D-AN VI.g.12

Staatliche Bibliothek, Ansbach, Germany

manuscript of polyphony: 1564 (date in manuscript)

Archive Staatliche Bibliothek, Ansbach, Germany (D-AN)
Shelfmark VI.g.12
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 562 x 410 mm
Other Identifiers
  • CCM: AnsbachS 12
  • olim (Former shelfmark): III 4 22
Notations
  • black void mensural
Relationships
External Links
External Authorities
Provenance
  • Dresden, Bavaria, Germany
Contents 52 pieces from 8 composers
General Description

Copied by a single scribe. Copied in Dresden (SchmiMH); sent to Ansbach for use by court chapel of Georg Friedrich, Margrave of Ansbach-Brandenburg (1543-1603).

DIAMM, 2017
Binding

Original covers of dark brown leather stamped with ornamental designs; remnants of green ribbon ties.

DIAMM, 2017
Watermark

generally resembles Briquet #1412.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 36.

DIAMM, 2017
Foliation

RISM online notes: "Pencil foliation begins from f.24v, which designates f.24v as '25l' (for left) and f. 25 as '25r' (for right, or recto), although between ff.29v-33r the left-right designation is reversed so that f.29v is designated '30r' and f.30r is '30 l'.

A folio is missing between ff. 150 and 160; and there are only 3 foliois between 53 and 60, so that the numbering is incorrect for some reason. There is some evidence of folios being removed before f.51, since there are remnants in the fold, but this would not correct the erros in foliation - as '53' should be f.55v and '60' should be f. 58v.

DIAMM, 2022
Foliation

New pencil foliation, 1-172 (many folios lack numbers, but all folios correctly counted by enumeration, except that '57-59' and '159' are omitted). Folios 23v-24r, 50v-52r, 78v-79r, 100v-101r, 141v-142r are blank and unruled.

DIAMM, 2017
Decoration

No decorative initials; rubrics, titles, etc. in red ink

DIAMM, 2017
Surface

Paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 canticles, 23 motets = 25

Canis-1, Clemens non Papa-14, (Clemens non Papa/Crecquillon) -1, (Clemens non Papa/Crecquillon/Manchicourt)-1, Goudimel-3, Maillard-4, Prenner-1

168 paper folios, 562 x 410. New pencil foliation, 1-172 (many folios lack numbers, but all folios correctly counted by enumeration, except that "57-59" and "159" are omitted). Original covers of dark brown leather stamped with ornamental designs; remnants of green ribbon ties. No index. Copied by a single scribe. Staff height 36. No decorative initials; rubrics, titles, etc. in red ink. Watermark generally resembles Briquet #1412.

1564 (date in manuscript). Copied in Dresden (SchmiMH); sent to Ansbach for use by court chapel of Georg Friedrich, Margrave of Ansbach-Brandenburg (1543-1603).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2v–5 Jerusalem cito veniet - 1a pars (of 2): Jerusalem cito veniet salus tua quare Clemens non Papa
Appears on: 2v–5
Genres: Motet
Source Attribution: Clemens non Papa
5v–8 Jerusalem cito veniet - 2a pars (of 2): Civitas Jerusalem noli flere -
Appears on: 5v–8
Genres: Motet
8v–12 Obsecro Domine - 1a pars (of 2): Obsecro Domine mitte quem missurus es vide -
Appears on: 8v–12
Genres: Motet
12v–16 Obsecro Domine - 2a pars (of 2): Excita Domine potentiam tuam et veni -
Appears on: 12v–16
Genres: Motet
16v–20 Super montem - 1a pars (of 2): Super montem excelsum ascende tu -
Appears on: 16v–20
Genres: Motet
20v–23 Super montem - 2a pars (of 2): Judaea et Jerusalem nolite timere -
Appears on: 20v–23
Genres: Motet
23v–24 [blank pages] - -

[blank pages]

Appears on: 23v–24
24v–29 Edite Christe - 1a pars (of 2): Edite Christe puer tenerae de virginis Cornelius Canis
Appears on: 24v–29
Genres: Motet
Source Attribution: Cornelius Canis
29v–33 Edite Christe - 2a pars (of 2): Qui miserae postquam subiisti -
Appears on: 29v–33
Genres: Motet
33v–37 In principio - 1a pars (of 3): In principio erat verbum Maillard
Appears on: 33v–37
Genres: Motet
Source Attribution: Maillard
37v–39 In principio (P73) - 2a pars (of 3): Hic venit in testimonium -
Appears on: 37v–39
Genres: Motet
39v–44 In principio - 1a pars (of 3): In propria venit -
Appears on: 39v–44
Genres: Motet
44v–50 Hodie Christus natus est hodie salvator Georgius Prenner
Appears on: 44v–50
Genres: Motet
Source Attribution: Georgius Prenner
50v–52 [blank pages] - -

[blank pages]

Appears on: 50v–52
52v–55 Puer natus est nobis et filius datus Maillard
Appears on: 52v–55
Genres: Motet
Source Attribution: Maillard
55v–61 Hodie nobis - 1a pars (of 2): Hodie nobis caelorum rex de virgine nasci Goudimel
Appears on: 55v–61
Genres: Motet
Source Attribution: Goudimel
61v–64 Hodie nobis - 2a pars (of 2): Gloria in excelsis Deo et in terra pax -
Appears on: 61v–64
Genres: Motet
64v–67 Magi veniunt - 1a pars (of 2): Magi veniunt ab Oriente - Anonymous
Appears on: 64v–67
Genres: Motet
67v–70 Magi veniunt - 2a pars (of 2): Magi videntes stellam dixerunt ad invicem - Anonymous
Appears on: 67v–70
Genres: Motet
70v–74 Surge illuminare - 1a pars (of 2): Surge illuminare Jerusalem quia venit lumen tuum -
Appears on: 70v–74
Genres: Motet
74v–78 Surge illuminare - 2a pars (of 2): Leva in circuitu oculos meos -
Appears on: 74v–78
Genres: Motet
78v–79 [blank pages] - -

[blank pages]

Appears on: 78v–79
79v–84 Nunc dimittis servum tuum Domine Clemens non Papa
Appears on: 79v–84
Genres: Canticle
Source Attribution: Clemens non Papa
84v–88 Nunc dimittis servum tuum (5vv) Maillard
Appears on: 84v–88
Genres: Motet
Source Attribution: Maillard
88v–92 Adorna thalamum - 1a pars (of 2): Adorna thalamum tuum Sion Clemens non Papa
Appears on: 88v–92
Genres: Motet
Source Attribution: Clemens non Papa
92v–96 Adorna thalamum - 2a pars (of 2): Accipiens Simeon puerum in manibus -
Appears on: 92v–96
Genres: Motet
96v–98 Cum inducerent - 1a pars (of 2): Cum inducerent puerum Jesum parentes ejus Goudimel
Appears on: 96v–98
Genres: Motet
Source Attribution: Goudimel
98v–100 Cum inducerent - 2a pars (of 2): Quia viderunt oculi mei salutare tuum -
Appears on: 98v–100
Genres: Motet
100v–101 [blank pages] - -

[blank pages]

Appears on: 100v–101
101v–105 Ascendens Jesus - 1a pars (of 2): Ascendens Jesus Jerosolimam Clemens non Papa
Appears on: 101v–105
Genres: Motet
Source Attribution: Clemens non Papa
105v–108 Ascendens Jesus - 2a pars (of 2): Et tradent eum gentibus ad illudendum -
Appears on: 105v–108
Genres: Motet
108v–113 Confundantur omnes - 1a pars (of 2): Confundantur omnes qui me persequuntur Clemens non Papa
Appears on: 108v–113
Genres: Motet
Source Attribution: Clemens non Papa
113v–116 Confundantur omnes - 2a pars (of 2): Quoniam tribulatio proxima est -
Appears on: 113v–116
Genres: Motet
116v–119 Vidi Dominum - 1a pars (of 2): Vidi Dominum ad faciem et salva facta est Clemens non Papa
Appears on: 116v–119
Genres: Motet
Source Attribution: Clemens non Papa
119v–122 Vidi Dominum - 2a pars (of 2): Et dixit mihi nequaquam vocaberis Jacob -
Appears on: 119v–122
Genres: Motet
122v–126 Crux fidelis inter omnes arbor una nobilis Clemens non Papa
Appears on: 122v–126
Genres: Motet
Source Attribution: Clemens non Papa
126v–130 Tristitia obsedit me - 1a pars (of 2): Tristitia obsedit me Clemens non Papa
Appears on: 126v–130
Genres: Motet
Source Attribution: Clemens non Papa
130v–134 Tristitia obsedit me - 2a pars (of 2): Quid igitur faciam desperabo -
Appears on: 130v–134
Genres: Motet
134v–137 Victimae paschali - 1a pars (of 2): Victimae paschali laudes immolent Christiani Maillard
Appears on: 134v–137
Genres: Motet
Source Attribution: Maillard
137v–141 Victimae paschali - 2a pars (of 2): Angelicos testes sudarium et vestes -
Appears on: 137v–141
Genres: Motet
141v–142 [blank pages] - -

[blank pages]

Appears on: 141v–142
142v–145 Repleti sunt omnes - 1a pars (of 2): Repleti sunt omnes spiritu sancto Goudimel
Appears on: 142v–145
Genres: Motet
Source Attribution: Goudimel
145v–147 Repleti sunt omnes - 2a pars (of 2): Loquebantur variis linguis -
Appears on: 145v–147
Genres: Motet
147v–150 Quis Deus magnus - 1a pars (of 2): Quis Deus magnus sicut Clemens non Papa
Appears on: 147v–150
Genres: Motet
Source Attribution: Clemens non Papa
150v–153 Quis Deus magnus - 2a pars (of 2): Laus et perennis gloria -
Appears on: 150v–153
Genres: Motet
153v–156 Rex autem David - 1a pars (of 2): Rex autem David cooperto capite incedens Clemens non Papa
Appears on: 153v–156
Genres: Motet
Source Attribution: Clemens non Papa
156v–160 Rex autem David - 2a pars (of 2): Planxit autem David planctum huius -
Appears on: 156v–160
Genres: Motet
160v–163 Nolite soliciti esse - 1a pars (of 2): Nolite soliciti esse dicentes quid manducabimus Clemens non Papa
Appears on: 160v–163
Genres: Motet
Source Attribution: Clemens non Papa
163v–166 Nolite soliciti esse - 2a pars (of 2): Quaerite primum regnum Dei et iustitiam eius -
Appears on: 163v–166
Genres: Motet
166v–169 Dum proeliaretur - 1a pars (of 2): Dum proeliaretur Michael archangelus Clemens non Papa
Appears on: 166v–169
Genres: Motet
Source Attribution: Clemens non Papa
169v–172 Dum proeliaretur - 2a pars (of 2): Dum committeret bellum draco -
Appears on: 169v–172
Genres: Motet
172v [blank page] - -

[blank page]

Appears on: 172v
Composer Compositions
Anonymous
Canis, Cornelius
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Goudimel, Claude (ca. 1514–1572)
Maillard, Jean (fl. c1538–1570)
Manchicourt, Pierre de
Prenner, Georg (–1590)
Composition Composers (? Uncertain) Folios / Pages
Adorna thalamum - 1a pars (of 2): Adorna thalamum tuum Sion 88v–92
Adorna thalamum - 2a pars (of 2): Accipiens Simeon puerum in manibus 92v–96
Ascendens Jesus - 1a pars (of 2): Ascendens Jesus Jerosolimam 101v–105
Ascendens Jesus - 2a pars (of 2): Et tradent eum gentibus ad illudendum 105v–108
Confundantur omnes - 1a pars (of 2): Confundantur omnes qui me persequuntur 108v–113
Confundantur omnes - 2a pars (of 2): Quoniam tribulatio proxima est 113v–116
Crux fidelis inter omnes arbor una nobilis 122v–126
Cum inducerent - 1a pars (of 2): Cum inducerent puerum Jesum parentes ejus 96v–98
Cum inducerent - 2a pars (of 2): Quia viderunt oculi mei salutare tuum 98v–100
Dum proeliaretur - 1a pars (of 2): Dum proeliaretur Michael archangelus 166v–169
Dum proeliaretur - 2a pars (of 2): Dum committeret bellum draco 169v–172
Edite Christe - 1a pars (of 2): Edite Christe puer tenerae de virginis 24v–29
Edite Christe - 2a pars (of 2): Qui miserae postquam subiisti 29v–33
Hodie Christus natus est hodie salvator 44v–50
Hodie nobis - 1a pars (of 2): Hodie nobis caelorum rex de virgine nasci 55v–61
Hodie nobis - 2a pars (of 2): Gloria in excelsis Deo et in terra pax 61v–64
In principio (P73) - 2a pars (of 3): Hic venit in testimonium 37v–39
In principio - 1a pars (of 3): In principio erat verbum 33v–37
In principio - 1a pars (of 3): In propria venit 39v–44
Jerusalem cito veniet - 1a pars (of 2): Jerusalem cito veniet salus tua quare 2v–5
Jerusalem cito veniet - 2a pars (of 2): Civitas Jerusalem noli flere 5v–8
Magi veniunt - 1a pars (of 2): Magi veniunt ab Oriente Anonymous 64v–67
Magi veniunt - 2a pars (of 2): Magi videntes stellam dixerunt ad invicem Anonymous 67v–70
Nolite soliciti esse - 1a pars (of 2): Nolite soliciti esse dicentes quid manducabimus 160v–163
Nolite soliciti esse - 2a pars (of 2): Quaerite primum regnum Dei et iustitiam eius 163v–166
Nunc dimittis servum tuum (5vv) 84v–88
Nunc dimittis servum tuum Domine 79v–84
Obsecro Domine - 1a pars (of 2): Obsecro Domine mitte quem missurus es vide 8v–12
Obsecro Domine - 2a pars (of 2): Excita Domine potentiam tuam et veni 12v–16
Puer natus est nobis et filius datus 52v–55
Quis Deus magnus - 1a pars (of 2): Quis Deus magnus sicut 147v–150
Quis Deus magnus - 2a pars (of 2): Laus et perennis gloria 150v–153
Repleti sunt omnes - 1a pars (of 2): Repleti sunt omnes spiritu sancto 142v–145
Repleti sunt omnes - 2a pars (of 2): Loquebantur variis linguis 145v–147
Rex autem David - 1a pars (of 2): Rex autem David cooperto capite incedens 153v–156
Rex autem David - 2a pars (of 2): Planxit autem David planctum huius 156v–160
Super montem - 1a pars (of 2): Super montem excelsum ascende tu 16v–20
Super montem - 2a pars (of 2): Judaea et Jerusalem nolite timere 20v–23
Surge illuminare - 1a pars (of 2): Surge illuminare Jerusalem quia venit lumen tuum 70v–74
Surge illuminare - 2a pars (of 2): Leva in circuitu oculos meos 74v–78
Tristitia obsedit me - 1a pars (of 2): Tristitia obsedit me 126v–130
Tristitia obsedit me - 2a pars (of 2): Quid igitur faciam desperabo 130v–134
Victimae paschali - 1a pars (of 2): Victimae paschali laudes immolent Christiani 134v–137
Victimae paschali - 2a pars (of 2): Angelicos testes sudarium et vestes 137v–141
Vidi Dominum - 1a pars (of 2): Vidi Dominum ad faciem et salva facta est 116v–119
Vidi Dominum - 2a pars (of 2): Et dixit mihi nequaquam vocaberis Jacob 119v–122

denotes primary source study

Schmidt, Günther. 1956. Die Musik am Hofe der Markgrafen von BrandenburgAnsbach.  Kassel and Basel. Pages: 19,25.

Bruner, Ludwig. 1913. Katalog der K. Regierungsbibliothek in Ansbach.  Ansbach. Pages: 236.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description