V-CVbav MS Capp. Giulia XII,6

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

manuscript of polyphony: 1540-1

Archive Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark MS Capp. Giulia XII,6
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 581 x 440 mm
Other Identifiers
  • RISM: I-Rvat XII, 6
  • CCM: VatG XII.6
  • olim (Former shelfmark): 50
  • olim (Former shelfmark): I-Rvat MS Capp. Giulia XII,6
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents 45 pieces from 3 composers
General Description

Copied mostly by Johannes Parvus (LlorCG). Palestrina material (f. 64 and ff. 94'-100) added later by Pietro Terzetti (LlorCG). Copied in Rome, for use by Cappella Giulia.

DIAMM, 2017
Binding

Original covers of brown leather over wooden boards, blind tooled with diamond motifs; brass corners and bosses

DIAMM, 2017
Watermark

crossed arrows surmounted by six-pointed star (not in Briquet; see BraunerP for other manuscripts with same mark)

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1540-1, with additions in 1587 (BraunerP).

DIAMM, 2017
Ruling

Staff height 28

DIAMM, 2017
Foliation

Original ink foliation, i-cxlvi, on upper right rectos

DIAMM, 2017
Decoration

Illuminated miniatures on ff. 1'-2 contain coat of arms of Cappella Giulia, of Pope Julius II (1443-1513), of Pope Paul III (1468-1549), and of Alessandro Ruffini, prefect of Cappella Giulia (LlorCG); other folios have inked calligraphic initials.

DIAMM, 2017
Index

Original index on ff. [ii-ii'] groups hymns alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
RISM Description

RISM

XVIe s. 140ff. papier, 580 x 432 mm. Foliotation ancienne en ch. romains en haut des ff. Les ff. 9v, 10, 100v, 101, 107v, 108, 116v, 117, 121v, 122, 140v à 146 sont blancs. Notation mesurée blanche. 8 à 10 portées par p. Au f. limin. n. ch.: Tabula huius libri (par ordre alphabétique d'incipit). Aux ff. lv-2, miniatures avec les armes de la Cappella Giulia et des Della Rovere, celles de Jules II, de Alessandro Ruffini, préfet de la chapelle, et celles de Paul III. Reliure du XVIe s. de cuir estampé, coins et bouillons de métal.

Ce ms. a été copié par Giovanni Parvo qui reçoit pour ce «libro delle hymni» deux paiements successifs en 1540 et 1541. Mais les deux hymnes de Palestrina (nos 31 et 32) ont été commandés plus tard à Pietro Terzetti qui les copie en 1587 (Llorens, 62. Cf. Bibliographie), tandis que les 13 derniers hymnes, anonymes dans le ms., mais qui sont en réalité de Carpentras (nos 33 à 45) font vraisemblablement partie de la première rédaction du ms., Carpentras ayant quitté la chapelle papale dès 1526.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

45 hymns

(Carpentras)-13, (C. Festa)-30, Palestrina-2*

'In addition to two complete hymns cited above, Palestrina is also credited with si placet voice added later to verse 4 of Festa's "Ave maris stella" (f. 64).

ii + 146 + ii paper folios, 581 x 440. Original ink foliation, i-cxlvi, on upper right rectos. Ff. 9'-10, 100'-101, 107'-108, 116'-117, 121'-122, and 140'-146' have blank staves only. Original covers of brown leather over wooden boards, blind tooled with diamond motifs; brass corners and bosses. Original index on ff. [ii-ii'] groups hymns alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

Copied mostly by Johannes Parvus (LlorCG); see general index for other manuscripts copied by the same scribe. Palestrina material (f. 64 and ff. 94'-100) added later by Pietro Terzetti (LlorCG). Staff height 28. Illuminated miniatures on ff. 1'-2 contain coat of arms of Cappella Giulia, of Pope Julius II (1443-1513), of Pope Paul III (1468-1549), and of Alessandro Ruffini, prefect of Cappella Giulia (LlorCG); other folios have inked calligraphic initials. Watermark: crossed arrows surmounted by six-pointed star (not in Briquet; see BraunerP for other manuscripts with same mark).

1540-1, with additions in 1587 (BraunerP). Copied in Rome, for use by Cappella Giulia.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–4 Conditor alme siderum Qui condolens interitu [C. FESTA]
Appears on: 1v–4
Genres: Italian secular
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Conditor aime syderum] Qui condolens interitu
General Note

Publ. cf. CMac C n° 1. Facs. ff. lv-2:

Item Bibliography

Llorens Cisteró, José Maria. 1971. Le opere musicali della Cappella Giulia. I Manoscritti e edizioni fino al '700. Studi e testi.  Città del Vaticano.

Casimiri, Raffaele (editor). 1930-1958. Vol. II: Constantius Festa, Sacrae cantiones. ed. Eduardo Dagnino. (1936) & Vol. III: Constantius Festa. Hymni per totum annum... transcr. Glen Haydon. (1958). Monumenta Polyphoniae Italicae.  Rome. Pages: Facs. ff. lv-2:.

4v–9 Christe redemptor omnium 2 Tu lumen tu splendor 4 Hic presens testatur 6 Nos quoque qui sancto tuo 7 Gloria tibi domine [C. FESTA]
Appears on: 4v–9
Genres: Hymn
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Christe redemptor omnium] Tu lumen tu splendor
General Note

Publ. cf. CMac Cn'2

10v–13 Hostis Herodes impie Christum venire 2 Ibant magi quam viderant stellam 4 Novum genus potentie aque rubescunt 5 Gloria tibi Domine qui apparuisti [C. FESTA]
Appears on: 10v–13
Genres: Hymn
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Hostis Herodes impie] Ibant magi quam viderant
General Note

Publ. cf. CMac Cn-3

13v–16 Audi benigne conditor nostras preces 2 Scrutator alme cordium infirma 4 Sic corpus extra conteri dona 5 Presta beata trinitas concede [C. FESTA]
Appears on: 13v–16
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Audi benigne conditor] Scrutator alme cordium
General Note

Publ. cf. CMac C n° 4

16v–21 Aures ad nostras Respice clemens [C. FESTA]
Appears on: 16v–21
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: Aures ad nostras
General Note

Publ. cf. Rvat 18 n° 5

21v–25 Vexilla regis prodeunt fulget crucis 2 Quo vulneratus insuper mucrone 4 Arbor decora et fulgida ornata 6 O crux ave spes unica hoc passionis 7 Te summa Deus trinitas collaudat [C. FESTA]
Appears on: 21v–25
Genres: Hymn
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: Dominica in passione. [Vexilla regis prodeunt] Quo vulneratus
General Note

Publ. ef. CMac C n° 5

25v–29 Ad caenam agni providi Cuius corpus sanctissimum [C. FESTA]
Appears on: 25v–29
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Ad cenam agni providi] Cujus corpus sanctissimum
General Note

Publ. ef. CMac C n° 6

29v–34 De apostolis tempore paschali Tristes erant apostoli Sermone blando angelus [C. FESTA]
Appears on: 29v–34
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: De apostolis tempore paschali [Tristes erant apostoli] Sermone blando angelus..
General Note

Publ. cf. Rvat 18 n° 8

34v–37 De uno martire tempore paschali Deus tuorum militum [C. FESTA]
Appears on: 34v–37
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: De uno martire tempore paschali Deus tuorum militum
General Note

Publ. cf. Rvat 18 n° 9

37v–39 Rex gloriose martirum Aurem benignam protinus [C. FESTA]
Appears on: 37v–39
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Rex gloriose martirum] Aurem benignam protinus
General Note

Publ. cf. Rvat 18 n° 10

39v–42 Jesu corona virginum quam mater illa 2 Qui pascis inter lilia septus 4 Te deprecamur largius ad auge nostris 5 Gloria tibi Domine qui surrexisti [C. FESTA]
Appears on: 39v–42
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Jesu corona virginum] Qui pascis inter lilia.
General Note

Publ. cf. Rvat 18 n° 11

42v–45 Jesu nostra redemptio amor et desiderium 2 Que te vicit clementia ut ferres 4 Ipsa te cogat pietas ut mala nostra 5 Tu esto nostrum gaudium qui es C. FESTA
Appears on: 42v–45
Genres: Hymn
Source Attribution: C. FESTA
Voice: [no designation]
Languages: Latin
Voice Text: In festo ascensione domini.(Jesu nostre redemptio] Que te vicit clementia
General Note

Publ. cf. CMac C n° 7

45v–49 Veni creator spiritus Qui paraclitus diceris [C. FESTA]
Appears on: 45v–49
Genres: Hymn, Veni creator spiritus
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Veni Creator spiritus] Qui paraclitus diceris
General Note

Publ. cf. Rvat 18 n» 13

49v–52 O lux beata trinitas et principalis 2 Te mane laudum carmine te deprecemur 3 Deo patri sit gloria eiusque soli [C. FESTA]
Appears on: 49v–52
Genres: Hymn
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: O lux beata trinitas
General Note

Publ. cf. Rvat 18 n° 14

52v–55 Pange lingua gloriosi Nobis datus nobis natus [C. FESTA]
Appears on: 52v–55
Genres: Hymn
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Pange lingua gloriosi]Nobis datus nobis natus
General Note

Publ. cf. Rvat 18 n° 15

55v–58 Ut queant laxis resonare fibris 2 Nuntius celso veniens Olympo 4 Ventris obstruso recubans cubili 5 Gloria patri geniteque proli et tibi [C. FESTA]
Appears on: 55v–58
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Utqueantlaxis] Nuncius celso veniens
General Note

Publ. cf. Rvat 18 n° 16

58v–60 Aurea luce et decora [C. FESTA]
Appears on: 58v–60
Genres: Hymn
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: In festo apostolorum Petri et Pauli. Aurea luce et decora
General Note

Publ. cf. Rvat 18 n° 17

60v–61 Nardi Maria pistici Honor decus imperium [C. FESTA]
Appears on: 60v–61
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Nardi Maria] Honor decus imperium
General Note

In festo sancta Marie Magdalene. Publ. cf. Rvat 18 n° 18

61v–62 Petrus beatus catenarum Gloria Deo per immensa saecula [C. FESTA]
Appears on: 61v–62
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Petrus beatus catenarum] Gloria Deo per immensa secula
General Note

Publ. cf. Rvat 18 n° 19

62v–66 Ave maris stella Sumens illud ave [C. FESTA]
Appears on: 62v–66
Genres: Ave maris stella, BVM, Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Ave maris stella] Sumens illud
General Note

Au f.63:«Ad tres voces auctori incerti addit Cantum I = Jo. Petr. Aloys. Prenestinus.»Publ. cf. Rvat 18 n° 20

66v–68 Tibi Christe splendor patris vita 2 Collaudamus venerantes omnes caeli 4 Gloriam patri melodis personemus [C. FESTA]
Appears on: 66v–68
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Tibi Christe spLendor patris] Collaudamus venerantes
General Note

In festo sancti Michaelis. Publ. cf. Rvat 18 n° 21

68v–72 Christe redemptor omnium conserva 2 Beata quoque agmina caelestium 4 Martires Dei incliti confessoresque 6 Gentem auferte perfidam credentium 7 Gloria patri ingenito eiusque unigenito [C. FESTA]
Appears on: 68v–72
Genres: Hymn
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Christe redemptor omnium] Beata quoque agmina
General Note

Publ. cf. Rvat 18 n° 22

72v–75 Exultet caelum laudibus resultet terra 2 Vos secli justi judices et vera 4 Quorum precepto subditur salus 6 Deo patri sit gloria eiusque soli [C. FESTA]
Appears on: 72v–75
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Exultet celum laudibus]Vos sedi justi judices
General Note

Publ. cf. Rvat 18 n" 23De apostolis.

75v–78 Deus tuorum militum. Hic nempe mundi gaudia [C. FESTA]
Appears on: 75v–78
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Deus tuorum militum] Hic nempe mundi gaudia
General Note

Publ. cf. Rvat 18 n" 24De uno martire.

78v–81 Sanctorum meritis Hi sunt quos retinens [C. FESTA]
Appears on: 78v–81
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Sanctorum meritis] Hi sunt quos retinens
General Note

In festo plurimorum martirum. Publ. cf. Rvat 18 n° 25

81v–84 Iste confessor Domini Qui pius prudens [C. FESTA]
Appears on: 81v–84
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Iste confessor] Qui pius prudens
General Note

In festo confessorum. Publ. cf. Rvat 18 n' 26

84v–87 Jesu corona virginum quam mater illa 2 Qui pascis inter lilia septus 4 Te deprecamur largius ad auge nostris 5 Gloria tibi Domine qui surrexisti [C. FESTA]
Appears on: 84v–87
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Jesu corona virginum] Qui pascis inter lilia
General Note

In festo virginis. Publ. cf. Rvat 18 n° 27

87v–88 Huius obtentu Deus alme nostris parce 2 Gloria patri geniteque proli et tibi [C. FESTA]
Appears on: 87v–88
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: [Hujus obtentu] Gloria patri geniteque proli
General Note

In festo alicujus sancte nec virginis nec martiris.Publ. cf. Rvat 18 n° 28

88v–91 In dedicatione templi. Urbs beata Jerusalem [C. FESTA]
Appears on: 88v–91
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: In dedicatione templi.Urbs beata Hierusalem _
General Note

Publ. cf. Rvat 18n° 29

91v–94 Diebus Dominicis ad vesperas. Lucis creator optime [C. FESTA]
Appears on: 91v–94
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: Diebus dominicis ad vesperas. Lucis creator optime
General Note

Publ. cf. Rvat 18 n° 30T et B: Canon in diapason.

94v–97 Deus tuorum militum sors et corona premium JO.PET.ALOY.PREN[= PALESTRINA]
Appears on: 94v–97
Genres: Motet
Source Attribution: JO.PET.ALOY.PREN[= PALESTRINA]
Voice: [no designation]
Languages: Latin
Voice Text: [Deus tuorum militum] Sors et corona premium

Item Bibliography

Espagne, F, and Franz Xavier Haberl (editors). 1862-1907. Giovanni Pierluigi da Palestrinas: Werke.  Leipzig. Pages: 30.

97v–100 Exultet caelum laudibus Resultet terra gaudiis JO.PET.ALOY.PRES[= PALESTRINA]
Appears on: 97v–100
Genres: Motet
Source Attribution: JO.PET.ALOY.PRES[= PALESTRINA]
Voice: [no designation]
Languages: Latin
Voice Text: [Exultet celum laudibus] Resultet terra gaudiis

Item Bibliography

Espagne, F, and Franz Xavier Haberl (editors). 1862-1907. Giovanni Pierluigi da Palestrinas: Werke.  Leipzig. Pages: 30.

101v–104 In adventu Domini. Conditor alme syderum [CARPENTRAS]*
Appears on: 101v–104
Genres: Motet
Source Attribution: [CARPENTRAS]*
Voice: [no designation]
Languages: Latin
Voice Text: In adventu domini. Conditor alme syderum
Concordances

*RISM G 1573

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, III1.

104v–107 Conditor alme siderum Qui condolens interitu [CARPENTRAS]*
Appears on: 104v–107
Genres: Motet
Source Attribution: [CARPENTRAS]*
Voice: [no designation]
Languages: Latin
Voice Text: [Conditor alme siderum] Qui condolens interitu
Concordances

*RISM G 1573

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, III1.

108v–112 Ad cenam agni providi Jam pasca nostrum Christus est II: Consurgit Christus tumulo III: Gloria tibi Domine [CARPENTRAS]
Appears on: 108v–112
Genres: Motet
Source Attribution: [CARPENTRAS]
Voice: [no designation]
Languages: Latin
Voice Text: Ad cenam agni providi] Cujus corpus sanctissimum
General Note

Tempore paschali hymnus. Publ. cf. MOcap III n° 28

112v–116 Ad cenam agni Cuius corpus sanctissimum [CARPENTRAS]*
Appears on: 112v–116
Genres: Hymn
Source Attribution: [CARPENTRAS]*
Voice: [no designation]
Languages: Latin
Voice Text: [Ad cenam agni providi] Cujus corpus sanctissimum
Concordances

*RISM G 1573

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, III1.

117v–119 O lux beata trinitas [CARPENTRAS]*
Appears on: 117v–119
Genres: Motet
Source Attribution: [CARPENTRAS]*
Voice: [no designation]
Languages: Latin
Voice Text: O lux beata trinitas
General Note

In die sancte trinitatis et diebus sabbatis.

Concordances

*RISM G 1573

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, III1.

119v–121 Lucis creator optimeQui mane junctum [CARPENTRAS]*
Appears on: 119v–121
Genres: Motet
Source Attribution: [CARPENTRAS]*
Voice: [no designation]
Languages: Latin
Voice Text: [Lucis creator optime]Qui mane junctum
General Note

Diebus dominicis ad vesperas.

Concordances

*RISM G 1573

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, III1.

122v–125 Ave maris stella Sumens illud ave [CARPENTRAS]
Appears on: 122v–125
Genres: Ave maris stella, BVM, Motet
Source Attribution: [CARPENTRAS]
Voice: [no designation]
Languages: Latin
Voice Text: Ave maris stella] Sumens illud
General Note

De beata Maria hymnus. [Publ. cf. MOcap III n° 45

125v–128 Exultet caelum laudibus vos saecli justi judices [CARPENTRAS]*
Appears on: 125v–128
Genres: Motet
Source Attribution: [CARPENTRAS]*
Voice: [no designation]
Languages: Latin
Voice Text: [Exultet celum laudibus]Vos sedi justi judices
Concordances

*RISM G 1573

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, III 2.

128v–130 Deus tuorum militum. Hic nempe mundi gaudia [CARPENTRAS]*
Appears on: 128v–130
Genres: Motet
Source Attribution: [CARPENTRAS]*
Voice: [no designation]
Languages: Latin
Voice Text: [Deus tuorum militum] Hic nempe mundi gaudia
Concordances

*RISM G 1573

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, III 2.

130v–133 Sanctorum meritis Hi sunt quos retinens [CARPENTRAS]*
Appears on: 130v–133
Genres: Motet
Source Attribution: [CARPENTRAS]*
Voice: [no designation]
Languages: Latin
Voice Text: [Sanctorum meritis] Hi sunt quos retinens
Concordances

*RISM G 1573

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, III 2.

133v–136 Sanctorum meritis Hi sunt quos retinens [CARPENTRAS]*
Appears on: 133v–136
Genres: Motet
Source Attribution: [CARPENTRAS]*
Voice: [no designation]
Languages: Latin
Voice Text: [Sanctorum meritis] Hi sunt quos retinens
General Note

Plurimorum martirum ad vesperas.

Concordances

*RISM G

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, III 2.

136v–138 Iste confessor Qui prius prudens... [CARPENTRAS]*
Appears on: 136v–138
Genres: Motet
Source Attribution: [CARPENTRAS]*
Voice: [no designation]
Languages: Latin
Voice Text: [Iste confessor] Qui prius prudens...
Concordances

*RISM G 1573

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, III 2.

138v De virginibus. Jesu corona virginum Qui pascis inter lilia [CARPENTRAS)*
Appears on: 138v
Genres: Motet
Source Attribution: [CARPENTRAS)*
Voice: [no designation]
Languages: Latin
Voice Text: De virginibus. [Jesu corona virginum] Qui pascis inter lilia
Composer Compositions
Carpentras, Elzear Genet (ca. 1470–1548)
Festa, Costanzo (ca. 1485–1545)
Palestrina, Giovanni Pierluigi da (1525–1594)
Composition Composers (? Uncertain) Folios / Pages
Ad caenam agni providi Cuius corpus sanctissimum 25v–29
Ad cenam agni Cuius corpus sanctissimum 112v–116
Ad cenam agni providi Jam pasca nostrum Christus est II: Consurgit Christus tumulo III: Gloria tibi Domine 108v–112
Audi benigne conditor nostras preces 2 Scrutator alme cordium infirma 4 Sic corpus extra conteri dona 5 Presta beata trinitas concede 13v–16
Aurea luce et decora 58v–60
Aures ad nostras Respice clemens 16v–21
Ave maris stella Sumens illud ave 62v–66
Ave maris stella Sumens illud ave 122v–125
Christe redemptor omnium 2 Tu lumen tu splendor 4 Hic presens testatur 6 Nos quoque qui sancto tuo 7 Gloria tibi domine 4v–9
Christe redemptor omnium conserva 2 Beata quoque agmina caelestium 4 Martires Dei incliti confessoresque 6 Gentem auferte perfidam credentium 7 Gloria patri ingenito eiusque unigenito 68v–72
Conditor alme siderum Qui condolens interitu 1v–4
Conditor alme siderum Qui condolens interitu 104v–107
De apostolis tempore paschali Tristes erant apostoli Sermone blando angelus 29v–34
De uno martire tempore paschali Deus tuorum militum 34v–37
De virginibus. Jesu corona virginum Qui pascis inter lilia 138v
Deus tuorum militum sors et corona premium 94v–97
Deus tuorum militum. Hic nempe mundi gaudia 75v–78
Deus tuorum militum. Hic nempe mundi gaudia 128v–130
Diebus Dominicis ad vesperas. Lucis creator optime 91v–94
Exultet caelum laudibus resultet terra 2 Vos secli justi judices et vera 4 Quorum precepto subditur salus 6 Deo patri sit gloria eiusque soli 72v–75
Exultet caelum laudibus Resultet terra gaudiis 97v–100
Exultet caelum laudibus vos saecli justi judices 125v–128
Hostis Herodes impie Christum venire 2 Ibant magi quam viderant stellam 4 Novum genus potentie aque rubescunt 5 Gloria tibi Domine qui apparuisti 10v–13
Huius obtentu Deus alme nostris parce 2 Gloria patri geniteque proli et tibi 87v–88
In adventu Domini. Conditor alme syderum 101v–104
In dedicatione templi. Urbs beata Jerusalem 88v–91
Iste confessor Domini Qui pius prudens 81v–84
Iste confessor Qui prius prudens... 136v–138
Jesu corona virginum quam mater illa 2 Qui pascis inter lilia septus 4 Te deprecamur largius ad auge nostris 5 Gloria tibi Domine qui surrexisti 39v–42
Jesu corona virginum quam mater illa 2 Qui pascis inter lilia septus 4 Te deprecamur largius ad auge nostris 5 Gloria tibi Domine qui surrexisti 84v–87
Jesu nostra redemptio amor et desiderium 2 Que te vicit clementia ut ferres 4 Ipsa te cogat pietas ut mala nostra 5 Tu esto nostrum gaudium qui es 42v–45
Lucis creator optimeQui mane junctum 119v–121
Nardi Maria pistici Honor decus imperium 60v–61
O lux beata trinitas 117v–119
O lux beata trinitas et principalis 2 Te mane laudum carmine te deprecemur 3 Deo patri sit gloria eiusque soli 49v–52
Pange lingua gloriosi Nobis datus nobis natus 52v–55
Petrus beatus catenarum Gloria Deo per immensa saecula 61v–62
Rex gloriose martirum Aurem benignam protinus 37v–39
Sanctorum meritis Hi sunt quos retinens 78v–81
Sanctorum meritis Hi sunt quos retinens 130v–133
Sanctorum meritis Hi sunt quos retinens 133v–136
Tibi Christe splendor patris vita 2 Collaudamus venerantes omnes caeli 4 Gloriam patri melodis personemus 66v–68
Ut queant laxis resonare fibris 2 Nuntius celso veniens Olympo 4 Ventris obstruso recubans cubili 5 Gloria patri geniteque proli et tibi 55v–58
Veni creator spiritus Qui paraclitus diceris 45v–49
Vexilla regis prodeunt fulget crucis 2 Quo vulneratus insuper mucrone 4 Arbor decora et fulgida ornata 6 O crux ave spes unica hoc passionis 7 Te summa Deus trinitas collaudat 21v–25

denotes primary source study

Brauner, Mitchell Paul. 1984. Music from the Cappella Sistina at the Cappella Giulia. The Journal of Musicology, 287-311. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Dean, Jeffrey J. 1984. The Scribes of the Sistine Chapel 1501-1527. University of Chicago, Unpublished Ph.D. dissertation. Pages: 221. Notes: physical description (partial); contents list (partial).

Brauner, Mitchell Paul. 1982. The Parvus Manuscripts: A Study of Vatican Polyphony, ca. 1535 to 1580. Brandeis University, Unpublished Ph.D. dissertation. Pages: 109ff, passim. Notes: physical description; contents list; concordances (partial); facsimile (partial); mention of MS; discussion.

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS.  American Institute of Musicology. Pages: 72, 98-9, 158-60. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Seay, Albert (editor). 1972-73. Elziarii Geneti (Carpentras): Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, xiv, xix. Notes: physical description (partial); contents list (partial); concordances (partial).

Llorens Cisteró, José Maria. 1971. Le opere musicali della Cappella Giulia. I Manoscritti e edizioni fino al '700. Studi e testi.  Città del Vaticano. Pages: 56-62, 321-3, Tav. 5. Notes: physical description; contents list; incipits (partial); facsimile (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: XI, 755. Notes: physical description (partial).

Casimiri, Raffaele (editor). 1930-1958. Vol. II: Constantius Festa, Sacrae cantiones. ed. Eduardo Dagnino. (1936) & Vol. III: Constantius Festa. Hymni per totum annum... transcr. Glen Haydon. (1958). Monumenta Polyphoniae Italicae.  Rome. Pages: G. Haydon,III, passim. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); transcription (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description