Used as the cover of notarial documents in the Archivio di Stato of Macerata (dated 1551) since the 16th century. From about 1922 it was in the possession of Prof. Francesco Egidi, but is currently lost. The only partially legible bifolio is 'very likely from a Northern Italian manuscript (Padua?) Of the late 14th century'. The text of No. 2 gives a terminus post quem in 1374.
I-MDAegidi s.s. (Egidi)
Biblioteca-Archivio di Francesco Egidi, Montefiore dell'Aso, Italy
fragment: 2nd half of 14th century
| Archive | Biblioteca-Archivio di Francesco Egidi, Montefiore dell'Aso, Italy (I-MDAegidi) |
|---|---|
| Shelfmark | s.s. (Egidi) |
| Surface | Parchment |
| Numbering System | None / Unknown |
| Measurements | 234 x 295 (originally 240 x 160) mm |
| Other Identifiers |
|
| Notations |
|
| Relationships |
|
| Provenance |
|
| Contents | Contains 4 compositions from 3 composers. |
General Description
Physical Description
upper and lower side slightly cropped; f. 1 heavily cropped
Notation
Italian Trecento
Ruling
red six-line systems per page
Foliation
No original foliation visible.
Foliation
1-2v
Surface
Parchment
DIAMM Note
Images scanned in RGB from old 35mm b/w slides and enhanced during scanning to improve legibility. Present whereabouts unknown. Photographic plates reproduced in Roth, Liturgical (and Paraliturgical) Music... Bibliography updated (DIAMM). Because of poor legibility the notes and note values of the incipit should be regarded with caution.
RISM Description
RISM B/IV 4: 14. Jh.; Doppelblätter Pergament, 234 x 295 mm (geöffnetes Doppelblätter), obere und untere Seite leicht, f. 1 außen stark beschnitten; ursprüngliches Format des Einzelblattes ca. 240 x 160 mm. Keine originale Foliierung sichtbar. Je Seite 10 rote Sechsliniensysteme mit italienischer Trecentonotation
Dieses Fragment ist im Archivio di Stato von Macerata als Deckblatt von Notariatsakten des 16. Jh. (dat. 1551) verwendet worden. Seit ungefähr 1922 befand es sich im Besitz von Prof. F. Egidi, ist jedoch gegenwärtig nicht auffindbar. Das teilweise nur mehr schwer lesbare Doppelblätter stammt mit "großer Wahrscheinlichkeit aus einer oberitalienischen Handschrift (Padua ?) des späten 14. Jh. Der Text von Nr. 2 ergibt als terminus post quem das Jahr 1374.
INCIPITVERZEICHNIS
Die Noten und Notenwerte der Incipits sind infolge der schlechten Lesbarkeit mit Vorbehalt zu betrachten.
[Translation] Parchment bifolio, 234 x 295 mm (open bifolio), upper and lower side slightly, (f. 1 heavily) cropped; original format of the single leaf approximately 240 x 160 mm. No original foliation visible. 10 red six-line systems per page with Italian Trecento notation.
Since the 16th century this fragment had been used as the cover of notarial documents in the Archivio di Stato of Macerata (dated 1551). From about 1922 it was in the possession of Prof. F. Egidi, but is currently lost. The only partially legible bifolio is "very likely from a Northern Italian manuscript (Padua?) Of the late 14th century".The text of No. 2 gives a terminus post quem in 1374.
INCIPITVERZEICHNIS
Because of poor legibility the notes and note values of the incipit should be regarded with caution.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
1-2v
The inventory could not be loaded.
‡ denotes primary source study
Di Bacco, Giuliano, and John Nadas. 1998. The Papal Chapels and Italian Sources of Polyphony during the Great Schism. Papal Music and Musicians in Late Medieval and Renaissance Rome, edited by Giuliano Di Bacco and John Nadas, 44-92. Oxford: Clarendon Press. Notes: Includes image reconstructions.
Roth, Adalbert. 1998. Liturgical (and Paraliturgical) Music in the Papal Chapel towards the End of the Fifteenth Century: A Repertory in Embryo. Papal Music and Musicians in Late Medieval and Renaissance Rome, edited by Adalbert Roth, 125-37. Oxford: Clarendon Press.
Fischer, Kurt von. 1964. Neue Quellen zur Musik des 13., 14. und 15. Jahrhunderts. Acta Musicologica, 36: 79-97. Pages: 72ff.
Gotti, Ettore Li, and Nino Pirrotta. 1949-1951. II codice di Lucca. Musica Disciplina, 3-4-5: III, 119-38; IV, 111-52; V, 115-42. Pages: III, 127/128.
‡ Egidi, Francesco. 1925. Un frammento di codice musicale del secolo XIV. Nozze Bonmartini-Tracagni XIX novembre MCMXXV, Roma: La Speranza.
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
No comments have been made.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
Karen Cook
Saturday, 2 June, 2018
1 amended to [Antonio Zacara], Cacciando per gustar/Ay cinci ay toppi 1v, 2, 2v are all doubtfully attributed to Landini, marked "Landini?"
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description