A Processionary, which contains liturgical dramas. The polyphonic pieces are insertions. The manuscript is closely related to CivMA 102. From the Collegiate Church of Santa Maria Assunta, in Cividale del Friuli.
I-CFm Cod. CI
Museo Archeologico Nazionale, Cividale del Friuli, Italy
Processional with added polyphony: Late 14th - Early 15th century
| Archive | Museo Archeologico Nazionale, Cividale del Friuli, Italy (I-CFm) |
|---|---|
| Shelfmark | Cod. CI |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Parchment |
| Numbering System | Foliation |
| Measurements | 246 x 183 mm |
| Other Identifiers |
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| Notations |
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| Relationships | |
| External Links | |
| Provenance |
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| Contents | Contains 2 compositions, 1 from 1 composer, 1 is anonymous. |
General Description
Binding
Modern covers of dark brown leather over boards.
Notation
Black and red square; black full mensural on f.82v
Ruling
8 red four-line staves per page
Foliation
Original foliation, I-LXXIX; last four folios unnumbered.
Foliation
38v-40, 82v
Surface
Parchment
RISM Description
Processional, 83 folios in total. Original foliation from folio I-LXXIX. 4 folios without foliation. 8 4-line staves per page. Modern binding, dark brown leather over wood boards, blind tooling.
RISM B/IV 4: 14./15. Jh.; 83 Blätter Pergament, 246 x 183 mm. Originale Foliierung von f. I-LXXIX (4 Blätter ohne Foliierung). Je Seite 8 rote Vierliniensysteme mit schwarzer und roter Quadratnotation (f. 82v schwarze Mensuralnotation). - Einband: mit modernem, dunkelbraunem Leder überzogene Holzdeckel, Blindpressung.
Diese Handschrift ist ein Prozessionar aus dem Dom von Cividale. Die bisherige, frühe Datierung der Handschrift um 1300 (oder 13. Jh.) ist fraglich. Nach Petrobelli ist sie im späten 14. oder frühen 15. Jh. geschrieben worden. Die in ihr enthaltenen Stücke sind allerdings älter. Ab f. 74 findet sich der bekannte Planctus Marie und das Marienspiel. Die Handschrift ist mit I-CF102 engstens verwandt, enthält aber einige Stücke mehr als diese.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 hymn, 1 motet = 2
(Dufay)-1, anon-1
83 parchment folios, 246 x 183. Original foliation, I-LXXIX; last four folios unnumbered. Modern covers of dark brown leather over boards. No index. Black/red mensural notation. The polyphonic pieces are insertions in this 14th-century Processionary, which contains liturgical dramas. The manuscript is closely related to CivMA 102.
Late 14th-early 15th century. From the Collegiate Church of Santa Maria Assunta, in Cividale del Friuli.
Vol 4
Physical: 93 parchment folios, 246 x 183. Original ink foliation, I-LXXIX + modern foliation, 80-93. Polyphony on ff. XXXVIII'-XL and f. 92'.
Date: Late Hth-early 15th century (main corpus, including polyphonic motet); late 15th century (Dufay hymn).
The inventory could not be loaded.
‡ denotes primary source study
Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D.
Petrobelli, Pierluigi. 1980. Le Polifonie Primitive di Cividale. Udine. Pages: 20. Notes: physical description; contents list.
Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS, vol. 3. American Institute of Musicology. Pages: 54. Notes: contents list (partial); concordances (partial); incipits (partial).
Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I, vol. Einzeldrucke vor 1800. Kassel. Pages: B IV/4,753. Notes: physical description; contents list; incipits; concordances.
Brandel, R. 1966. Some Unifying Devices in the Religious Music Drama of the Middle Ages. Aspects of medieval and Renaissance music: A birthday offering to Gustave Reese, New York. Pages: Tf. 1a/b (Faks. von f. 76r) aus (I-CFlOl u. f. 77v aus I-CF102).
Petrobelli, Pierluigi. 1965. Nuovo materiale polifonico del Medioevo e del Rinascimento a Cividale. Memorie Storiche Forogiuliesi, 46: 213-5. Notes: mention of MS.
Martinez, Marie Louise. 1963. Die Musik des Frühen Trecento. Münchner Veröffentlichungen zur Musikgeschichte, vol. 9. Tutzing: Schneider. Pages: 117,121. Notes: mention of MS.
Cattin, Giulio. 1958. Contributi alla storia della lauda spirituale: Sulla evoluzione musicale e letteraria della lauda nei secoli XIV e XV. Quadrivium, 2: 45-75. Pages: 65 (Uè. von Nr. 2).
Vecchi, Giuseppe. 1957. Tra Monodia e Polifonia. Collectanea Historiae Musicae, 447-64. Pages: 459 (teilweise dipi. U. von Nr. 1); 458ff.
Coussemaker, Charles Edmond Henri de. 1860. Drames liturgiques du moyen-âge. Pages: 285ff.
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description