Copied by Federico Mario Perusino, scribe of Cappella Giulia (title page). Copied in Rome, for use by Cappella Giulia.gui.
V-CVbav MS Capp. Giulia XII,3
Biblioteca Apostolica Vaticana, Vatican City, Vatican
manuscript of polyphony: 1543
| Archive | Biblioteca Apostolica Vaticana, Vatican City, Vatican (V-CVbav) |
|---|---|
| Shelfmark | MS Capp. Giulia XII,3 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Mixed Paper and Parchment |
| Numbering System | Foliation |
| Measurements | 655 x 475 mm |
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| Contents | Contains 73 compositions from 6 composers. |
General Description
Binding
Original covers of leather over wooden boards, blind tooled with ornamental designs.
Notation
black void mensural
Foliation
Original ink foliation, i-clii, on upper right rectos.
Decoration
Illuminated miniatures and borders on ff. 3'-4 include coats of arms of Cappella Giulia and its maestro, Giovanni Battista dei Cavalieri; of Pope Julius II (1443-1513); and of Pope Paul III (1468-1549). Other folios have inked calligraphic initials.
Index
Original index on ff. 1'-2 lists all pieces in order of appearance (except that Argentilly Missa pro Defunctis, copied at end of manuscript, is listed with other Argentilly works at beginning of index).
Surface
2 paper + 2 parchment + 148 paper
DIAMM Note
In this source, the Carpentras Lamentations from MS Capp. Sist. 163 are re-organised into a new sequence of 'suites'. The re-use in this inventory of the CS163 indicators of their intended liturgical usage (e.g. first lesson, Good Friday) makes the re-ordering very apparent.
RISM Description
RISM
XVIe s. (1543) 152ff., papier (ff. 3-4 parchemin), 655 x 475 mm. Foliotation ancienne en ch. romains en haut des ff. Les ff. 2v, 3, 17v, 56v, 78v, 101v, 125v, 139v, 152v sont blancs. Notation mesurée blanche. 8 à 10 portées par p. Aux ff. lv-2, Tabula (par auteurs). Aux ff. 3v-4, miniatures et marges ornées avec les armes de la Cappella Giulia, de ses fondateurs, les papes de la famille Della Rovere et du maître de la chapelle, Giovanni Battista Dei Cavalieri. Initiales ornées à la plume. Reliure du XVIe s. en cuir estampé.
Ms. copié en 1543 par Federico Mario Perusini, comme on le lit au fo 1: «Liber Capelle Sancti Pétri de Urbe quem scribi fecit Reverendus Dominus Jo. Baptista Kavalerius Magister eiusdem Capelle: In primo de Passione Domini, de Lamentatione et Oratione Hieremie prophete. In fine vero enim Missa pro Defunctis. A diversis excellentissimis Musicis prout in sequenti Tabula continentur. Pont°. Smi. D. N. D. Pauli pp.iij. Federicus Marius Perusinus Scriptor Capelle eiusdem Pont. M.D.XLIII ultima Decemb. scribebat.»
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 Requiem Mass, 32 Lamentations, 2 Passions, 1 motet = 36
Argentilly-4, Carpentras-7, Escribano-5, Escribano/(C. Festa)-1, C. Festa-3, C. Festa/(Morales)-5, Morales-3, Yvo Nau-8
2 paper + 2 parchment + 148 paper folios, 655 x 475. Original ink foliation, i-clii, on upper right rectos. Original covers of leather over wooden boards, blind tooled with ornamental designs. Original index on ff. 1'-2 lists all pieces in order of appearance (except that Argentilly Missa pro Defunctis, copied at end of manuscript, is listed with other Argentilly works at beginning of index).
Copied by Federico Mario Perusino, scribe of Cappella Giulia (title page). Illuminated miniatures and borders on ff. 3'-4 include coats of arms of Cappella Giulia and its maestro, Giovanni Battista dei Cavalieri; of Pope Julius II (1443-1513); and of Pope Paul III (1468-1549). Other folios have inked calligraphic initials.
1543 (title page). Copied in Rome, for use by Cappella Giulia.gui
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‡ denotes primary source study
Del Sol, Manuel. 2014. Lamentaciones de Cristobal de Morales: Historia y Autenticidad. Revista de Musicologia, vol. 37, no.1: 107-139.
Josephson, Nors S (editor). 1982-. Early Sixteenth-Century Sacred Music from the Papal Chapel. Corpus mensurabilis musicae, vol. 95. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xv-xvii, 154-75, 202-63. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Brauner, Mitchell Paul. 1982. The Parvus Manuscripts: A Study of Vatican Polyphony, ca. 1535 to 1580. Brandeis University, Unpublished Ph.D. dissertation. Pages: 7, 274, 349-53, 358, 417-8. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS, vol. 2. American Institute of Musicology. Pages: 157. Notes: contents list (partial); concordances (partial).
Seay, Albert (editor). 1972-73. Elziarii Geneti (Carpentras): Opera Omnia. Corpus mensurabilis musicae, vol. 58. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, xvi-xvii, xxviii-xxix, 131-73. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Llorens Cisteró, José Maria. 1971. Le opere musicali della Cappella Giulia. I Manoscritti e edizioni fino al '700. Studi e testi, vol. 265. Città del Vaticano. Pages: 63ff (avec facs. des ff. 3v-4). Notes: physical description; contents list; facsimile (partial).
Bunshaft, Gillian Anne. 1969. Biblioteca Nazionale Centrale, Manuscript II. 1.285 (Magliabecchi XIX. 56): A Study. University of Illinois, Unpublished Master's thesis. Pages: 13, 16, 18, 21, 58, 72. Notes: contents list (partial); concordances (partial); incipits (partial).
Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae, vol. 25. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.
Main, Alexander. 1960. Costanzo Festa: The Masses and Motets. New York University, Unpublished Ph.D. dissertation. Pages: 38, 54-6, 304-13. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Jeppesen, Knud. 1958. A Forgotten Master of the Early 16th Century: Gaspar de Albertis. The Musical Quarterly, 44: 311-28. Pages: 319-20. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: XI, 755. Notes: physical description (partial).
[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: A. Seay, in CMM 58,11, p. XVIf et CMM 25,VI, p. IX.
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Riccardo Pintus
Wednesday, 28 November, 2018
Sanctus from Missa Quem Malignus Spiritus by Charles d'Argentille incorrectly listedon f. 140v deleted from inventory (this may not show up immediately).
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description