V-CVbav MS Capp. Sist. 20

Biblioteca Apostolica Vaticana, Vatican City, Vatican

manuscript of polyphony: 1539

Archive Biblioteca Apostolica Vaticana, Vatican City, Vatican (V-CVbav)
Shelfmark MS Capp. Sist. 20
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 618 x 460 mm
Other Identifiers
  • RISM: I-Rvat 20
  • CCM: VatS 20
  • olim (Former shelfmark): I-Rvat MS Capp. Sist. 20
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents Contains 55 compositions from 1 composer.
General Description

Copied by Johannes Parvus, except for piece on ff. cxviii'-cxix, added by later hand (LlorCS). Copied in Rome, for use by Cappella Sistina.

DIAMM, 2017
Physical Description

Many folios in poor condition due to ink corrosion; some music now illegible

DIAMM, 2017
Binding

Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings.

DIAMM, 2017
Watermark

1) crossed arrows surmounted by six-pointed star; (2) anchor in circle surmounted by six-pointed star (index folio only) (see BraunerP for other manuscripts with same marks). None in Briquet.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 30

DIAMM, 2017
Foliation

Original ink foliation, i-cxxxii, on upper right rectos; modern pencil foliation, 1-134, on lower center rectos (excludes first and last flyleaves).

DIAMM, 2017
Decoration

Inked calligraphic initials.

DIAMM, 2017
Index

Original index on third flyleaf groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
RISM Description

RISM

XVIe s., 134 ff. Papier, 625 x 463 mm. Foliotation ancienne en ch. romains ne tenant pas compte de 2 ff.limin. n. ch. Le f. limin. [I] r.-v, les ff. 1, 35v, 36, 122v, 123, 125v, 126, 132v sont blancs. Notation mesurée blanche. 10 portées par p. Au f. limin. [II] r-v: Tabula hujus libri. Initiales ornées a la plume. Reliure du XVIII s.

Ms. copié par Johannes Parvus, copiste à la cour papale, vraisemblablement vers 1540. Ms. en très mauvais état, l'encre ayant rongé le papier, et que, pour cette raison, Kast considère comme perdu pour la recherche (MGG XI, col. 751 f). Certains incipit musicaux restent douteux, sinon illisibles.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Te Deum, 33 motets, 1 Benedicamus domino = 35

C. Festa-19 + 16?*

*Generally accepted as authentic works of Costanzo Festa, but lack specific attributions in all known sources; see MainF for discussion.

ii + i + 132 + i paper folios, 618 x 460. Many folios in poor condition due to ink corrosion; some music now illegible. Original ink foliation, i-cxxxii, on upper right rectos; modern pencil foliation, 1-134, on lower center rectos (excludes first and last flyleaves). Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings. Original index on third flyleaf groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

Copied by Johannes Parvus, except for piece on ff. cxviii'-cxix, added by later hand (LlorCS); see general index for other manuscripts copied by Parvus. Staff height 30. Inked calligraphic initials. Watermarks (not in Briquet): (1) crossed arrows surmounted by six-pointed star; (2) anchor in circle surmounted by six-pointed star (index folio only) (see BraunerP for other manuscripts with same marks).

1539 (BraunerP). Copied in Rome, for use by Cappella Sistina.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Brauner, Mitchell Paul. 1984. Music from the Cappella Sistina at the Cappella Giulia. The Journal of Musicology, 3: 287-311. Pages: 304-5. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Brauner, Mitchell Paul. 1982. The Parvus Manuscripts: A Study of Vatican Polyphony, ca. 1535 to 1580. Brandeis University, Unpublished Ph.D. dissertation. Pages: II, 128ff, 322-6, 370, 385-99, 409, passim. Notes: physical description (partial); contents list; concordances (partial); facsimile (partial); mention of MS; discussion.

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music, vol. III-V.  Chicago. Pages: III, 135-8. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 161. Notes: contents list (partial); concordances (partial); incipits (partial).

Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae, vol. 25.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, iv, xi, 107; III-IV, passim. Notes: physical description (partial); contents list; concordances; texts; discussion.

Llorens Cisteró, José Maria. 1960. Capellae Sistinae Codices musicis notis instructi sive manu scripti sive praelo excussi. Studi e testi, vol. 202.  Città del Vaticano. Pages: 41-4, 480-2. Notes: physical description; contents list; incipits (partial).

Main, Alexander. 1960. Costanzo Festa: The Masses and Motets. New York University, Unpublished Ph.D. dissertation. Pages: 39-42, 47-62, 229ff. Notes: physical description (partial); contents list; concordances; transcription (partial); discussion of the MS.

Lowinsky, Edward E. 1950. A Newly Discovered Sixteenth-Century Motet Manuscript at the Biblioteca Vallicelliana in Rome. Journal of the American Musicological Society, 3: 173-232. Pages: 182, 213ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: A. Main, in CMM 25,11, p. IV.

Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: II, 8 et 31 ff.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description