The two bifolios, the original order of which can not be determined with certainty (f. 1-4 or 3/4, 1/2) probably came from a large North Italian Manuscript containing a French-Italian repertoire.
I-GR Kript. Lat. 219
Biblioteca del Monumento Nazionale, Grottaferrata, Italy
fragment: Late 14th - Early 15th century
| Archive | Biblioteca del Monumento Nazionale, Grottaferrata, Italy (I-GR) |
|---|---|
| Shelfmark | Kript. Lat. 219 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Parchment |
| Numbering System | Foliation |
| Measurements | f.1-2 210 x 90; f. 3-4 210 x 190 (originally c. 240 x 190) mm |
| Other Identifiers |
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| Notations |
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| External Links | |
| Provenance |
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| Contents | Contains 7 compositions from 5 composers. |
General Description
Physical Description
The top has been cut, resulting in the loss of a stave
Notation
Black full French and Italian mensural
Ruling
Originally 8 red five-line systems (today there are 7)
Foliation
1-4v
Foliation
No foliation visible.
Surface
Parchment
RISM Description
RISM B/IV 4: 14./15. Jh.; 4 Blätter Pergament; f. 1 und 2: 210 x 90 mm (die rechte Seite des Blattes ist weggeschnitten); f. 3 und 4: 210 x 190 mm; ursprüngliches Format: ca. 240 x 190 mm. Keine Foliierung sichtbar. Je Seite ursprünglich 8 rote Fünfliniensyst. (heute, weil oben beschnitten, noch 7 vorhanden). Schwarze, französische und italienische Mensuralnotation des späten 14. Jh.
Die beiden Doppelblätter, deren Folge nicht mehr mit völliger Sicherheit festzustellen ist (f. 1-4 oder f. 3/4, 1/2), stammen aus einer vermutlich um 1400 in Oberitalien geschriebenen, größeren Handschrift, die ein französisch-italienisches Repertoire enthalten hat.
[Translation] 4 leaves parchment; f. 1 and 2: 210 x 90 mm (the right side of the leaf is cut off);f. 3 and 4: 210 x 190 mm; original format: approx 240 x 190 mm. No foliation visible. The page originally had 8 red five-line systems. (today, because the top cut, there are 7). Black, French and Italian mensural notation of the late 14th Century.
The two bifolios, the original order of which can not be determined with certainty (f. 1-4 or 3/4, 1/2) probably came from a large North Italian Manuscript containing a French-Italian repertoire.
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‡ denotes primary source study
Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D.
Fischer, Kurt von. 1967. Ein neues Trecentofragment. Festschrift für Walter Wiora, edited by Kurt von Fischer, 264–68. Kassel: Bärenreiter. Pages: 264ff.
Corsi, Giuseppe. 1965. Frammenti di un codice musicale dell' Ars Nova rimasti sconosciutti. Belfagor, 20: 210–215. Pages: 210ff.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Surface Note; DIAMM Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description