I-GR Kript. Lat. 219 - DIAMM

I-GR Kript. Lat. 219

Biblioteca del Monumento Nazionale, Grottaferrata, Italy

fragment: Late 14th - Early 15th century

Archive	Biblioteca del Monumento Nazionale, Grottaferrata, Italy (I-GR)
Shelfmark	Kript. Lat. 219
Image Availability	DIAMM does not have images of this source.
Surface	Parchment
Numbering System	Foliation
Measurements	f.1-2 210 x 90; f. 3-4 210 x 190 (originally c. 240 x 190) mm
Other Identifiers	RISM: I-GR16 olim (Former shelfmark): 374 or E.β.XVI
Notations	black full mensural
External Links	list of concordances and recordings
Provenance	Italy
Contents	Contains 7 compositions from 5 composers.

General Description

The two bifolios, the original order of which can not be determined with certainty (f. 1-4 or 3/4, 1/2) probably came from a large North Italian Manuscript containing a French-Italian repertoire.

Michael Scott Cuthbert, Diss. Addenda (2013)

Physical Description

The top has been cut, resulting in the loss of a stave

Michael Scott Cuthbert, Diss. Addenda (2013)

Notation

Black full French and Italian mensural

Michael Scott Cuthbert, Diss. Addenda (2013)

Ruling

Originally 8 red five-line systems (today there are 7)

Michael Scott Cuthbert, Diss. Addenda (2013)

Foliation

1-4v

Michael Scott Cuthbert, Diss. Addenda (2013)

Foliation

No foliation visible.

Michael Scott Cuthbert, Diss. Addenda (2013)

Surface

Parchment

Michael Scott Cuthbert, Diss. Addenda (2013)

RISM Description

RISM B/IV 4: 14./15. Jh.; 4 Blätter Pergament; f. 1 und 2: 210 x 90 mm (die rechte Seite des Blattes ist weggeschnitten); f. 3 und 4: 210 x 190 mm; ursprüngliches Format: ca. 240 x 190 mm. Keine Foliierung sichtbar. Je Seite ursprünglich 8 rote Fünfliniensyst. (heute, weil oben beschnitten, noch 7 vorhanden). Schwarze, französische und italienische Mensuralnotation des späten 14. Jh.

Die beiden Doppelblätter, deren Folge nicht mehr mit völliger Sicherheit festzustellen ist (f. 1-4 oder f. 3/4, 1/2), stammen aus einer vermutlich um 1400 in Oberitalien geschriebenen, größeren Handschrift, die ein französisch-italienisches Repertoire enthalten hat.

[Translation] 4 leaves parchment; f. 1 and 2: 210 x 90 mm (the right side of the leaf is cut off);f. 3 and 4: 210 x 190 mm; original format: approx 240 x 190 mm. No foliation visible. The page originally had 8 red five-line systems. (today, because the top cut, there are 7). Black, French and Italian mensural notation of the late 14th Century.

The two bifolios, the original order of which can not be determined with certainty (f. 1-4 or 3/4, 1/2) probably came from a large North Italian Manuscript containing a French-Italian repertoire.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
1	Amis, tont dous vis	3	-	Moulins, Pierre des
Amis, tont dous vis Moulins, Pierre des Appears on: 1 Genres: Chanson Number of voices: 3 Voice: Superius Languages: French Voice Text: [Ains que ton dous vis...] Solas ne bien Voice: Tenor Languages: French Voice Text: [Ains que ton dous vis...] Solas ne bien Voice: Contratenor Languages: French Clef: f2 Voice Text: [Ains que ton dous vis...] Solas ne bien
1v–2	Ma tré dol rosignol joly part moi que fie / Aloete cyantes apreus / Rosignolien del bosgolin...au vilans le mal matin / Contratenor	4	-	Borlet
Ma tré dol rosignol joly part moi que fie / Aloete cyantes apreus / Rosignolien del bosgolin...au vilans le mal matin / Contratenor Borlet Appears on: 1v–2 Genres: Chanson Number of voices: 4 Voice: Superius Languages: French Clef: c3 Voice Text: [Ma tré dol rosignol joly] part moy que fie Voice: Superius Languages: Latin Clef: c3 Voice Text: Aloete cyantes apreus Voice: Tenor Languages: French Clef: f3 Voice Text: [Rosignolien del bosgolin...] au vilans le mal matin Voice: Contratenor Languages: French, insufficient Clef: c3 Voice Text: Contratenor
2v	... nete pu ... durement	3	-	Borlet
... nete pu ... durement Borlet Appears on: 2v Genres: Secular Number of voices: 3 Voice: [no designation] Languages: French Voice Text: ... nete pu ... durement Voice: [no designation] Languages: French Voice Text: ... nete pu ... durement Voice: [no designation] Languages: French Voice Text: ... nete pu ... durement
3	Sï chom' al canto della bella Yguana	3	-	Dowland, Robert (?)
Sï chom' al canto della bella Yguana Dowland, Robert (?) Appears on: 3 Genres: Secular Number of voices: 3 Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Sï chom' al canto della bella Yguana Voice: Tenor Languages: Italian Clef: f3 Voice Text: Sï chome al canto della bella Yguana Voice: Contratenor Languages: Italian Clef: c3 Voice Text: Sï chome al canto della bella Yguana
3	Poiché da te mi convien partir via	1	-	Landini, Francesco (ca. 1325–1397)
Poiché da te mi convien partir via Landini, Francesco (ca. 1325–1397) Appears on: 3 Genres: Italian secular Number of voices: 1 Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Poiché da te mi convien partir via Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Poiché da te mi convien partir via
3v–4	Posando sovra um aqua	2	-	Landini, Francesco (ca. 1325–1397)
Posando sovra um aqua Landini, Francesco (ca. 1325–1397) Appears on: 3v–4 Genres: Secular Number of voices: 2 Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Posando sovra um aqua Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Posando sovra um aqua
4v	Apress'un fiume chiaro	2	-	Cascia, Giovanni da (fl. 1340–50)
Apress'un fiume chiaro Cascia, Giovanni da (fl. 1340–50) Appears on: 4v Genres: Italian secular Number of voices: 2 Voice: Superius Languages: Italian Clef: c3 Voice Text: Apres'um fiume chiaro Voice: Tenor Languages: Italian Clef: c4 Voice Text: Apres'um fiume chiaro

Composer	Compositions
Borlet	... nete pu ... durement – 2v Ma tré dol rosignol joly part moi que fie / Aloete cyantes apreus / Rosignolien del bosgolin...au vilans le mal matin / Contratenor – 1v–2
Cascia, Giovanni da (1340–50)	Apress'un fiume chiaro – 4v
Dowland, Robert	(?) Sï chom' al canto della bella Yguana – 3
Landini, Francesco (ca. 1325-1397)	Poiché da te mi convien partir via – 3 Posando sovra um aqua – 3v–4
Moulins, Pierre des	Amis, tont dous vis – 1

Composition	Composers (? Uncertain)	Folios / Pages
... nete pu ... durement	Borlet	2v
Amis, tont dous vis	Moulins, Pierre des	1
Apress'un fiume chiaro	Cascia, Giovanni da (fl. 1340–50)	4v
Ma tré dol rosignol joly part moi que fie / Aloete cyantes apreus / Rosignolien del bosgolin...au vilans le mal matin / Contratenor	Borlet	1v–2
Poiché da te mi convien partir via	Landini, Francesco (ca. 1325–1397)	3
Posando sovra um aqua	Landini, Francesco (ca. 1325–1397)	3v–4
Sï chom' al canto della bella Yguana	Dowland, Robert (?)	3

‡ denotes primary source study

Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D.

Fischer, Kurt von. 1967. Ein neues Trecentofragment. Festschrift für Walter Wiora, edited by Kurt von Fischer, 264–68. Kassel: Bärenreiter. Pages: 264ff.

Corsi, Giuseppe. 1965. Frammenti di un codice musicale dell' Ars Nova rimasti sconosciutti. Belfagor, 20: 210–215. Pages: 210ff.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Surface Note; DIAMM Note

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description