Copied by one main scribe and five additional scribes. Copied in Valladolid, for use by cathedral choir.
E-V 5
Catedral Metropolitana, Archivo de Música, Valladolid, Spain
manuscript of polyphony: Third quarter of 16th century (HardieP), with several later additions.
| Archive | Catedral Metropolitana, Archivo de Música, Valladolid, Spain (E-V) |
|---|---|
| Shelfmark | 5 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 298 x 215 mm |
| Other Identifiers |
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| Relationships |
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| External Links | |
| Provenance |
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| Contents | Contains 39 compositions, 29 from 18 composers, 10 are anonymous. |
General Description
Physical Description
folios xcvi-cx, cxiii-cxviii missing; the last folio almost completely removed.
Binding
Original covers of tan parchment.
Watermark
(1) fleur-de-1is (not in Briquet); (2) hand with five-petalled flower (not in Briquet).
Notation
not indicated
Ruling
Staff height 13-16
Foliation
Original ink foliation i-clii, beginning on fol. 2
Decoration
Inked initials, some in calligraphic style, some in plain block style.
Surface
Paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
3 Masses, 2 Requiem Masses, 8 Magnificats, 1 canticle, I hymn, 19 motets, 1 set of responses = 35
P. Alba-1, (Anchieta/Penalosa)-1, Colin? [ColiniusH, Gallego-1, Guerrero-2, (Guerrero-Victoria)-1, Josquin-1, Qosquin/Moulu/ Mouton/Verdelot)-1, Morales-6, Mouton-1, A. Ordonez-3, R. Ordonez-1, Pastrana-2, (F. Torre)-2, Vergara-1, anon-10
i + 132 paper folios, 298 x 215. Original ink foliation, i-clii (ff. xcvi-cx, cxiii-cxviii now missing; last folio [= cliii] mostly torn out, but stub remains). Original covers of tan parchment. No index. Copied by one main scribe and five additional scribes. Staff height variable (13-16). Inked initials, some in calligraphic style, some in plain block style. Watermarks: (1) fleur-de-1is (not in Briquet); (2) hand with five-petalled flower (not in Briquet).
Third quarter of 16th century (HardieP), with several later additions. Copied in Valladolid, for use by cathedral choir.
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‡ denotes primary source study
Aguirre Rincón, Soterraña. 2023. Recepción de Cristóbal de Morales en Valladolid (ca. 1530-1550): una opinión, una tablatura, un inventario y el manuscrito 5 (E-V5). Anuario Musical, 78: 31–57. https://doi.org/10.3989/anuariomusical.2023.78.03.
Diego Pacheco, Cristina. 2016. Cristóbal de Morales en Espagne: ses premières œuvres et le manuscrit de Valladolid. 304. Lyon: Symétrie Recherche. 978-2-914373-92-0.
Diego Pacheco, Cristina. 2011. Unedited motets by a little known composer: Alonso Ordóñez. Pure Gold: Golden Age Sacred Music in the Iberial World. A Homage to Bruno Turner, 327-243. Notes: motets on ff. 43v-57, 132v-136.
Kreitner, Kenneth (editor). 2007. Two Early Morales Magnificat Settings. 21-61. Notes: magnificats in Valladolid 5 & Tarazona 2/3.
López Calo, S.J., José. 2007. La música en la Catedral de Valladolid (8 vols.). Valladolid: Ayuntamiento de Valladolid. Notes: description; contents.
Diego Pacheco, Cristina. 2005. Un nouvel apport à l'étude de la musique espagnole de la Renaissance: le manuscrit 5 de la cathédrale de Valladolid et son contexte (2 vols). Université de Paris (Sorbonne), Ph.D.
Hardie, Jane Morlet. 1983. The Motets of Francisco de Pehalosa and Their Manuscript Sources. University of Michigan, Unpublished Ph.D. dissertation. Pages: 120-l,143-4,171,283-5).
Russell, Eleanor. 1979. The Missa in Agendis Mortuorum of Juan Garcia de Basurto: Johannes Ockeghem, Antoine Brumel, and an Early Spanish Polyphonic Requiem Mass. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 29: 1-37. Pages: 21,26.
Russell, Eleanor. 1978-80. A new manuscript source for the music of Cristobal de Morales: Morales' 'Lost' Missa pro Defunctis and early Spanish requiem traditions. Anuário Musical, 33-35: 9-49. Pages: 20.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 171.
Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age. Berkeley and Los Angeles. Pages: 319,322 [ascribes Magnificat on ff. 132'-136 to Alonso Ordonez, but attribution in manuscript clearly reads "R° ordoñez"].
Anglès, Higinio. 1948. El Archivo Musical de la Catedral de Valladolid. Anuário Musical, 3: 59ff. Pages: 66-7.
Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XXXIV, [26],64-5, Facs. 7.
Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: XII,xxii,xxiv-xxvii [referred to as MS 6]).
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Edward Tambling
Thursday, 21 December, 2023
Ascription of Quam pulchra es on 51v–55 corrected
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description