Of Hungarian origin; written by various hands partly in the 15th century, and partly in 1529 by Franciscus de Hozora (Ozora), and occasionally even later. It contains Festal Offices and Festal Masses, Invitatories (f. 24-40), as well as individual Ordinary movements. It originates from a Franciscan monastery, f. 42-62v and f. 68r/v are palimpsest. The polyphonic lessons are overwritten in a newer hand (17th century), and are only partially legible; f. 67/68 (paper) are from the 18th Century]
H-Bu Ms. A. 107
Egyetemi Könyvtár (Universitätsbibliothek), Budapest, Hungary
chant book with added polyphony: 15th to the 17th century
| Archive | Egyetemi Könyvtár (Universitätsbibliothek), Budapest, Hungary (H-Bu) |
|---|---|
| Shelfmark | Ms. A. 107 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Other |
| Numbering System | Foliation |
| Measurements | 542 x 360 mm |
| Other Identifiers |
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| Notations |
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| Copyists | |
| Provenance |
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| Contents | Contains 4 compositions, 4 are anonymous. |
General Description
Notation
square notation
Ruling
usually 6 or 7 five-line staves per page
Foliation
Modern foliation f. 1-69
Surface
parchment and paper
RISM Description
RISM BIV/4: 15./17. (18.) Jh.; 69 Blätter Pergament (zum Teil Papier), 542 x 360 mm. Moderne Foliierung von f. 1-69. Je Seite meist 6 oder 7 Fünfliniensysteme mit Quadratnotation - Einband: 18. Jh.; mit weißem Leder überzogene Holzdeckel.
Diese von verschiedenen Händen zum Teil im 15., zum Teil im Jahre 1529 von Franciscus de Hozora (= Ozora) und zum Teil noch später geschriebene Sammelhandschrift ungarischer Herkunft enthält Festoffizien und -messen, Invitatorien (f. 24-40) sowie einzelne Ordinariumsstücke. Sie stammt aus einem Franziskanerkloster, f. 42-62v und f. 68r/v sind Palimpsest. Die von jüngerer Hand (17. Jh.) überschriebenen, mehrstimmige Lektionen sind nur teilweise lesbar; f. 67/68 (Papier) stammen aus dem 18. Jh.
[Translation] 15-17th (18th) century; 69 parchment leaves (some paper), 542 x 360 mm. Modern foliation of f. 1-69. Each page usually contains 6 or 7 five-line staves with square notation. Binding: 18th Century, with white leather-covered wooden boards.
This manuscript collection of Hungarian origin was written by various hands partly in the 15th century, and partly in 1529 by Franciscus de Hozora (Ozora), and occasionally even later. It contains Festal Offices and Festal Masses, Invitatories (f. 24-40), as well as individual Ordinary movements. It originates from a Franciscan monastery, f. 42-62v and f. 68r/v are Palimpsest. The polyphonic lessons are overwritten in a newer hand (17th century) are only partially legible; f. 67/68 (paper) are from the 18th Century]
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
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‡ denotes primary source study
Göllner, Theodor. 1969. Die mehrstimmigen liturgischen Lesungen. Münchner Veröffentlichungen zur Musikgeschichte, vol. 15. Tutzing. Pages: dipl. U. von Nr. 3.
Rajeczky, Benjamin. 1966. Mittelalterliche Mehrstimmigkeit in Ungarn. Musica Antiqua: Acta Scientifica [Bydgoszcz, Poland], 1: 223-36. Pages: 227 (Übertragung von Nr. 1).
Szabolcsi, Bence. 1964. Geschichte der ungarischen Musik. Budapest. Pages: 13 (Faks. von Nr. 1).
Rajeczky, Benjamin. 1961. Spätmittelalterliche Organalkunst in Ungarn. Studia Musicologica, 1: 15-28. Pages: 16ff. (Faksimiles von Nr. 1 und 4, Übertragungen von Nr. 1-4).
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Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description