E-Vp s.s. (Diego Sánchez Codex, Santiago Codex)

Parroquia de Santiago, Valladolid, Spain

composite of unrelated mss: 1616 (date on f. 1 refers to completion of main layer); most other portions probably copied in second half of 16th century, but one fascicle possibly copied in first half of 16th century.

Archive	Parroquia de Santiago, Valladolid, Spain (E-Vp)
Shelfmark	s.s. (Diego Sánchez Codex, Santiago Codex)
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	395 x 270 mm
Other Identifiers	CCM: VallaP s.s.
Copyists	Sanchez, Diego Music
Relationships	Santiago parish church (commissioned/made for) Valladolid Cathedral (copied at)
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database Books of Hispanic Polyphony
Provenance	Santiago parish church , Valladolid, Spain
Contents	110 pieces from 14 composers

General Description

Composite of several originally separate manuscripts bound together in late 17th century. Main layer (ff. 1-94) copied by Diego Sanchez (inscription on f. 1); remaining portions copied by ten or more scribes. Copied in Valladolid, for use at Santiago parish church (RussellM); some portions perhaps copied in Seville (SnowRC).

Cristina Urchueguía, 2010

Physical Description

Several original folios now missing; new f. 74 partly torn away. Some folios damaged by water stains or ink corrosion, but most music still legible; most original foliation and some attributions partly or completely obliterated by later trimming.

Cristina Urchueguía, 2010

Binding

Original parchment covers

Cristina Urchueguía, 2010

Notation

not indicated

Cristina Urchueguía, 2010

Foliation

Modern pencil foliation, 1-155 ('69' applied to two consecutive folios).

Cristina Urchueguía, 2010

Decoration

A few inked initials, some in plain block style, some in calligraphic style.

Cristina Urchueguía, 2010

Surface

Paper

Cristina Urchueguía, 2010

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses, 1 Requiem Mass, 3 psalms, 4 Passions, 63 motets (3 incomplete; 1 without text), 1 textless piece = 75

Anchieta/(Peñalosa)-1, R. Ceballos-6, Guerrero-6, P. Guerrero-2, A. Martin-1, F. Montanos-2, Morales-21, Navarro of Seville [Juan Navarro]-13, Robledo-1, Villalar-5, Willaert [Adriano]/Obrecht) -1, anon-16

156 paper folios, 395 x 270. Composite of several originally separate manuscripts bound together in late 17th century. Several original folios now missing; new f. 74 partly torn away. Some folios damaged by water stains or ink corrosion, but most music still legible; most original foliation and some attributions partly or completely obliterated by later trimming. Modern pencil foliation, 1-155 ("69" applied to two consecutive folios). Original parchment covers. No index. Main layer (ff. 1-94) copied by Diego Sanchez (inscription on f. 1); remaining portions copied by ten or more scribes. A few inked initials, some in plain block style, some in calligraphic style.

1616 (date on f. 1 refers to completion of main layer); most other portions probably copied in second half of 16th century, but one fascicle possibly copied in first half of 16th century. Copied in Valladolid, for use at Santiago parish church (RussellM); some portions perhaps copied in Seville (SnowRC).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–2r	In passione positus	-	Guerrero, Francisco
In passione positus Guerrero, Francisco Appears on: 1v–2r Genres: Motet Number of voices: 5
2v–3r	O Domine Jesu ChristeD	-	Montanos, Francisco de (ca. 1528–1595)
O Domine Jesu ChristeD Montanos, Francisco de (ca. 1528–1595) Appears on: 2v–3r Genres: Motet Number of voices: 4
3v–4r	Interveniat pro nobis	-	Montanos, Francisco de (ca. 1528–1595)
Interveniat pro nobis Montanos, Francisco de (ca. 1528–1595) Appears on: 3v–4r Genres: Motet Number of voices: 4
4v–6r	In passione positus	-	Navarro 'of Seville/Hispalensis', Juan
In passione positus Navarro 'of Seville/Hispalensis', Juan Appears on: 4v–6r Genres: Motet Number of voices: 6
6v–7r	Ductus est Jesus	-	Navarro 'of Seville/Hispalensis', Juan
Ductus est Jesus Navarro 'of Seville/Hispalensis', Juan Appears on: 6v–7r Genres: Antiphon Number of voices: 5
7v–9r	Simile est regnum	-	Navarro 'of Seville/Hispalensis', Juan
Simile est regnum Navarro 'of Seville/Hispalensis', Juan Appears on: 7v–9r Genres: Motet Number of voices: 5
9v–11r	Ecce ascendimus	-	Navarro 'of Seville/Hispalensis', Juan
Ecce ascendimus Navarro 'of Seville/Hispalensis', Juan Appears on: 9v–11r Genres: Antiphon Number of voices: 5
11v–12r	Erat Jesus ejiciens	-	Navarro 'of Seville/Hispalensis', Juan
Erat Jesus ejiciens Navarro 'of Seville/Hispalensis', Juan Appears on: 11v–12r Genres: Motet Number of voices: 4
12v–13r	Cum sublevasset	-	Navarro 'of Seville/Hispalensis', Juan
Cum sublevasset Navarro 'of Seville/Hispalensis', Juan Appears on: 12v–13r Genres: Antiphon Number of voices: 4
13v–14r	Dicebat Jesus	-	Navarro 'of Seville/Hispalensis', Juan
Dicebat Jesus Navarro 'of Seville/Hispalensis', Juan Appears on: 13v–14r Genres: Motet Number of voices: 4
14v–15r	Dominus meus et Deus meus	-	Guerrero, Pedro Morales, Cristóbal de (ca. 1500–1553) (?)
Dominus meus et Deus meus Guerrero, Pedro Morales, Cristóbal de (ca. 1500–1553) (?) Appears on: 14v–15r Genres: Motet Number of voices: 4
15v–16r	O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur	-	Morales, Cristóbal de (ca. 1500–1553)
O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur Morales, Cristóbal de (ca. 1500–1553) Appears on: 15v–16r Genres: Motet Number of voices: 5
16v–18r	O sacrum convivium - 2a pars (of 2): Mens impletur gratia et future gloriae	-	Morales, Cristóbal de (ca. 1500–1553)
O sacrum convivium - 2a pars (of 2): Mens impletur gratia et future gloriae Morales, Cristóbal de (ca. 1500–1553) Appears on: 16v–18r Genres: Motet Number of voices: 5
18v–20r	Laboravi in gemitu	-	Navarro 'of Seville/Hispalensis', Juan
Laboravi in gemitu Navarro 'of Seville/Hispalensis', Juan Appears on: 18v–20r Genres: Motet Number of voices: 5
20v–21r	Antequam comedam - 1a pars (of 2): Antequam comedam suspiro et tanquam	-	Morales, Cristóbal de (ca. 1500–1553)
Antequam comedam - 1a pars (of 2): Antequam comedam suspiro et tanquam Morales, Cristóbal de (ca. 1500–1553) Appears on: 20v–21r Genres: Motet Number of voices: 4
21v–22r	Antequam comedam - 2a pars (of 2): Nonne dissimulavi nonne quicui	-	Morales, Cristóbal de (ca. 1500–1553)
Antequam comedam - 2a pars (of 2): Nonne dissimulavi nonne quicui Morales, Cristóbal de (ca. 1500–1553) Appears on: 21v–22r Genres: Motet Number of voices: 4
22v–24r	Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis	-	Obrecht, Jacobus (ca. 1457–1505) (?) Willaert, Adrian (ca. 1490–1562)
Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis Obrecht, Jacobus (ca. 1457–1505) (?) Willaert, Adrian (ca. 1490–1562) Appears on: 22v–24r Genres: Motet Number of voices: 4
22v–24r	Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	-	Willaert, Adrian (ca. 1490–1562) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum Willaert, Adrian (ca. 1490–1562) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 22v–24r Genres: Ave Maria, Motet
24v–25r	[untexted motet]	-	Navarro 'of Seville/Hispalensis', Juan
[untexted motet] Navarro 'of Seville/Hispalensis', Juan Appears on: 24v–25r Genres: Motet Number of voices: 4
25v–26r	O magnum mysterium	-	Morales, Cristóbal de (ca. 1500–1553)
O magnum mysterium Morales, Cristóbal de (ca. 1500–1553) Appears on: 25v–26r Genres: Motet Number of voices: 4
26v–27r	Hoc corpus quod pro vobis tradetur	-	Robledo, Melchor
Hoc corpus quod pro vobis tradetur Robledo, Melchor Appears on: 26v–27r Genres: Motet Number of voices: 4
27v–28r	Posuerunt super caput	-	Ceballos, Rodrigo de (ca. 1525–1581)
Posuerunt super caput Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 27v–28r Genres: Motet Number of voices: 4
28v–29r	Dicebat Jesus - 1a pars (of 2): Dicebat Jesus turbis	-	Anonymous
Dicebat Jesus - 1a pars (of 2): Dicebat Jesus turbis Anonymous Appears on: 28v–29r Genres: Motet Number of voices: 4
29v–30r	Dicebat Jesus - 2a pars (of 2): Qui ex Deo est	-	Anonymous
Dicebat Jesus - 2a pars (of 2): Qui ex Deo est Anonymous Appears on: 29v–30r Genres: Motet Number of voices: 4
30v–31r	Inter vestibulum et altare	-	Ceballos, Rodrigo de (ca. 1525–1581)
Inter vestibulum et altare Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 30v–31r Genres: Motet Number of voices: 4
32v–33r	Ductus est Jesus	-	Ceballos, Rodrigo de (ca. 1525–1581)
Ductus est Jesus Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 32v–33r Genres: Motet Number of voices: 4
33v–34r	Erat Jesus ejiciens daemonium	-	Ceballos, Rodrigo de (ca. 1525–1581)
Erat Jesus ejiciens daemonium Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 33v–34r Genres: Motet Number of voices: 4
34v–35r	Accepit Jesus panes	N... [=Morales]	Anonymous
Accepit Jesus panes Anonymous Appears on: 34v–35r Genres: Motet Source Attribution: N... [=Morales] Number of voices: 4
35v–37r	Salve	-	Navarro 'of Seville/Hispalensis', Juan
Salve Navarro 'of Seville/Hispalensis', Juan Appears on: 35v–37r Genres: Motet Number of voices: 4-6
37v–38r	Et Jesum benedictum	-	Villalar, Andres de (ca. 1530–1593)
Et Jesum benedictum Villalar, Andres de (ca. 1530–1593) Appears on: 37v–38r Genres: Motet Number of voices: 4
38v–40r	Salve	-	Guerrero, Francisco
Salve Guerrero, Francisco Appears on: 38v–40r Genres: Motet Number of voices: 4
40v–42r	Salve regina (4vv) Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris - O clemens IV: O dulcis	-	Morales, Cristóbal de (ca. 1500–1553)
Salve regina (4vv) Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris - O clemens IV: O dulcis Morales, Cristóbal de (ca. 1500–1553) Appears on: 40v–42r Genres: BVM, Motet, Salve Regina Number of voices: 4
42v–43r	Ad te suspiramus	-	Guerrero, Francisco
Ad te suspiramus Guerrero, Francisco Appears on: 42v–43r Genres: Motet Number of voices: 4
43v–44r	Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater	-	Anonymous
Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater Anonymous Appears on: 43v–44r Genres: Alma redemptoris mater, Motet Number of voices: 5
44v–45r	Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura mirante	-	Anonymous
Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura mirante Anonymous Appears on: 44v–45r Genres: Alma redemptoris mater, Motet Number of voices: 5
45v–46r	Regina caeli laetare - 1a pars (of 2): Regina caeli laetare	-	Morales, Cristóbal de (ca. 1500–1553)
Regina caeli laetare - 1a pars (of 2): Regina caeli laetare Morales, Cristóbal de (ca. 1500–1553) Appears on: 45v–46r Genres: Motet, Regina caeli laetare Number of voices: 6
45v–46r	Regina caeli laetare - 2a pars (of 2): Resurrexit sicut dixit	-	Morales, Cristóbal de (ca. 1500–1553)
Regina caeli laetare - 2a pars (of 2): Resurrexit sicut dixit Morales, Cristóbal de (ca. 1500–1553) Appears on: 45v–46r Genres: Motet, Regina caeli laetare Number of voices: 6
47v–49r	Regina caeli laetare (5vv)	-	Morales, Cristóbal de (ca. 1500–1553)
Regina caeli laetare (5vv) Morales, Cristóbal de (ca. 1500–1553) Appears on: 47v–49r Genres: Motet, Regina caeli laetare Number of voices: 5
49v–50r	Regina caeli laetare (4vv)	-	Morales, Cristóbal de (ca. 1500–1553)
Regina caeli laetare (4vv) Morales, Cristóbal de (ca. 1500–1553) Appears on: 49v–50r Genres: Motet, Regina caeli laetare Number of voices: 4
50v–51r	Regina caeli laetare	-	Villalar, Andres de (ca. 1530–1593)
Regina caeli laetare Villalar, Andres de (ca. 1530–1593) Appears on: 50v–51r Genres: Antiphon, Regina caeli laetare Number of voices: 4
51v–52r	Regina caeli laetare Alleluia	-	Guerrero, Francisco
Regina caeli laetare Alleluia Guerrero, Francisco Appears on: 51v–52r Genres: BVM, Marian antiphon, Regina caeli laetare Number of voices: 4
52v–53r	Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas quibus	-	Morales, Cristóbal de (ca. 1500–1553)
Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas quibus Morales, Cristóbal de (ca. 1500–1553) Appears on: 52v–53r Genres: Antiphon Number of voices: 4
53v–54r	Sancta et immaculata - 2a pars (of 2): Benedicta tu in mulieribus	-	Morales, Cristóbal de (ca. 1500–1553)
Sancta et immaculata - 2a pars (of 2): Benedicta tu in mulieribus Morales, Cristóbal de (ca. 1500–1553) Appears on: 53v–54r Genres: Antiphon Number of voices: 4
54v–55r	Hortus conclusus - 1a pars (of 2): Hortus conclusus soror mea sponsa	-	Ceballos, Rodrigo de (ca. 1525–1581)
Hortus conclusus - 1a pars (of 2): Hortus conclusus soror mea sponsa Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 54v–55r Genres: Motet Number of voices: 4
55v–56r	Hortus conclusus - 2a pars (of 2): Veni sponsa mea ostende mihi	-	Ceballos, Rodrigo de (ca. 1525–1581)
Hortus conclusus - 2a pars (of 2): Veni sponsa mea ostende mihi Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 55v–56r Genres: Motet Number of voices: 4
56v–57r	O beata Maria - 1a pars (of 2): O beata Maria spes unica peccatorum	-	Guerrero, Pedro
O beata Maria - 1a pars (of 2): O beata Maria spes unica peccatorum Guerrero, Pedro Appears on: 56v–57r Genres: Motet Number of voices: 4
57v–58r	O beata Maria - 2a pars (of 2): Accipe quod offerimus, redona quod rogamus	-	Guerrero, Pedro
O beata Maria - 2a pars (of 2): Accipe quod offerimus, redona quod rogamus Guerrero, Pedro Appears on: 57v–58r Genres: Motet Number of voices: 4
58v–60r	Ave virgo sanctissima (5vv)	-	Guerrero, Francisco
Ave virgo sanctissima (5vv) Guerrero, Francisco Appears on: 58v–60r Genres: Motet Number of voices: 5
60v–61r	Audi nos	-	Anonymous
Audi nos Anonymous Appears on: 60v–61r Genres: Antiphon Number of voices: 4
61v–63r	Exaltata est Sancta Dei genetrix (2p. Virgo prudentissima)	-	Morales, Cristóbal de (ca. 1500–1553)
Exaltata est Sancta Dei genetrix (2p. Virgo prudentissima) Morales, Cristóbal de (ca. 1500–1553) Appears on: 61v–63r Genres: Motet Number of voices: 5
63v–64r	Ave virgo	-	Navarro 'of Seville/Hispalensis', Juan
Ave virgo Navarro 'of Seville/Hispalensis', Juan Appears on: 63v–64r Genres: Motet Number of voices: 4
64v–65r	Conceptio nativitas - 1a pars (of 2): Conceptio nativitas anuntiatio	-	Morales, Cristóbal de (ca. 1500–1553)
Conceptio nativitas - 1a pars (of 2): Conceptio nativitas anuntiatio Morales, Cristóbal de (ca. 1500–1553) Appears on: 64v–65r Genres: Antiphon Number of voices: 6
65v–66r	Conceptio nativitas - 2a pars (of 2): [untexted]	-	Morales, Cristóbal de (ca. 1500–1553)
Conceptio nativitas - 2a pars (of 2): [untexted] Morales, Cristóbal de (ca. 1500–1553) Appears on: 65v–66r Genres: Antiphon Number of voices: 6
66v–68r	Ave regina caelorum	-	Navarro 'of Seville/Hispalensis', Juan
Ave regina caelorum Navarro 'of Seville/Hispalensis', Juan Appears on: 66v–68r Genres: Antiphon Number of voices: 5
69v–69r	Sacerdotes et pontifex	-	Anonymous
Sacerdotes et pontifex Anonymous Appears on: 69v–69r Genres: Antiphon Number of voices: 4
69bis v–69bis r	Missa Feria: Kyrie	-	Morales, Cristóbal de (ca. 1500–1553) (?)
Missa Feria: Kyrie Morales, Cristóbal de (ca. 1500–1553) (?) Appears on: 69bis v–69bis r Genres: Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: Missa de feria: Kyrie. General Note Ascription by Elústiza/Castrillo:Morales, see Literature
69bis v–69bis r	Missa Feria: Sanctus with: Benedictus	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Feria: Sanctus with: Benedictus Morales, Cristóbal de (ca. 1500–1553) Appears on: 69bis v–69bis r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa de feria: Sanctus (with: Benedictus)
70v–71r	Peccantem me	-	Anonymous
Peccantem me Anonymous Appears on: 70v–71r Genres: Motet Number of voices: 4
72v–73r	Hoc est preceptum meum	-	Morales, Cristóbal de (ca. 1500–1553)
Hoc est preceptum meum Morales, Cristóbal de (ca. 1500–1553) Appears on: 72v–73r Genres: Antiphon Number of voices: 5
73v–74r	Andreas Christi famulus - 2a pars (of 2): Videns Andreas crucem cum gaudio	-	Morales, Cristóbal de (ca. 1500–1553)
Andreas Christi famulus - 2a pars (of 2): Videns Andreas crucem cum gaudio Morales, Cristóbal de (ca. 1500–1553) Appears on: 73v–74r Genres: Motet Number of voices: 5
74v–75r	Gaudent in coelis	-	Morales, Cristóbal de (ca. 1500–1553)
Gaudent in coelis Morales, Cristóbal de (ca. 1500–1553) Appears on: 74v–75r Genres: Motet Number of voices: 4
75v–76r	O gloriose confessor - 1a pars (of 2): O gloriose confessor	-	Guerrero, Francisco
O gloriose confessor - 1a pars (of 2): O gloriose confessor Guerrero, Francisco Appears on: 75v–76r Genres: Motet Number of voices: 4
76v–77r	O gloriose confessor - 2a pars (of 2): Et ideo cum Christo	-	Guerrero, Francisco
O gloriose confessor - 2a pars (of 2): Et ideo cum Christo Guerrero, Francisco Appears on: 76v–77r Genres: Motet Number of voices: 4
77v–78r	[untexted motet]	-	Anonymous
[untexted motet] Anonymous Appears on: 77v–78r Genres: Motet
78v–79r	[untexted motet]	-	Anonymous
[untexted motet] Anonymous Appears on: 78v–79r Genres: Motet Number of voices: 4
80v–82r	Lamentabatur Jacob - 1a pars (of 2): Lamentabatur Jacob de duobus filiis suis	-	Morales, Cristóbal de (ca. 1500–1553)
Lamentabatur Jacob - 1a pars (of 2): Lamentabatur Jacob de duobus filiis suis Morales, Cristóbal de (ca. 1500–1553) Appears on: 80v–82r Genres: Motet Number of voices: 5
82v–84r	Lamentabatur Jacob - 2a pars (of 2): Prosternens se Jacob vehementer	-	Morales, Cristóbal de (ca. 1500–1553)
Lamentabatur Jacob - 2a pars (of 2): Prosternens se Jacob vehementer Morales, Cristóbal de (ca. 1500–1553) Appears on: 82v–84r Genres: Motet Number of voices: 5
84v–85r	Ave regina caelorum - 1a pars (of 2): Ave regina caelorum	-	Martin, Alexo
Ave regina caelorum - 1a pars (of 2): Ave regina caelorum Martin, Alexo Appears on: 84v–85r Genres: Ave regina caelorum, Motet Number of voices: 4
85v–86r	Ave regina caelorum - 2a pars (of 2): Gaude gloriosa super omnes	-	Martin, Alexo
Ave regina caelorum - 2a pars (of 2): Gaude gloriosa super omnes Martin, Alexo Appears on: 85v–86r Genres: Ave regina caelorum, Motet Number of voices: 4
86v–92r	Missa tertii toni: Kyrie	-	Ceballos, Rodrigo de (ca. 1525–1581)
Missa tertii toni: Kyrie Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 86v–92r Genres: Kyrie eleison, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa tertii toni]: Kyrie. Concordances [anonymous in the Codex, and not listed as a concordance in Snow's Ceballos, or in Puentes-Blanco ('Musica y Devocion en Barcelona'): perhaps not therefore the Ceballos mass?]
86v–92r	Missa tertii toni: Gloria	-	Ceballos, Rodrigo de (ca. 1525–1581)
Missa tertii toni: Gloria Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 86v–92r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa tertii toni]: Gloria.
86v–92r	Missa tertii toni: Credo: 4 partes	-	Ceballos, Rodrigo de (ca. 1525–1581)
Missa tertii toni: Credo: 4 partes Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 86v–92r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa tertii toni]: Credo: 4 partes.
86v–92r	Missa tertii toni: Sanctus Benedictus: 3 voces.	-	Ceballos, Rodrigo de (ca. 1525–1581)
Missa tertii toni: Sanctus Benedictus: 3 voces. Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 86v–92r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa tertii toni]: Sanctus (Benedictus: 3 voces).
86v–92r	Missa tertii toni: Agnus Dei	-	Ceballos, Rodrigo de (ca. 1525–1581)
Missa tertii toni: Agnus Dei Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 86v–92r Genres: Agnus Dei, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa tertii toni]: Agnus I.
92v–93r	Quanti mercenarii - 2a pars (of 2): Pater peccavi in caelum	-	Morales, Cristóbal de (ca. 1500–1553)
Quanti mercenarii - 2a pars (of 2): Pater peccavi in caelum Morales, Cristóbal de (ca. 1500–1553) Appears on: 92v–93r Genres: Motet Number of voices: 6
93v–94r	Quanti mercenarii - 1a pars (of 2): Quanti mercenarii	-	Morales, Cristóbal de (ca. 1500–1553)
Quanti mercenarii - 1a pars (of 2): Quanti mercenarii Morales, Cristóbal de (ca. 1500–1553) Appears on: 93v–94r Genres: Motet Number of voices: 6
94v–95r	Domine Jesu Christe qui hora diei ultima	Jo. ancheta	Penalosa, Francisco de (?) Anchieta, Juan de (1462–1523)
Domine Jesu Christe qui hora diei ultima Penalosa, Francisco de (?) Anchieta, Juan de (1462–1523) Appears on: 94v–95r Genres: Motet Source Attribution: Jo. ancheta Number of voices: 4
95v–102r	Passio S. Mathaei	-	Anonymous
Passio S. Mathaei Anonymous Appears on: 95v–102r Genres: Passion Number of voices: 4 General Note Russell argues that this & the other passions may be by Morales - supported by Wagstaff. Preciado argues for Anchieta. Item Bibliography Russell, Eleanor. 1978-80. A new manuscript source for the music of Cristobal de Morales: Morales' 'Lost' Missa pro Defunctis and early Spanish requiem traditions. Anuário Musical, 33-35: 9-49. Aizpurúa, Pedro, and Dionisio Preciado (editors). 1995. Juan de Anchieta: Cuatro Pasiones Polifónicas. Madrid: Socie dad Española de Musicología. Wagstaff, Grayson. 1995. Music for the Dead: Polyphonic Settings of the Officium and Missa pro defunctis by Spanish and Latin American Composers before 1630. University of Texas at Austin, Ph.D. Preciado, Dionisio. 1992. Las pasiones polifónicas del Códice Musical de Valladolid son de Juan de Anchieta, y las primeras conocidas en España. Nassarre: Revista aragonesa de musicología, 7: 57-68.
102v–107r	Passio secundum Joannem	-	Anonymous
Passio secundum Joannem Anonymous Appears on: 102v–107r Genres: Passion Number of voices: 4 General Note Russell argues that this & the other passions may be by Morales - supported by Wagstaff. Preciado argues for Anchieta. Item Bibliography Russell, Eleanor. 1978-80. A new manuscript source for the music of Cristobal de Morales: Morales' 'Lost' Missa pro Defunctis and early Spanish requiem traditions. Anuário Musical, 33-35: 9-49. Aizpurúa, Pedro, and Dionisio Preciado (editors). 1995. Juan de Anchieta: Cuatro Pasiones Polifónicas. Madrid: Socie dad Española de Musicología. Wagstaff, Grayson. 1995. Music for the Dead: Polyphonic Settings of the Officium and Missa pro defunctis by Spanish and Latin American Composers before 1630. University of Texas at Austin, Ph.D. Preciado, Dionisio. 1992. Las pasiones polifónicas del Códice Musical de Valladolid son de Juan de Anchieta, y las primeras conocidas en España. Nassarre: Revista aragonesa de musicología, 7: 57-68.
107v–112r	Passio Domini nostri Jesu Christi secundum Marcum	-	Anonymous
Passio Domini nostri Jesu Christi secundum Marcum Anonymous Appears on: 107v–112r Genres: Passion Number of voices: 4 General Note Russell argues that this & the other passions may be by Morales - supported by Wagstaff. Preciado argues for Anchieta. Item Bibliography Russell, Eleanor. 1978-80. A new manuscript source for the music of Cristobal de Morales: Morales' 'Lost' Missa pro Defunctis and early Spanish requiem traditions. Anuário Musical, 33-35: 9-49. Aizpurúa, Pedro, and Dionisio Preciado (editors). 1995. Juan de Anchieta: Cuatro Pasiones Polifónicas. Madrid: Socie dad Española de Musicología. Wagstaff, Grayson. 1995. Music for the Dead: Polyphonic Settings of the Officium and Missa pro defunctis by Spanish and Latin American Composers before 1630. University of Texas at Austin, Ph.D. Preciado, Dionisio. 1992. Las pasiones polifónicas del Códice Musical de Valladolid son de Juan de Anchieta, y las primeras conocidas en España. Nassarre: Revista aragonesa de musicología, 7: 57-68.
112v–113r	Dixit Dominus	-	Anonymous
Dixit Dominus Anonymous Appears on: 112v–113r Genres: Psalm Number of voices: 4
113v–114r	Confitebor	-	Anonymous
Confitebor Anonymous Appears on: 113v–114r Genres: Psalm Number of voices: 4
114v	Beatus vir	-	Anonymous
Beatus vir Anonymous Appears on: 114v Genres: Psalm Number of voices: 4
115v–116r	Per tuam crucem - 1a pars (of 2): Per tuam crucem salva nos Christe	-	Morales, Cristóbal de (ca. 1500–1553)
Per tuam crucem - 1a pars (of 2): Per tuam crucem salva nos Christe Morales, Cristóbal de (ca. 1500–1553) Appears on: 115v–116r Genres: Motet Number of voices: 4
117v–118r	Per tuam crucem - 2a pars (of 2): Miserere nostri Jesu benigne	-	Morales, Cristóbal de (ca. 1500–1553)
Per tuam crucem - 2a pars (of 2): Miserere nostri Jesu benigne Morales, Cristóbal de (ca. 1500–1553) Appears on: 117v–118r Genres: Motet Number of voices: 4
119r	Judica me - Ne recorderis	-	Anonymous
Judica me - Ne recorderis Anonymous Appears on: 119r Genres: Motet Number of voices: 4
119v–124r	Passio secundum Lucam	-	Anonymous
Passio secundum Lucam Anonymous Appears on: 119v–124r Genres: Passion Number of voices: 4 General Note Russell argues that this & the other passions may be by Morales - supported by Wagstaff. Preciado argues for Anchieta. Item Bibliography Russell, Eleanor. 1978-80. A new manuscript source for the music of Cristobal de Morales: Morales' 'Lost' Missa pro Defunctis and early Spanish requiem traditions. Anuário Musical, 33-35: 9-49. Aizpurúa, Pedro, and Dionisio Preciado (editors). 1995. Juan de Anchieta: Cuatro Pasiones Polifónicas. Madrid: Socie dad Española de Musicología. Wagstaff, Grayson. 1995. Music for the Dead: Polyphonic Settings of the Officium and Missa pro defunctis by Spanish and Latin American Composers before 1630. University of Texas at Austin, Ph.D. Preciado, Dionisio. 1992. Las pasiones polifónicas del Códice Musical de Valladolid son de Juan de Anchieta, y las primeras conocidas en España. Nassarre: Revista aragonesa de musicología, 7: 57-68.
124v	Requiescant in pace	-	Anonymous
Requiescant in pace Anonymous Appears on: 124v Genres: Psalm Number of voices: 4
125r	Regem cui omnia vivunt	-	Anonymous
Regem cui omnia vivunt Anonymous Appears on: 125r Genres: Antiphon Number of voices: 4
125v–126r	Peccavi quid faciam	-	Anonymous
Peccavi quid faciam Anonymous Appears on: 125v–126r Genres: Motet Number of voices: 4
126v–127r	Gloria Patri	-	Villalar, Andres de (ca. 1530–1593)
Gloria Patri Villalar, Andres de (ca. 1530–1593) Appears on: 126v–127r Genres: Motet Number of voices: 8 Layout Primer coro's music is on folios 152v-153r
127v–141r	Missa Requiem (4vv): 1. Introitus: Requiem aeternam	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 1. Introitus: Requiem aeternam Morales, Cristóbal de (ca. 1500–1553) Appears on: 127v–141r Genres: Introit, Requiem Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: Missa de Requiem [Requiem]: Introitus.
127v–141r	Missa Requiem (4vv): 2. Kyrie	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 2. Kyrie Morales, Cristóbal de (ca. 1500–1553) Appears on: 127v–141r Genres: Kyrie eleison, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: Missa de Requiem [Requiem]: Kyrie.
127v–141r	Missa Requiem (4vv): 3. Graduale: [Requiem aeternam] Dona eis Domine	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 3. Graduale: [Requiem aeternam] Dona eis Domine Morales, Cristóbal de (ca. 1500–1553) Appears on: 127v–141r Genres: Gradual, Requiem Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa de Requiem [Requiem]: Graduale.
127v–141r	Missa Requiem (4vv): 4. Tractus: Sicut cervus	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 4. Tractus: Sicut cervus Morales, Cristóbal de (ca. 1500–1553) Appears on: 127v–141r Genres: Requiem Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa de Requiem [Requiem]: Tractus (Sicut cervus).
127v–141r	Missa Requiem (4vv): 6. Offertorium: [Domine Jesu Christe] Libera animas fidelium - Hostias et preces	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 6. Offertorium: [Domine Jesu Christe] Libera animas fidelium - Hostias et preces Morales, Cristóbal de (ca. 1500–1553) Appears on: 127v–141r Genres: Offertory, Requiem Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa de Requiem [Requiem]: Offertorium.
127v–141r	Missa Requiem (4vv): 7. Sanctus incl.: Pleni, Benedictus	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 7. Sanctus incl.: Pleni, Benedictus Morales, Cristóbal de (ca. 1500–1553) Appears on: 127v–141r Genres: Requiem, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa de Requiem [Requiem]: Sanctus (incl.: Pleni, Benedictus).
127v–141r	Missa Requiem (4vv): 8. Agnus Dei	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 8. Agnus Dei Morales, Cristóbal de (ca. 1500–1553) Appears on: 127v–141r Genres: Agnus Dei, Requiem Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa de Requiem [Requiem]: Agnus.
127v–141r	Missa Requiem (4vv): 9. Communio: Lux aeterna	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 9. Communio: Lux aeterna Morales, Cristóbal de (ca. 1500–1553) Appears on: 127v–141r Genres: Communion, Requiem Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa de Requiem [Requiem]: Communio.
141v–149r	Missa Caça (4vv): Kyrie	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Caça (4vv): Kyrie Morales, Cristóbal de (ca. 1500–1553) Appears on: 141v–149r Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: Missa a quatro [Missa Caça]: Kyrie.
141v–149r	Missa Caça (4vv): Gloria (2 partes)	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Caça (4vv): Gloria (2 partes) Morales, Cristóbal de (ca. 1500–1553) Appears on: 141v–149r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa a quatro [Missa Caça]: Gloria: 2 partes.
141v–149r	Missa Caça (4vv): Credo (2 partes)	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Caça (4vv): Credo (2 partes) Morales, Cristóbal de (ca. 1500–1553) Appears on: 141v–149r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa a quatro [Missa Caça]: Credo: 2 partes.
141v–149r	Missa Caça (4vv): Sanctus	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Caça (4vv): Sanctus Morales, Cristóbal de (ca. 1500–1553) Appears on: 141v–149r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa a quatro [Missa Caça]: Sanctus.
141v–149r	Missa Caça (4vv): Agnus Dei (II)	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Caça (4vv): Agnus Dei (II) Morales, Cristóbal de (ca. 1500–1553) Appears on: 141v–149r Genres: Agnus Dei, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa a quatro [Missa Caça]: Agnus III.
149v–150r	Versos del Benedictus de tinieblas	-	Villalar, Andres de (ca. 1530–1593)
Versos del Benedictus de tinieblas Villalar, Andres de (ca. 1530–1593) Appears on: 149v–150r Genres: Verse Number of voices: 4
150v–151r	Auditui meo dabis	-	Navarro 'of Seville/Hispalensis', Juan
Auditui meo dabis Navarro 'of Seville/Hispalensis', Juan Appears on: 150v–151r Genres: Antiphon Number of voices: 4
151v–152r	Versos del Benedictus de tinieblas	-	Villalar, Andres de (ca. 1530–1593)
Versos del Benedictus de tinieblas Villalar, Andres de (ca. 1530–1593) Appears on: 151v–152r Genres: Verse Number of voices: 4
152v–153r	Gloria Patri	-	Villalar, Andres de (ca. 1530–1593)
Gloria Patri Villalar, Andres de (ca. 1530–1593) Appears on: 152v–153r Genres: Motet Number of voices: 8 Layout Segundo coro's music is on folios 126v-127r
153v–155r	Taedet animam (I)	-	Morales, Cristóbal de (ca. 1500–1553)
Taedet animam (I) Morales, Cristóbal de (ca. 1500–1553) Appears on: 153v–155r Genres: Motet Number of voices: 4
155v	Circumdederunt me	-	Anonymous
Circumdederunt me Anonymous Appears on: 155v Genres: Motet Number of voices: 4

Composer	Compositions
Anchieta, Juan de (1462-1523)	Domine Jesu Christe qui hora diei ultima – 94v–95r
Anonymous	Accepit Jesus panes – 34v–35r Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater – 43v–44r Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura mirante – 44v–45r Audi nos – 60v–61r Beatus vir – 114v Circumdederunt me – 155v Confitebor – 113v–114r Dicebat Jesus - 1a pars (of 2): Dicebat Jesus turbis – 28v–29r Dicebat Jesus - 2a pars (of 2): Qui ex Deo est – 29v–30r Dixit Dominus – 112v–113r Judica me - Ne recorderis – 119r Passio Domini nostri Jesu Christi secundum Marcum – 107v–112r Passio S. Mathaei – 95v–102r Passio secundum Joannem – 102v–107r Passio secundum Lucam – 119v–124r Peccantem me – 70v–71r Peccavi quid faciam – 125v–126r Regem cui omnia vivunt – 125r Requiescant in pace – 124v Sacerdotes et pontifex – 69v–69r [untexted motet] – 78v–79r [untexted motet] – 77v–78r
Ceballos, Rodrigo de (ca. 1525-1581)	Ductus est Jesus – 32v–33r Erat Jesus ejiciens daemonium – 33v–34r Hortus conclusus - 1a pars (of 2): Hortus conclusus soror mea sponsa – 54v–55r Hortus conclusus - 2a pars (of 2): Veni sponsa mea ostende mihi – 55v–56r Inter vestibulum et altare – 30v–31r Missa tertii toni: Agnus Dei – 86v–92r Missa tertii toni: Credo: 4 partes – 86v–92r Missa tertii toni: Gloria – 86v–92r Missa tertii toni: Kyrie – 86v–92r Missa tertii toni: Sanctus Benedictus: 3 voces. – 86v–92r Posuerunt super caput – 27v–28r
Guerrero, Francisco	Ad te suspiramus – 42v–43r Ave virgo sanctissima (5vv) – 58v–60r In passione positus – 1v–2r O gloriose confessor - 1a pars (of 2): O gloriose confessor – 75v–76r O gloriose confessor - 2a pars (of 2): Et ideo cum Christo – 76v–77r Regina caeli laetare Alleluia – 51v–52r Salve – 38v–40r
Guerrero, Pedro	Dominus meus et Deus meus – 14v–15r O beata Maria - 1a pars (of 2): O beata Maria spes unica peccatorum – 56v–57r O beata Maria - 2a pars (of 2): Accipe quod offerimus, redona quod rogamus – 57v–58r
Martin, Alexo	Ave regina caelorum - 1a pars (of 2): Ave regina caelorum – 84v–85r Ave regina caelorum - 2a pars (of 2): Gaude gloriosa super omnes – 85v–86r
Montanos, Francisco de (ca. 1528-1595)	Interveniat pro nobis – 3v–4r O Domine Jesu ChristeD – 2v–3r
Morales, Cristóbal de (ca. 1500-1553)	Andreas Christi famulus - 2a pars (of 2): Videns Andreas crucem cum gaudio – 73v–74r Antequam comedam - 1a pars (of 2): Antequam comedam suspiro et tanquam – 20v–21r Antequam comedam - 2a pars (of 2): Nonne dissimulavi nonne quicui – 21v–22r Conceptio nativitas - 1a pars (of 2): Conceptio nativitas anuntiatio – 64v–65r Conceptio nativitas - 2a pars (of 2): [untexted] – 65v–66r (?) Dominus meus et Deus meus – 14v–15r Exaltata est Sancta Dei genetrix (2p. Virgo prudentissima) – 61v–63r Gaudent in coelis – 74v–75r Hoc est preceptum meum – 72v–73r Lamentabatur Jacob - 1a pars (of 2): Lamentabatur Jacob de duobus filiis suis – 80v–82r Lamentabatur Jacob - 2a pars (of 2): Prosternens se Jacob vehementer – 82v–84r Missa Caça (4vv): Agnus Dei (II) – 141v–149r Missa Caça (4vv): Credo (2 partes) – 141v–149r Missa Caça (4vv): Gloria (2 partes) – 141v–149r Missa Caça (4vv): Kyrie – 141v–149r Missa Caça (4vv): Sanctus – 141v–149r (?) Missa Feria: Kyrie – 69bis v–69bis r Missa Feria: Sanctus with: Benedictus – 69bis v–69bis r Missa Requiem (4vv): 1. Introitus: Requiem aeternam – 127v–141r Missa Requiem (4vv): 2. Kyrie – 127v–141r Missa Requiem (4vv): 3. Graduale: [Requiem aeternam] Dona eis Domine – 127v–141r Missa Requiem (4vv): 4. Tractus: Sicut cervus – 127v–141r Missa Requiem (4vv): 6. Offertorium: [Domine Jesu Christe] Libera animas fidelium - Hostias et preces – 127v–141r Missa Requiem (4vv): 7. Sanctus incl.: Pleni, Benedictus – 127v–141r Missa Requiem (4vv): 8. Agnus Dei – 127v–141r Missa Requiem (4vv): 9. Communio: Lux aeterna – 127v–141r O magnum mysterium – 25v–26r O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur – 15v–16r O sacrum convivium - 2a pars (of 2): Mens impletur gratia et future gloriae – 16v–18r Per tuam crucem - 1a pars (of 2): Per tuam crucem salva nos Christe – 115v–116r Per tuam crucem - 2a pars (of 2): Miserere nostri Jesu benigne – 117v–118r Quanti mercenarii - 1a pars (of 2): Quanti mercenarii – 93v–94r Quanti mercenarii - 2a pars (of 2): Pater peccavi in caelum – 92v–93r Regina caeli laetare (4vv) – 49v–50r Regina caeli laetare (5vv) – 47v–49r Regina caeli laetare - 1a pars (of 2): Regina caeli laetare – 45v–46r Regina caeli laetare - 2a pars (of 2): Resurrexit sicut dixit – 45v–46r Salve regina (4vv) Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris - O clemens IV: O dulcis – 40v–42r Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas quibus – 52v–53r Sancta et immaculata - 2a pars (of 2): Benedicta tu in mulieribus – 53v–54r Taedet animam (I) – 153v–155r
Navarro 'of Seville/Hispalensis', Juan	Auditui meo dabis – 150v–151r Ave regina caelorum – 66v–68r Ave virgo – 63v–64r Cum sublevasset – 12v–13r Dicebat Jesus – 13v–14r Ductus est Jesus – 6v–7r Ecce ascendimus – 9v–11r Erat Jesus ejiciens – 11v–12r In passione positus – 4v–6r Laboravi in gemitu – 18v–20r Salve – 35v–37r Simile est regnum – 7v–9r [untexted motet] – 24v–25r
Obrecht, Jacobus (ca. 1457-1505)	(?) Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis – 22v–24r (?) Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum – 22v–24r
Penalosa, Francisco de	(?) Domine Jesu Christe qui hora diei ultima – 94v–95r
Robledo, Melchor	Hoc corpus quod pro vobis tradetur – 26v–27r
Villalar, Andres de (ca. 1530-1593)	Et Jesum benedictum – 37v–38r Gloria Patri – 126v–127r Gloria Patri – 152v–153r Regina caeli laetare – 50v–51r Versos del Benedictus de tinieblas – 151v–152r Versos del Benedictus de tinieblas – 149v–150r
Willaert, Adrian (ca. 1490-1562)	Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis – 22v–24r (?) Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum – 22v–24r

Composition	Composers (? Uncertain)	Folios / Pages
[untexted motet]	Navarro 'of Seville/Hispalensis', Juan	24v–25r
[untexted motet]	Anonymous	77v–78r
[untexted motet]	Anonymous	78v–79r
Accepit Jesus panes	Anonymous	34v–35r
Ad te suspiramus	Guerrero, Francisco	42v–43r
Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater	Anonymous	43v–44r
Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura mirante	Anonymous	44v–45r
Andreas Christi famulus - 2a pars (of 2): Videns Andreas crucem cum gaudio	Morales, Cristóbal de (ca. 1500–1553)	73v–74r
Antequam comedam - 1a pars (of 2): Antequam comedam suspiro et tanquam	Morales, Cristóbal de (ca. 1500–1553)	20v–21r
Antequam comedam - 2a pars (of 2): Nonne dissimulavi nonne quicui	Morales, Cristóbal de (ca. 1500–1553)	21v–22r
Audi nos	Anonymous	60v–61r
Auditui meo dabis	Navarro 'of Seville/Hispalensis', Juan	150v–151r
Ave regina caelorum	Navarro 'of Seville/Hispalensis', Juan	66v–68r
Ave regina caelorum - 1a pars (of 2): Ave regina caelorum	Martin, Alexo	84v–85r
Ave regina caelorum - 2a pars (of 2): Gaude gloriosa super omnes	Martin, Alexo	85v–86r
Ave virgo	Navarro 'of Seville/Hispalensis', Juan	63v–64r
Ave virgo sanctissima (5vv)	Guerrero, Francisco	58v–60r
Beatus vir	Anonymous	114v
Circumdederunt me	Anonymous	155v
Conceptio nativitas - 1a pars (of 2): Conceptio nativitas anuntiatio	Morales, Cristóbal de (ca. 1500–1553)	64v–65r
Conceptio nativitas - 2a pars (of 2): [untexted]	Morales, Cristóbal de (ca. 1500–1553)	65v–66r
Confitebor	Anonymous	113v–114r
Cum sublevasset	Navarro 'of Seville/Hispalensis', Juan	12v–13r
Dicebat Jesus	Navarro 'of Seville/Hispalensis', Juan	13v–14r
Dicebat Jesus - 1a pars (of 2): Dicebat Jesus turbis	Anonymous	28v–29r
Dicebat Jesus - 2a pars (of 2): Qui ex Deo est	Anonymous	29v–30r
Dixit Dominus	Anonymous	112v–113r
Domine Jesu Christe qui hora diei ultima	Penalosa, Francisco de (?) Anchieta, Juan de (1462–1523)	94v–95r
Dominus meus et Deus meus	Guerrero, Pedro Morales, Cristóbal de (ca. 1500–1553) (?)	14v–15r
Ductus est Jesus	Navarro 'of Seville/Hispalensis', Juan	6v–7r
Ductus est Jesus	Ceballos, Rodrigo de (ca. 1525–1581)	32v–33r
Ecce ascendimus	Navarro 'of Seville/Hispalensis', Juan	9v–11r
Erat Jesus ejiciens	Navarro 'of Seville/Hispalensis', Juan	11v–12r
Erat Jesus ejiciens daemonium	Ceballos, Rodrigo de (ca. 1525–1581)	33v–34r
Et Jesum benedictum	Villalar, Andres de (ca. 1530–1593)	37v–38r
Exaltata est Sancta Dei genetrix (2p. Virgo prudentissima)	Morales, Cristóbal de (ca. 1500–1553)	61v–63r
Gaudent in coelis	Morales, Cristóbal de (ca. 1500–1553)	74v–75r
Gloria Patri	Villalar, Andres de (ca. 1530–1593)	126v–127r
Gloria Patri	Villalar, Andres de (ca. 1530–1593)	152v–153r
Hoc corpus quod pro vobis tradetur	Robledo, Melchor	26v–27r
Hoc est preceptum meum	Morales, Cristóbal de (ca. 1500–1553)	72v–73r
Hortus conclusus - 1a pars (of 2): Hortus conclusus soror mea sponsa	Ceballos, Rodrigo de (ca. 1525–1581)	54v–55r
Hortus conclusus - 2a pars (of 2): Veni sponsa mea ostende mihi	Ceballos, Rodrigo de (ca. 1525–1581)	55v–56r
In passione positus	Guerrero, Francisco	1v–2r
In passione positus	Navarro 'of Seville/Hispalensis', Juan	4v–6r
Inter vestibulum et altare	Ceballos, Rodrigo de (ca. 1525–1581)	30v–31r
Interveniat pro nobis	Montanos, Francisco de (ca. 1528–1595)	3v–4r
Judica me - Ne recorderis	Anonymous	119r
Laboravi in gemitu	Navarro 'of Seville/Hispalensis', Juan	18v–20r
Lamentabatur Jacob - 1a pars (of 2): Lamentabatur Jacob de duobus filiis suis	Morales, Cristóbal de (ca. 1500–1553)	80v–82r
Lamentabatur Jacob - 2a pars (of 2): Prosternens se Jacob vehementer	Morales, Cristóbal de (ca. 1500–1553)	82v–84r
Missa Caça (4vv): Agnus Dei (II)	Morales, Cristóbal de (ca. 1500–1553)	141v–149r
Missa Caça (4vv): Credo (2 partes)	Morales, Cristóbal de (ca. 1500–1553)	141v–149r
Missa Caça (4vv): Gloria (2 partes)	Morales, Cristóbal de (ca. 1500–1553)	141v–149r
Missa Caça (4vv): Kyrie	Morales, Cristóbal de (ca. 1500–1553)	141v–149r
Missa Caça (4vv): Sanctus	Morales, Cristóbal de (ca. 1500–1553)	141v–149r
Missa Feria: Kyrie	Morales, Cristóbal de (ca. 1500–1553) (?)	69bis v–69bis r
Missa Feria: Sanctus with: Benedictus	Morales, Cristóbal de (ca. 1500–1553)	69bis v–69bis r
Missa Requiem (4vv): 1. Introitus: Requiem aeternam	Morales, Cristóbal de (ca. 1500–1553)	127v–141r
Missa Requiem (4vv): 2. Kyrie	Morales, Cristóbal de (ca. 1500–1553)	127v–141r
Missa Requiem (4vv): 3. Graduale: [Requiem aeternam] Dona eis Domine	Morales, Cristóbal de (ca. 1500–1553)	127v–141r
Missa Requiem (4vv): 4. Tractus: Sicut cervus	Morales, Cristóbal de (ca. 1500–1553)	127v–141r
Missa Requiem (4vv): 6. Offertorium: [Domine Jesu Christe] Libera animas fidelium - Hostias et preces	Morales, Cristóbal de (ca. 1500–1553)	127v–141r
Missa Requiem (4vv): 7. Sanctus incl.: Pleni, Benedictus	Morales, Cristóbal de (ca. 1500–1553)	127v–141r
Missa Requiem (4vv): 8. Agnus Dei	Morales, Cristóbal de (ca. 1500–1553)	127v–141r
Missa Requiem (4vv): 9. Communio: Lux aeterna	Morales, Cristóbal de (ca. 1500–1553)	127v–141r
Missa tertii toni: Agnus Dei	Ceballos, Rodrigo de (ca. 1525–1581)	86v–92r
Missa tertii toni: Credo: 4 partes	Ceballos, Rodrigo de (ca. 1525–1581)	86v–92r
Missa tertii toni: Gloria	Ceballos, Rodrigo de (ca. 1525–1581)	86v–92r
Missa tertii toni: Kyrie	Ceballos, Rodrigo de (ca. 1525–1581)	86v–92r
Missa tertii toni: Sanctus Benedictus: 3 voces.	Ceballos, Rodrigo de (ca. 1525–1581)	86v–92r
O beata Maria - 1a pars (of 2): O beata Maria spes unica peccatorum	Guerrero, Pedro	56v–57r
O beata Maria - 2a pars (of 2): Accipe quod offerimus, redona quod rogamus	Guerrero, Pedro	57v–58r
O Domine Jesu ChristeD	Montanos, Francisco de (ca. 1528–1595)	2v–3r
O gloriose confessor - 1a pars (of 2): O gloriose confessor	Guerrero, Francisco	75v–76r
O gloriose confessor - 2a pars (of 2): Et ideo cum Christo	Guerrero, Francisco	76v–77r
O magnum mysterium	Morales, Cristóbal de (ca. 1500–1553)	25v–26r
O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur	Morales, Cristóbal de (ca. 1500–1553)	15v–16r
O sacrum convivium - 2a pars (of 2): Mens impletur gratia et future gloriae	Morales, Cristóbal de (ca. 1500–1553)	16v–18r
Passio Domini nostri Jesu Christi secundum Marcum	Anonymous	107v–112r
Passio S. Mathaei	Anonymous	95v–102r
Passio secundum Joannem	Anonymous	102v–107r
Passio secundum Lucam	Anonymous	119v–124r
Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis	Obrecht, Jacobus (ca. 1457–1505) (?) Willaert, Adrian (ca. 1490–1562)	22v–24r
Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	Willaert, Adrian (ca. 1490–1562) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	22v–24r
Peccantem me	Anonymous	70v–71r
Peccavi quid faciam	Anonymous	125v–126r
Per tuam crucem - 1a pars (of 2): Per tuam crucem salva nos Christe	Morales, Cristóbal de (ca. 1500–1553)	115v–116r
Per tuam crucem - 2a pars (of 2): Miserere nostri Jesu benigne	Morales, Cristóbal de (ca. 1500–1553)	117v–118r
Posuerunt super caput	Ceballos, Rodrigo de (ca. 1525–1581)	27v–28r
Quanti mercenarii - 1a pars (of 2): Quanti mercenarii	Morales, Cristóbal de (ca. 1500–1553)	93v–94r
Quanti mercenarii - 2a pars (of 2): Pater peccavi in caelum	Morales, Cristóbal de (ca. 1500–1553)	92v–93r
Regem cui omnia vivunt	Anonymous	125r
Regina caeli laetare	Villalar, Andres de (ca. 1530–1593)	50v–51r
Regina caeli laetare (4vv)	Morales, Cristóbal de (ca. 1500–1553)	49v–50r
Regina caeli laetare (5vv)	Morales, Cristóbal de (ca. 1500–1553)	47v–49r
Regina caeli laetare - 1a pars (of 2): Regina caeli laetare	Morales, Cristóbal de (ca. 1500–1553)	45v–46r
Regina caeli laetare - 2a pars (of 2): Resurrexit sicut dixit	Morales, Cristóbal de (ca. 1500–1553)	45v–46r
Regina caeli laetare Alleluia	Guerrero, Francisco	51v–52r
Requiescant in pace	Anonymous	124v
Sacerdotes et pontifex	Anonymous	69v–69r
Salve	Navarro 'of Seville/Hispalensis', Juan	35v–37r
Salve	Guerrero, Francisco	38v–40r
Salve regina (4vv) Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris - O clemens IV: O dulcis	Morales, Cristóbal de (ca. 1500–1553)	40v–42r
Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas quibus	Morales, Cristóbal de (ca. 1500–1553)	52v–53r
Sancta et immaculata - 2a pars (of 2): Benedicta tu in mulieribus	Morales, Cristóbal de (ca. 1500–1553)	53v–54r
Simile est regnum	Navarro 'of Seville/Hispalensis', Juan	7v–9r
Taedet animam (I)	Morales, Cristóbal de (ca. 1500–1553)	153v–155r
Versos del Benedictus de tinieblas	Villalar, Andres de (ca. 1530–1593)	149v–150r
Versos del Benedictus de tinieblas	Villalar, Andres de (ca. 1530–1593)	151v–152r

‡ denotes primary source study

Diego Pacheco, Cristina. 2016. Cristóbal de Morales en Espagne: ses premières œuvres et le manuscrit de Valladolid. 304. Lyon: Symétrie Recherche. 978-2-914373-92-0.

Torres, Nuria. 2014. The Santiago Codex of Valladolid: origins, contents and dating. Fontes Artis Musicae, vol. 61, no. 2: 173-191. Notes: inventory etc.

López Calo, S.J., José. 2007. La música en la Catedral de Valladolid (8 vols.). Valladolid: Ayuntamiento de Valladolid.

Aizpurúa, Pedro. 1981. El Codice Musical de la Parròquia de Santiago de Valladolid. Rivista de Musicologia, 4: 51-59.

Snow, Robert Joseph. 1980. The Extant Music of Rodrigo de Ceballos and Its Sources. Detroit Studies in Music Bibliography, vol. 44. Detroit. Pages: 24-5,42-3,46-9,86-7.

Crawford, David Eugene. 1979. Review of KirschMS. Journal of the American Musicological Society, 32: 150-5. Pages: 152.

Russell, Eleanor. 1978-80. A new manuscript source for the music of Cristobal de Morales: Morales' 'Lost' Missa pro Defunctis and early Spanish requiem traditions. Anuário Musical, 33-35: 9-49. Pages: 15-26, 43-7.

Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age. Berkeley and Los Angeles. Pages: (42-4) 68-70, 259-60, 305, 315, 326, 330.

Rubio, P Samuel (editor). 1954-6. Antologia Polifònica Sacra. Madrid. Pages: I,xvii-xviii,72-5,82-7,181-4 II,xiii-xiv,57-61,176-80, 189-93,332-6.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: I,130 XIII,28ff XV,27-8 XX,13ff XXIV.7 XXXIV,23ff XXXVI, 118,120-1.

Elústiza, Juan B de, and Gonzalo Castillo Hernandez. 1933. Antología Musical. Siglo de Oro de la Música Litúrgica en España. Polifonía Vocal de los siglos XV y XVI. Barcelona. Pages: xix-xxiv,37-123,130-72.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description