Copied by Johannes Parvus (LlorCG). Copied in Rome, for use by Cappella Giulia.
V-CVbav MS Capp. Giulia XII,5
Biblioteca Apostolica Vaticana, Vatican City, Vatican
manuscript of polyphony: 1539-40
| Archive | Biblioteca Apostolica Vaticana, Vatican City, Vatican (V-CVbav) |
|---|---|
| Shelfmark | MS Capp. Giulia XII,5 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 610 x 453 mm |
| Other Identifiers |
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| Notations |
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| Copyists | |
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| Provenance |
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| Contents | Contains 16 compositions from 2 composers. |
General Description
Binding
Rebound in modern covers of light brown leather over boards; brass buckles, clasps, and ornaments; leather straps. Dark brown leather surface of original covers, blind tooled with floral motifs, now pasted inside front and back covers.
Watermark
crossed arrows surmounted by six-pointed star (not in Briquet; see BraunerP for other manuscripts with same mark).
Notation
black void mensural
Date
1539-40 (LlorCG).
Ruling
Staff height 28
Foliation
Modern foliation, 1-188, on lower right rectos (cited here); earlier foliation on upper right rectos generally one number lower than new foliation.
Decoration
Illuminated miniatures on ff. 1'-2 contain coat of arms of Cappella Giulia, of Pope Julius II (1443-1513), of Pope Paul III (1468-1549), and of Alessandro Ruffini, prefect of Cappella Giulia (LlorCG); other folios have inked calligraphic initials.
Surface
paper
RISM Description
RISM
XVIe s. (1539) 188ff., papier, 608X455 mm. Foliotation ancienne en ch. arabes en haut des ff. Les ff. 98v—99 [97v—98] sont blancs. 10 portées par p. Aux ff. lv-2, miniatures avec les armes de la Cappella Giulia et de ses fondateurs les Della Rovere, celles de Jules II, d'Alessandro Ruffini, préfet de la chapelle, et celles inachevées de Paul III. Grandes initiales ornées à la plume. Reliure du XVIe s. en cuir estampé, fermoirs cuivre, dos refait.
Ms. copié par Giovanni Parvo qui, le 8 novembre 1539, reçoit 29 scudi pour un livre de Magnificat, dont 8 de Constantio Festa et 8 de Carpentras, ce qui correspond exactement au contenu de ce ms. (Cf. Bibliographie).
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
16 Magnificats
Carpentras-8, C. Festa-8
188 paper folios, 610 x 453. Modern foliation, 1-188, on lower right rectos (cited here); earlier foliation on upper right rectos generally one number lower than new foliation. Rebound in modern covers of light brown leather over boards; brass buckles, clasps, and ornaments; leather straps. Dark brown leather surface of original covers, blind tooled with floral motifs, now pasted inside front and back covers. No index. Copied by Johannes Parvus (LlorCG); see general index for other manuscripts copied by the same scribe. Staff height 28. Illuminated miniatures on ff. 1'-2 contain coat of arms of Cappella Giulia, of Pope Julius II (1443-1513), of Pope Paul III (1468-1549), and of Alessandro Ruffini, prefect of Cappella Giulia (LlorCG); other folios have inked calligraphic initials. Watermark: crossed arrows surmounted by six-pointed star (not in Briquet; see BraunerP for other manuscripts with same mark).
1539-40 (LlorCG). Copied in Rome, for use by Cappella Giulia.
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‡ denotes primary source study
Brauner, Mitchell Paul. 1984. Music from the Cappella Sistina at the Cappella Giulia. The Journal of Musicology, 3: 287-311. Notes: physical description; facsimile; acsimile (partial); mention of MS; discussion.
Brauner, Mitchell Paul. 1982. The Parvus Manuscripts: A Study of Vatican Polyphony, ca. 1535 to 1580. Brandeis University, Unpublished Ph.D. dissertation. Pages: 109ff,135ff, passim. Notes: physical description; contents list; concordances (partial); facsimile (partial); mention of MS; discussion.
Seay, Albert (editor). 1972-73. Elziarii Geneti (Carpentras): Opera Omnia. Corpus mensurabilis musicae, vol. 58. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,x-xiv,217-84. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Llorens Cisteró, José Maria. 1971. Le opere musicali della Cappella Giulia. I Manoscritti e edizioni fino al '700. Studi e testi, vol. 265. Città del Vaticano. Pages: 53 ff. Notes: physical description; contents list; discussion.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 159. Notes: contents list; concordances; incipits.
Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae, vol. 25. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II,xvi,xxiii-xxvii,xxxi. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: XI,755. Notes: physical description (partial).
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description