H-Bu Ms. A. 107

Egyetemi Könyvtar (Universitätsbibliothek), Budapest, Hungary

chant book with added polyphony: 15th to the 17th century

Archive Egyetemi Könyvtar (Universitätsbibliothek), Budapest, Hungary (H-Bu)
Shelfmark Ms. A. 107
Image Availability DIAMM does not have images of this source.
Surface Other
Numbering System Foliation
Measurements 542 x 360 mm
Other Identifiers
  • RISM: H-Bu107
Notations
  • square
Copyists
Provenance
  • Hungary
Contents 4 pieces from 1 composers
General Description

Of Hungarian origin; written by various hands partly in the 15th century, and partly in 1529 by Franciscus de Hozora (Ozora), and occasionally even later. It contains Festal Offices and Festal Masses, Invitatories (f. 24-40), as well as individual Ordinary movements. It originates from a Franciscan monastery, f. 42-62v and f. 68r/v are palimpsest. The polyphonic lessons are overwritten in a newer hand (17th century), and are only partially legible; f. 67/68 (paper) are from the 18th Century]

DIAMM, 2017
Notation

square notation

DIAMM, 2017
Ruling

usually 6 or 7 five-line staves per page

DIAMM, 2017
Foliation

Modern foliation f. 1-69

DIAMM, 2017
Surface

parchment and paper

DIAMM, 2017
RISM Description

RISM BIV/4: 15./17. (18.) Jh.; 69 Blätter Pergament (zum Teil Papier), 542 x 360 mm. Moderne Foliierung von f. 1-69. Je Seite meist 6 oder 7 Fünfliniensysteme mit Quadratnotation - Einband: 18. Jh.; mit weißem Leder überzogene Holzdeckel.

Diese von verschiedenen Händen zum Teil im 15., zum Teil im Jahre 1529 von Franciscus de Hozora (= Ozora) und zum Teil noch später geschriebene Sammelhandschrift ungarischer Herkunft enthält Festoffizien und -messen, Invitatorien (f. 24-40) sowie einzelne Ordinariumsstücke. Sie stammt aus einem Franziskanerkloster, f. 42-62v und f. 68r/v sind Palimpsest. Die von jüngerer Hand (17. Jh.) überschriebenen, mehrstimmige Lektionen sind nur teilweise lesbar; f. 67/68 (Papier) stammen aus dem 18. Jh.

[Translation] 15-17th (18th) century; 69 parchment leaves (some paper), 542 x 360 mm. Modern foliation of f. 1-69. Each page usually contains 6 or 7 five-line staves with square notation. Binding: 18th Century, with white leather-covered wooden boards.

This manuscript collection of Hungarian origin was written by various hands partly in the 15th century, and partly in 1529 by Franciscus de Hozora (Ozora), and occasionally even later. It contains Festal Offices and Festal Masses, Invitatories (f. 24-40), as well as individual Ordinary movements. It originates from a Franciscan monastery, f. 42-62v and f. 68r/v are Palimpsest. The polyphonic lessons are overwritten in a newer hand (17th century) are only partially legible; f. 67/68 (paper) are from the 18th Century]

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
21 Alleluia. Fuit virgo - Anonymous
Appears on: 21
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Clef: c5
Voice Text: Alleluia. F[uit virgo ...]

Voice: [no designation]
Languages: Latin
Clef: f3
Voice Text: Alleluia. Fuit virgo ...
Layout

score

42 Jube Domine. Primo tempore - Anonymous
Appears on: 42
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Jube domine ... Primo tempore ...
Layout

parts

54v–55 Jube Domine benedicere. Consolamini vox clamantis - Anonymous
Appears on: 54v–55
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Jube domine ... Consolamini ...
Layout

parts

58 Salvator noster dilectissime - Anonymous
Appears on: 58
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: f3
Voice Text: Salvator noster dilectissime ...

Voice: [no designation]
Languages: Latin
Clef: f3
Voice Text: Salvator noster dilectissime ...
Layout

score

Composition Composers (? Uncertain) Folios / Pages
Alleluia. Fuit virgo Anonymous 21
Jube Domine benedicere. Consolamini vox clamantis Anonymous 54v–55
Jube Domine. Primo tempore Anonymous 42
Salvator noster dilectissime Anonymous 58

denotes primary source study

Göllner, Theodor. 1969. Die mehrstimmigen liturgischen Lesungen. Münchner Veröffentlichungen zur Musikgeschichte.  Tutzing. Pages: dipl. U. von Nr. 3.

Rajeczky, Benjamin. 1966. Mittelalterliche Mehrstimmigkeit in Ungarn. Musica Antiqua: Acta Scientifica [Bydgoszcz, Poland], 223-36. Pages: 227 (Übertragung von Nr. 1).

Szabolcsi, Bence. 1964. Geschichte der ungarischen Musik.  Budapest. Pages: 13 (Faks. von Nr. 1).

Rajeczky, Benjamin. 1961. Spätmittelalterliche Organalkunst in Ungarn. Studia Musicologica, 15-28. Pages: 16ff. (Faksimiles von Nr. 1 und 4, Übertragungen von Nr. 1-4).

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Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description