Copied by Johannes Parvus, except for piece on ff. cxviii'-cxix, added by later hand (LlorCS). Copied in Rome, for use by Cappella Sistina.
V-CVbav MS Capp. Sist. 20
Biblioteca Apostolica Vaticana, Vatican City, Vatican
manuscript of polyphony: 1539
| Archive | Biblioteca Apostolica Vaticana, Vatican City, Vatican (V-CVbav) |
|---|---|
| Shelfmark | MS Capp. Sist. 20 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 618 x 460 mm |
| Other Identifiers |
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| Contents | Contains 55 compositions from 1 composer. |
General Description
Physical Description
Many folios in poor condition due to ink corrosion; some music now illegible
Binding
Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings.
Watermark
1) crossed arrows surmounted by six-pointed star; (2) anchor in circle surmounted by six-pointed star (index folio only) (see BraunerP for other manuscripts with same marks). None in Briquet.
Notation
black void mensural
Ruling
Staff height 30
Foliation
Original ink foliation, i-cxxxii, on upper right rectos; modern pencil foliation, 1-134, on lower center rectos (excludes first and last flyleaves).
Decoration
Inked calligraphic initials.
Index
Original index on third flyleaf groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance.
Surface
paper
RISM Description
RISM
XVIe s., 134 ff. Papier, 625 x 463 mm. Foliotation ancienne en ch. romains ne tenant pas compte de 2 ff.limin. n. ch. Le f. limin. [I] r.-v, les ff. 1, 35v, 36, 122v, 123, 125v, 126, 132v sont blancs. Notation mesurée blanche. 10 portées par p. Au f. limin. [II] r-v: Tabula hujus libri. Initiales ornées a la plume. Reliure du XVIII s.
Ms. copié par Johannes Parvus, copiste à la cour papale, vraisemblablement vers 1540. Ms. en très mauvais état, l'encre ayant rongé le papier, et que, pour cette raison, Kast considère comme perdu pour la recherche (MGG XI, col. 751 f). Certains incipit musicaux restent douteux, sinon illisibles.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 Te Deum, 33 motets, 1 Benedicamus domino = 35
C. Festa-19 + 16?*
*Generally accepted as authentic works of Costanzo Festa, but lack specific attributions in all known sources; see MainF for discussion.
ii + i + 132 + i paper folios, 618 x 460. Many folios in poor condition due to ink corrosion; some music now illegible. Original ink foliation, i-cxxxii, on upper right rectos; modern pencil foliation, 1-134, on lower center rectos (excludes first and last flyleaves). Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings. Original index on third flyleaf groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance.
Copied by Johannes Parvus, except for piece on ff. cxviii'-cxix, added by later hand (LlorCS); see general index for other manuscripts copied by Parvus. Staff height 30. Inked calligraphic initials. Watermarks (not in Briquet): (1) crossed arrows surmounted by six-pointed star; (2) anchor in circle surmounted by six-pointed star (index folio only) (see BraunerP for other manuscripts with same marks).
1539 (BraunerP). Copied in Rome, for use by Cappella Sistina.
The inventory could not be loaded.
‡ denotes primary source study
Brauner, Mitchell Paul. 1984. Music from the Cappella Sistina at the Cappella Giulia. The Journal of Musicology, 3: 287-311. Pages: 304-5. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Brauner, Mitchell Paul. 1982. The Parvus Manuscripts: A Study of Vatican Polyphony, ca. 1535 to 1580. Brandeis University, Unpublished Ph.D. dissertation. Pages: II, 128ff, 322-6, 370, 385-99, 409, passim. Notes: physical description (partial); contents list; concordances (partial); facsimile (partial); mention of MS; discussion.
Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music, vol. III-V. Chicago. Pages: III, 135-8. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 161. Notes: contents list (partial); concordances (partial); incipits (partial).
Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae, vol. 25. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, iv, xi, 107; III-IV, passim. Notes: physical description (partial); contents list; concordances; texts; discussion.
Llorens Cisteró, José Maria. 1960. Capellae Sistinae Codices musicis notis instructi sive manu scripti sive praelo excussi. Studi e testi, vol. 202. Città del Vaticano. Pages: 41-4, 480-2. Notes: physical description; contents list; incipits (partial).
Main, Alexander. 1960. Costanzo Festa: The Masses and Motets. New York University, Unpublished Ph.D. dissertation. Pages: 39-42, 47-62, 229ff. Notes: physical description (partial); contents list; concordances; transcription (partial); discussion of the MS.
Lowinsky, Edward E. 1950. A Newly Discovered Sixteenth-Century Motet Manuscript at the Biblioteca Vallicelliana in Rome. Journal of the American Musicological Society, 3: 173-232. Pages: 182, 213ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: A. Main, in CMM 25,11, p. IV.
Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: II, 8 et 31 ff.
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description