V-CVbav MS Capp. Sist. 13

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

manuscript of polyphony: c. 1536-42

Archive Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark MS Capp. Sist. 13
Image Availability DIAMM does not have images of this source.
Surface Mixed Paper and Parchment
Numbering System Foliation
Format portrait
Measurements 625 x 463 mm
Other Identifiers
  • RISM: I-Rvat 13
  • CCM: VatS 13
  • olim (Former shelfmark): I-Rvat MS Capp. Sist. 13
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 49 pieces from 9 composers
General Description

Composite of several originally separate fascicles. Copied by Johannes Parvus (LlorCS). Copied in Rome, for use by Cappella Sistina.

DIAMM, 2017
Physical Description

Folios in very poor condition due to severe ink corrosion; much music now illegible

DIAMM, 2017
Binding

Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; similar or identical bindings also found on VatS 14-24, 26, 29, 32, 34, 35, 36, 38, 39, 41, 42, 44, 45, 46, 49, and 51.

DIAMM, 2017
Watermark

crossed arrows surmounted by six-pointed star (not in Briquet; see BraunerP for other manuscripts with same mark)

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 29-30

DIAMM, 2017
Foliation

Original ink foliation, i-[clxxxiii], on upper right rectos (one folio between ff. xxi/xxii not numbered; ff. [clxxxii-clxxxiii] incorrectly numbered as 'clxxii-clxxiii'). Modern pencil foliation, 1-186, on lower center rectos (excludes first and last flyleaves).

DIAMM, 2017
Decoration

Illuminated miniatures on f. i'-ii include coat of arms of Pope Paul III (1468-1549); miniatures are probably work of Vincent Raymond (BraunerP). Other folios have inked calligraphic initials.

DIAMM, 2017
Index

Original index on verso of parchment flyleaf lists pieces in order of appearance, with several attributions not found elsewhere in manuscript.

DIAMM, 2017
Surface

ii paper + i parchment + 184 paper + i paper

DIAMM, 2017
RISM Description

RISM

XVIe s. 186 ff. Papier (2 ff. parchemin), 530X380 mm. Foliotation ancienne en ch. romains. Les ff. 1, 35v, 36, 55v, 56, 78v, 79, l00v, 101, 121v, 122, 133v, 134, 154v, 155, 159v, 160, 171v, 172, 178v, 179, 183v sont blancs. 1 f. n.eh. entre les ff.21 et 22. Notation mesurée blanche. 10 portées par p. au v du f. limin. n.eh.: Table du ms. Aux ff.3v-4: lettres et marges ornées avec les armes de Paul III par Apollonio Bonfratelli, enlumineur papal. Reliure du XVille s.

Ms. copié sous Paul III (1534-1549) par Johannes Parvus à ses débuts de copiste à la cour papale (1538-39). Certaines lectures restent difficiles, l'encre ayant rongé le papier.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

8Masses, 7motets = 15

Arcadelt-2, Argentilly [Charles]-1, Bonnevin [Jo. Beausseron]-1, Escobedo-2, Escobedo/(Morales)-1, Jaquet of Mantua-1, Misonne -1, Morales-2, Mouton-3, anon-1

ii paper + i parchment + 184 paper + i paper folios, 625 x 463. Composite of several originally separate fascicles. Folios in very poor condition due to severe ink corrosion; much music now illegible. Original ink foliation, i-[clxxxiii], on upper right rectos (one folio between ff. xxi/xxii not numbered; ff. [clxxxii-clxxxiii] incorrectly numbered as "clxxii-clxxiii"). Modern pencil foliation, 1-186, on lower center rectos (excludes first and last flyleaves). Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; similar or identical bindings also found on VatS 14-24, 26, 29, 32, 34, 35, 36, 38, 39, 41, 42, 44, 45, 46, 49, and 51.

Original index on verso of parchment flyleaf lists pieces in order of appearance, with several attributions not found elsewhere in manuscript. Copied by Johannes Parvus (LlorCS); see general index for other manuscripts copied by the same scribe. Staff height 29-30. Illuminated miniatures on f. i'-ii include coat of arms of Pope Paul III (1468-1549); miniatures are probably work of Vincent Raymond (BraunerP). Other folios have inked calligraphic initials. Watermark: crossed arrows surmounted by six-pointed star (not in Briquet; see BraunerP for other manuscripts with same mark).

Ca. 1536-42 (BraunerP). Copied in Rome, for use by Cappella Sistina.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–4 Missa Beata Virgine: Kyrie VINCENTIUS MISONNE
Appears on: 1v–4
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: VINCENTIUS MISONNE
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …
General Note

Gloria tropé Spiritus et alme. Patrem tenor Regina celi

4v–7 Missa Beata Virgine: Gloria -
Appears on: 4v–7
Genres: Gloria (et in terra pax), Mass Ordinary
7v–12 Missa Beata Virgine: Credo -
Appears on: 7v–12
Genres: Credo (patrem omnipotentem), Mass Ordinary
12v–16 Missa Beata Virgine: Sanctus -
Appears on: 12v–16
Genres: Mass Ordinary, Sanctus [& Benedictus]
16v–18 Missa Beata Virgine: Agnus Dei -
Appears on: 16v–18
Genres: Agnus Dei, Mass Ordinary
General Note

fuga "in subdyapason"

18v–20 Missa de Beata Virgine: Kyrie (CHARLES) [D'ARGENTIL]
Appears on: 18v–20
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: (CHARLES) [D'ARGENTIL]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …
General Note

Gloria tropé Spiritus et alme.

20v–23 Missa de Beata Virgine: Gloria -
Appears on: 20v–23
Genres: Gloria (et in terra pax), Mass Ordinary
23v–29 Missa de Beata Virgine: Credo -
Appears on: 23v–29
Genres: Credo (patrem omnipotentem), Mass Ordinary
29v–33 Missa de Beata Virgine: Sanctus -
Appears on: 29v–33
Genres: Mass Ordinary, Sanctus [& Benedictus]
33v–35 Missa de Beata Virgine: Agnus Dei -
Appears on: 33v–35
Genres: Agnus Dei, Mass Ordinary
36v–39 Missa Tua est potentia: Kyrie Jo. Mouton
Appears on: 36v–39
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Jo. Mouton
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …
General Note

Publ. cf. MOe N. 1.2 n° 4

39v–43 Missa Tua est potentia: Gloria -
Appears on: 39v–43
Genres: Gloria (et in terra pax), Mass Ordinary
43v–48 Missa Tua est potentia: Credo -
Appears on: 43v–48
Genres: Credo (patrem omnipotentem), Mass Ordinary
48v–52 Missa Tua est potentia: Sanctus -
Appears on: 48v–52
Genres: Mass Ordinary, Sanctus [& Benedictus]
52v–55 Missa Tua est potentia: Agnus Dei -
Appears on: 52v–55
Genres: Agnus Dei, Mass Ordinary
56v–59 Missa Verbum bonum et suave: Kyrie JOHANNES MOUTON
Appears on: 56v–59
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: JOHANNES MOUTON
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Verbum bonum et suave Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Verbum bonum et suave Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Verbum bonum et suave Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Verbum bonum et suave Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Verbum bonum et suave Kyrie …
General Note

(Missa Verbum bonum) .Publ. cf. CF 53 n° 7

59v–64 Missa Verbum bonum et suave: Gloria -
Appears on: 59v–64
Genres: Gloria (et in terra pax), Mass Ordinary
64v–70 Missa Verbum bonum et suave: Credo -
Appears on: 64v–70
Genres: Credo (patrem omnipotentem), Mass Ordinary
70v–74 Missa Verbum bonum et suave: Sanctus -
Appears on: 70v–74
Genres: Mass Ordinary, Sanctus [& Benedictus]
74v–78 Missa Verbum bonum et suave: Agnus Dei -
Appears on: 74v–78
Genres: Agnus Dei, Mass Ordinary
79v–82 Missa Si bona suscepimus: Kyrie (JACHET)
Appears on: 79v–82
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: (JACHET)
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Si bona suscepimus Kyrie . . .

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Si bona suscepimus Kyrie . . .

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Si bona suscepimus Kyrie . . .

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Si bona suscepimus Kyrie . . .

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Si bona suscepimus Kyrie . . .
82v–86 Missa Si bona suscepimus: Gloria -
Appears on: 82v–86
Genres: Gloria (et in terra pax), Mass Ordinary
86v–93 Missa Si bona suscepimus: Credo -
Appears on: 86v–93
Genres: Credo (patrem omnipotentem), Mass Ordinary
93v–97 Missa Si bona suscepimus: Sanctus -
Appears on: 93v–97
Genres: Mass Ordinary, Sanctus [& Benedictus]
97v–100 Missa Si bona suscepimus: Agnus Dei -
Appears on: 97v–100
Genres: Agnus Dei, Mass Ordinary
101v–104 Missa Ad te levavi: Kyrie SCOBEDO * ad te levavi
Appears on: 101v–104
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: SCOBEDO * ad te levavi
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie ...

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie ...

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie ...

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie ...

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie ...

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie ...
104v–110 Missa Ad te levavi: Gloria -
Appears on: 104v–110
Genres: Gloria (et in terra pax), Mass Ordinary
110v–116 Missa Ad te levavi: Credo -
Appears on: 110v–116
Genres: Credo (patrem omnipotentem), Mass Ordinary
116v–120 Missa Ad te levavi: Sanctus -
Appears on: 116v–120
Genres: Mass Ordinary, Sanctus [& Benedictus]
120v–121 Missa Ad te levavi: Agnus Dei -
Appears on: 120v–121
Genres: Agnus Dei, Mass Ordinary
122v–124 Missa Quem dicunt homines: Kyrie [J. MOUTON]*
Appears on: 122v–124
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [J. MOUTON]*
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …
Concordances

*[15328]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 43, III.

124v–126 Missa Quem dicunt homines: Gloria -
Appears on: 124v–126
Genres: Gloria (et in terra pax), Mass Ordinary
126v–130 Missa Quem dicunt homines: Credo -
Appears on: 126v–130
Genres: Credo (patrem omnipotentem), Mass Ordinary
130v–133 Missa Quem dicunt homines: Sanctus -
Appears on: 130v–133
Genres: Mass Ordinary, Sanctus [& Benedictus]
134v–154 Missa - Anonymous

Missa

Anonymous
Appears on: 134v–154
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie . . .

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie . . .

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie . . .

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie . . .

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie . . .
General Note

Kyrie: 134v-136 Gloria: 136v-140 Credo: 140v-147 Sanctus: 147v-151 Agnus Dei: 151v-154

155v–157 Immutemur habitu - 1a pars (of 2): Immutemur habitu (SCOBEDO)
Appears on: 155v–157
Genres: Motet
Source Attribution: (SCOBEDO)
Voice: [no designation]
Languages: Latin
Voice Text: Immutemur habitu

Item Bibliography

Eslava, Hilarion. None. Lira sacro-hispana... Tomo I.  Madrid.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XIII (sous le nom de Morales).

157v–159 Immutemur habitu - 2a pars (of 2): Juxta vestibulum et altare plorabant (SCOBEDO)
Appears on: 157v–159
Genres: Motet
Source Attribution: (SCOBEDO)
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Juxta vestibulum et altare plorabant
160v–161 Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra ARCADELT
Appears on: 160v–161
Genres: Motet
Source Attribution: ARCADELT
Voice: [no designation]
Languages: Latin
Voice Text: [Domine] Non secundum peccata nostra

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 31, X.

161v–162 Domine non secundum - 2a pars (of 3): Domine ne memineris ARCADELT
Appears on: 161v–162
Genres: Motet
Source Attribution: ARCADELT
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: Domine ne memineris

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 31, X.

162v–164 Domine non secundum - 3a pars (of 3): Adjuva nos Deus ARCADELT
Appears on: 162v–164
Genres: Motet
Source Attribution: ARCADELT
Voice: [no designation]
Languages: Latin
Voice Text: [3a p.:]: Adjuva nos Deus

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 31, X.

164v–166 Regina caeli laetare ARCHADELT
Appears on: 164v–166
Genres: Motet, Regina caeli laetare
Source Attribution: ARCHADELT
Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare .....

Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare .....

Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare .....

Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare .....

Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare .....

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 31, X.

166v–168 Regina caeli laetare Jo. Beausseron
Appears on: 166v–168
Genres: Motet, Regina caeli laetare
Source Attribution: Jo. Beausseron
Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare …

Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare …

Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare …

Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare …
168v–169 O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur CHRISTO. MORALES
Appears on: 168v–169
Genres: Motet
Source Attribution: CHRISTO. MORALES
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium

Item Bibliography

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XII.

Elústiza, Juan B de, and Gonzalo Castillo Hernandez. 1933. Antología Musical. Siglo de Oro de la Música Litúrgica en España. Polifonía Vocal de los siglos XV y XVI.  Barcelona.

169v–171 O sacrum convivium - 2a pars (of 2): Mens impletur gratia et future gloriae CHRISTO. MORALES
Appears on: 169v–171
Genres: Motet
Source Attribution: CHRISTO. MORALES
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Mens impletur gratia

Item Bibliography

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XII.

Elústiza, Juan B de, and Gonzalo Castillo Hernandez. 1933. Antología Musical. Siglo de Oro de la Música Litúrgica en España. Polifonía Vocal de los siglos XV y XVI.  Barcelona.

172v–174 Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda MORALES
Appears on: 172v–174
Genres: Motet
Source Attribution: MORALES
Voice: [no designation]
Languages: Latin
Voice Text: Cum natus esset Jesus

Item Bibliography

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XIII.

174v–176 Cum natus esset - 2a pars (of 3): At illi dixerunt MORALES
Appears on: 174v–176
Genres: Motet
Source Attribution: MORALES
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: At illi dixerunt

Item Bibliography

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XIII.

176v–178 Cum natus esset - 3a pars (of 3): Et ecce stela quam viderant MORALES
Appears on: 176v–178
Genres: Motet
Source Attribution: MORALES
Voice: [no designation]
Languages: Latin
Voice Text: [3a p.]: Et ecce stela quam videran

Item Bibliography

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XIII.

179v–181 Hodie completi sunt - 1a pars (of 2): Hodie completi sunt dies (SCOBEDO)
Appears on: 179v–181
Genres: Motet
Source Attribution: (SCOBEDO)
Voice: [no designation]
Languages: Latin
Voice Text: Hodie completi sunt dies
General Note

[sic pour: 183]

181v–183 Hodie completi sunt - 2a pars (of 2): Loquebantur variis linguis (SCOBEDO)
Appears on: 181v–183
Genres: Motet
Source Attribution: (SCOBEDO)
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: Loquebantur variis linguis
General Note

[sic pour: 183]

Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507–1568)
Argentille, Charles, Ciarles d' (fl. 1528-56)
Beauseron, Johannes (ca. 1475–1542)
Escobedo, Bartolome de (ca. 1505–1563)
Mantua, Jacquet de (1483–1559)
Misonne, Vincent
Morales, Cristóbal de (ca. 1500–1553)
Mouton, Jean (ca. 1459–1522)
Composition Composers (? Uncertain) Folios / Pages
Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda 172v–174
Cum natus esset - 2a pars (of 3): At illi dixerunt 174v–176
Cum natus esset - 3a pars (of 3): Et ecce stela quam viderant 176v–178
Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra 160v–161
Domine non secundum - 2a pars (of 3): Domine ne memineris 161v–162
Domine non secundum - 3a pars (of 3): Adjuva nos Deus 162v–164
Hodie completi sunt - 1a pars (of 2): Hodie completi sunt dies 179v–181
Hodie completi sunt - 2a pars (of 2): Loquebantur variis linguis 181v–183
Immutemur habitu - 1a pars (of 2): Immutemur habitu 155v–157
Immutemur habitu - 2a pars (of 2): Juxta vestibulum et altare plorabant 157v–159
Missa Anonymous 134v–154
Missa Ad te levavi: Agnus Dei 120v–121
Missa Ad te levavi: Credo 110v–116
Missa Ad te levavi: Gloria 104v–110
Missa Ad te levavi: Kyrie 101v–104
Missa Ad te levavi: Sanctus 116v–120
Missa Beata Virgine: Agnus Dei 16v–18
Missa Beata Virgine: Credo 7v–12
Missa Beata Virgine: Gloria 4v–7
Missa Beata Virgine: Kyrie 1v–4
Missa Beata Virgine: Sanctus 12v–16
Missa de Beata Virgine: Agnus Dei 33v–35
Missa de Beata Virgine: Credo 23v–29
Missa de Beata Virgine: Gloria 20v–23
Missa de Beata Virgine: Kyrie 18v–20
Missa de Beata Virgine: Sanctus 29v–33
Missa Quem dicunt homines: Credo 126v–130
Missa Quem dicunt homines: Gloria 124v–126
Missa Quem dicunt homines: Kyrie 122v–124
Missa Quem dicunt homines: Sanctus 130v–133
Missa Si bona suscepimus: Agnus Dei 97v–100
Missa Si bona suscepimus: Credo 86v–93
Missa Si bona suscepimus: Gloria 82v–86
Missa Si bona suscepimus: Kyrie 79v–82
Missa Si bona suscepimus: Sanctus 93v–97
Missa Tua est potentia: Agnus Dei 52v–55
Missa Tua est potentia: Credo 43v–48
Missa Tua est potentia: Gloria 39v–43
Missa Tua est potentia: Kyrie 36v–39
Missa Tua est potentia: Sanctus 48v–52
Missa Verbum bonum et suave: Agnus Dei 74v–78
Missa Verbum bonum et suave: Credo 64v–70
Missa Verbum bonum et suave: Gloria 59v–64
Missa Verbum bonum et suave: Kyrie 56v–59
Missa Verbum bonum et suave: Sanctus 70v–74
O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur 168v–169
O sacrum convivium - 2a pars (of 2): Mens impletur gratia et future gloriae 169v–171
Regina caeli laetare 164v–166
Regina caeli laetare 166v–168

denotes primary source study

Josephson, Nors S (editor). 1982-. Early Sixteenth-Century Sacred Music from the Papal Chapel. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,ix-x,xiv-xv, 107-12,121-53; II,ix. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Brauner, Mitchell Paul. 1982. The Parvus Manuscripts: A Study of Vatican Polyphony, ca. 1535 to 1580. Brandeis University, Unpublished Ph.D. dissertation. Pages: l 1,51,55-6,143-51,369,381ff,/passim. Notes: physical description (partial); contents list; facsimile (partial); mention of MS; discussion.

Llorens Cisteró, José Maria. 1969. The Musical Codexes of the Sistine Chapel Written Through the Generosity of the Pauline Popes. Studies in Musicology: Essays in the History, Style, and Bibliography of Music in Memory of Glen Haydon, 18-50. Chapel Hill, N.C. Pages: 31.

Minor, Andrew C (editor). 1967-. Joannes Mouton: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III,.xi; IV,x-xiv. Notes: contents list (partial); concordances (partial).

Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age.  Berkeley and Los Angeles. Pages: 313. Notes: contents list (partial).

Llorens Cisteró, José Maria. 1960. Capellae Sistinae Codices musicis notis instructi sive manu scripti sive praelo excussi. Studi e testi.  Città del Vaticano. Pages: 16-8, 477. Notes: physical description; contents list; incipits (partial).

Llorens Cisteró, José Maria. 1958-61. Miniaturas de Vincent Raymond en los manuscritos musicales de la Capilla Sixtina. Miscelânea en homenaje a Monsenor Higinio Anglès, 475ff. Barcelona. Pages: 489f.

Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: II, 6.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description