Composite of several originally separate manuscripts bound together in late 17th century. Main layer (ff. 1-94) copied by Diego Sanchez (inscription on f. 1); remaining portions copied by ten or more scribes. Copied in Valladolid, for use at Santiago parish church (RussellM); some portions perhaps copied in Seville (SnowRC).
E-Vp s.s. (Diego Sánchez Codex, Santiago Codex)
Parroquia de Santiago, Valladolid, Spain
composite of unrelated mss: 1616 (date on f. 1 refers to completion of main layer); most other portions probably copied in second half of 16th century, but one fascicle possibly copied in first half of 16th century.
| Archive | Parroquia de Santiago, Valladolid, Spain (E-Vp) |
|---|---|
| Shelfmark | s.s. (Diego Sánchez Codex, Santiago Codex) |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 395 x 270 mm |
| Other Identifiers |
|
| Copyists |
|
| Relationships |
|
| External Links | |
| Provenance |
|
| Contents | Contains 109 compositions, 87 from 13 composers, 22 are anonymous. |
General Description
Physical Description
Several original folios now missing; new f. 74 partly torn away. Some folios damaged by water stains or ink corrosion, but most music still legible; most original foliation and some attributions partly or completely obliterated by later trimming.
Binding
Original parchment covers
Notation
not indicated
Foliation
Modern pencil foliation, 1-155 ('69' applied to two consecutive folios).
Decoration
A few inked initials, some in plain block style, some in calligraphic style.
Surface
Paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
3 Masses, 1 Requiem Mass, 3 psalms, 4 Passions, 63 motets (3 incomplete; 1 without text), 1 textless piece = 75
Anchieta/(Peñalosa)-1, R. Ceballos-6, Guerrero-6, P. Guerrero-2, A. Martin-1, F. Montanos-2, Morales-21, Navarro of Seville [Juan Navarro]-13, Robledo-1, Villalar-5, Willaert [Adriano]/Obrecht) -1, anon-16
156 paper folios, 395 x 270. Composite of several originally separate manuscripts bound together in late 17th century. Several original folios now missing; new f. 74 partly torn away. Some folios damaged by water stains or ink corrosion, but most music still legible; most original foliation and some attributions partly or completely obliterated by later trimming. Modern pencil foliation, 1-155 ("69" applied to two consecutive folios). Original parchment covers. No index. Main layer (ff. 1-94) copied by Diego Sanchez (inscription on f. 1); remaining portions copied by ten or more scribes. A few inked initials, some in plain block style, some in calligraphic style.
1616 (date on f. 1 refers to completion of main layer); most other portions probably copied in second half of 16th century, but one fascicle possibly copied in first half of 16th century. Copied in Valladolid, for use at Santiago parish church (RussellM); some portions perhaps copied in Seville (SnowRC).
Loading inventory…
The inventory could not be loaded.
‡ denotes primary source study
Diego Pacheco, Cristina. 2016. Cristóbal de Morales en Espagne: ses premières œuvres et le manuscrit de Valladolid. 304. Lyon: Symétrie Recherche. 978-2-914373-92-0.
Torres, Nuria. 2014. The Santiago Codex of Valladolid: origins, contents and dating. Fontes Artis Musicae, vol. 61, no. 2: 173-191. Notes: inventory etc.
López Calo, S.J., José. 2007. La música en la Catedral de Valladolid (8 vols.). Valladolid: Ayuntamiento de Valladolid.
Aizpurúa, Pedro. 1981. El Codice Musical de la Parròquia de Santiago de Valladolid. Rivista de Musicologia, 4: 51-59.
Snow, Robert Joseph. 1980. The Extant Music of Rodrigo de Ceballos and Its Sources. Detroit Studies in Music Bibliography, vol. 44. Detroit. Pages: 24-5,42-3,46-9,86-7.
Crawford, David Eugene. 1979. Review of KirschMS. Journal of the American Musicological Society, 32: 150-5. Pages: 152.
Russell, Eleanor. 1978-80. A new manuscript source for the music of Cristobal de Morales: Morales' 'Lost' Missa pro Defunctis and early Spanish requiem traditions. Anuário Musical, 33-35: 9-49. Pages: 15-26, 43-7.
Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age. Berkeley and Los Angeles. Pages: (42-4) 68-70, 259-60, 305, 315, 326, 330.
Rubio, P Samuel (editor). 1954-6. Antologia Polifònica Sacra. Madrid. Pages: I,xvii-xviii,72-5,82-7,181-4 II,xiii-xiv,57-61,176-80, 189-93,332-6.
Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: I,130 XIII,28ff XV,27-8 XX,13ff XXIV.7 XXXIV,23ff XXXVI, 118,120-1.
Elústiza, Juan B de, and Gonzalo Castillo Hernandez. 1933. Antología Musical. Siglo de Oro de la Música Litúrgica en España. Polifonía Vocal de los siglos XV y XVI. Barcelona. Pages: xix-xxiv,37-123,130-72.
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
No comments have been made.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description