V-CVbav MS Capp. Sist. 55

Biblioteca Apostolica Vaticana, Vatican City, Vatican

manuscript of polyphony: c. 1515-27

Archive	Biblioteca Apostolica Vaticana, Vatican City, Vatican (V-CVbav)
Shelfmark	MS Capp. Sist. 55
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	530 x 410 mm
Other Identifiers	RISM: I-Rvat 55 CCM: VatS 55 olim (Former shelfmark): I-Rvat MS Capp. Sist. 55
Notations	black void mensural
Copyists	Gellandi, Claudius Music Raymond, Vincent Illuminator Bouchet, Claudius Music Claudius Gellandi's assistant Text scribal concordance [12] Music
Relationships	? Clement VII (1475–1534) (patron) Bouchet, Claudius (compiler)
External Links	Images
External Authorities	RISM Online (sources/857000040)
Provenance	Sistine Chapel (Cappella Sistina) , Rome, Italy
Contents	Contains 56 compositions, 48 from 8 composers, 8 are anonymous.

General Description

Composite of originally separate fascicles assembled by Claudius Bouchet c. 1527 (DeanS). Copied mostly by Claudius Bouchet and Claudius Gellandi (DeanS). Gellandi's assistant wrote texts on ff. 59'-61; ff. 70-74' copied by unidentified scribe; ff. 77-90' copied by anonymous scribe who also wrote ff. 1 '-18, 170'-185, 207'-213', and 216-224 of VatG XII.2 (DeanS). Copied in Rome, for use by Cappella Sistina.

DIAMM, 2017

Physical Description

Some original foliation and attributions partly or completely obliterated by later trimming of folios.

DIAMM, 2017

Binding

Rebound in modern covers of cream-coloured vellum over boards

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 25 (27.5 on ff. 70-74')

DIAMM, 2017

Foliation

Original ink foliation, i-cxxxxii, on upper right rectos ('xxv-xxix' omitted); modern pencil foliation (cited here), 1-139, on lower center rectos (excludes first and last flyleaves).

DIAMM, 2017

Decoration

Illuminated initials and borders on ff. 3'-4 are work of Vincent Raymond (LlorM), and include coat of arms of Medici pope, probably Clement VII (ca. 1475-1534). Other folios have inked calligraphic initials decorated with tracery.

DIAMM, 2017

Index

Original index on f. 2 lists pieces in order of appearance.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVIe. s. 137ff. + 2ff. limili. Papier, 535 x 410 mm. Foliotation ancienne en chiffres romains dans laquelle les ch. 25 et 29 ont été sautés. Les 2ff. limin. et le f. 142v. sont blancs. Notation mesurée blanche. 10-11 portées par p. Au f. 1[3]: Tabula hujus libri avec foliotation en chiffres romains. Initiales des ff. lv-2 [3v-4] enluminées or et coul. probablement par Vincent Raymond, les autres ornées à la plume.

Bien qu'on y reconnaisse sur 1 douzaine de ff. 1a main de l'un des scribes du Codice Medici (I-F1666) daté de 1518, ce ms. a été en grande partie copié par Johannes Parvus dont il constitue probablement le plus ancien travail en sa qualité de scribe papal. Les armes du pape Clément VII (1523-1534) indiquent que le recueil a été en tout cas achevé sous son pontificat. D'autre part, si Josquin Dor (no 2) peut être identifié avec Josquin Doro, obscur chanteur papal, la copie du manuscrit doit se situer peu après son passage à la Sixtine, c'est-à-dire aux environs de 1522.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

8 Masses, 1 Credo, 7 motets = 16

Bonnevin [Jo. Beausseron]-3, Conseil-1, Divitis-1, Dor-1, Josquin -1, Michot-3, Moulu-1, Moulu/(Josquin)-1, Silva-2, anon-2

ii + i + 137 + i paper folios, 530 x 410. Composite of originally separate fascicles assembled by Claudius Bouchet ca. 1527 (DeanS). Some original foliation and attributions partly or completely obliterated by later trimming of folios. Original ink foliation, i-cxxxxii, on upper right rectos ("xxv-xxix" omitted); modern pencil foliation (cited here), 1-139, on lower center rectos (excludes first and last flyleaves). Rebound in modern covers of cream-colored vellum over boards. Original index on f. 2 lists pieces in order of appearance. Copied mostly by Claudius Bouchet and Claudius Gellandi (DeanS); see general index for other manuscripts copied by the same scribes. Gellandi's assistant wrote texts on ff. 59'-61; ff. 70-74' copied by unidentified scribe; ff. 77-90' copied by anonymous scribe who also wrote ff. 1 '-18, 170'-185, 207'-213', and 216-224 of VatG XII.2 (DeanS). Staff height 25 (27.5 on ff. 70-74'). Illuminated initials and borders on ff. 3'-4 are work of Vincent Raymond (LlorM), and include coat of arms of Medici pope, probably Clement VII (ca. 1475-1534). Other folios have inked calligraphic initials decorated with tracery.

Ca. 1515-27 (DeanS). Copied in Rome, for use by Cappella Sistina.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–3	Missa Domina nostra: Kyrie	ANDREAS MICHOT (index)	Michot, Andreas
Missa Domina nostra: Kyrie Michot, Andreas Appears on: 1v–3 Genres: Kyrie eleison, Mass Ordinary Source Attribution: ANDREAS MICHOT (index) Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: Missa de domina nostra) Kyrie
3v–7	Missa Domina nostra: Gloria	-	Michot, Andreas
Missa Domina nostra: Gloria Michot, Andreas Appears on: 3v–7 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
7v–10	Missa Domina nostra: Credo	-	Michot, Andreas
Missa Domina nostra: Credo Michot, Andreas Appears on: 7v–10 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
10v–14	Missa Domina nostra: Sanctus	-	Michot, Andreas
Missa Domina nostra: Sanctus Michot, Andreas Appears on: 10v–14 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
14v–17	Missa Domina nostra: Agnus Dei	-	Michot, Andreas
Missa Domina nostra: Agnus Dei Michot, Andreas Appears on: 14v–17 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
17v–20	Missa de nostra domina/de BMV: Kyrie	JOSQUIN DOR [=JO BEAUSSERON]	Dor, Josquin
Missa de nostra domina/de BMV: Kyrie Dor, Josquin Appears on: 17v–20 Genres: Kyrie eleison, Mass Ordinary Source Attribution: JOSQUIN DOR [=JO BEAUSSERON] Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa de nostra domina) Kyrie General Note [pour le Credo, Sanctus et Agnus Dei]Gloria tropé: Spiritus et almeT du Credo: Inviolata, integra
20v–24	Missa de nostra domina/de BMV: Gloria	-	Dor, Josquin
Missa de nostra domina/de BMV: Gloria Dor, Josquin Appears on: 20v–24 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
24v–29	Credo	Jo. Beausseron	Beauseron, Johannes (ca. 1475–1542)
Credo Beauseron, Johannes (ca. 1475–1542) Appears on: 24v–29 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Jo. Beausseron Number of voices: 4 General Note foliation jumps from 24r-v to 30r-v at the opening of the Patrem
34v–38	Missa de nostra domina/de BMV: Sanctus	-	Dor, Josquin
Missa de nostra domina/de BMV: Sanctus Dor, Josquin Appears on: 34v–38 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
38v–40	Missa de nostra domina/de BMV: Agnus Dei	-	Dor, Josquin
Missa de nostra domina/de BMV: Agnus Dei Dor, Josquin Appears on: 38v–40 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
40v–42	Missa Missus est Gabriel: Kyrie	MOULU	Moulu, Pierre (ca. 1484–ca. 1550)
Missa Missus est Gabriel: Kyrie Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 40v–42 Genres: Kyrie eleison, Mass Ordinary Source Attribution: MOULU Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa Missus est) Kyrie Item Bibliography Chapman, James G. 1964. The works of Pierre Moulu: a stylistic analysis. New York University, Ph.D. Dissertation.
42v–44	Missa Missus est Gabriel: Gloria	-	Moulu, Pierre (ca. 1484–ca. 1550)
Missa Missus est Gabriel: Gloria Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 42v–44 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
44v–46	Missa Missus est Gabriel: Credo	-	Moulu, Pierre (ca. 1484–ca. 1550)
Missa Missus est Gabriel: Credo Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 44v–46 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
46v–48	Missa Missus est Gabriel: Sanctus	-	Moulu, Pierre (ca. 1484–ca. 1550)
Missa Missus est Gabriel: Sanctus Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 46v–48 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
48v–50	Missa Missus est Gabriel: Agnus Dei	-	Moulu, Pierre (ca. 1484–ca. 1550)
Missa Missus est Gabriel: Agnus Dei Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 48v–50 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
50v–53	Missa Tu es pastor ovium (7vv): Kyrie	A. DE SILVA [ou P. MOULU]	Silva, Andreas de (ca. 1475–ca. 1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)
Missa Tu es pastor ovium (7vv): Kyrie Silva, Andreas de (ca. 1475–ca. 1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Appears on: 50v–53 Genres: Kyrie eleison, Mass Ordinary Source Attribution: A. DE SILVA [ou P. MOULU] Number of voices: 7 Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa Tu es pastor ovium) Kyrie General Note T: Kyrie Tu es pastor ovium
53v–58	Missa Tu es pastor ovium (7vv): Gloria	-	Moulu, Pierre (ca. 1484–ca. 1550) (?) Silva, Andreas de (ca. 1475–ca. 1522) (?)
Missa Tu es pastor ovium (7vv): Gloria Moulu, Pierre (ca. 1484–ca. 1550) (?) Silva, Andreas de (ca. 1475–ca. 1522) (?) Appears on: 53v–58 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 7
58v–64	Missa Tu es pastor ovium (7vv): Credo	-	Silva, Andreas de (ca. 1475–ca. 1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)
Missa Tu es pastor ovium (7vv): Credo Silva, Andreas de (ca. 1475–ca. 1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Appears on: 58v–64 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 7
64v–69	Missa Tu es pastor ovium (7vv): Sanctus	-	Moulu, Pierre (ca. 1484–ca. 1550) (?) Silva, Andreas de (ca. 1475–ca. 1522) (?)
Missa Tu es pastor ovium (7vv): Sanctus Moulu, Pierre (ca. 1484–ca. 1550) (?) Silva, Andreas de (ca. 1475–ca. 1522) (?) Appears on: 64v–69 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 7
69v–72	Missa Tu es pastor ovium (7vv): Agnus Dei	-	Silva, Andreas de (ca. 1475–ca. 1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)
Missa Tu es pastor ovium (7vv): Agnus Dei Silva, Andreas de (ca. 1475–ca. 1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Appears on: 69v–72 Genres: Agnus Dei, Mass Ordinary Number of voices: 7
72v–74	Missa feria: Kyrie	BEAUSSERON	Beauseron, Johannes (ca. 1475–1542)
Missa feria: Kyrie Beauseron, Johannes (ca. 1475–1542) Appears on: 72v–74 Genres: Kyrie eleison, Mass Ordinary Source Attribution: BEAUSSERON Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa de feria) Kyrie General Note Sans Gloria ni Credo.
74v–77	Missa feria: Sanctus	-	Beauseron, Johannes (ca. 1475–1542)
Missa feria: Sanctus Beauseron, Johannes (ca. 1475–1542) Appears on: 74v–77 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
77v–79	Missa feria: Agnus Dei	-	Beauseron, Johannes (ca. 1475–1542)
Missa feria: Agnus Dei Beauseron, Johannes (ca. 1475–1542) Appears on: 77v–79 Genres: Agnus Dei, Mass Ordinary Number of voices: 5
79v–81	Missa Quem dicunt homines: Kyrie	A. DIVITIS	Divitis, Antonius (ca. 1470–ca. 1530)
Missa Quem dicunt homines: Kyrie Divitis, Antonius (ca. 1470–ca. 1530) Appears on: 79v–81 Genres: Kyrie eleison, Mass Ordinary Source Attribution: A. DIVITIS Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa Quem dicunt homines) Kyrie General Note T: Kyrie Quem dicunt homines … Publ. cf. CF 53 n° 9Attrib. confirmée à Divitis par Smijers et Antonowytch (Report 1,58). Attrib. éventuelle sans preuves convaincantes à Richafort par C.W. Fox (Report II, 66)
81v–84	Missa Quem dicunt homines: Gloria	-	Divitis, Antonius (ca. 1470–ca. 1530)
Missa Quem dicunt homines: Gloria Divitis, Antonius (ca. 1470–ca. 1530) Appears on: 81v–84 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
84v–88	Missa Quem dicunt homines: Credo	-	Divitis, Antonius (ca. 1470–ca. 1530)
Missa Quem dicunt homines: Credo Divitis, Antonius (ca. 1470–ca. 1530) Appears on: 84v–88 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
88v–91	Missa Quem dicunt homines: Sanctus	-	Divitis, Antonius (ca. 1470–ca. 1530)
Missa Quem dicunt homines: Sanctus Divitis, Antonius (ca. 1470–ca. 1530) Appears on: 88v–91 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
91v–94	Missa Quem dicunt homines: Agnus Dei	-	Divitis, Antonius (ca. 1470–ca. 1530)
Missa Quem dicunt homines: Agnus Dei Divitis, Antonius (ca. 1470–ca. 1530) Appears on: 91v–94 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
94v–96	Missa Stephane gloriose: Kyrie	MOULU	Moulu, Pierre (ca. 1484–ca. 1550)
Missa Stephane gloriose: Kyrie Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 94v–96 Genres: Kyrie eleison, Mass Ordinary Source Attribution: MOULU Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa Stephane gloriose) Kyrie General Note Publ. cf. CMacLCB) n" 4
96v–98	Missa Stephane gloriose: Gloria	-	Moulu, Pierre (ca. 1484–ca. 1550)
Missa Stephane gloriose: Gloria Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 96v–98 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
98v–103	Missa Stephane gloriose: Credo	-	Moulu, Pierre (ca. 1484–ca. 1550)
Missa Stephane gloriose: Credo Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 98v–103 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
103v–106	Missa Stephane gloriose: Sanctus	-	Moulu, Pierre (ca. 1484–ca. 1550)
Missa Stephane gloriose: Sanctus Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 103v–106 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
106v–109	Missa Stephane gloriose: Agnus Dei	-	Moulu, Pierre (ca. 1484–ca. 1550)
Missa Stephane gloriose: Agnus Dei Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 106v–109 Genres: Agnus Dei, Mass Ordinary Number of voices: 4/5
109v–110	Missa feria: Kyrie	A. MICHOT	Michot, Andreas
Missa feria: Kyrie Michot, Andreas Appears on: 109v–110 Genres: Kyrie eleison, Mass Ordinary Source Attribution: A. MICHOT Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa de feria) Kyrie General Note Sans Gloria ni Credo.
110v–112	Missa feria: Sanctus	-	Michot, Andreas
Missa feria: Sanctus Michot, Andreas Appears on: 110v–112 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
112v–114	Missa feria: Agnus Dei	-	Michot, Andreas
Missa feria: Agnus Dei Michot, Andreas Appears on: 112v–114 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
114v–115	Non secundum peccata - 1a pars (of 3): Non secundum peccata nostra	(A. MICHOT)	Michot, Andreas
Non secundum peccata - 1a pars (of 3): Non secundum peccata nostra Michot, Andreas Appears on: 114v–115 Genres: Motet Source Attribution: (A. MICHOT) Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Non secundum peccata nostra
115v–116	Non secundum peccata - 2a pars (of 3): Domine ne memineris	(A. MICHOT)	Michot, Andreas
Non secundum peccata - 2a pars (of 3): Domine ne memineris Michot, Andreas Appears on: 115v–116 Genres: Motet Source Attribution: (A. MICHOT) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Domine ne memineris
116v–117	Non secundum peccata - 3a pars (of 3): Adjuva nos Deus	(A. MICHOT)	Michot, Andreas
Non secundum peccata - 3a pars (of 3): Adjuva nos Deus Michot, Andreas Appears on: 116v–117 Genres: Motet Source Attribution: (A. MICHOT) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [3a p.]: Adjuva nos
117v–118	Domine non secundum - 1a pars (of 4): Domine non secundum peccata nostra	-	Anonymous
Domine non secundum - 1a pars (of 4): Domine non secundum peccata nostra Anonymous Appears on: 117v–118 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra
118v–119	Domine non secundum - 2a pars (of 4): Domine ne memineris	-	Anonymous
Domine non secundum - 2a pars (of 4): Domine ne memineris Anonymous Appears on: 118v–119 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Domine ne memineris
119v–120	Domine non secundum - 3a pars (of 4): Adjuva nos Deus	-	Anonymous
Domine non secundum - 3a pars (of 4): Adjuva nos Deus Anonymous Appears on: 119v–120 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: [3a p.]: Adjuva nos
120v–121	Domine non secundum - 4a pars (of 4): Propter nomen tuum	-	Anonymous
Domine non secundum - 4a pars (of 4): Propter nomen tuum Anonymous Appears on: 120v–121 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: [4a p.]: Propter nomen tuum
121v–122	Domine non secundum - 1a pars (of 4): Domine non secundum peccata nostra	-	Anonymous
Domine non secundum - 1a pars (of 4): Domine non secundum peccata nostra Anonymous Appears on: 121v–122 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: [Domine] Non secundum peccata nostra
122v–123	Domine non secundum - 2a pars (of 4): Domine ne memineris	-	Anonymous
Domine non secundum - 2a pars (of 4): Domine ne memineris Anonymous Appears on: 122v–123 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Domine ne memineris
123v–124	Domine non secundum - 3a pars (of 4): Quia pauper es facti sumus	-	Anonymous
Domine non secundum - 3a pars (of 4): Quia pauper es facti sumus Anonymous Appears on: 123v–124 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [3a p.]: Quia pauper es facti sumus
124v–125	Domine non secundum - 4a pars (of 4): Et propitius esto	-	Anonymous
Domine non secundum - 4a pars (of 4): Et propitius esto Anonymous Appears on: 124v–125 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [4a p.]: Et propitius esto
125v–126	Domine non secundum peccata nostra - 1a pars (of 3): Domine non secundum	JO. BEAUSSERON	Beauseron, Johannes (ca. 1475–1542)
Domine non secundum peccata nostra - 1a pars (of 3): Domine non secundum Beauseron, Johannes (ca. 1475–1542) Appears on: 125v–126 Genres: Motet Source Attribution: JO. BEAUSSERON Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Domine] Non secundum peccata nostra
126v–127	Domine Non secundum peccata nostra - 2a pars (of 3): Domine ne memineris	JO. BEAUSSERON	Beauseron, Johannes (ca. 1475–1542)
Domine Non secundum peccata nostra - 2a pars (of 3): Domine ne memineris Beauseron, Johannes (ca. 1475–1542) Appears on: 126v–127 Genres: Motet Source Attribution: JO. BEAUSSERON Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [2a p.]:Domine ne memineris
127v–128	Domine Non secundum peccata nostra - 3a pars (of 3): Adjuva nos Deus	JO. BEAUSSERON	Beauseron, Johannes (ca. 1475–1542)
Domine Non secundum peccata nostra - 3a pars (of 3): Adjuva nos Deus Beauseron, Johannes (ca. 1475–1542) Appears on: 127v–128 Genres: Motet Source Attribution: JO. BEAUSSERON Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [3a p.]: Adjuva nos
128v–131	Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis	JOSQUIN DES PRÉS	Despres, Josquin (ca. 1450–1521)
Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis Despres, Josquin (ca. 1450–1521) Appears on: 128v–131 Genres: Ave Maria, Motet Source Attribution: JOSQUIN DES PRÉS Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Pater noster
131v–133	Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	JOSQUIN DES PRÉS	Despres, Josquin (ca. 1450–1521)
Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum Despres, Josquin (ca. 1450–1521) Appears on: 131v–133 Genres: Ave Maria, Motet Source Attribution: JOSQUIN DES PRÉS Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Ave Maria General Note Publ. cf. MOcap IX n° 24 [2a p. seul']
133v–136	O desolatorum consolator	CONSILIUM	Conseil, Jean (ca. 1498–1534)
O desolatorum consolator Conseil, Jean (ca. 1498–1534) Appears on: 133v–136 Genres: Motet Source Attribution: CONSILIUM Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: O desolatorum consolator
136v–138	Illumina oculos meos - 1a pars (of 3): Illumina oculos meos	A. DE SYLVA	Silva, Andreas de (ca. 1475–ca. 1522)
Illumina oculos meos - 1a pars (of 3): Illumina oculos meos Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 136v–138 Genres: Motet Source Attribution: A. DE SYLVA Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Illumina óculos meos General Note Publ. cf. Fn 125bis n° 5
138v–140	Illumina oculos meos - 2a pars (of 3): Fac mecum signum	A. DE SYLVA	Silva, Andreas de (ca. 1475–ca. 1522)
Illumina oculos meos - 2a pars (of 3): Fac mecum signum Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 138v–140 Genres: Motet Source Attribution: A. DE SYLVA Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [2a p]:Fac mecum General Note Publ. cf. Fn 125bis n° 5
140v–142	Illumina oculos meos - 3a pars (of 3): Periit fuga	A. DE SYLVA	Silva, Andreas de (ca. 1475–ca. 1522)
Illumina oculos meos - 3a pars (of 3): Periit fuga Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 140v–142 Genres: Motet Source Attribution: A. DE SYLVA Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: [3a p.]: Periit fuga General Note Publ. cf. Fn 125bis n° 5

Composer	Compositions
Anonymous	Domine non secundum - 1a pars (of 4): Domine non secundum peccata nostra – 117v–118 Domine non secundum - 1a pars (of 4): Domine non secundum peccata nostra – 121v–122 Domine non secundum - 2a pars (of 4): Domine ne memineris – 122v–123 Domine non secundum - 2a pars (of 4): Domine ne memineris – 118v–119 Domine non secundum - 3a pars (of 4): Adjuva nos Deus – 119v–120 Domine non secundum - 3a pars (of 4): Quia pauper es facti sumus – 123v–124 Domine non secundum - 4a pars (of 4): Et propitius esto – 124v–125 Domine non secundum - 4a pars (of 4): Propter nomen tuum – 120v–121
Beauseron, Johannes (ca. 1475-1542)	Credo – 24v–29 Domine Non secundum peccata nostra - 2a pars (of 3): Domine ne memineris – 126v–127 Domine Non secundum peccata nostra - 3a pars (of 3): Adjuva nos Deus – 127v–128 Domine non secundum peccata nostra - 1a pars (of 3): Domine non secundum – 125v–126 Missa feria: Agnus Dei – 77v–79 Missa feria: Kyrie – 72v–74 Missa feria: Sanctus – 74v–77
Conseil, Jean (ca. 1498-1534)	O desolatorum consolator – 133v–136
Despres, Josquin (ca. 1450-1521)	Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis – 128v–131 Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum – 131v–133
Divitis, Antonius (ca. 1470-ca. 1530)	Missa Quem dicunt homines: Agnus Dei – 91v–94 Missa Quem dicunt homines: Credo – 84v–88 Missa Quem dicunt homines: Gloria – 81v–84 Missa Quem dicunt homines: Kyrie – 79v–81 Missa Quem dicunt homines: Sanctus – 88v–91
Dor, Josquin	Missa de nostra domina/de BMV: Agnus Dei – 38v–40 Missa de nostra domina/de BMV: Gloria – 20v–24 Missa de nostra domina/de BMV: Kyrie – 17v–20 Missa de nostra domina/de BMV: Sanctus – 34v–38
Michot, Andreas	Missa Domina nostra: Agnus Dei – 14v–17 Missa Domina nostra: Credo – 7v–10 Missa Domina nostra: Gloria – 3v–7 Missa Domina nostra: Kyrie – 1v–3 Missa Domina nostra: Sanctus – 10v–14 Missa feria: Agnus Dei – 112v–114 Missa feria: Kyrie – 109v–110 Missa feria: Sanctus – 110v–112 Non secundum peccata - 1a pars (of 3): Non secundum peccata nostra – 114v–115 Non secundum peccata - 2a pars (of 3): Domine ne memineris – 115v–116 Non secundum peccata - 3a pars (of 3): Adjuva nos Deus – 116v–117
Moulu, Pierre (ca. 1484-ca. 1550)	Missa Missus est Gabriel: Agnus Dei – 48v–50 Missa Missus est Gabriel: Credo – 44v–46 Missa Missus est Gabriel: Gloria – 42v–44 Missa Missus est Gabriel: Kyrie – 40v–42 Missa Missus est Gabriel: Sanctus – 46v–48 Missa Stephane gloriose: Agnus Dei – 106v–109 Missa Stephane gloriose: Credo – 98v–103 Missa Stephane gloriose: Gloria – 96v–98 Missa Stephane gloriose: Kyrie – 94v–96 Missa Stephane gloriose: Sanctus – 103v–106 (?) Missa Tu es pastor ovium (7vv): Agnus Dei – 69v–72 (?) Missa Tu es pastor ovium (7vv): Credo – 58v–64 (?) Missa Tu es pastor ovium (7vv): Gloria – 53v–58 (?) Missa Tu es pastor ovium (7vv): Kyrie – 50v–53 (?) Missa Tu es pastor ovium (7vv): Sanctus – 64v–69
Silva, Andreas de (ca. 1475-ca. 1522)	Illumina oculos meos - 1a pars (of 3): Illumina oculos meos – 136v–138 Illumina oculos meos - 2a pars (of 3): Fac mecum signum – 138v–140 Illumina oculos meos - 3a pars (of 3): Periit fuga – 140v–142 (?) Missa Tu es pastor ovium (7vv): Agnus Dei – 69v–72 (?) Missa Tu es pastor ovium (7vv): Credo – 58v–64 (?) Missa Tu es pastor ovium (7vv): Gloria – 53v–58 (?) Missa Tu es pastor ovium (7vv): Kyrie – 50v–53 (?) Missa Tu es pastor ovium (7vv): Sanctus – 64v–69

Composition	Composers (? Uncertain)	Folios / Pages
Credo	Beauseron, Johannes (ca. 1475–1542)	24v–29
Domine non secundum - 1a pars (of 4): Domine non secundum peccata nostra	Anonymous	117v–118
Domine non secundum - 1a pars (of 4): Domine non secundum peccata nostra	Anonymous	121v–122
Domine non secundum - 2a pars (of 4): Domine ne memineris	Anonymous	118v–119
Domine non secundum - 2a pars (of 4): Domine ne memineris	Anonymous	122v–123
Domine non secundum - 3a pars (of 4): Adjuva nos Deus	Anonymous	119v–120
Domine non secundum - 3a pars (of 4): Quia pauper es facti sumus	Anonymous	123v–124
Domine non secundum - 4a pars (of 4): Et propitius esto	Anonymous	124v–125
Domine non secundum - 4a pars (of 4): Propter nomen tuum	Anonymous	120v–121
Domine non secundum peccata nostra - 1a pars (of 3): Domine non secundum	Beauseron, Johannes (ca. 1475–1542)	125v–126
Domine Non secundum peccata nostra - 2a pars (of 3): Domine ne memineris	Beauseron, Johannes (ca. 1475–1542)	126v–127
Domine Non secundum peccata nostra - 3a pars (of 3): Adjuva nos Deus	Beauseron, Johannes (ca. 1475–1542)	127v–128
Illumina oculos meos - 1a pars (of 3): Illumina oculos meos	Silva, Andreas de (ca. 1475–ca. 1522)	136v–138
Illumina oculos meos - 2a pars (of 3): Fac mecum signum	Silva, Andreas de (ca. 1475–ca. 1522)	138v–140
Illumina oculos meos - 3a pars (of 3): Periit fuga	Silva, Andreas de (ca. 1475–ca. 1522)	140v–142
Missa de nostra domina/de BMV: Agnus Dei	Dor, Josquin	38v–40
Missa de nostra domina/de BMV: Gloria	Dor, Josquin	20v–24
Missa de nostra domina/de BMV: Kyrie	Dor, Josquin	17v–20
Missa de nostra domina/de BMV: Sanctus	Dor, Josquin	34v–38
Missa Domina nostra: Agnus Dei	Michot, Andreas	14v–17
Missa Domina nostra: Credo	Michot, Andreas	7v–10
Missa Domina nostra: Gloria	Michot, Andreas	3v–7
Missa Domina nostra: Kyrie	Michot, Andreas	1v–3
Missa Domina nostra: Sanctus	Michot, Andreas	10v–14
Missa feria: Agnus Dei	Beauseron, Johannes (ca. 1475–1542)	77v–79
Missa feria: Agnus Dei	Michot, Andreas	112v–114
Missa feria: Kyrie	Beauseron, Johannes (ca. 1475–1542)	72v–74
Missa feria: Kyrie	Michot, Andreas	109v–110
Missa feria: Sanctus	Beauseron, Johannes (ca. 1475–1542)	74v–77
Missa feria: Sanctus	Michot, Andreas	110v–112
Missa Missus est Gabriel: Agnus Dei	Moulu, Pierre (ca. 1484–ca. 1550)	48v–50
Missa Missus est Gabriel: Credo	Moulu, Pierre (ca. 1484–ca. 1550)	44v–46
Missa Missus est Gabriel: Gloria	Moulu, Pierre (ca. 1484–ca. 1550)	42v–44
Missa Missus est Gabriel: Kyrie	Moulu, Pierre (ca. 1484–ca. 1550)	40v–42
Missa Missus est Gabriel: Sanctus	Moulu, Pierre (ca. 1484–ca. 1550)	46v–48
Missa Quem dicunt homines: Agnus Dei	Divitis, Antonius (ca. 1470–ca. 1530)	91v–94
Missa Quem dicunt homines: Credo	Divitis, Antonius (ca. 1470–ca. 1530)	84v–88
Missa Quem dicunt homines: Gloria	Divitis, Antonius (ca. 1470–ca. 1530)	81v–84
Missa Quem dicunt homines: Kyrie	Divitis, Antonius (ca. 1470–ca. 1530)	79v–81
Missa Quem dicunt homines: Sanctus	Divitis, Antonius (ca. 1470–ca. 1530)	88v–91
Missa Stephane gloriose: Agnus Dei	Moulu, Pierre (ca. 1484–ca. 1550)	106v–109
Missa Stephane gloriose: Credo	Moulu, Pierre (ca. 1484–ca. 1550)	98v–103
Missa Stephane gloriose: Gloria	Moulu, Pierre (ca. 1484–ca. 1550)	96v–98
Missa Stephane gloriose: Kyrie	Moulu, Pierre (ca. 1484–ca. 1550)	94v–96
Missa Stephane gloriose: Sanctus	Moulu, Pierre (ca. 1484–ca. 1550)	103v–106
Missa Tu es pastor ovium (7vv): Agnus Dei	Silva, Andreas de (ca. 1475–ca. 1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)	69v–72
Missa Tu es pastor ovium (7vv): Credo	Silva, Andreas de (ca. 1475–ca. 1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)	58v–64
Missa Tu es pastor ovium (7vv): Gloria	Moulu, Pierre (ca. 1484–ca. 1550) (?) Silva, Andreas de (ca. 1475–ca. 1522) (?)	53v–58
Missa Tu es pastor ovium (7vv): Kyrie	Silva, Andreas de (ca. 1475–ca. 1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)	50v–53
Missa Tu es pastor ovium (7vv): Sanctus	Moulu, Pierre (ca. 1484–ca. 1550) (?) Silva, Andreas de (ca. 1475–ca. 1522) (?)	64v–69
Non secundum peccata - 1a pars (of 3): Non secundum peccata nostra	Michot, Andreas	114v–115
Non secundum peccata - 2a pars (of 3): Domine ne memineris	Michot, Andreas	115v–116
Non secundum peccata - 3a pars (of 3): Adjuva nos Deus	Michot, Andreas	116v–117
O desolatorum consolator	Conseil, Jean (ca. 1498–1534)	133v–136
Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis	Despres, Josquin (ca. 1450–1521)	128v–131
Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	Despres, Josquin (ca. 1450–1521)	131v–133

‡ denotes primary source study

Dean, Jeffrey J. 1984. The Scribes of the Sistine Chapel 1501-1527. University of Chicago, Unpublished Ph.D. dissertation. Pages: 80, 132, 152-4, 158, 161, 163-7, 249-50, passim. Notes: physical description (partial); contents list; facsimile (partial); mention of MS; discussion.

Josephson, Nors S (editor). 1982-. Early Sixteenth-Century Sacred Music from the Papal Chapel. Corpus mensurabilis musicae, vol. 95. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xiii-xiv, xviii-xix, 82-101, 272-366; II, xiii-xiv, 219-43. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft, vol. 2. Tutzing. Pages: 29-30, 86-7, 442. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Lockwood, Lewis Henry. 1976. Josquin at Ferrara: New Documents and Letters. Josquin des Prez: Proceedings of the International Josquin Festival-Conference... 21-25June 1971, 103-37. London, New York, and Toronto. Pages: 120 n. 55 (concerne le n° 2).

Rifkin, Joshua. 1973. Scribal Concordances for Some Renaissance Manuscripts in Florentine Libraries. Journal of the American Musicological Society, 26: 305-26. Pages: 309. Notes: mention of MS.

Kirsch, Winfried (editor). 1970-. Andreas de Silva: Opera Omnia. Corpus mensurabilis musicae, vol. 49. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, x, xvii. Notes: contents list (partial); concordances (partial); facsimile (partial).

Nugent, George Edward. 1970. The Life and Works of Antonius Divitis. North Texas State University, Unpublished Ph.D. dissertation. Pages: I, 135-6. Notes: contents list (partial); concordances (partial).

Chapman, James G. 1964. The works of Pierre Moulu: a stylistic analysis. New York University, Ph.D. Dissertation. Pages: I, 21. Notes: contents list (partial); concordances (partial).

Antonowycz, Myroslaw. 1962. The present state of Josquin research. Report of the eighth congress [of the International Musicological Society] New York 1961, 2 vols. Kassel. Pages: 58f (concerne le n° 2).

Llorens Cisteró, José Maria. 1960. Capellae Sixtinae Codices. Vatican City. Pages: 108-10, 490. Notes: physical description; contents list; incipits (partial).

Llorens Cisteró, José Maria. 1958-61. Miniaturas de Vincent Raymond en los Manuscritos Musicales de la Capilla Sixtina. Miscelânea en Homenaje a Monsenor Higinio Angles, 475-98. Barcelona. Pages: 494. Notes: physical description (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: XII, xxii, xxiv-xxvii. Notes: physical description; contents list (partial); concordances (partial).

Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: II, 22.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description