
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Sancti spiritus adsit nobis gratia] Que corda nostra sibi faciat
19v–21 Factus est repente Advenientis spiritus [Proprium De Sancto Spiritu] [Isaac]
Appears on: 19v–21
Genres: Communion
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Factus est repente) Advenientis spiritus
General Note

T Dom. Pent. (MisRom, mit abweichungen), AH Nr.70; K Formschneider 1550-55, Regensburg Prosk C96; A DTO XVI I,56

22v–25 Asperges me Domine isopo et mundabor Henrico Isaac
Appears on: 22v–25
Genres: Asperges me, Motet
Source Attribution: Henrico Isaac
Voice: [no designation]
Languages: Latin
Voice Text: (Asperges me) Domine hysopo et mundabor
General Note

Partes nicht angegeben; K Formischneider 1550-55; A DTO V I,7

26v–28 Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] Henricus Isaac
Appears on: 26v–28
Genres: Introit
Source Attribution: Henricus Isaac
Voice: [no designation]
Languages: Latin
Voice Text: (Benedicta) Sit sancta trinitas atque Vs: (Benedicamus patrem) Cum sancto spiritu
28v–31 Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate] [Isaac]
Appears on: 28v–31
Genres: Alleluia, Hymn
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Benedictus es domine deus
31v–41 Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate] [Isaac]
Appears on: 31v–41
Genres: Sequence
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Benedicta semper sancta sit trinitas] Pater filius sanctus spiritus tria sunt
41v–43 Benedicite Deum caeli et coram omnibus [Proprium de SS Trinitate] [Isaac]
Appears on: 41v–43
Genres: Communion
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Benedicite) Deum celi et coram omnibus
General Note

T Trinitatis MisRom), AH 53 Nr.81; K Formschneider 1550-55 (gesamtes Offizium), Breslau 92, Regensburg Proske 1.R. 895. C 100 (Introitus), Stuttgart 1 32 (Introitus, Alleluia und Sequenz); A DTO V 1,9

44a–47 Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo Jubilate deo Jacob [Proprium de Corpore Christi] H: Isaac
Appears on: 44a–47
Genres: Introit
Source Attribution: H: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: (Cibavit eos) Ex adipe frumenti alleluia Vs: (Exultate deo) Iubilate deo Jacob
46v–50 Alleluia. Caro mea vere est cibus [Proprium de Corpore Christi] [Isaac]
Appears on: 46v–50
Genres: Alleluia, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Caro mea vere est cibus
50v–62 Lauda Sion salvatorem lauda ducem Quantum potes tantum gaude [Proprium de Corpore Christi] [Isaac]
Appears on: 50v–62
Genres: Sequence
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Lauda Sion salvatorem lauda ducem] Quantum potes tantum gaude
62v–64 Qui manducat carnem Et bibit meum sanguinem [Proprium de Corpore Christi] [Isaac]
Appears on: 62v–64
Genres: Communion
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Qui manducat carnem) Et bibit meum sanguinem
General Note

T Corp. Christi (MisRom), AH 50 Nr.385; K Formschneider 1550-55 Stuttgart 1 40 (Introitus, Alleluia und Sequenz); A DTO XVI 1,65

65a–68 Statuit ei Dominus testamentum pacis Vs: Memento Domine David Et omnis [Mass proper I/IV] H.I. [= Isaac]
Appears on: 65a–68
Genres: Introit
Source Attribution: H.I. [= Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Statuit) Ei dominus testamentum pacis Vs: (Misericordias domini) In eternum cantabo
68v–71 Alleluia. Juravit Dominus et non penitebit [Mass proper I/IV] [Isaac]
Appears on: 68v–71
Genres: Alleluia, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Iuravit dominus et non penitebit
71v–83 Udalrici benedici Christi regis ut amici [Mass proper I] [Isaac]
Appears on: 71v–83
Genres: Sequence
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Udalrici benedici Christi regis ut amici
83v–85 Beatus servus Veni cum venerit Dominus [Mass proper I] [Isaac]
Appears on: 83v–85
Genres: Communion
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Beatus servus) Veni cum venerit dominus
General Note

T Comm. Conf. et Ep. (MisRom, mit Abweichungen), AH 55 Nr.332; K Formschneider 1550-55 (ohne Sequenz), Berlin 40 024, Wien ÖNB 18745 (Introitus und Alleluia), Sequenz Unikum; A Choralis constantinus III, 195 (Introitus). III, 204 (Alleluia), DTO XVI 1,190 (Communio)

86a–89 Gaudeamus omnes in Domino diem festum [Mass proper II] Henrico Isaac
Appears on: 86a–89
Genres: Introit
Source Attribution: Henrico Isaac
Voice: [no designation]
Languages: Latin
Voice Text: (Gaudeamus) Omnes in domino diem festum Vs: (Eructavit cor meum) Dico ego opera
89v–91 Alleluia. Diffusa est gratia in labiis [Mass proper II] [Isaac]
Appears on: 89v–91
Genres: Alleluia, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Diffusa est gratia in labiis
91v–103 Botrus Cipri reflorescit de labrusca [Mass proper II] [Isaac]
Appears on: 91v–103
Genres: Sequence
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Botrus Cipri reflorescit de labrusca
103v–104 Dico vobis Gaudium est angelis Dei [Mass proper II] [Isaac]
Appears on: 103v–104
Genres: Communion
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Dico vobis) Gaudium est angelis dei
General Note

T S.Agathae (MisRom, Introitus), AH 55 Nr.47; K Formschneider 1550-55 (ohne Sequenz), Berlin 40 024, Wien ÖNB 18745 (IAlleluia), Sequenz Unikum; A DTO XVI 1,174 (Introitus). III, 248(Alleluia), DTO XVI 1,190 (Communio)

105a–109 Gaudeamus omnes in Domino diem festum Vs: Eructavit cor meum Dico ego opera [Proprium de Assumptione BVM] H. Isaac
Appears on: 105a–109
Genres: Introit
Source Attribution: H. Isaac
Voice: [no designation]
Languages: Latin
Voice Text: (Gaudeamus) Omnes in domino diem festum Vs: (Exaltata est sancta) Virgo prudentissima
108v–111 Alleluia. Assumpta est Maria [Proprium de Assumptione BVM] [Isaac]
Appears on: 108v–111
Genres: Alleluia, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Assumpta est Maria in celum
111v–119 Congaudent angelorum chori gloriosae Quae sine virili commixtione genuit [Proprium de Assumptione BVM] [Isaac]
Appears on: 111v–119
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Congaudent angelorum chori gloriosae] Quae sine virili commixtione genuit
119v–121 Diffusa est gratia in labiis tuis [Proprium de Assumptione B. Virginis] [Isaac]
Appears on: 119v–121
Genres: Communion
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Diffusa est) Gratia in labiis tuis
General Note

T S.Agathae (MisRom, auf Maria umgeändert), AH 53 Nr.104; K Formschneider 1550-55; A DTO XVI 1,113. 198 (Communio)

122a–125 Set of responses - 1a pars (of 4): Et cum spiritu tuo Anon. Anonymous
Appears on: 122a–125
Genres: Response
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Set of responses] Et cum spiritu tuo. Amen. Gloria tibi domine ... etc.
125v–128 Set of responses - 2a pars (of 4): Amen Anon. Anonymous
Appears on: 125v–128
Genres: Response
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Set of responses] Et cum spiritu tuo. Amen. Gloria tibi domine ... etc.
128v–131 Set of responses - 3a pars (of 4): Gloria tibi Domine Anon. Anonymous
Appears on: 128v–131
Genres: Response
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Set of responses] Et cum spiritu tuo. Amen. Gloria tibi domine ... etc.
131v–132 Set of responses - 4a pars (of 4): Gloria tibi Domine etc Anon. Anonymous
Appears on: 131v–132
Genres: Response
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Set of responses] Et cum spiritu tuo. Gloria tibi domine
133a–136 Salve sancta parens enixa puerpera [Proprium de veneratione BVM] H. Isaac
Appears on: 133a–136
Genres: Introit
Source Attribution: H. Isaac
Voice: [no designation]
Languages: Latin
Voice Text: (Salve) Sancta parens enixa puerpera Vs: (Cenciant omnes) Quicunque celebrant
136v–139 Alleluia. Nativitas gloriosae virginis Mariae [Proprium de Nativitate BVM] [Isaac]
Appears on: 136v–139
Genres: Alleluia, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Nativitas gloriose virginis
139v–144 Lauda digna angelorum sanctorum [Proprium de Nativitate B. Mariae Virginis] [Isaac]
Appears on: 139v–144
Genres: Sequence
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Lauda digna angelorum sanctorum
144v–146 Beata viscera Mariae virginis que portaverunt [Proprium (de visitatione Mariae?)] [Isaac]
Appears on: 144v–146
Genres: Communion
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Beata viscera) Marie virginis que portaverunt
General Note

T Nat. BMV (MisRom, Introitus, Versus aus Responsorium Felix namque, Alleluia-Versus abweichend), AH 53 Nr.95; K Formschneider 1550-55 (gesantes Offizium), Berlin 40 024, München BSt Mus.36, Wien ÖNB 18745 (Introitus), A Choralis Constantius III, 317 (Introitus); DTO XVI 1,135 (IAlleluia und Sequenz). 181. (Communio)

147a–149 Judicant sancti gentes Et dominantur populis Vs: Exultate deo Jubilate deo Jacob [Mass proper III] [Isaac]
Appears on: 147a–149
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Iudicant sancti gentes) Et dominantur populis Vs: (Exultate deo) Iubilate deo Jacob
149v–151 Alleluia. Te martyrum candidatus [Mass proper III] [Isaac]
Appears on: 149v–151
Genres: Alleluia, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Te martyrum candidatus laudat
151v–165 O Narcisse promisisse tibi Deum Sed nunc urbem Augustinam fore sobole [Mass proper III] Anon.
Appears on: 151v–165
Genres: Sequence
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [O Narcisse promisisse tibi deum] Sed nunc urbem Augustinam fore sobole
165v–166 Anima nostra Sicut passer erepta est [Mass proper III] [Isaac]
Appears on: 165v–166
Genres: Communion
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Anima nostra) Sicut passer erepta est
General Note

T Vig. Omn. Sanctorum (MisRom, Introitus), AH 34 Nr.307; K Formschneider 1550-55 (ohne sequenz), Berlin 40 024 (Introitus, Alleluia und Communio); A Choralis Constantius III, 97 (Introitus); 117 (Alleluia). 149 (Communio)

167a–169 Statuit ei Dominus testamentum pacis Vs: Memento Domine David Et omnis [Mass proper I/IV] Anon.
Appears on: 167a–169
Genres: Introit
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Statuit) Ei dominus testamentum pacis Vs: (Memento domine David) Et omnis
169v–171 Alleluia. Juravit Dominus et non penitebit [Mass proper I/IV] Anon.
Appears on: 169v–171
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Iuravit dominus et non penitebit
171v–183 Splendor gloriae paternae jubar lucis Festa matris ad superne suspirare [Mass proper IV] Anon.
Appears on: 171v–183
Genres: Sequence
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Splendor gloriae paternae iubar lucis] Festa matris ad superne suspirare
183v–185 Beatus servus Quem cum venerit Dominus [Mass proper IV] Anon.
Appears on: 183v–185
Genres: Communion
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Beatus servus) Quem cum venerit dominus
General Note

T Comm. Conf. et Ep. (MisRom), AH 55 Nr.307

186a–189 Laetabitur justus In Domino [Commune unius martyris] [Isaac]
Appears on: 186a–189
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Letabitur iustus) In domino et sperabit Vs: (Exaudi deus oracionem) A timore inimici
189v–190 Alleluia. Laetabitur justus in Domino [Commune unius martyris] Anon.
Appears on: 189v–190
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Letabitur iustus in domino
190v–193 O Narcisse fons eloquio flos respirans [Commune Narcissi martyris] Anon.
Appears on: 190v–193
Genres: Sequence
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: O Narcisse fons eloquio flos respirans
193v–195 Qui vult venire post me Abneget semetipsum [Commune unius martyris] [Isaac]
Appears on: 193v–195
Genres: Communion
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Qui vult venire post me) Abneget semetipsum
General Note

T Comm. Mart. (MisRom, Alleluia - Versus abweichend), AH 55 Nr.46; K Formschneider 1550-55 (Introitus und Communio), A DTO XVI 1,128 (Introitus). 133 (Communio)

196a–200 Gaudeamus omnes [Proprium de omnibus sanctis] Hen: Isaac
Appears on: 196a–200
Genres: Introit
Source Attribution: Hen: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Gaudeamus omnes in domino diem festum Vs: (Exultate iusti in domino) Rectos decet collaudatio
199v–201 Alleluia. Venite ad me omnes qui laboratis [Proprium de omnibus sanctis] [Isaac]
Appears on: 199v–201
Genres: Alleluia, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Venite ad me omnes qui laboratis
201v–207 Omnes sancti seraphim cherubim throni Principatus potestates virtutes [Proprium de omnibus sanctis ] [Isaac]
Appears on: 201v–207
Genres: Sequence
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Omnes sancti seraphim cherubim throni] Principatus potestates virtutes
207v–209 Amen dico vobis Quod vos qui reliquistis [Proprium de omnibus sanctis ] [Isaac]
Appears on: 207v–209
Genres: Communion
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Amen dico vobis) Quod vos qui reliquistis
General Note

T Omn. Sanctorum (MisRom, Communio abweichend), AH 53 Nr.112; K Formschneider 1550-55 (Alleluia Unikum), A DTO XVI 1,161 (Ohne Alleluia)

210a–244 Requiem Mass Jacobus de Kerle
Appears on: 210a–244
Genres: Requiem
Source Attribution: Jacobus de Kerle
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Requiem Mass]
General Note

T Missa pro defunctis (Misrom, Graduale abweichend)

245a–248 Salve Sancta parens enixa puerpera Vs: Virgo Dei genitrix In tua seclausit [Mass proper cycle] F. Gregorius Gastel
Appears on: 245a–248
Genres: Introit
Source Attribution: F. Gregorius Gastel
Voice: [no designation]
Languages: Latin
Voice Text: (Salve) Sancta parens enixa puerpera Vs: (Virgo dei genitrix) In tua seclausit
248v–250 Alleluia. Conceptio gloriose virginis [Mass proper cycle] [Gastel]
Appears on: 248v–250
Genres: Alleluia, Motet
Source Attribution: [Gastel]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Conceptio gloriose virginis
250v–260 Dies laeta celebretur in qua pie Cuius laudes prosequamur nos qui tanto [Mass proper cycle] [Gastel]
Appears on: 250v–260
Genres: Sequence
Source Attribution: [Gastel]
Voice: [no designation]
Languages: Latin
Voice Text: [Dies laeta celebretur in qua pie] Cuius laudes prosequamur nos qui tanto
260v–262 Beata viscera Mariae virginis que portaverunt [Mass proper cycle] [Gastel]
Appears on: 260v–262
Genres: Communion
Source Attribution: [Gastel]
Voice: [no designation]
Languages: Latin
Voice Text: (Beata viscera) Marie virginis que portaverunt
General Note

T Nat. BMV (MisRom, Graduale abweichend), AH 54 Nr.180

263a–266 Deus Israel conjungat vos et ipse sit Vs: Beati omnes qui timent qui ambulant Jacobus de Kerle
Appears on: 263a–266
Genres: Motet
Source Attribution: Jacobus de Kerle
Voice: [no designation]
Languages: Latin
Voice Text: (Deus Israel) Coniungat vos et ipse sit Vs: (Beati omnes qui timent) Qui ambulant
267a–277 Te Deum laudamus 26.16 (2p. Patrem immensae majestatis; 3p. Te ergo quaesumus) [Josquin/Mouton/Silva]
Appears on: 267a–277
Genres: Te Deum
Source Attribution: [Josquin/Mouton/Silva]
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus te dominum confitemur 26.15
General Note

K RISM 15371, Bologna Cons. Q 20, Dresden 1/D/6, Erlangen 4731, Regensburg Proske A.R.940/41 A.R.1018. C 120, Rostock Saec. XVI - 49

Composer Compositions
Anonymous
Despres, Josquin (ca. 1450–1521)
Gastel, F. Gregorius
Isaac, Heinrich (ca. 1450–1517)
Kerle, Jacobus de
Mouton, Jean (ca. 1459–1522)
Silva, Andreas de (ca. 1475–ca. 1522)
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Assumpta est Maria [Proprium de Assumptione BVM] 108v–111
Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate] 28v–31
Alleluia. Caro mea vere est cibus [Proprium de Corpore Christi] 46v–50
Alleluia. Conceptio gloriose virginis [Mass proper cycle] 248v–250
Alleluia. Diffusa est gratia in labiis [Mass proper II] 89v–91
Alleluia. Juravit Dominus et non penitebit [Mass proper I/IV] 68v–71
Alleluia. Juravit Dominus et non penitebit [Mass proper I/IV] 169v–171
Alleluia. Laetabitur justus in Domino [Commune unius martyris] 189v–190
Alleluia. Nativitas gloriosae virginis Mariae [Proprium de Nativitate BVM] 136v–139
Alleluia. Te martyrum candidatus [Mass proper III] 149v–151
Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu] 5v–8
Alleluia. Venite ad me omnes qui laboratis [Proprium de omnibus sanctis] 199v–201
Amen dico vobis Quod vos qui reliquistis [Proprium de omnibus sanctis ] 207v–209
Anima nostra Sicut passer erepta est [Mass proper III] 165v–166
Asperges me Domine isopo et mundabor 22v–25
Beata viscera Mariae virginis que portaverunt [Mass proper cycle] 260v–262
Beata viscera Mariae virginis que portaverunt [Proprium (de visitatione Mariae?)] 144v–146
Beatus servus Quem cum venerit Dominus [Mass proper IV] 183v–185
Beatus servus Veni cum venerit Dominus [Mass proper I] 83v–85
Benedicite Deum caeli et coram omnibus [Proprium de SS Trinitate] 41v–43
Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate] 31v–41
Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] 26v–28
Botrus Cipri reflorescit de labrusca [Mass proper II] 91v–103
Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo Jubilate deo Jacob [Proprium de Corpore Christi] 44a–47
Congaudent angelorum chori gloriosae Quae sine virili commixtione genuit [Proprium de Assumptione BVM] 111v–119
Deus Israel conjungat vos et ipse sit Vs: Beati omnes qui timent qui ambulant 263a–266
Dico vobis Gaudium est angelis Dei [Mass proper II] 103v–104
Dies laeta celebretur in qua pie Cuius laudes prosequamur nos qui tanto [Mass proper cycle] 250v–260
Diffusa est gratia in labiis tuis [Proprium de Assumptione B. Virginis] 119v–121
Factus est repente Advenientis spiritus [Proprium De Sancto Spiritu] 19v–21
Gaudeamus omnes [Proprium de omnibus sanctis] 196a–200
Gaudeamus omnes in Domino diem festum [Mass proper II] 86a–89
Gaudeamus omnes in Domino diem festum Vs: Eructavit cor meum Dico ego opera [Proprium de Assumptione BVM] 105a–109
Judicant sancti gentes Et dominantur populis Vs: Exultate deo Jubilate deo Jacob [Mass proper III] 147a–149
Laetabitur justus In Domino [Commune unius martyris] 186a–189
Lauda digna angelorum sanctorum [Proprium de Nativitate B. Mariae Virginis] 139v–144
Lauda Sion salvatorem lauda ducem Quantum potes tantum gaude [Proprium de Corpore Christi] 50v–62
O Narcisse fons eloquio flos respirans [Commune Narcissi martyris] 190v–193
O Narcisse promisisse tibi Deum Sed nunc urbem Augustinam fore sobole [Mass proper III] 151v–165
Omnes sancti seraphim cherubim throni Principatus potestates virtutes [Proprium de omnibus sanctis ] 201v–207
Qui manducat carnem Et bibit meum sanguinem [Proprium de Corpore Christi] 62v–64
Qui vult venire post me Abneget semetipsum [Commune unius martyris] 193v–195
Requiem Mass 210a–244
Salve sancta parens enixa puerpera [Proprium de veneratione BVM] 133a–136
Salve Sancta parens enixa puerpera Vs: Virgo Dei genitrix In tua seclausit [Mass proper cycle] 245a–248
Sancti spiritus adsit nobis gratia Que corda nostra sibi faciat [Proprium De Sancto Spiritu] 8v–19
Set of responses - 1a pars (of 4): Et cum spiritu tuo Anonymous 122a–125
Set of responses - 2a pars (of 4): Amen Anonymous 125v–128
Set of responses - 3a pars (of 4): Gloria tibi Domine Anonymous 128v–131
Set of responses - 4a pars (of 4): Gloria tibi Domine etc Anonymous 131v–132
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu] 2–6
Splendor gloriae paternae jubar lucis Festa matris ad superne suspirare [Mass proper IV] 171v–183
Statuit ei Dominus testamentum pacis Vs: Memento Domine David Et omnis [Mass proper I/IV] 65a–68
Statuit ei Dominus testamentum pacis Vs: Memento Domine David Et omnis [Mass proper I/IV] 167a–169
Te Deum laudamus 26.16 (2p. Patrem immensae majestatis; 3p. Te ergo quaesumus) 267a–277
Udalrici benedici Christi regis ut amici [Mass proper I] 71v–83

denotes primary source study

Gottwald, Clytus. 1974. Die Musikhandschriften der Staats- und Stadtbibliothek Augsburg. Handschriftenkataloge der Staats- und Stadtbibliothek Augsburg.  Wiesbaden. Pages: 81-7. Notes: physical description; contents list; concordances.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 119. Notes: mention of MS; concordances (partial).

Pätzig, Gerhard-Rudolf. 1964. Das Chorbuch Mus. ms. 40024 der Deutschen Staatsbibliothek Berlin: Eine wichtige Quelle zum Schaffen Isaacs aus der Hand Leonhard Pämingers. Festschrift Walter Gerstenberg zum 60. Geburtstag, 122-42. Wolfenbüttel and Zürich. Pages: 123, passim. Notes: mention of MS; concordances (partial).

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: 181-3. Notes: contents list; concordances (partial).

Schletterer, H M. 1878=79. Katalog der in der Kreis- und Stadt-Bibliothek ... zu Augsburg befindlichen Musikwerke. Monatshefte für Musikgeschichte, . Pages: 9. Notes: contents list.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Marnix van Berchum

Wednesday, 22 January, 2025

Notified of the link address for the online images of the manuscript.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description