V-CVbav MS Capp. Giulia XII,3

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

manuscript of polyphony: 1543

Archive Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark MS Capp. Giulia XII,3
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Mixed Paper and Parchment
Numbering System Foliation
Measurements 655 x 475 mm
Other Identifiers
  • RISM: I-Rvat XII, 3
  • CCM: VatG XII.3
  • olim (Former shelfmark): I-Rvat MS Capp. Giulia XII,3
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 73 pieces from 6 composers
General Description

Copied by Federico Mario Perusino, scribe of Cappella Giulia (title page). Copied in Rome, for use by Cappella Giulia.gui.

DIAMM, 2017
Binding

Original covers of leather over wooden boards, blind tooled with ornamental designs.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Original ink foliation, i-clii, on upper right rectos.

DIAMM, 2017
Decoration

Illuminated miniatures and borders on ff. 3'-4 include coats of arms of Cappella Giulia and its maestro, Giovanni Battista dei Cavalieri; of Pope Julius II (1443-1513); and of Pope Paul III (1468-1549). Other folios have inked calligraphic initials.

DIAMM, 2017
Index

Original index on ff. 1'-2 lists all pieces in order of appearance (except that Argentilly Missa pro Defunctis, copied at end of manuscript, is listed with other Argentilly works at beginning of index).

DIAMM, 2017
Surface

2 paper + 2 parchment + 148 paper

DIAMM, 2017
DIAMM Note

In this source, the Carpentras Lamentations from MS Capp. Sist. 163 are re-organised into a new sequence of 'suites'. The re-use in this inventory of the CS163 indicators of their intended liturgical usage (e.g. first lesson, Good Friday) makes the re-ordering very apparent.

DIAMM, 2021
RISM Description

RISM

XVIe s. (1543) 152ff., papier (ff. 3-4 parchemin), 655 x 475 mm. Foliotation ancienne en ch. romains en haut des ff. Les ff. 2v, 3, 17v, 56v, 78v, 101v, 125v, 139v, 152v sont blancs. Notation mesurée blanche. 8 à 10 portées par p. Aux ff. lv-2, Tabula (par auteurs). Aux ff. 3v-4, miniatures et marges ornées avec les armes de la Cappella Giulia, de ses fondateurs, les papes de la famille Della Rovere et du maître de la chapelle, Giovanni Battista Dei Cavalieri. Initiales ornées à la plume. Reliure du XVIe s. en cuir estampé.

Ms. copié en 1543 par Federico Mario Perusini, comme on le lit au fo 1: «Liber Capelle Sancti Pétri de Urbe quem scribi fecit Reverendus Dominus Jo. Baptista Kavalerius Magister eiusdem Capelle: In primo de Passione Domini, de Lamentatione et Oratione Hieremie prophete. In fine vero enim Missa pro Defunctis. A diversis excellentissimis Musicis prout in sequenti Tabula continentur. Pont°. Smi. D. N. D. Pauli pp.iij. Federicus Marius Perusinus Scriptor Capelle eiusdem Pont. M.D.XLIII ultima Decemb. scribebat.»

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Requiem Mass, 32 Lamentations, 2 Passions, 1 motet = 36

Argentilly-4, Carpentras-7, Escribano-5, Escribano/(C. Festa)-1, C. Festa-3, C. Festa/(Morales)-5, Morales-3, Yvo Nau-8

2 paper + 2 parchment + 148 paper folios, 655 x 475. Original ink foliation, i-clii, on upper right rectos. Original covers of leather over wooden boards, blind tooled with ornamental designs. Original index on ff. 1'-2 lists all pieces in order of appearance (except that Argentilly Missa pro Defunctis, copied at end of manuscript, is listed with other Argentilly works at beginning of index).

Copied by Federico Mario Perusino, scribe of Cappella Giulia (title page). Illuminated miniatures and borders on ff. 3'-4 include coats of arms of Cappella Giulia and its maestro, Giovanni Battista dei Cavalieri; of Pope Julius II (1443-1513); and of Pope Paul III (1468-1549). Other folios have inked calligraphic initials.

1543 (title page). Copied in Rome, for use by Cappella Giulia.gui

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
3v–11 Passio Domini secundum Matthaeum - Non in die festo CHARLES DARGENTIL
Appears on: 3v–11
Genres: Passion
Source Attribution: CHARLES DARGENTIL
Voice: [no designation]
Languages: Latin
Voice Text: Non in die festo
General Note

(Passio) [selon St. Mathieu] In Dominica Palmarum.Suivi de 19 versets de 2 à 4vx. et d'un motet final à 5vx. Sedentes contra sepulcrum

Item Bibliography

Llorens Cisteró, José Maria. 1971. Le opere musicali della Cappella Giulia. I Manoscritti e edizioni fino al '700. Studi e testi.  Città del Vaticano. Pages: Facs. f. 3v-4:.

11v–17 Passio Domini secundum Joannem - Jesum nazarenum/Numquid et tu ex discipulis CHARLES DARGENTIL
Appears on: 11v–17
Genres: Passion
Source Attribution: CHARLES DARGENTIL
Voice: [no designation]
Languages: Latin
Voice Text: Jesum naçarenum
General Note

(Passio) [selon St. Jean] Feria sexta in Parasceve.Suivi de 14 versets à 4vx. et d'un motet final à 5 vx.

18v–21 Lamentations (1): Incipit Lamentatio - Aleph - Beth - Jerusalem convertere [D. CONSTANTIUS FESTA]
Appears on: 18v–21
Genres: Lamentations, Motet
Source Attribution: [D. CONSTANTIUS FESTA]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Incipit Lamentatio Hieremie prophete
Concordances

copy also in Magl XIX 56 (ff.96-99) Capp Sist 198, ff. 60v-64, contains a variant, with sections Lamed - Mem - Nun - Jerusalem convertere also I-Rsg 6 MS 8; and 2 Morales prints of 1564

General Note

Feria quinta in cena domini. Suivi de: Aleph. Quomodo sedet … Beth. Plorans ploravit in nocte … Jerusalem convertere

21v–26 Lamentations (2): Heth — Beth — Caph — Jerusalem convertere [D. CONSTANTIUS FESTA]
Appears on: 21v–26
Genres: Lamentations, Motet
Source Attribution: [D. CONSTANTIUS FESTA]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Heth — Peccatum peccavit Jerusalem .
Concordances

appears in 2 Morales prints of 1564 (as by Morales, incorrectly)

25v–31 Lamentations (3): Phe - Sin - Res - Jerusalem convertere [D. CONSTANTIUS FESTA]
Appears on: 25v–31
Genres: Lamentations, Liturgical work, Motet
Source Attribution: [D. CONSTANTIUS FESTA]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Phe —Audite obsecro
Concordances

copy also in Magl XIX 56 (ff.66-71), I-Bsf M.V.XX.1 appears in 2 Morales prints of 1564 (as by Morales, incorrectly)

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 25, VI.

31v–35 Lamentations (4): Lamech — Jod — Gimel — Jerusalem convertere [D. CONSTANTIUS FESTA]
Appears on: 31v–35
Genres: Lamentations, Motet
Source Attribution: [D. CONSTANTIUS FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: Lamech — Cui comparabo te
Concordances

Also in I-Bsf M.V.XX.1 (as Festa) and 2 Morales prints of 1564 (as Morales)

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 25, VI.

35v–39 Lamentations (5): Zade - Caph - Thau - Jerusalem convertere [D. CONSTANTIUS FESTA]
Appears on: 35v–39
Genres: Lamentations, Motet
Source Attribution: [D. CONSTANTIUS FESTA]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Zade — Quomodo obscuratum est …
Concordances

copy also in Magl XIX 56 (ff.61-66) appears in 2 Morales prints of 1564 (as by Morales, incorrectly)

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 25, VI.

39v–43 Lamentations (6): Aleph - Daleth - Jerusalem convertere [D. CONSTANTIUS FESTA]
Appears on: 39v–43
Genres: Lamentations, Motet
Source Attribution: [D. CONSTANTIUS FESTA]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Aleph — Ego vir videns

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 25, VI.

43v–51 Lamentations (7): Lamed — Gimel — Zain — Jerusalem convertere [D. CONSTANTIUS FESTA]
Appears on: 43v–51
Genres: Lamentations, Motet
Source Attribution: [D. CONSTANTIUS FESTA]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Lamed — Clamavit cor eorum
Concordances

Capp Sist 198, ff. 69-73, contains a variant, with sections De lamentatione - Heth - Teth - Iod - Jerusalem convertere

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 25, VI.

51v–56 Lamentations (8): Incipit oratio Jeremiae prophetae [D.CONSTANTIUS
Appears on: 51v–56
Genres: Lamentations, Motet
Source Attribution: [D.CONSTANTIUS
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: [Incipit oratio] Hieremie prophete
57v–60 Lamentationes Jeremiae (Feria 5, lectio I) CARPENTRAS]
Appears on: 57v–60
Genres: Lamentations, Motet
Source Attribution: CARPENTRAS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Lectio prima. Incipit lamentatio
General Note

f. 57 «Carpentras super Lamentationes et Orationem Hieremie Prophete»

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, II.

60v–63 Lamentationes Jeremiae (Sabbato Sancto, lectio I) [CARPENTRAS]
Appears on: 60v–63
Genres: Lamentations, Motet
Source Attribution: [CARPENTRAS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Heth — Misericordie domini

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, II.

63v–66 Lamentationes Jeremiae (Feria 6, lectio III) [CARPENTRAS]
Appears on: 63v–66
Genres: Lamentations, Motet
Source Attribution: [CARPENTRAS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Joth - Manus mulierum

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58,11.

66v–68 Lamentationes Jeremiae (Feria 6, lectio I) [CARPENTRAS]
Appears on: 66v–68
Genres: Motet
Source Attribution: [CARPENTRAS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Heth — Cogitavit dominus

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, II.

68v–71 Lamentationes Jeremiae (Sabbato Sancto, lectio III) [CARPENTRAS]
Appears on: 68v–71
Genres: Lamentations, Motet
Source Attribution: [CARPENTRAS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Incipit oratio Hieremie prophete

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, II.

71v–73 Lamentationes Jeremiae (Sabbato Sancto, lectio II) [CARPENTRAS]
Appears on: 71v–73
Genres: Lamentations, Motet
Source Attribution: [CARPENTRAS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Heth — Peccatum peccavit Hierusalem

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, II.

73v–78 Lamentationes Jeremiae (Feria 6, lectio II) [CARPENTRAS]
Appears on: 73v–78
Genres: Lamentations, Motet
Source Attribution: [CARPENTRAS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Mem — Defecerunt pre lacrymis
General Note

f. 79 «Joannes Scribanus super Lamenta-tiones una cum Oratione Hieremie Prophete»

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, II.

79v–80 Lamentations (1) - 1a pars (of 3): Aleph - Quomodo sedet [JOANNES SCRIBANUS] (HISPANUS)
Appears on: 79v–80
Genres: Lamentations, Motet
Source Attribution: [JOANNES SCRIBANUS] (HISPANUS)
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Aleph — Quomodo sedet
80v–81 Lamentations (1) - 2a pars (of 3): Beth — Plorans ploravit [JOANNES SCRIBANUS] (HISPANUS)
Appears on: 80v–81
Genres: Lamentations, Motet
Source Attribution: [JOANNES SCRIBANUS] (HISPANUS)
Voice: [no designation]
Languages: Latin
Voice Text: Beth — Plorans ploravit
81v–82 Lamentations (1) - 3a pars (of 3): Jerusalem convertere [JOANNES SCRIBANUS] (HISPANUS)
Appears on: 81v–82
Genres: Lamentations, Motet
Source Attribution: [JOANNES SCRIBANUS] (HISPANUS)
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Jerusalem convertere
82v–83 Lamentations (2) - 1a pars (of 3): He - Facti sunt hostes [JOANNES SCRIBANUS]
Appears on: 82v–83
Genres: Lamentations, Motet
Source Attribution: [JOANNES SCRIBANUS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: He - Facti sunt hostes
83v–84 Lamentations (2) - 2a pars (of 3): Vau - Egressus est [JOANNES SCRIBANUS]
Appears on: 83v–84
Genres: Lamentations, Motet
Source Attribution: [JOANNES SCRIBANUS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Vau — Egressus est
84v–85 Lamentations (2) - 3a pars (of 3): Jerusalem, convertere [JOANNES SCRIBANUS]
Appears on: 84v–85
Genres: Lamentations, Motet
Source Attribution: [JOANNES SCRIBANUS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Jerusalem, convertere
85v–86 Lamentations (3) - 1a pars (of 3): Daleth - Vie Sion lugent [JOANNES SCRIBANUS]
Appears on: 85v–86
Genres: Lamentations, Motet
Source Attribution: [JOANNES SCRIBANUS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Daleth - Vie Syon lugent
86v–87 Lamentations (3) - 2a pars (of 3): He — Facti sunt hostes [JOANNES SCRIBANUS]
Appears on: 86v–87
Genres: Lamentations, Motet
Source Attribution: [JOANNES SCRIBANUS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: He —Facti sunt hostes
87v–88 Lamentations (3) - 3a pars (of 3): Vau - Egressus est [JOANNES SCRIBANUS]
Appears on: 87v–88
Genres: Lamentations
Source Attribution: [JOANNES SCRIBANUS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Vau — Egressus est
88v–89 Lamentations (4) - 1a pars (of 4): Caph - Defecerunt pre lacrimis [JOANNES SCRIBANUS]
Appears on: 88v–89
Genres: Lamentations, Motet
Source Attribution: [JOANNES SCRIBANUS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Caph — Defecerunt pre lacrymis
89v–90 Lamentations (4) - 2a pars (of 4): Lameth — Matribus suis [JOANNES SCRIBANUS]
Appears on: 89v–90
Genres: Lamentations, Motet
Source Attribution: [JOANNES SCRIBANUS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Lameth — Matribus suis
90v–91 Lamentations (4) - 3a pars (of 4): Men — Cui comparabo te [JOANNES SCRIBANUS]
Appears on: 90v–91
Genres: Lamentations, Motet
Source Attribution: [JOANNES SCRIBANUS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Men — Cui comparabo te
91v–92 Lamentations (4) - 4a pars (of 4): Magna est enim - Jerusalem convertere [JOANNES SCRIBANUS]
Appears on: 91v–92
Genres: Lamentations, Motet
Source Attribution: [JOANNES SCRIBANUS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Hierusalem convertere
92v–96 Lamentations (5) - 1a pars (of 5): Ain - Oculus meus [JOANNES SCRIBANUS]
Appears on: 92v–96
Genres: Lamentations, Motet
Source Attribution: [JOANNES SCRIBANUS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Ain — Oculus meus
92v–96 Lamentations (5) - 2a pars (of 5): Zade - Veneratione ceperunt me [JOANNES SCRIBANUS]
Appears on: 92v–96
Genres: Lamentations, Motet
Source Attribution: [JOANNES SCRIBANUS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Zade- Veneratione ceperunt me
94v–95 Lamentations (5) - 3a pars (of 5): Lapsa est in lacu [JOANNES SCRIBANUS]
Appears on: 94v–95
Genres: Lamentations
Source Attribution: [JOANNES SCRIBANUS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Jerusalem convertere
92v–96 Lamentations (5) - 4a pars (of 5): Caph — Invocavi nomen tuum [JOANNES SCRIBANUS]
Appears on: 92v–96
Genres: Motet
Source Attribution: [JOANNES SCRIBANUS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Caph — Invocavi nomen tuum
92v–96 Lamentations (5) - 5a pars (of 5): Vocem mean audisti - Jerusalem convertere [JOANNES SCRIBANUS]
Appears on: 92v–96
Genres: Lamentations, Motet
Source Attribution: [JOANNES SCRIBANUS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Hierusalem convertere
96v–97 Lamentations (6) - 1a pars (of 9): Incipit oratio Jeremiae prophetae [JOANNES SCRIBANUS]
Appears on: 96v–97
Genres: Lamentations, Motet
Source Attribution: [JOANNES SCRIBANUS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Incipit oratio Heremie prophete
General Note

f. 102 «Yvo Nau da Tours super Lamenta-tiones etiam super Orationem Hieremie Prophete»

96v–97 Lamentations (6) - 2a pars (of 9): Recordare domine duo [JOANNES SCRIBANUS]
Appears on: 96v–97
Genres: Motet
Source Attribution: [JOANNES SCRIBANUS]
Voice: [no designation]
Languages: Latin
Voice Text: Recordare domine (duo )
97v–98 Lamentations (6) - 3a pars (of 9): Hereditas nostra versa est -
Appears on: 97v–98
Genres: Lamentations
97v–98 Lamentations (6) - 4a pars (of 9): Pupilli facti sumus [JOANNES SCRIBANUS]
Appears on: 97v–98
Genres: Lamentations, Motet
Source Attribution: [JOANNES SCRIBANUS]
Voice: [no designation]
Languages: Latin
Voice Text: Pupilli facti sumus
98v–99 Lamentations (6) - 5a pars (of 9): Quam nostram pecunia bibimus -
Appears on: 98v–99
Genres: Lamentations
98v–99 Lamentations (6) - 6a pars (of 9): Cervicibus minabamur [JOANNES SCRIBANUS]
Appears on: 98v–99
Genres: Lamentations, Motet
Source Attribution: [JOANNES SCRIBANUS]
Voice: [no designation]
Languages: Latin
Voice Text: Cervicibus minabamur
99v–100 Lamentations (6) - 7a pars (of 9): Egypto dedimus manus -
Appears on: 99v–100
Genres: Lamentations
99v–100 Lamentations (6) - 8a pars (of 9): Patres nostri peccaverunt -
Appears on: 99v–100
Genres: Lamentations
100v–101 Lamentations (6) - 9a pars (of 9): Jerusalem convertere [JOANNES SCRIBANUS]
Appears on: 100v–101
Genres: Lamentations, Motet
Source Attribution: [JOANNES SCRIBANUS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Jerusalem convertere
102v–103 Lamentations (1) - 1a pars (of 5): Aleph - Quomodo sedet YVO.NAU.DA TOURS
Appears on: 102v–103
Genres: Lamentations, Motet
Source Attribution: YVO.NAU.DA TOURS
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Aleph - Quomodo sedet
General Note

lamentati*) Hieremie prophete

103v–104 Lamentations (1) - 2a pars (of 5): Beth - Plorans ploravit YVO.NAU.DA TOURS
Appears on: 103v–104
Genres: Lamentations, Motet
Source Attribution: YVO.NAU.DA TOURS
Voice: [no designation]
Languages: Latin
Voice Text: Beth - Plorans phravit
General Note

lamentati*) Hieremie prophete

103v–105 Lamentations (1) - 3a pars (of 5): Gimel - Migrava Judas YVO.NAU.DA TOURS
Appears on: 103v–105
Genres: Lamentations, Motet
Source Attribution: YVO.NAU.DA TOURS
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Gimel - Migrava Judas
General Note

lamentati*) Hieremie prophete

104v–106 Lamentations (1) - 4a pars (of 5): Daleth - Vie Sion lugent YVO.NAU.DA TOURS
Appears on: 104v–106
Genres: Lamentations, Motet
Source Attribution: YVO.NAU.DA TOURS
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Deleth - Vie Syon lugent
General Note

lamentati*) Hieremie prophete

105v–106 Lamentations (1) - 5a pars (of 5): Jerusalem convertere YVO.NAU.DA TOURS
Appears on: 105v–106
Genres: Lamentations, Motet
Source Attribution: YVO.NAU.DA TOURS
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Hierusalem convertere . . .
General Note

lamentati*) Hieremie prophete

106v–107 Lamentations (2) - 1a pars (of 3): Heth - Vide domine YVO.NAU.DA TOURS
Appears on: 106v–107
Genres: Lamentations
Source Attribution: YVO.NAU.DA TOURS
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Heth - Vide domine
107v–108 Lamentations (2) - 2a pars (of 3): Joth - Manum suam misit YVO.NAU.DA TOURS
Appears on: 107v–108
Genres: Lamentations, Motet
Source Attribution: YVO.NAU.DA TOURS
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Joth — Manum suam misit .
107v–108 Lamentations (2) - 3a pars (of 3): Jerusalem convertere YVO.NAU.DA TOURS
Appears on: 107v–108
Genres: Lamentations
Source Attribution: YVO.NAU.DA TOURS
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Hierusalem convertere.
108v–109 Lamentations (3) - 1a pars (of 4): Caph - Omnis populus eius YVO.NAU.DA TOURS
Appears on: 108v–109
Genres: Lamentations, Motet
Source Attribution: YVO.NAU.DA TOURS
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Caph — Omnis populus ejus
108v–110 Lamentations (3) - 2a pars (of 4): Lamech - O vos omnes YVO.NAU.DA TOURS
Appears on: 108v–110
Genres: Lamentations, Motet
Source Attribution: YVO.NAU.DA TOURS
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Lantech — O vos omnes
110v–111 Lamentations (3) - 3a pars (of 4): Men - De excelso misit ignem YVO.NAU.DA TOURS
Appears on: 110v–111
Genres: Lamentations, Motet
Source Attribution: YVO.NAU.DA TOURS
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Men — De excelso misit ignem
110v–111 Lamentations (3) - 4a pars (of 4): Jerusalem convertere YVO.NAU.DA TOURS
Appears on: 110v–111
Genres: Lamentations
Source Attribution: YVO.NAU.DA TOURS
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Hierusalem convertere
111v–113 Lamentations (4) - 1a pars (of 5): Zai - Repulit Dominus YVO.NAU.DA TOURS
Appears on: 111v–113
Genres: Lamentations, Motet
Source Attribution: YVO.NAU.DA TOURS
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Zai - Repulit dominus
113v–116 Lamentations (4) - 2a pars (of 5): Men - Defecerunt pre lacrimis YVO.NAU.DA TOURS
Appears on: 113v–116
Genres: Lamentations, Motet
Source Attribution: YVO.NAU.DA TOURS
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Men - Defecerunt pre lacrymis
116v–119 Lamentations (4) - 3a pars (of 5): Heth - Misericordie Domini YVO.NAU.DA TOURS
Appears on: 116v–119
Genres: Lamentations, Motet
Source Attribution: YVO.NAU.DA TOURS
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Heth - Misericordie domini
119v–122 Lamentations (4) - 4a pars (of 5): Joth - Manus mulierum YVO.NAU.DA TOURS
Appears on: 119v–122
Genres: Lamentations, Motet
Source Attribution: YVO.NAU.DA TOURS
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Joth - Manus mulierum
122v–125 Lamentations (4) - 5a pars (of 5): Incipit oratio Jeremiae prophetae YVO.NAU.DA TOURS
Appears on: 122v–125
Genres: Lamentations, Motet
Source Attribution: YVO.NAU.DA TOURS
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Incipit oratio Hyeremie prophete
126v–130 Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum [CHRISTOFORUS DE MORALES]
Appears on: 126v–130
Genres: Lamentations, Motet
Source Attribution: [CHRISTOFORUS DE MORALES]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Caph - Vocavi amicos meos
Concordances

I-Fn Magl. 56 (12v-16r) F-PAbm 6829 (82v-85r) E-Bbc 708 (25v-27r) E-Bbc 1967 (184v-189r

130v–134 Lamentations (2): Num. Vigilavit jugum iniquitatum [CHRISTOFORUS DE MORALES]
Appears on: 130v–134
Genres: Lamentations, Motet
Source Attribution: [CHRISTOFORUS DE MORALES]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Num -Vigilavit jugum
Concordances

E-Zac 34 (Tenor) (121r-122v) E-VAar 3016 (48v-50) MEX-Pc 1 (103v-108)

134v–139 Lamentations (3): Phe. Expandit Sion manus suas [CHRISTOFORUS DE MORALES]
Appears on: 134v–139
Genres: Lamentations, Liturgical work, Motet
Source Attribution: [CHRISTOFORUS DE MORALES]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Phe - Expandit Syon manus suas
140v–141 Missa in agendo pro defunctis (Requiem): 1. Requiem aeternam. Dona eis domine CHARLES DARGENTIL
Appears on: 140v–141
Genres: Mass Ordinary, Requiem
Source Attribution: CHARLES DARGENTIL
Voice: [no designation]
Languages: Latin
Voice Text: [Requiem eternam] Dona eis domine
141v–143 Missa in agendo pro defunctis (Requiem): 2. Kyrie CHARLES DARGENTIL
Appears on: 141v–143
Genres: Kyrie eleison, Mass Ordinary, Requiem
Source Attribution: CHARLES DARGENTIL
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Requiem eternam] Kyrie
143v–145 Missa in agendo pro defunctis (Requiem): 3. Sanctus CHARLES DARGENTIL
Appears on: 143v–145
Genres: Mass Ordinary, Requiem, Sanctus [& Benedictus]
Source Attribution: CHARLES DARGENTIL
Voice: [no designation]
Languages: Latin
Voice Text: [Requiem eternam] Sanctus et Benedictus,
145v–147 Missa in agendo pro defunctis (Requiem): 4. Agnus Dei CHARLES DARGENTIL
Appears on: 145v–147
Genres: Agnus Dei, Mass Ordinary, Requiem
Source Attribution: CHARLES DARGENTIL
Voice: [no designation]
Languages: Latin
Voice Text: [Requiem eternam] Agnus dei
147v–148 Missa in agendo pro defunctis (Requiem): 5. Lux aeterna CHARLES DARGENTIL
Appears on: 147v–148
Genres: Mass Ordinary, Requiem
Source Attribution: CHARLES DARGENTIL
Voice: [no designation]
Languages: Latin
Voice Text: [Requiem eternam] Lux eterna lucea
148v–149 Missa in agendo pro defunctis (Requiem): 6. Libera me Domine CHARLES DARGENTIL
Appears on: 148v–149
Genres: Mass Ordinary, Requiem
Source Attribution: CHARLES DARGENTIL
Voice: [no designation]
Languages: Latin
Voice Text: [Requiem eternam] Libera me domine
149v–150 Missa in agendo pro defunctis (Requiem): 7. Tremens factus CHARLES DARGENTIL
Appears on: 149v–150
Genres: Mass Ordinary, Requiem
Source Attribution: CHARLES DARGENTIL
Voice: [no designation]
Languages: Latin
Voice Text: [Requiem eternam] Tremens factus sum .
150v–151 Missa in agendo pro defunctis (Requiem): 8. Dies illa dies ire CHARLES DARGENTIL
Appears on: 150v–151
Genres: Mass Ordinary, Requiem
Source Attribution: CHARLES DARGENTIL
Voice: [no designation]
Languages: Latin
Voice Text: [Requiem eternam] Dies illa dies ire
151v–152 Missa in agendo pro defunctis (Requiem): 9. Requiem aeternam - Kyrie CHARLES DARGENTIL
Appears on: 151v–152
Genres: Kyrie eleison, Mass Ordinary, Requiem
Source Attribution: CHARLES DARGENTIL
Voice: [no designation]
Languages: Latin
Voice Text: [Requiem eternam] Requiem eternam .
Composer Compositions
Argentille, Charles, Ciarles d' (fl. 1528-56)
Carpentras, Elzear Genet (ca. 1470–1548)
Escribano, Juan
Festa, Costanzo (ca. 1485–1545)
Morales, Cristóbal de (ca. 1500–1553)
Tours, Ivo [Nau] de
Composition Composers (? Uncertain) Folios / Pages
Lamentationes Jeremiae (Feria 5, lectio I) 57v–60
Lamentationes Jeremiae (Feria 6, lectio I) 66v–68
Lamentationes Jeremiae (Feria 6, lectio II) 73v–78
Lamentationes Jeremiae (Feria 6, lectio III) 63v–66
Lamentationes Jeremiae (Sabbato Sancto, lectio I) 60v–63
Lamentationes Jeremiae (Sabbato Sancto, lectio II) 71v–73
Lamentationes Jeremiae (Sabbato Sancto, lectio III) 68v–71
Lamentations (1) - 1a pars (of 3): Aleph - Quomodo sedet 79v–80
Lamentations (1) - 1a pars (of 5): Aleph - Quomodo sedet 102v–103
Lamentations (1) - 2a pars (of 3): Beth — Plorans ploravit 80v–81
Lamentations (1) - 2a pars (of 5): Beth - Plorans ploravit 103v–104
Lamentations (1) - 3a pars (of 3): Jerusalem convertere 81v–82
Lamentations (1) - 3a pars (of 5): Gimel - Migrava Judas 103v–105
Lamentations (1) - 4a pars (of 5): Daleth - Vie Sion lugent 104v–106
Lamentations (1) - 5a pars (of 5): Jerusalem convertere 105v–106
Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum 126v–130
Lamentations (1): Incipit Lamentatio - Aleph - Beth - Jerusalem convertere 18v–21
Lamentations (2) - 1a pars (of 3): He - Facti sunt hostes 82v–83
Lamentations (2) - 1a pars (of 3): Heth - Vide domine 106v–107
Lamentations (2) - 2a pars (of 3): Joth - Manum suam misit 107v–108
Lamentations (2) - 2a pars (of 3): Vau - Egressus est 83v–84
Lamentations (2) - 3a pars (of 3): Jerusalem convertere 107v–108
Lamentations (2) - 3a pars (of 3): Jerusalem, convertere 84v–85
Lamentations (2): Heth — Beth — Caph — Jerusalem convertere 21v–26
Lamentations (2): Num. Vigilavit jugum iniquitatum 130v–134
Lamentations (3) - 1a pars (of 3): Daleth - Vie Sion lugent 85v–86
Lamentations (3) - 1a pars (of 4): Caph - Omnis populus eius 108v–109
Lamentations (3) - 2a pars (of 3): He — Facti sunt hostes 86v–87
Lamentations (3) - 2a pars (of 4): Lamech - O vos omnes 108v–110
Lamentations (3) - 3a pars (of 3): Vau - Egressus est 87v–88
Lamentations (3) - 3a pars (of 4): Men - De excelso misit ignem 110v–111
Lamentations (3) - 4a pars (of 4): Jerusalem convertere 110v–111
Lamentations (3): Phe - Sin - Res - Jerusalem convertere 25v–31
Lamentations (3): Phe. Expandit Sion manus suas 134v–139
Lamentations (4) - 1a pars (of 4): Caph - Defecerunt pre lacrimis 88v–89
Lamentations (4) - 1a pars (of 5): Zai - Repulit Dominus 111v–113
Lamentations (4) - 2a pars (of 4): Lameth — Matribus suis 89v–90
Lamentations (4) - 2a pars (of 5): Men - Defecerunt pre lacrimis 113v–116
Lamentations (4) - 3a pars (of 4): Men — Cui comparabo te 90v–91
Lamentations (4) - 3a pars (of 5): Heth - Misericordie Domini 116v–119
Lamentations (4) - 4a pars (of 4): Magna est enim - Jerusalem convertere 91v–92
Lamentations (4) - 4a pars (of 5): Joth - Manus mulierum 119v–122
Lamentations (4) - 5a pars (of 5): Incipit oratio Jeremiae prophetae 122v–125
Lamentations (4): Lamech — Jod — Gimel — Jerusalem convertere 31v–35
Lamentations (5) - 1a pars (of 5): Ain - Oculus meus 92v–96
Lamentations (5) - 2a pars (of 5): Zade - Veneratione ceperunt me 92v–96
Lamentations (5) - 3a pars (of 5): Lapsa est in lacu 94v–95
Lamentations (5) - 4a pars (of 5): Caph — Invocavi nomen tuum 92v–96
Lamentations (5) - 5a pars (of 5): Vocem mean audisti - Jerusalem convertere 92v–96
Lamentations (5): Zade - Caph - Thau - Jerusalem convertere 35v–39
Lamentations (6) - 1a pars (of 9): Incipit oratio Jeremiae prophetae 96v–97
Lamentations (6) - 2a pars (of 9): Recordare domine duo 96v–97
Lamentations (6) - 3a pars (of 9): Hereditas nostra versa est 97v–98
Lamentations (6) - 4a pars (of 9): Pupilli facti sumus 97v–98
Lamentations (6) - 5a pars (of 9): Quam nostram pecunia bibimus 98v–99
Lamentations (6) - 6a pars (of 9): Cervicibus minabamur 98v–99
Lamentations (6) - 7a pars (of 9): Egypto dedimus manus 99v–100
Lamentations (6) - 8a pars (of 9): Patres nostri peccaverunt 99v–100
Lamentations (6) - 9a pars (of 9): Jerusalem convertere 100v–101
Lamentations (6): Aleph - Daleth - Jerusalem convertere 39v–43
Lamentations (7): Lamed — Gimel — Zain — Jerusalem convertere 43v–51
Lamentations (8): Incipit oratio Jeremiae prophetae 51v–56
Missa in agendo pro defunctis (Requiem): 1. Requiem aeternam. Dona eis domine 140v–141
Missa in agendo pro defunctis (Requiem): 2. Kyrie 141v–143
Missa in agendo pro defunctis (Requiem): 3. Sanctus 143v–145
Missa in agendo pro defunctis (Requiem): 4. Agnus Dei 145v–147
Missa in agendo pro defunctis (Requiem): 5. Lux aeterna 147v–148
Missa in agendo pro defunctis (Requiem): 6. Libera me Domine 148v–149
Missa in agendo pro defunctis (Requiem): 7. Tremens factus 149v–150
Missa in agendo pro defunctis (Requiem): 8. Dies illa dies ire 150v–151
Missa in agendo pro defunctis (Requiem): 9. Requiem aeternam - Kyrie 151v–152
Passio Domini secundum Joannem - Jesum nazarenum/Numquid et tu ex discipulis 11v–17
Passio Domini secundum Matthaeum - Non in die festo 3v–11

denotes primary source study

Del Sol, Manuel. 2014. Lamentaciones de Cristobal de Morales: Historia y Autenticidad. Revista de Musicologia, 107-139.

Josephson, Nors S (editor). 1982-. Early Sixteenth-Century Sacred Music from the Papal Chapel. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xv-xvii, 154-75, 202-63. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Brauner, Mitchell Paul. 1982. The Parvus Manuscripts: A Study of Vatican Polyphony, ca. 1535 to 1580. Brandeis University, Unpublished Ph.D. dissertation. Pages: 7, 274, 349-53, 358, 417-8. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS.  American Institute of Musicology. Pages: 157. Notes: contents list (partial); concordances (partial).

Seay, Albert (editor). 1972-73. Elziarii Geneti (Carpentras): Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, xvi-xvii, xxviii-xxix, 131-73. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Llorens Cisteró, José Maria. 1971. Le opere musicali della Cappella Giulia. I Manoscritti e edizioni fino al '700. Studi e testi.  Città del Vaticano. Pages: 63ff (avec facs. des ff. 3v-4). Notes: physical description; contents list; facsimile (partial).

Bunshaft, Gillian Anne. 1969. Biblioteca Nazionale Centrale, Manuscript II. 1.285 (Magliabecchi XIX. 56): A Study. University of Illinois, Unpublished Master's thesis. Pages: 13, 16, 18, 21, 58, 72. Notes: contents list (partial); concordances (partial); incipits (partial).

Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Main, Alexander. 1960. Costanzo Festa: The Masses and Motets. New York University, Unpublished Ph.D. dissertation. Pages: 38, 54-6, 304-13. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Jeppesen, Knud. 1958. A Forgotten Master of the Early 16th Century: Gaspar de Albertis. The Musical Quarterly, 311-28. Pages: 319-20. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: XI, 755. Notes: physical description (partial).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: A. Seay, in CMM 58,11, p. XVIf et CMM 25,VI, p. IX.

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Riccardo Pintus

Wednesday, 28 November, 2018

Sanctus from Missa Quem Malignus Spiritus by Charles d'Argentille incorrectly listedon f. 140v deleted from inventory (this may not show up immediately).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description