E-V 5

Catedral Metropolitana, Archivo de Música, Valladolid, Spain

manuscript of polyphony: Third quarter of 16th century (HardieP), with several later additions.

Archive	Catedral Metropolitana, Archivo de Música, Valladolid, Spain (E-V)
Shelfmark	5
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	298 x 215 mm
Other Identifiers	CCM: VallaC 5
Relationships	Valladolid Cathedral (copied at)
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database images Books of Hispanic Polyphony
Provenance	Valladolid Cathedral , Valladolid, Spain
Contents	39 pieces from 17 composers

General Description

Copied by one main scribe and five additional scribes. Copied in Valladolid, for use by cathedral choir.

Cristina Urchueguía, 2010

Physical Description

folios xcvi-cx, cxiii-cxviii missing; the last folio almost completely removed.

Cristina Urchueguía, 2010

Binding

Original covers of tan parchment.

Cristina Urchueguía, 2010

Watermark

(1) fleur-de-1is (not in Briquet); (2) hand with five-petalled flower (not in Briquet).

Cristina Urchueguía, 2010

Notation

not indicated

Cristina Urchueguía, 2010

Ruling

Staff height 13-16

Cristina Urchueguía, 2010

Foliation

Original ink foliation i-clii, beginning on fol. 2

Cristina Urchueguía, 2010

Decoration

Inked initials, some in calligraphic style, some in plain block style.

Cristina Urchueguía, 2010

Surface

Paper

Cristina Urchueguía, 2010

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses, 2 Requiem Masses, 8 Magnificats, 1 canticle, I hymn, 19 motets, 1 set of responses = 35

P. Alba-1, (Anchieta/Penalosa)-1, Colin? [ColiniusH, Gallego-1, Guerrero-2, (Guerrero-Victoria)-1, Josquin-1, Qosquin/Moulu/ Mouton/Verdelot)-1, Morales-6, Mouton-1, A. Ordonez-3, R. Ordonez-1, Pastrana-2, (F. Torre)-2, Vergara-1, anon-10

i + 132 paper folios, 298 x 215. Original ink foliation, i-clii (ff. xcvi-cx, cxiii-cxviii now missing; last folio [= cliii] mostly torn out, but stub remains). Original covers of tan parchment. No index. Copied by one main scribe and five additional scribes. Staff height variable (13-16). Inked initials, some in calligraphic style, some in plain block style. Watermarks: (1) fleur-de-1is (not in Briquet); (2) hand with five-petalled flower (not in Briquet).

Third quarter of 16th century (HardieP), with several later additions. Copied in Valladolid, for use by cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
[i]	[Set of responses] Habemus ad Dominum. Dignum et justum est	Anon.	Anonymous
[Set of responses] Habemus ad Dominum. Dignum et justum est Anonymous Appears on: [i] Genres: Response Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Set of responses] Habemus ad dominum. Dignum et justum est
[iv]–1	Circumdederunt me gemitus mortis dolores	Anon.	Anonymous
Circumdederunt me gemitus mortis dolores Anonymous Appears on: [iv]–1 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Circumdederunt me gemitus mortis dolores
1v–20	Missa Ave Maria	Morales	Morales, Cristóbal de (ca. 1500–1553)
Missa Ave Maria Morales, Cristóbal de (ca. 1500–1553) Appears on: 1v–20 Genres: Mass Ordinary Source Attribution: Morales Voice: [no designation] Languages: Latin Voice Text: [Missa] Ave Maria
20v–32	Missa Sine nomine	Anon.	Anonymous
Missa Sine nomine Anonymous Appears on: 20v–32 Genres: Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Missa Sine nomine]
32v–34	Ego infelix peccator confiteor deo	Morales	Morales, Cristóbal de (ca. 1500–1553)
Ego infelix peccator confiteor deo Morales, Cristóbal de (ca. 1500–1553) Appears on: 32v–34 Genres: Motet Source Attribution: Morales Voice: [no designation] Languages: Latin Voice Text: Ego infoelix peccator
34v–36	Sancti Dei omnes intercedite pro nobis	Colinius [= Colin?]	Colin, Pierre (fl. 1538–1572) (?)
Sancti Dei omnes intercedite pro nobis Colin, Pierre (fl. 1538–1572) (?) Appears on: 34v–36 Genres: Motet Source Attribution: Colinius [= Colin?] Voice: [no designation] Languages: Latin Voice Text: Sancti dei omnes intercedite pro nobis
36v–39	Requiem Mass (4vv): Introit & Kyrie	[Guerrero]	Guerrero, Francisco
Requiem Mass (4vv): Introit & Kyrie Guerrero, Francisco Appears on: 36v–39 Genres: Requiem Source Attribution: [Guerrero] Voice: [no designation] Languages: Latin, Greek Voice Text: [Requiem Mass]
39v–41	Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual)	[Victoria]	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual) Victoria, Tomas Luis de (1548–1611) Appears on: 39v–41 Genres: Requiem Source Attribution: [Victoria]
41v–43	Requiem mass (4vv): iv. Domine Jesu Christe, libera animas fidelium	[Victoria]	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): iv. Domine Jesu Christe, libera animas fidelium Victoria, Tomas Luis de (1548–1611) Appears on: 41v–43 Genres: Requiem Source Attribution: [Victoria]
43v–45	Iste est alphei Jacobus qui sue merito	A. Ordoñez	Ordonez, Alonso
Iste est alphei Jacobus qui sue merito Ordonez, Alonso Appears on: 43v–45 Genres: Motet Source Attribution: A. Ordoñez Voice: [no designation] Languages: Latin Voice Text: Iste est alphei Jacobus qui sue merito
45v–51	Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia	Alonso Ordoñez	Ordonez, Alonso
Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia Ordonez, Alonso Appears on: 45v–51 Genres: Motet, Salve Regina Source Attribution: Alonso Ordoñez Voice: [no designation] Languages: Latin Voice Text: [Salve regina misericordie] Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O clemens V: O dulcis virgo senper Maria
51v–55	Quam pulcra es	Anon (Ordonez?)	Ordonez, Alonso (?)
Quam pulcra es Ordonez, Alonso (?) Appears on: 51v–55 Genres: Motet Source Attribution: Anon (Ordonez?) Voice: [no designation] Languages: Latin Voice Text: Quam pulcra es amica mea quam pulcra 14.10 II: Labia tua lilia distilantia Concordances Possibly a copy of the 'Quam pulchra' setting by Moulu (or Mouton/Verdelot/Josquin)?
55v–57	Vias tuas Domine demonstra mihi et semitas	Alonso Ordonez	Ordonez, Alonso
Vias tuas Domine demonstra mihi et semitas Ordonez, Alonso Appears on: 55v–57 Genres: Motet Source Attribution: Alonso Ordonez Voice: [no designation] Languages: Latin Voice Text: Vias tuas domine demonstra mihi et semitas
57v–59	Salvator mundi salva nos omnes sancta Dei (2p. Eia ergo advocemus gloriosa virginem)	Jo. Mouton	Mouton, Jean (ca. 1459–1522) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?)
Salvator mundi salva nos omnes sancta Dei (2p. Eia ergo advocemus gloriosa virginem) Mouton, Jean (ca. 1459–1522) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?) Appears on: 57v–59 Genres: Motet Source Attribution: Jo. Mouton Voice: [no designation] Languages: Latin Voice Text: Salvator mundi salva nos omnes sancta
59v–68	Missa pro de Defunctis	Antonio Gallego	Galleo, Antonius
Missa pro de Defunctis Galleo, Antonius Appears on: 59v–68 Genres: Requiem Source Attribution: Antonio Gallego Voice: [no designation] Languages: Latin Voice Text: Missa de Defuntos
68v–70	Parce mihi Domine nihil enim sunt dies	Anon.	Anonymous
Parce mihi Domine nihil enim sunt dies Anonymous Appears on: 68v–70 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Parce mihi domine nihil enim sunt dies
70v–71	Circumdederunt me gemitus mortis dolores	Anon.	Anonymous
Circumdederunt me gemitus mortis dolores Anonymous Appears on: 70v–71 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Circumdederunt me gemitus mortis dolores
70v–71	Regem cui omnia vivunt mortis dolores	Anon.	Anonymous
Regem cui omnia vivunt mortis dolores Anonymous Appears on: 70v–71 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Regen(!) cui omnia vivunt mortis dolores
71v–72	Ne recorderis dirige dum veneris / Kyrie eleison	[F. Torre]	Morales, Cristóbal de (ca. 1500–1553) (?) Torre, Francisco de la Guerrero, Francisco (?)
Ne recorderis dirige dum veneris / Kyrie eleison Morales, Cristóbal de (ca. 1500–1553) (?) Torre, Francisco de la Guerrero, Francisco (?) Appears on: 71v–72 Genres: Responsory, Verse Source Attribution: [F. Torre] Voice: [no designation] Languages: Latin Voice Text: Ne recorderis dum veneris dirige
72v–75	Domine memento mei dum veneris in regnum	[Pastrana]	Pastrana, Pedro de (1490–ca. 1558)
Domine memento mei dum veneris in regnum Pastrana, Pedro de (1490–ca. 1558) Appears on: 72v–75 Genres: Motet Source Attribution: [Pastrana] Voice: [no designation] Languages: Latin Voice Text: Domine memento mei dum veneris in regnum
75v–77	Domine Jesu Christe qui hora diei ultima	[Anchieta/Peñalosa]	Penalosa, Francisco de (?) Anchieta, Juan de (1462–1523)
Domine Jesu Christe qui hora diei ultima Penalosa, Francisco de (?) Anchieta, Juan de (1462–1523) Appears on: 75v–77 Genres: Motet Source Attribution: [Anchieta/Peñalosa] Voice: [no designation] Languages: Latin Voice Text: Domine Jesu Christe qui ora diei ultima
77v–79	Apostole Christi Jacobe aeterni regis	Morales	Morales, Cristóbal de (ca. 1500–1553)
Apostole Christi Jacobe aeterni regis Morales, Cristóbal de (ca. 1500–1553) Appears on: 77v–79 Genres: Motet Source Attribution: Morales Voice: [no designation] Languages: Latin Voice Text: Apostole Christi Jacobe eterni regis
79v–81	In diebus illis mulier que erat in civitate	Anon.	Anonymous
In diebus illis mulier que erat in civitate Anonymous Appears on: 79v–81 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: In diebus illis mulier que erat in civitate
81v–83	Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	Jusquin de Pres	Despres, Josquin (ca. 1450–1521)
Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum Despres, Josquin (ca. 1450–1521) Appears on: 81v–83 Genres: Ave Maria, Motet Source Attribution: Jusquin de Pres Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena dominus tecum 20.9 [Pars II of Pater noster qui es in celis]
83v–85	Inter vestibulum et altare plorabant	Vergara	Vergara
Inter vestibulum et altare plorabant Vergara Appears on: 83v–85 Genres: Motet Source Attribution: Vergara Voice: [no designation] Languages: Latin Voice Text: Inter vestibulum et altare plorabant
85v–92	Missa cortilla = Missa Fa, re, ut, fa, sol, la: KGCS	Morales	Morales, Cristóbal de (ca. 1500–1553)
Missa cortilla = Missa Fa, re, ut, fa, sol, la: KGCS Morales, Cristóbal de (ca. 1500–1553) Appears on: 85v–92 Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Morales Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa super Fa re ut fa sol la] [KGCS]
92v–94	Requiem mass (4vv): v. Sanctus & Benedictus	[Victoria]	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): v. Sanctus & Benedictus Victoria, Tomas Luis de (1548–1611) Appears on: 92v–94 Genres: Requiem Source Attribution: [Victoria]
94v–95	Veni creator spiritus mentes tuorum	Petrus Alba	Alba, Petrus
Veni creator spiritus mentes tuorum Alba, Petrus Appears on: 94v–95 Genres: Veni creator spiritus Source Attribution: Petrus Alba Voice: [no designation] Languages: Latin Voice Text: Veni creator spiritus mentes tuorum
95v,111–112	Requiem mass (4vv): vi. Agnus Dei	[Victoria]	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): vi. Agnus Dei Victoria, Tomas Luis de (1548–1611) Appears on: 95v,111–112 Genres: Requiem Source Attribution: [Victoria] General Note ff. 96-110 torn out, but no loss of music
119v–124	Magnificat primi toni: Anima mea Dominum	Guer[r]ero	Guerrero, Francisco
Magnificat primi toni: Anima mea Dominum Guerrero, Francisco Appears on: 119v–124 Genres: BVM, Canticle, Magnificat Source Attribution: Guer[r]ero Voice: [no designation] Languages: Latin Voice Text: (Magnificat) [Primi toni]: Anima mea dominum
124v–128	Magnificat primi toni: Et exultavit	Guerrero	Guerrero, Francisco
Magnificat primi toni: Et exultavit Guerrero, Francisco Appears on: 124v–128 Genres: BVM, Canticle, Magnificat Source Attribution: Guerrero Voice: [no designation] Languages: Latin Voice Text: [Magnificat] :I: [toni]: Et exultavit spiritus meus
129v–132	Magnificat sexti toni: Anima mea [K.955]	Pastrana	Pastrana, Pedro de (1490–ca. 1558)
Magnificat sexti toni: Anima mea [K.955] Pastrana, Pedro de (1490–ca. 1558) Appears on: 129v–132 Genres: BVM, Canticle, Magnificat Source Attribution: Pastrana Voice: [no designation] Languages: Latin Voice Text: (Magnificat) [Sexti toni]: Anima mea dominum
132v–136	Magnificat (Quinti toni?): Et exultavit spiritus meus	R Ordonez	Ordonez, Rodrigo
Magnificat (Quinti toni?): Et exultavit spiritus meus Ordonez, Rodrigo Appears on: 132v–136 Genres: BVM, Canticle, Magnificat Source Attribution: R Ordonez Voice: [no designation] Languages: Latin Voice Text: [Magnificat Incerti toni]: Et exultavit spiritus meus
136v–142	Magnificat primi toni: Anima mea [K.922]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat primi toni: Anima mea [K.922] Morales, Cristóbal de (ca. 1500–1553) Appears on: 136v–142 Genres: Magnificat Source Attribution: Morales Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Primi toni: Anima mea dominum
142v–147	Magnificat primi toni: Anima Mea [K.914]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat primi toni: Anima Mea [K.914] Morales, Cristóbal de (ca. 1500–1553) Appears on: 142v–147 Genres: BVM, Canticle, Magnificat Source Attribution: Morales Voice: [no designation] Languages: Latin Voice Text: [Magnificat] .I. [toni]: Anima mea dominum
147v–149	Magnificat (Primi?) Toni: Et exultavit [K.447]	Anon.	Anonymous
Magnificat (Primi?) Toni: Et exultavit [K.447] Anonymous Appears on: 147v–149 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat incerti toni]: Et exultavit spiritus meus
148v–149	Nunc dimittis servum tuum Domine	Anon.	Anonymous
Nunc dimittis servum tuum Domine Anonymous Appears on: 148v–149 Genres: Canticle Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Nunc dimittis servum tuum domine
149v–150	Libera me Domine quando caeli dum veneris	[F. Torre]	Torre, Francisco de la
Libera me Domine quando caeli dum veneris Torre, Francisco de la Appears on: 149v–150 Genres: Responsory Source Attribution: [F. Torre] Voice: [no designation] Languages: Latin Voice Text: Libera me domine quando celi dum veneris
150v–153	Magnificat Primi? Toni: Et exultavit [K.238]	Anon.	Anonymous
Magnificat Primi? Toni: Et exultavit [K.238] Anonymous Appears on: 150v–153 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat incerti toni]: Et exultavit spiritus meus [incomplete]

Composer	Compositions
Alba, Petrus	Veni creator spiritus mentes tuorum – 94v–95
Anchieta, Juan de (1462–1523)	Domine Jesu Christe qui hora diei ultima – 75v–77
Anonymous	Circumdederunt me gemitus mortis dolores – [iv]–1 Circumdederunt me gemitus mortis dolores – 70v–71 In diebus illis mulier que erat in civitate – 79v–81 Magnificat (Primi?) Toni: Et exultavit [K.447] – 147v–149 Magnificat Primi? Toni: Et exultavit [K.238] – 150v–153 Missa Sine nomine – 20v–32 Nunc dimittis servum tuum Domine – 148v–149 Parce mihi Domine nihil enim sunt dies – 68v–70 Regem cui omnia vivunt mortis dolores – 70v–71 [Set of responses] Habemus ad Dominum. Dignum et justum est – [i]
Colin, Pierre (fl. 1538–1572)	(?) Sancti Dei omnes intercedite pro nobis – 34v–36
Despres, Josquin (ca. 1450–1521)	Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum – 81v–83
Galleo, Antonius	Missa pro de Defunctis – 59v–68
Guerrero, Francisco	Magnificat primi toni: Anima mea Dominum – 119v–124 Magnificat primi toni: Et exultavit – 124v–128 (?) Ne recorderis dirige dum veneris / Kyrie eleison – 71v–72 Requiem Mass (4vv): Introit & Kyrie – 36v–39
Lheritier, Jean (ca. 1480–ca. 1551)	(?) Salvator mundi salva nos omnes sancta Dei (2p. Eia ergo advocemus gloriosa virginem) – 57v–59
Morales, Cristóbal de (ca. 1500–1553)	Apostole Christi Jacobe aeterni regis – 77v–79 Ego infelix peccator confiteor deo – 32v–34 Magnificat primi toni: Anima Mea [K.914] – 142v–147 Magnificat primi toni: Anima mea [K.922] – 136v–142 Missa Ave Maria – 1v–20 Missa cortilla = Missa Fa, re, ut, fa, sol, la: KGCS – 85v–92 (?) Ne recorderis dirige dum veneris / Kyrie eleison – 71v–72
Mouton, Jean (ca. 1459–1522)	(?) Salvator mundi salva nos omnes sancta Dei (2p. Eia ergo advocemus gloriosa virginem) – 57v–59
Ordonez, Alonso	Iste est alphei Jacobus qui sue merito – 43v–45 (?) Quam pulcra es – 51v–55 Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia – 45v–51 Vias tuas Domine demonstra mihi et semitas – 55v–57
Ordonez, Rodrigo	Magnificat (Quinti toni?): Et exultavit spiritus meus – 132v–136
Pastrana, Pedro de (1490–ca. 1558)	Domine memento mei dum veneris in regnum – 72v–75 Magnificat sexti toni: Anima mea [K.955] – 129v–132
Penalosa, Francisco de	(?) Domine Jesu Christe qui hora diei ultima – 75v–77
Torre, Francisco de la	Libera me Domine quando caeli dum veneris – 149v–150 Ne recorderis dirige dum veneris / Kyrie eleison – 71v–72
Vergara	Inter vestibulum et altare plorabant – 83v–85
Victoria, Tomas Luis de (1548–1611)	Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual) – 39v–41 Requiem mass (4vv): iv. Domine Jesu Christe, libera animas fidelium – 41v–43 Requiem mass (4vv): v. Sanctus & Benedictus – 92v–94 Requiem mass (4vv): vi. Agnus Dei – 95v,111–112

Composition	Composers (? Uncertain)	Folios / Pages
[Set of responses] Habemus ad Dominum. Dignum et justum est	Anonymous	[i]
Apostole Christi Jacobe aeterni regis	Morales, Cristóbal de (ca. 1500–1553)	77v–79
Circumdederunt me gemitus mortis dolores	Anonymous	[iv]–1
Circumdederunt me gemitus mortis dolores	Anonymous	70v–71
Domine Jesu Christe qui hora diei ultima	Penalosa, Francisco de (?) Anchieta, Juan de (1462–1523)	75v–77
Domine memento mei dum veneris in regnum	Pastrana, Pedro de (1490–ca. 1558)	72v–75
Ego infelix peccator confiteor deo	Morales, Cristóbal de (ca. 1500–1553)	32v–34
In diebus illis mulier que erat in civitate	Anonymous	79v–81
Inter vestibulum et altare plorabant	Vergara	83v–85
Iste est alphei Jacobus qui sue merito	Ordonez, Alonso	43v–45
Libera me Domine quando caeli dum veneris	Torre, Francisco de la	149v–150
Magnificat (Primi?) Toni: Et exultavit [K.447]	Anonymous	147v–149
Magnificat (Quinti toni?): Et exultavit spiritus meus	Ordonez, Rodrigo	132v–136
Magnificat primi toni: Anima Mea [K.914]	Morales, Cristóbal de (ca. 1500–1553)	142v–147
Magnificat primi toni: Anima mea [K.922]	Morales, Cristóbal de (ca. 1500–1553)	136v–142
Magnificat primi toni: Anima mea Dominum	Guerrero, Francisco	119v–124
Magnificat primi toni: Et exultavit	Guerrero, Francisco	124v–128
Magnificat Primi? Toni: Et exultavit [K.238]	Anonymous	150v–153
Magnificat sexti toni: Anima mea [K.955]	Pastrana, Pedro de (1490–ca. 1558)	129v–132
Missa Ave Maria	Morales, Cristóbal de (ca. 1500–1553)	1v–20
Missa cortilla = Missa Fa, re, ut, fa, sol, la: KGCS	Morales, Cristóbal de (ca. 1500–1553)	85v–92
Missa pro de Defunctis	Galleo, Antonius	59v–68
Missa Sine nomine	Anonymous	20v–32
Ne recorderis dirige dum veneris / Kyrie eleison	Morales, Cristóbal de (ca. 1500–1553) (?) Torre, Francisco de la Guerrero, Francisco (?)	71v–72
Nunc dimittis servum tuum Domine	Anonymous	148v–149
Parce mihi Domine nihil enim sunt dies	Anonymous	68v–70
Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	Despres, Josquin (ca. 1450–1521)	81v–83
Quam pulcra es	Ordonez, Alonso (?)	51v–55
Regem cui omnia vivunt mortis dolores	Anonymous	70v–71
Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual)	Victoria, Tomas Luis de (1548–1611)	39v–41
Requiem Mass (4vv): Introit & Kyrie	Guerrero, Francisco	36v–39
Requiem mass (4vv): iv. Domine Jesu Christe, libera animas fidelium	Victoria, Tomas Luis de (1548–1611)	41v–43
Requiem mass (4vv): v. Sanctus & Benedictus	Victoria, Tomas Luis de (1548–1611)	92v–94
Requiem mass (4vv): vi. Agnus Dei	Victoria, Tomas Luis de (1548–1611)	95v,111–112
Salvator mundi salva nos omnes sancta Dei (2p. Eia ergo advocemus gloriosa virginem)	Mouton, Jean (ca. 1459–1522) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?)	57v–59
Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia	Ordonez, Alonso	45v–51
Sancti Dei omnes intercedite pro nobis	Colin, Pierre (fl. 1538–1572) (?)	34v–36
Veni creator spiritus mentes tuorum	Alba, Petrus	94v–95
Vias tuas Domine demonstra mihi et semitas	Ordonez, Alonso	55v–57

‡ denotes primary source study

Aguirre Rincón, Soterraña. 2023. Recepción de Cristóbal de Morales en Valladolid (ca. 1530-1550): una opinión, una tablatura, un inventario y el manuscrito 5 (E-V5). Anuario Musical, 31–57. https://doi.org/10.3989/anuariomusical.2023.78.03.

Diego Pacheco, Cristina. 2016. Cristóbal de Morales en Espagne: ses premières œuvres et le manuscrit de Valladolid. 304. Lyon: Symétrie Recherche.

Diego Pacheco, Cristina. 2011. Unedited motets by a little known composer: Alonso Ordóñez. Pure Gold: Golden Age Sacred Music in the Iberial World. A Homage to Bruno Turner, 327-243. Notes: motets on ff. 43v-57, 132v-136.

Kreitner, Kenneth (editor). 2007. Two Early Morales Magnificat Settings. 21-61. Notes: magnificats in Valladolid 5 & Tarazona 2/3.

López Calo, S.J., José. 2007. La música en la Catedral de Valladolid (8 vols.). Valladolid: Ayuntamiento de Valladolid. Notes: description; contents.

Diego Pacheco, Cristina. 2005. Un nouvel apport à l'étude de la musique espagnole de la Renaissance: le manuscrit 5 de la cathédrale de Valladolid et son contexte (2 vols). Université de Paris (Sorbonne), Ph.D.

Hardie, Jane Morlet. 1983. The Motets of Francisco de Pehalosa and Their Manuscript Sources. University of Michigan, Unpublished Ph.D. dissertation. Pages: 120-l,143-4,171,283-5).

Russell, Eleanor. 1979. The Missa in Agendis Mortuorum of Juan Garcia de Basurto: Johannes Ockeghem, Antoine Brumel, and an Early Spanish Polyphonic Requiem Mass. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 1-37. Pages: 21,26.

Russell, Eleanor. 1978-80. A new manuscript source for the music of Cristobal de Morales: Morales' 'Lost' Missa pro Defunctis and early Spanish requiem traditions. Anuário Musical, 9-49. Pages: 20.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 171.

Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age. Berkeley and Los Angeles. Pages: 319,322 [ascribes Magnificat on ff. 132'-136 to Alonso Ordonez, but attribution in manuscript clearly reads "R° ordoñez"].

Anglès, Higinio. 1948. El Archivo Musical de la Catedral de Valladolid. Anuário Musical, 59ff. Pages: 66-7.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XXXIV, [26],64-5, Facs. 7.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: XII,xxii,xxiv-xxvii [referred to as MS 6]).

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Edward Tambling

Thursday, 21 December, 2023

Ascription of Quam pulchra es on 51v–55 corrected

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

E-V 5

Catedral Metropolitana, Archivo de Música, Valladolid, Spain

manuscript of polyphony: Third quarter of 16th century (HardieP), with several later additions.

General Description

Physical Description

Binding

Watermark

Notation

Ruling

Foliation

Decoration

Surface

Census Catalogue of Music Description

Concordances

General Note

Edward Tambling

Thursday, 21 December, 2023

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017