Copied by a single scribe. Presumably copied in Rome or Avignon, for presentation to Pope Clement VII (ca. 1475-1534).
V-CVbav MS Capp. Sist. 163
Biblioteca Apostolica Vaticana, Vatican City, Vatican
manuscript of polyphony: c. 1524-6
| Archive | Biblioteca Apostolica Vaticana, Vatican City, Vatican (V-CVbav) |
|---|---|
| Shelfmark | MS Capp. Sist. 163 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Parchment |
| Numbering System | Foliation |
| Measurements | 535 x 364 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| External Authorities | |
| Provenance |
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| Contents | Contains 11 compositions from 1 composer. |
General Description
Binding
Covers of medium brown leather over boards, gold stamped with decorative designs and floral motifs, date from 18th century (LlorCS)
Notation
black void mensural
Dedication
Dedication from Carpentras to Pope Clement VII on f. 2' includes latter's coat of arms.
Ruling
Staff height 21.
Foliation
No original foliation; modern stamped foliation, 1-53, on lower right rectos (excludes first flyleaf).
Decoration
Illuminated miniatures, initials, and borders on ff. 3'-4, 17'-18, and 27'-28; other folios have painted initials in Gothic style
Surface
parchment
RISM Description
RISM
XVIe s. 53ff. + 1f. limin. Parchemin, 533 x 364 mm. Foliotation factice. Les ff. limin r-v, lv, 2, 3, 51v à 53v sont blancs. Notation mesurée blanche. 11 portées par p. Initiales et marges enluminées aux ff. 3v, 4, 17v, 18, 27v, 28, les autres petites capitales ornées en couleurs. Reliure du XVIIIe s.
Ms. d'une seule main. Une lettre de Carpentras, copiée en lettres d'or au f. 2v., sous les armes du pape Clément VII, précise que le ms. contient la version évisée des Lamentations que le compositeur dédie au pape Clément VII, n'ayant pas été satisfait à l'audition de ses Lamentations telles qu'il les avait composées auparavant pour Léon X, ce qui date cette nouvelle version, et aussi la copie, entre 1524 et 1530.
Editions
Toutes les Lamentations du ms. sont publiées in CMM 58, II d'après l'édition imprimée chez de Channey à Avignon en 1532 et qui représente la dernière version révisée par Carpentras.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
11 Lamentations
Carpentras-11
ii + 51 + í parchment folios, 535 x 364. No original foliation; modern stamped foliation, 1-53, on lower right rectos (excludes first flyleaf). Covers of medium brown leather over boards, gold stamped with decorative designs and floral motifs, date from 18th century (LlorCS). No index. Copied by a single scribe. Staff height 21. Illuminated miniatures, initials, and borders on ff. 3'-4, 17'-18, and 27'-28; other folios have painted initials in Gothic style. Dedication from Carpentras to Pope Clement VII on f. 2' includes latter's coat of arms.
Ca. 1524-6. Presumably copied in Rome or Avignon, for presentation to Pope Clement VII (ca. 1475-1534).
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‡ denotes primary source study
Brauner, Mitchell Paul. 1982. The Parvus Manuscripts: A Study of Vatican Polyphony, ca. 1535 to 1580. Brandeis University, Unpublished Ph.D. dissertation. Pages: 123-4, 134, 322-3, 349, 419. Notes: physical description (partial); mention of MS; discussion.
Seay, Albert (editor). 1972-73. Elziarii Geneti (Carpentras): Opera Omnia. Corpus mensurabilis musicae, vol. 58. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, xv-xvi, xxviii-xxix, 120-30. Notes: contents list; concordances; transcription (partial); mention of MS; discussion.
Llorens Cisteró, José Maria. 1960. Capellae Sistinae Codices musicis notis instructi sive manu scripti sive praelo excussi. Studi e testi, vol. 202. Città del Vaticano. Pages: 190-2. Notes: physical description; contents list.
Rigsby, O Lee. 1955. The Sacred Music of Elzéar Genet. University of Michigan, Ph.D. dissertation. Pages: I, 52-3, 96-7, 148ff, 326. Notes: physical description (partial); contents list; transcription (partial); facsimile (partial); mention of MS; discussion.
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: P. Kast, in MGG XI, col. 752.
[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: A. Seay, in CMM 58,11, p. XVff.
Haberl, Franz Xavier. 1888 R 1971. Bibliographischer und Thematischer Musikkatalog des Päpstlichen Kapellarchives im Vatikan zu Rom. Supplement to Monatshefte für Musikgeschichte, 19: . Pages: 43, 140-1. Notes: physical description (partial); contents list; incipits.
Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: II, 43.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Dedication Note; Ruling Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description