V-CVbav MS Vat. Mus. 571

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

partbook: c. 1520-30

Archive Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark MS Vat. Mus. 571
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 180 x 240 mm
Other Identifiers
  • RISM: I-Rvat 571
  • CCM: VatVM 571
  • olim (Former shelfmark): I-Rvat MS Vat. Mus. 571
Notations
  • black void mensural
Relationships
External Links
Provenance
  • Rome, Italy
Contents 58 pieces from 16 composers
General Description

A single Altus partbook. Copied in Rome. Once owned by Raffaele Casimiri (1880-1943); bequeathed to present library by Casimiri. Discovered in 1972 by Alexander Silbiger among uncatalogued items of Casimiri collection; present call number assigned in 1972.

DIAMM, 2017
Binding

Covers of grey-brown cardboard.

DIAMM, 2017
Watermark

(1) column?; (2) resembles Briquet #12438 and #12440 (SilbU).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Modern pencil foliation on upper right rectos, 1-36, excludes front flyleaf; modern stamped foliation on lower right rectos, 1-37.

DIAMM, 2017
Surface

paper

DIAMM, 2017
RISM Description

RISM

XVIe s. 37ff. Papier, 180 x 243 mm. Une 1ère foliotation en haut des ff., ne tenant pas compte du f. limin.: 1-36, a été suivie d'une foliotation imprimée au bas de tous les ff.: 1-37. Dans la fol. ancienne, le f. limin., les ff. 6v, 10v, 11, 18, 28v, 36v sont blancs. Notation mesurée blanche. 6 portées par p. Petites capitales ornées à la plume. Rehure carton gris-beige portant inscrit à l'encre: ALTUS et ΗΡAΚλΗσ. Partie d'Altus seul'.

Ms. légué à la Bibl. Vaticane en 1943 avec toute la bibliothèque musicale de Raffaele Casimiri (1880-1943), mais dont on ne connaît pas l'origine. Il est l'oeuvre de plusieurs scribes car on distingue à peu près 11 styles d'écriture, du gothique élégant avec notes losangées et initiales ornées, à la cursive rapide, avec notes arrondies et pas de capitales. Le ms. ne portant aucun nom d'auteurs, ceux-ci ont été rétablis d'après des concordances avec d'autres sources datant des environs de 1530, toujours postérieures à 1515 et le plus souvent italiennes. Il ne s'agit pas d'un ms. d'apparat, mais comme le suggère Silbiger, d'un recueil destiné à l'usage d'une chapelle privée vraisemblablement d'Italie, les pièces religieuses l'emportant avec 35 motets sur les pièces profanes qui (sauf 2 en latin, nos 17 et 27) sont toutes en italien. La copie a peut-être été exécutée par les chanteurs de cette chapelle dont quelques-uns des noms pourraient être ceux qui figurent au v du f. limin. et dont aucun n'est d'ailleurs jusqu'à présent connu.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

35 motets, 4 Italian secular pieces, 2 Latin secular pieces, 1 textless piece = 42

(Eustachius de Monte Regali)-1, (C. Festa)-2 + 1?, (Gascongne/Mouton)-1, (Josquin/Lebrun/Richafort)-1, (Josquin/Mouton/Willaert)-1, (Le Santier)-1, (Lhéritier)-2, (T. Martini)-1, (Moulu)-1, (Mouton)-2, (Obrecht/Willaert)-1, (Richafort)-3, (Richafort/Verdelot)-1, (Willaert)-3, anon-20

1 paper partbook (A-i + 36 folios), 180 x 240. Modern pencil foliation on upper right rectos, 1-36, excludes front flyleaf; modern stamped foliation on lower right rectos, 1-37. Covers of gray-brown cardboard. No index. Copied by eleven scribes (SilbU). Inked calligraphic initials. Watermarks: (1) column?; (2) resembles Briquet #12438 and #12440 (SilbU).

Ca. 1520-30 (SilbU). Copied in Rome. Once owned by Raffaele Casimiri (1880-1943); bequeathed to present library by Casimiri. Discovered in 1972 by Alexander Silbiger among uncatalogued items of Casimiri collection; present call number assigned in 1972.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Peccantem me quotiate - Anonymous
Appears on: 1
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peccantem me quotiate
1v Ecce Dominus veniet et omnes sancti eius [A. WILLAERT]
Appears on: 1v
Genres: Motet
Source Attribution: [A. WILLAERT]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce dominus veniet
General Note

Publ. cf. Rv 35-40 n° 35

2–2v Omnipotens sempiterne Deus [A. WILLAERT]*
Appears on: 2–2v
Genres: Motet
Source Attribution: [A. WILLAERT]*
Voice: [no designation]
Languages: Latin
Voice Text: Omnipotens sempiterne deus
General Note

Publ. cf. CMacPiE) n" 21

Concordances

* 15344

2v–3 Congratulamini mihi omnes qui diligitis [C. FESTA]
Appears on: 2v–3
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: CongratuLomini michi omnes
General Note

AltusPubl. cf. Bc 20 n° 49

3–3v Ave regina caelorum - 1a pars (of 2): Ave regina caelorum [J. LHERITIER]
Appears on: 3–3v
Genres: BVM, Motet
Source Attribution: [J. LHERITIER]
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum
General Note

Publ. cf. Bc 20 n° 25

3–3v Ave regina caelorum - 2a pars (of 2): Gaude gloriosa super omnes [J. LHERITIER]
Appears on: 3–3v
Genres: Motet
Source Attribution: [J. LHERITIER]
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Gaude gloriosa super omnes
General Note

Publ. cf. Bc 20 n° 25

4 Moriens lux amantissima qui in cruce [J. MOUTON]
Appears on: 4
Genres: Motet
Source Attribution: [J. MOUTON]
Voice: [no designation]
Languages: Latin
Voice Text: A: Moriens lux amenissima
General Note

Publ. cf. Bc 19 n° 2Altus

4v [untexted] - -
Appears on: 4v
Genres: textless
Voice: [no designation]
Languages: none
Voice Text: without text
General Note

Altus

5–6 Donna non mi tenete - Anonymous
Appears on: 5–6
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Donna non mi tenete
General Note

Altus

7 Altus (untexted) [EUSTACHI]*
Appears on: 7
Genres: Motet, textless
Source Attribution: [EUSTACHI]*
Voice: [no designation]
Languages: none
Voice Text: Altus: without text
General Note

[= Si vesassi de dir n° 11]Publ. cf. Bc 21 n° 31 (Si osassi di dir)

Concordances

*15216

7v Tra gli odorosi rami - Anonymous
Appears on: 7v
Genres: Madrigal (Italian)
Voice: [no designation]
Languages: Italian
Voice Text: Tra gli odorosi rami
General Note

Altus

8 Si osassi di dir quel che piangendo [EUSTACHI]*
Appears on: 8
Genres: Frottola
Source Attribution: [EUSTACHI]*
Voice: [no designation]
Languages: Italian
Voice Text: Sí vesassi de dir quel che piangendo
General Note

AltusPubl. cf. Bc 21 n° 31 (Si osassi di dir)

Concordances

*15216

8v Salva nos Domine vigilantes custodi 26.12 [J. MOUTON ou JOSQUIN ou A. WILLAERT*]
Appears on: 8v
Genres: Motet
Source Attribution: [J. MOUTON ou JOSQUIN ou A. WILLAERT*]
Voice: [no designation]
Languages: Latin
Voice Text: Salve nos domine vigilantes
General Note

Publ. cf. Bc 19 n° 18

Concordances

*154210

9–9v Sufficiebat nobis paupertas nostra senectutis nostrae [J. RICHAFORT]
Appears on: 9–9v
Genres: Motet
Source Attribution: [J. RICHAFORT]
Voice: [no designation]
Languages: Latin
Voice Text: Sufficiebat nobis paupertas
General Note

Publ. cf. Bc 19 n" 53 (Mon souvenir my fait morir)

9v–10 Anima mea liquefacta est - 1a pars (of 2): Anima mea liquefacta est [THOMAS MARTIN]*
Appears on: 9v–10
Genres: Motet
Source Attribution: [THOMAS MARTIN]*
Voice: [no designation]
Languages: Latin
Voice Text: Anima mea liquefacta est
Concordances

… *1521é

9v–10 Anima mea liquefacta est - 2a pars (of 2): Invenerunt me [THOMAS MARTIN]*
Appears on: 9v–10
Genres: Motet
Source Attribution: [THOMAS MARTIN]*
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: Invenerunt me
Concordances

… *1521é

11v–12 Lasso che desiando vo - Anonymous
Appears on: 11v–12
Genres: Madrigal (Italian)
Voice: [no designation]
Languages: Italian
Voice Text: Lasso che desiando
12v–13 Si bona suscepimus de manu Domini [VERDELOT ou RICHAFORT*]
Appears on: 12v–13
Genres: Motet
Source Attribution: [VERDELOT ou RICHAFORT*]
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus
General Note

Publ. cf. Bc 27' n" 32

Concordances

*D-brd-Mu 326-7

13v–14 Que celebrat thermas - Anonymous
Appears on: 13v–14
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Que celebrat thermas
14v–15 Vulnerasti cor meum - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa [P. MOULU]
Appears on: 14v–15
Genres: Motet
Source Attribution: [P. MOULU]
Voice: [no designation]
Languages: Latin
Voice Text: Vulnerasti cor meum
General Note

Publ. cf. FI 666 n- 44

14v–15 Vulnerasti cor meum - 2a pars (of 2): Et vox tua dulcis in auribus meis [P. MOULU]
Appears on: 14v–15
Genres: Motet
Source Attribution: [P. MOULU]
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Et vox tua
General Note

Publ. cf. FI 666 n- 44

15v–16 Alma redemptoris mater (5vv) - 1a pars (of 2): Alma redemptoris mater [LESANTIER]
Appears on: 15v–16
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: [LESANTIER]
Voice: [no designation]
Languages: Latin
Voice Text: Aima redemptoris
General Note

Publ. cf. FI 666 n° 40

16 Alma redemptoris mater (5vv) - 2a pars (of 2): Virgo prius [LESANTIER]
Appears on: 16
Genres: Motet
Source Attribution: [LESANTIER]
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Virgo prius
General Note

Publ. cf. FI 666 n° 40

16v–17 In diebus illis mulìer - 1a pars (of 2): In diebus illis mulìer - Anonymous
Appears on: 16v–17
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In diebus illis mulìer
16v–17 In diebus illis mulìer - 2a pars (of 2): Diffusa est gratia in labiis tuis - Anonymous
Appears on: 16v–17
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Diffusa est gratia in labiis tuis
17v Unum cole Deum - Anonymous

Unum cole Deum

Anonymous
Appears on: 17v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Unum cole deum
18v–19 Credidi propter quod - 1a pars (of 2): Credidi propter quod loqutus sum - Anonymous
Appears on: 18v–19
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Credidi propter quod loqutus sum
18v–19 Credidi propter quod - 2a pars (of 2): O domine ego sum servus tuus - Anonymous
Appears on: 18v–19
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: O domine ego sum servus tuus
19v–20 O virgo Jesus omnes - 1a pars (of 2): O virgo Jesus omnes - Anonymous
Appears on: 19v–20
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O virgo Jhesus omnes
19v–20 O virgo Jesus omnes - 2a pars (of 2): Per te reglum a parte - Anonymous
Appears on: 19v–20
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Per te reglum a parte
20v–21 Gaude virgo mater Christi - 1a pars (of 2): Gaude virgo mater Christi - Anonymous
Appears on: 20v–21
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gaude virgo mater Christi
General Note

Publ. cf. CMacDfF) n' 31

20v–21 Gaude virgo mater Christi - 2a pars (of 2): Gaude Christo ascendente - Anonymous
Appears on: 20v–21
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Gaude Christo ascendente
General Note

Publ. cf. CMacDfF) n' 31

21v–22 Voce mea ad Dominum clamavi - 1a pars (of 2): Voce mea ad dominum clamavi - Anonymous
Appears on: 21v–22
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Voce mea ad dominum clamavi
21v–22 Voce mea ad dominum clamavi - 2a pars (of 2): Periit fuga a me - Anonymous
Appears on: 21v–22
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Periit fuga a mi
22v–23 Regina caeli - 1a pars (of 2): Regina caeli laetare - Anonymous
Appears on: 22v–23
Genres: Motet, Regina caeli laetare
Voice: [no designation]
Languages: Latin
Voice Text: Regina celi.
22v–23 Regina caeli - 2a pars (of 2): Resurrexit - Anonymous
Appears on: 22v–23
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: Resurexit.
23v Bonum vinum et suave non displicet cantoribus - Anonymous
Appears on: 23v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Bonum vinum et suave non displicet cantoribus
24 Regnum mundi - 1a pars (of 2): Regnum mundi et omnem ornatum saeculi [LIRITHYER]
Appears on: 24
Genres: Motet
Source Attribution: [LIRITHYER]
Voice: [no designation]
Languages: Latin
Voice Text: Regnum mundi
General Note

Publ. cf. Rv 35-40 n° 4

24 Regnum mundi - 2a pars (of 2): Quem vidi quem amavi in quem credidi -
Appears on: 24
Genres: Motet
24v–25 Peccavi super numerum - 1a pars (of 2): Peccavi super numerum arrene maris [A. WILLAERT]
Appears on: 24v–25
Genres: Motet
Source Attribution: [A. WILLAERT]
Voice: [no designation]
Languages: Latin
Voice Text: Peccavi super numerum arene maris
General Note

Publ. cf. Bc 27' n° 34

24v–25 Peccavi super numerum - 2a pars (of 2): Quoniam iniquitatem meam [A. WILLAERT]
Appears on: 24v–25
Genres: Motet
Source Attribution: [A. WILLAERT]
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Quoniam iniquitatem meam
General Note

Publ. cf. Bc 27' n° 34

25v–26 Alleluia. Noli flere Maria [GASCONGNE ou J. MOUTON*]
Appears on: 25v–26
Genres: Alleluia, Motet
Source Attribution: [GASCONGNE ou J. MOUTON*]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia, [noli fiere Maria]
General Note

Publ. cf. Bc 20 n° 5

Concordances

*15476

26v–27 Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis [A. WILLAERT ou OBRECHT*]
Appears on: 26v–27
Genres: Motet
Source Attribution: [A. WILLAERT ou OBRECHT*]
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster
General Note

Publ. cf. CMacNCH) n° 14

Concordances

*D-ddr-LEu 49

27v–28 Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum [A. WILLAERT* ou J. OBRECHT**]
Appears on: 27v–28
Genres: Ave Maria, Motet
Source Attribution: [A. WILLAERT* ou J. OBRECHT**]
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria
General Note

Publ. cf. CMac N (H) n° 15

Concordances

*153210 **D-ddr-LEu 49

29 Virgo gloriosa cooperto capite - Anonymous
Appears on: 29
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Virgo gloriosa cooperto capite
29v Adoremus Christum regent - Anonymous
Appears on: 29v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Adoremus Christum regent
30 O pulcherima virgo pulchre sunt gene [C. FESTA]
Appears on: 30
Genres: Motet
Source Attribution: [C. FESTA]
Voice: [no designation]
Languages: Latin
Voice Text: O pulcherrima virgo
General Note

Publ. cf. Bc 19 n' 29

30v–31 Quem dicunt homines - 1a pars (of 2): Quem dicunt homines [J. RICHAFORT]*
Appears on: 30v–31
Genres: Motet
Source Attribution: [J. RICHAFORT]*
Voice: [no designation]
Languages: Latin
Voice Text: Quem dicunt homines
General Note

Publ. cf. CMacDÍF) n' 41

Concordances

»CH-SGs 463

30v–31 Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit [J. RICHAFORT]*
Appears on: 30v–31
Genres: Motet
Source Attribution: [J. RICHAFORT]*
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: Petre diligis me
General Note

Publ. cf. CMacDÍF) n' 41

Concordances

»CH-SGs 463

31v Michael archangelle prepositus paradisi - Anonymous
Appears on: 31v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Michael archangelle prepositus paradisi
32 Beata es virgo Maria - Anonymous
Appears on: 32
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Beata es virgo Maria
32v–33 Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis [J. RICHAFORT ou LEBRUN* ou JOSQUIN**]
Appears on: 32v–33
Genres: Motet
Source Attribution: [J. RICHAFORT ou LEBRUN* ou JOSQUIN**]
Voice: [no designation]
Languages: Latin
Voice Text: Cumgratalanmini [mihi] omnes
Concordances

*A-Wn 18825 _"D-brd-Rp 852

32v–33 Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi [J. RICHAFORT ou LEBRUN* ou JOSQUIN**]
Appears on: 32v–33
Genres: Motet
Source Attribution: [J. RICHAFORT ou LEBRUN* ou JOSQUIN**]
Voice: [no designation]
Languages: Latin
Voice Text: [2a p. Tulerunt dominum meum] Et néscio ubi posuerunt
Concordances

*A-Wn 18825 _"D-brd-Rp 852

33v–34 Caeleste beneficium introivit in anna - Anonymous
Appears on: 33v–34
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Celeste beneficium introivit in anna
34v Quam pulcra es et quam decora - Anonymous
Appears on: 34v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulcra es et quam decora
35 Nigra sum sed formosa - Anonymous
Appears on: 35
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Nigra sum sed formosa
35v Ave virgo sanctissima Dei mater - Anonymous
Appears on: 35v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave virgo sanctissima dei mater
36 Veni sponsa Christi [J. RICHAFORT]
Appears on: 36
Genres: Motet
Source Attribution: [J. RICHAFORT]
Voice: [no designation]
Languages: Latin
Voice Text: Veni sponsa Cristi
General Note

Publ. cf. Bc 27' n° 56

Composer Compositions
Anonymous
Despres, Josquin (ca. 1450–1521)
Festa, Costanzo (ca. 1485–1545)
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Lesantier
Lheritier, Jean (ca. 1480–ca. 1551)
Martin (or Martini), Thomas
Monte Regali, Eustachius de (–1527)
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Obrecht, Jacobus (ca. 1457–1505)
Richafort, Jean (ca. 1480–ca. 1550)
Romano, Eustachio
Verdelot, Philippe (ca. 1480–ca. 1532)
Willaert, Adrian (ca. 1490–1562)
le Brun, Jean (fl. early 16th century)
Composition Composers (? Uncertain) Folios / Pages
[untexted] - 4v
Adoremus Christum regent Anonymous 29v
Alleluia. Noli flere Maria 25v–26
Alma redemptoris mater (5vv) - 1a pars (of 2): Alma redemptoris mater 15v–16
Alma redemptoris mater (5vv) - 2a pars (of 2): Virgo prius 16
Altus (untexted) 7
Anima mea liquefacta est - 1a pars (of 2): Anima mea liquefacta est 9v–10
Anima mea liquefacta est - 2a pars (of 2): Invenerunt me 9v–10
Ave regina caelorum - 1a pars (of 2): Ave regina caelorum 3–3v
Ave regina caelorum - 2a pars (of 2): Gaude gloriosa super omnes 3–3v
Ave virgo sanctissima Dei mater Anonymous 35v
Beata es virgo Maria Anonymous 32
Bonum vinum et suave non displicet cantoribus Anonymous 23v
Caeleste beneficium introivit in anna Anonymous 33v–34
Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis 32v–33
Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi 32v–33
Congratulamini mihi omnes qui diligitis 2v–3
Credidi propter quod - 1a pars (of 2): Credidi propter quod loqutus sum Anonymous 18v–19
Credidi propter quod - 2a pars (of 2): O domine ego sum servus tuus Anonymous 18v–19
Donna non mi tenete Anonymous 5–6
Ecce Dominus veniet et omnes sancti eius 1v
Gaude virgo mater Christi - 1a pars (of 2): Gaude virgo mater Christi Anonymous 20v–21
Gaude virgo mater Christi - 2a pars (of 2): Gaude Christo ascendente Anonymous 20v–21
In diebus illis mulìer - 1a pars (of 2): In diebus illis mulìer Anonymous 16v–17
In diebus illis mulìer - 2a pars (of 2): Diffusa est gratia in labiis tuis Anonymous 16v–17
Lasso che desiando vo Anonymous 11v–12
Michael archangelle prepositus paradisi Anonymous 31v
Moriens lux amantissima qui in cruce 4
Nigra sum sed formosa Anonymous 35
O pulcherima virgo pulchre sunt gene 30
O virgo Jesus omnes - 1a pars (of 2): O virgo Jesus omnes Anonymous 19v–20
O virgo Jesus omnes - 2a pars (of 2): Per te reglum a parte Anonymous 19v–20
Omnipotens sempiterne Deus 2–2v
Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis 26v–27
Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum 27v–28
Peccantem me quotiate Anonymous 1
Peccavi super numerum - 1a pars (of 2): Peccavi super numerum arrene maris 24v–25
Peccavi super numerum - 2a pars (of 2): Quoniam iniquitatem meam 24v–25
Quam pulcra es et quam decora Anonymous 34v
Que celebrat thermas Anonymous 13v–14
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines 30v–31
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit 30v–31
Regina caeli - 1a pars (of 2): Regina caeli laetare Anonymous 22v–23
Regina caeli - 2a pars (of 2): Resurrexit Anonymous 22v–23
Regnum mundi - 1a pars (of 2): Regnum mundi et omnem ornatum saeculi 24
Regnum mundi - 2a pars (of 2): Quem vidi quem amavi in quem credidi 24
Salva nos Domine vigilantes custodi 26.12 8v
Si bona suscepimus de manu Domini 12v–13
Si osassi di dir quel che piangendo 8
Sufficiebat nobis paupertas nostra senectutis nostrae 9–9v
Tra gli odorosi rami Anonymous 7v
Unum cole Deum Anonymous 17v
Veni sponsa Christi 36
Virgo gloriosa cooperto capite Anonymous 29
Voce mea ad Dominum clamavi - 1a pars (of 2): Voce mea ad dominum clamavi Anonymous 21v–22
Voce mea ad dominum clamavi - 2a pars (of 2): Periit fuga a me Anonymous 21v–22
Vulnerasti cor meum - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa 14v–15
Vulnerasti cor meum - 2a pars (of 2): Et vox tua dulcis in auribus meis 14v–15

denotes primary source study

Dean, Jeffrey J. 1984. The Scribes of the Sistine Chapel 1501-1527. University of Chicago, Unpublished Ph.D. dissertation. Pages: 177-81. Notes: facsimile (partial); mention of MS; discussion.

Fenlon, Iain, and James Haar. 1980. A New Source for the Early Madrigal. Journal of the American Musicological Society, 164-80. Pages: 174, 176. Notes: mention of MS; contents list (partial); concordances (partial).

Sternfeld, Frederick W. 1980. Aspects of Echo Music in the Renaissance. Studi Musicali, 45-57. Notes: contents list (partial); mention of MS; discussion.

Silbiger, Alexander. 1977. An Unknown Partbook of Early Sixteenth Century Polyphony. Studi Musicali, 43-67. Notes: physical description; contents list; concordances; mention of MS; discussion.

Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 72-3, 83-4, 116-7, 120. Notes: contents list (partial); concordances (partial); incipits (partial).

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS.  American Institute of Musicology. Pages: 70-1, 129-30, 133, 135, 147, 166-7. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, xix. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description