E-Tc Reservado 23

Catedral, Obra y Fabrica, Toledo, Spain

manuscript of polyphony: c. 1520-35

Archive	Catedral, Obra y Fabrica, Toledo, Spain (E-Tc)
Shelfmark	Reservado 23
Image Availability	DIAMM does not have images of this source.
Surface	Parchment
Numbering System	Foliation
Measurements	595 x 400 mm
Other Identifiers	CCM: ToleF 23
External Links	CMME online edition Musica Hispanica: Spanish Early Music Manuscripts Database Books of Hispanic Polyphony
Provenance	Low Countries
Contents	32 pieces from 16 composers

General Description

Copied by a single scribe. Probably copied in Low Countries; original recipient not yet determined. Contents (unusually for its period & origin) ordered liturgically. Kept in the Cathedral sacristy, not with the other choirbooks, from the start because of its high quality.

DIAMM, 2017

Binding

Recently rebound in original covers of tooled leather over boards, with brass corners, bosses, and clasp attachments; clasps missing.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Date

Ca. 1520-35 (SnowT).

DIAMM, 2017

Foliation

Original ink foliation, IV-CCCV (flyleaves unnumbered; first three folios unnumbered but counted in enumeration; f. CXCIIII erroneously numbered 'CXCIIIbis'; 'CCIX' applied to two consecutive folios, but 'bis' added to second number)

DIAMM, 2017

Decoration

Painted miniatures, initials, and borders, in Ghent-Bruges style, decorated with flowers, fruits, insects, birds, animals, and human figures. Unidentified coat of arms on ff. LVIF and CLF: crowned golden lion rampant holding red tree branch in its mouth, on azure shield. Edges of folios gilded and tooled.

DIAMM, 2017

Index

Original index on ff. [ii'-iii] lists pieces in order of appearance (one piece listed out of proper order).

DIAMM, 2017

Surface

Parchment

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

6 Masses, 1 Requiem Mass, 8 Magnificats, 1 Passion, 16 motets = 32

Bauldeweyn/(Josquin)-1, Courtois-1, A. Févin-3, A. Févin/Gascongne-1,* Gascongne-1, Josquin-8, (Lhéritier)-1, Mouton-7, Richafort-4, Therache-1, A. Thiebault-2, Venture/(Longaval/ Obrecht)-1, anon-1

*Missa Ferialis (ff. CLI'-CLXXIII) attributed in index to "Fevin"; attribution "M. gasconia" appears between superius and tenor parts of Credo.

iv + 306 parchment folios, 595 x 400. Original ink foliation, IV-CCCV (flyleaves unnumbered; first three folios unnumbered but counted in enumeration; f. CXCIIII erroneously numbered "CXCIIIbis"; "CCIX" applied to two consecutive folios, but "bis" added to second number). Recently rebound in original covers of tooled leather over boards, with brass corners, bosses, and clasp attachments; clasps missing. Original index on ff. [ii'-iii] lists pieces in order of appearance (one piece listed out of proper order). Copied by a single scribe. Painted miniatures, initials, and borders, in Ghent-Bruges style, decorated with flowers, fruits, insects, birds, animals, and human figures. Unidentified coat of arms on ff. LVIF and CLF: crowned golden lion rampant holding red tree branch in its mouth, on azure shield. Edges of folios gilded and tooled.

Ca. 1520-35 (SnowT). Probably copied in Low Countries; original recipient not yet determined.

Vol 4

Composers: Change " Richafort-4" to "Richafort-3, Richafort/(Hesdin/Mouton)-1. "

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
0v–7	Liber generationis Jesu Christi filii 19.13 II: Salomon autem genuit Roboam III: Et post transmigracionem Babilonis	Iosquin Despres	Despres, Josquin (ca. 1450–1521)
Liber generationis Jesu Christi filii 19.13 II: Salomon autem genuit Roboam III: Et post transmigracionem Babilonis Despres, Josquin (ca. 1450–1521) Appears on: 0v–7 Genres: Motet Source Attribution: Iosquin Despres Voice: [no designation] Languages: Latin Voice Text: Liber generationis Jhesu Christi filii 19.13 II: Salomon autem genuit Roboam III: Et post transmigrationem Babilonis
7v–18	Magnificat Septimi Toni: Anima mea Dominum	Courtois	Courtois, Jean (fl. 1530-1545)
Magnificat Septimi Toni: Anima mea Dominum Courtois, Jean (fl. 1530-1545) Appears on: 7v–18 Genres: BVM, Canticle, Magnificat Source Attribution: Courtois Voice: [no designation] Languages: Latin Voice Text: [Magnificat Septimi toni]: Anima mea dominum
18v–23	Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum)	Josquin	Despres, Josquin (ca. 1450–1521)
Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) Despres, Josquin (ca. 1450–1521) Appears on: 18v–23 Genres: Motet Source Attribution: Josquin Voice: [no designation] Languages: Latin Voice Text: Benedicta es celorum regina et mundi 23.13 II: Per illud ave prolatum III: Nunc mater exora natum
23v–45	Missa Beata Virgine = Missa Coronata 3.3	Josquin des Pres/[La Rue]	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3 Despres, Josquin (ca. 1450–1521) Appears on: 23v–45 Genres: Mass Ordinary Source Attribution: Josquin des Pres/[La Rue] Voice: [no designation] Languages: Latin Voice Text: Missa de Domina [= Missa De beata Virgine] 3.3
45v–52	Magnificat octavi toni: Et exultavit [K.1017 (=K.1016?)]	Iohannes Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Magnificat octavi toni: Et exultavit [K.1017 (=K.1016?)] Richafort, Jean (ca. 1480–ca. 1550) Appears on: 45v–52 Genres: BVM, Canticle, Magnificat Source Attribution: Iohannes Richafort Voice: [no designation] Languages: Latin Voice Text: [Magnificat Octavi toni]: Et exultavit spiritus meus
52v–57	In principio erat verbum 19.7 II: Fuit homo missus a deo cui nomen III: Et verbum caro factum est et habitavit	Josquin des Pres	Despres, Josquin (ca. 1450–1521)
In principio erat verbum 19.7 II: Fuit homo missus a deo cui nomen III: Et verbum caro factum est et habitavit Despres, Josquin (ca. 1450–1521) Appears on: 52v–57 Genres: Motet Source Attribution: Josquin des Pres Voice: [no designation] Languages: Latin Voice Text: In principio erat verbum et verbum 19.7 II: Fuit homo missus a deo cui nomen III: Et verbum caro factum est et habitavit
57v–84	Missa Verbum bonum et suave	Johannes Mouton	Mouton, Jean (ca. 1459–1522)
Missa Verbum bonum et suave Mouton, Jean (ca. 1459–1522) Appears on: 57v–84 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Johannes Mouton Voice: [no designation] Languages: Latin Voice Text: Missa Verbum bonum
85v–89	Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus)	Josquin	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus) Despres, Josquin (ca. 1450–1521) Appears on: 85v–89 Genres: Motet Source Attribution: Josquin Voice: [no designation] Languages: Latin Voice Text: Preter rerum seriem parit deum 24.12 II: Virtus sancti spiritus opus illud
89v–95	Magnificat primi toni: Et exultavit [K.943]	Johannes Mouton	Mouton, Jean (ca. 1459–1522)
Magnificat primi toni: Et exultavit [K.943] Mouton, Jean (ca. 1459–1522) Appears on: 89v–95 Genres: BVM, Canticle, Magnificat Source Attribution: Johannes Mouton Voice: [no designation] Languages: Latin Voice Text: [Magnificat Primi toni]: Et exultavit spiritus meus
95v–98	Puer natus est nobis et filius datus est (2p. Angelus ad pastores ait annuntio vobis)	Mouton	Mouton, Jean (ca. 1459–1522)
Puer natus est nobis et filius datus est (2p. Angelus ad pastores ait annuntio vobis) Mouton, Jean (ca. 1459–1522) Appears on: 95v–98 Genres: Motet Source Attribution: Mouton Voice: [no designation] Languages: Latin Voice Text: Puer natus est nobis et filius datus est II: Angelus ad pastores ait annuncio vobis
98v–103	Pater noster (2p. Ave Maria) 20.9	Josquin	Despres, Josquin (ca. 1450–1521)
Pater noster (2p. Ave Maria) 20.9 Despres, Josquin (ca. 1450–1521) Appears on: 98v–103 Genres: Ave Maria, Motet Source Attribution: Josquin Voice: [no designation] Languages: Latin Voice Text: Pater noster qui es in celis 20.9 II: Ave Maria gratia plena dominus tecum
103v–114	Passio Domini nostri Jesu Christi secundum Matthaeum (2p. Apprehendit ergo eum Pilatus; 3p. Orabat autem Jesus pro crucifigantibus)	Alaventura [= Venture]/[Longaval/Obrecht]	Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525)
Passio Domini nostri Jesu Christi secundum Matthaeum (2p. Apprehendit ergo eum Pilatus; 3p. Orabat autem Jesus pro crucifigantibus) Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525) Appears on: 103v–114 Genres: Liturgical work, Passion Source Attribution: Alaventura [= Venture]/[Longaval/Obrecht] Voice: [no designation] Languages: Latin Voice Text: Passio domini nostri [Jesu] Christi secundum Matheum II: Apprehendit ergo eum Pilatus III: Orabat autem [Jesus] pro crucifigentibus
114v–135	Missa Tua est potentia	Johannes Mouton	Mouton, Jean (ca. 1459–1522)
Missa Tua est potentia Mouton, Jean (ca. 1459–1522) Appears on: 114v–135 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Johannes Mouton Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Tua est potentia
135v–139	Ego sum qui sum Alleluia et consilium meum (2p. Tulerunt Dominum meum et nescio ubi)	Johannes Richafort/[Hesdin/Mouton]	Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Hesdin, Nicolle des Celliers de (–1538) (?)
Ego sum qui sum Alleluia et consilium meum (2p. Tulerunt Dominum meum et nescio ubi) Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Hesdin, Nicolle des Celliers de (–1538) (?) Appears on: 135v–139 Genres: Motet Source Attribution: Johannes Richafort/[Hesdin/Mouton] Voice: [no designation] Languages: Latin Voice Text: Ego sum qui sum alleluya et consilium meum II: Tulerunt dominum meum et nescio ubi
139v–145	Magnificat quarti toni: Et exultavit [K.875]	[Lhéritier]	Lheritier, Jean (ca. 1480–ca. 1551)
Magnificat quarti toni: Et exultavit [K.875] Lheritier, Jean (ca. 1480–ca. 1551) Appears on: 139v–145 Genres: BVM, Canticle, Magnificat Source Attribution: [Lhéritier] Voice: [no designation] Languages: Latin Voice Text: [Magnificat] 4( toni: Et exultavit spiritus meus
145v–150	Ascendens Christus in altum captivam duxit	[A.] Fevin	Fevin, Antoine de (ca. 1470–ca. 1512)
Ascendens Christus in altum captivam duxit Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 145v–150 Genres: Motet Source Attribution: [A.] Fevin Voice: [no designation] Languages: Latin Voice Text: Ascendens Christus in altum captivam duxit II: O rex glorie domine virtutum
151v–173	Missa Feria (5vv)	[A.] Fevin (Credo attributed here to "M. Gascoing")	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Feria (5vv) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 151v–173 Genres: Mass Ordinary Source Attribution: [A.] Fevin (Credo attributed here to "M. Gascoing") Voice: [no designation] Languages: Latin Voice Text: Missa Ferialis
173v–179	Magnificat Tertii Toni: Et exultavit [K.270]	Anon.	Anonymous
Magnificat Tertii Toni: Et exultavit [K.270] Anonymous Appears on: 173v–179 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat] 3( toni: Et exultavit spiritus meus Concordances Piqueras (1923) suggested a possible concordance with A. Fevin's Magnificat quarti toni? (Kirsch)
179v–183	Tempus meum est ut revertar (2p. Viri Galilaei)	[A.] Fevin	Fevin, Antoine de (ca. 1470–ca. 1512)
Tempus meum est ut revertar (2p. Viri Galilaei) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 179v–183 Genres: Motet Source Attribution: [A.] Fevin Voice: [no designation] Languages: Latin Voice Text: Tempus meum est ut revertar ad eum II: Viri Galilei aspicientes in celum
183v–[194]	Magnificat sexti toni: Anima mea [K.944]	Mouton	Mouton, Jean (ca. 1459–1522)
Magnificat sexti toni: Anima mea [K.944] Mouton, Jean (ca. 1459–1522) Appears on: 183v–[194] Genres: BVM, Canticle, Magnificat Source Attribution: Mouton Voice: [no designation] Languages: Latin Voice Text: [Magnificat Sexti toni]: Anima mea dominum
[194v]–199	Repleti sunt omnes spiritu sancto II: Loquente Petro ad plebem cecidit	Adrien Thibault	Thibault, Adrianus
Repleti sunt omnes spiritu sancto II: Loquente Petro ad plebem cecidit Thibault, Adrianus Appears on: [194v]–199 Genres: Motet Source Attribution: Adrien Thibault Voice: [no designation] Languages: Latin Voice Text: Repleti sunt omnes spiritu sancto II: Loquente Petro ad plebem cecidit
199v–222	Missa Nigra sum sed formosa	Matheus Gascongne	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Missa Nigra sum sed formosa Gascongne, Mathieu (?Johannes) (fl. 1517-1518) Appears on: 199v–222 Genres: Mass Ordinary Source Attribution: Matheus Gascongne Voice: [no designation] Languages: Latin Voice Text: Missa Nigra sum [sed formosa]
222v–228	Magnificat Quinti Toni: Et exultavit [K.940]	[Mouton]	Mouton, Jean (ca. 1459–1522)
Magnificat Quinti Toni: Et exultavit [K.940] Mouton, Jean (ca. 1459–1522) Appears on: 222v–228 Genres: BVM, Canticle, Magnificat Source Attribution: [Mouton] Voice: [no designation] Languages: Latin Voice Text: [Magnificat] 5( toni: Et exultavit spiritus meus
228v–234	Qui habitat 18.7 (2p. Non accedat ad te malum)	Josquin des Pres	Despres, Josquin (ca. 1450–1521)
Qui habitat 18.7 (2p. Non accedat ad te malum) Despres, Josquin (ca. 1450–1521) Appears on: 228v–234 Genres: Motet Source Attribution: Josquin des Pres Voice: [no designation] Languages: Latin Voice Text: Qui habitat in adiutorio altissimi 18.7 II: Non accedat ad te malum et flagellum
235v–239	Homo quidam fecit caenam magnam et misit II: O quam suavis est domine spiritus	Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Homo quidam fecit caenam magnam et misit II: O quam suavis est domine spiritus Richafort, Jean (ca. 1480–ca. 1550) Appears on: 235v–239 Genres: Motet Source Attribution: Richafort Voice: [no designation] Languages: Latin Voice Text: Homo quidam fecit cenam magnam et misit II: O quam suavis est domine spiritus
239v–261	Missa Benedictus Dominus Deus meus	Johannes Mouton	Mouton, Jean (ca. 1459–1522)
Missa Benedictus Dominus Deus meus Mouton, Jean (ca. 1459–1522) Appears on: 239v–261 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Johannes Mouton Voice: [no designation] Languages: Latin Voice Text: Missa Benedictus dominus [deus]
261v–267	Magnificat primi toni: Et exultavit	Pe. Terrache [= Therache]	Therache, Pierrequin de (ca. 1470–1528)
Magnificat primi toni: Et exultavit Therache, Pierrequin de (ca. 1470–1528) Appears on: 261v–267 Genres: BVM, Canticle, Magnificat Source Attribution: Pe. Terrache [= Therache] Voice: [no designation] Languages: Latin Voice Text: [Magnificat Primi toni]: Et exultavit spiritus meus
267v–271	Ave caro Christi cara inviolata crucis 21.1 (2p. Salve corpus Jhesu Christe; 3p. Salve lux mundi verbum) = Ave Christe immolate in crucis ara	N. Baldwin/[Josquin]	Despres, Josquin (ca. 1450–1521) (?) Bauldeweyn, Noel (ca. 1480–1529) (?)
Ave caro Christi cara inviolata crucis 21.1 (2p. Salve corpus Jhesu Christe; 3p. Salve lux mundi verbum) = Ave Christe immolate in crucis ara Despres, Josquin (ca. 1450–1521) (?) Bauldeweyn, Noel (ca. 1480–1529) (?) Appears on: 267v–271 Genres: Motet Source Attribution: N. Baldwin/[Josquin] Voice: [no designation] Languages: Latin Voice Text: Ave caro Christi cara inviolata crucis 21.1 II: Salve lux mundi verbum patris hostia [= Ave Christe immolate in crucis ara]
271v–286	Missa pro fidelibus defunctis (Requiem)	[Divitis/A. Févin]	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Divitis, Antonius (ca. 1470–ca. 1530) (?)
Missa pro fidelibus defunctis (Requiem) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Divitis, Antonius (ca. 1470–ca. 1530) (?) Appears on: 271v–286 Genres: Mass Ordinary, Requiem Source Attribution: [Divitis/A. Févin] Voice: [no designation] Languages: Latin Voice Text: Missa pro Defunctis
286v–294	In exitu Israel 17.4 (2p. Deus autem noster; 3p. Dominus memor fuit)	Josquin des Pres	Despres, Josquin (ca. 1450–1521)
In exitu Israel 17.4 (2p. Deus autem noster; 3p. Dominus memor fuit) Despres, Josquin (ca. 1450–1521) Appears on: 286v–294 Genres: Motet Source Attribution: Josquin des Pres Voice: [no designation] Languages: Latin Voice Text: In exitu Israel de Egipto domus Iacob 17.4 II: Deus autem noster in celo III: Dominus memor fuit nostri
294v–298	Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens)	Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens) Richafort, Jean (ca. 1480–ca. 1550) Appears on: 294v–298 Genres: Motet Source Attribution: Richafort Voice: [no designation] Languages: Latin Voice Text: Quem dicunt homines esse filium hominis II: Petre diligis me qui respondit
298v–303	In divina visione Ezechiel propheta vidit II: Quid est porta in domo Domini clausa III: Dicant ergo Maria porta facta sunt	Adr[i]anus Thibault	Thibault, Adrianus
In divina visione Ezechiel propheta vidit II: Quid est porta in domo Domini clausa III: Dicant ergo Maria porta facta sunt Thibault, Adrianus Appears on: 298v–303 Genres: Motet Source Attribution: Adr[i]anus Thibault Voice: [no designation] Languages: Latin Voice Text: In divina visione Ezechiel propheta vidit II: Quid est porta in domo domini clausa III: Dicant ergo Maria porta facta sunt

Composer	Compositions
Anonymous	Magnificat Tertii Toni: Et exultavit [K.270] – 173v–179
Bauldeweyn, Noel (ca. 1480–1529)	(?) Ave caro Christi cara inviolata crucis 21.1 (2p. Salve corpus Jhesu Christe; 3p. Salve lux mundi verbum) = Ave Christe immolate in crucis ara – 267v–271
Courtois, Jean (fl. 1530-1545)	Magnificat Septimi Toni: Anima mea Dominum – 7v–18
Despres, Josquin (ca. 1450–1521)	(?) Ave caro Christi cara inviolata crucis 21.1 (2p. Salve corpus Jhesu Christe; 3p. Salve lux mundi verbum) = Ave Christe immolate in crucis ara – 267v–271 Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) – 18v–23 In exitu Israel 17.4 (2p. Deus autem noster; 3p. Dominus memor fuit) – 286v–294 In principio erat verbum 19.7 II: Fuit homo missus a deo cui nomen III: Et verbum caro factum est et habitavit – 52v–57 Liber generationis Jesu Christi filii 19.13 II: Salomon autem genuit Roboam III: Et post transmigracionem Babilonis – 0v–7 Missa Beata Virgine = Missa Coronata 3.3 – 23v–45 Pater noster (2p. Ave Maria) 20.9 – 98v–103 Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus) – 85v–89 Qui habitat 18.7 (2p. Non accedat ad te malum) – 228v–234
Divitis, Antonius (ca. 1470–ca. 1530)	(?) Missa pro fidelibus defunctis (Requiem) – 271v–286
Fevin, Antoine de (ca. 1470–ca. 1512)	Ascendens Christus in altum captivam duxit – 145v–150 Missa Feria (5vv) – 151v–173 (?) Missa pro fidelibus defunctis (Requiem) – 271v–286 Tempus meum est ut revertar (2p. Viri Galilaei) – 179v–183
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	(?) Missa Feria (5vv) – 151v–173 Missa Nigra sum sed formosa – 199v–222
Hesdin, Nicolle des Celliers de (–1538)	(?) Ego sum qui sum Alleluia et consilium meum (2p. Tulerunt Dominum meum et nescio ubi) – 135v–139
Lheritier, Jean (ca. 1480–ca. 1551)	Magnificat quarti toni: Et exultavit [K.875] – 139v–145
Longueval, Antoine de (fl. 1498-1525)	Passio Domini nostri Jesu Christi secundum Matthaeum (2p. Apprehendit ergo eum Pilatus; 3p. Orabat autem Jesus pro crucifigantibus) – 103v–114
Mouton, Jean (ca. 1459–1522)	(?) Ego sum qui sum Alleluia et consilium meum (2p. Tulerunt Dominum meum et nescio ubi) – 135v–139 Magnificat Quinti Toni: Et exultavit [K.940] – 222v–228 Magnificat primi toni: Et exultavit [K.943] – 89v–95 Magnificat sexti toni: Anima mea [K.944] – 183v–[194] Missa Benedictus Dominus Deus meus – 239v–261 Missa Tua est potentia – 114v–135 Missa Verbum bonum et suave – 57v–84 Puer natus est nobis et filius datus est (2p. Angelus ad pastores ait annuntio vobis) – 95v–98
Obrecht, Jacobus (ca. 1457–1505)	(?) Passio Domini nostri Jesu Christi secundum Matthaeum (2p. Apprehendit ergo eum Pilatus; 3p. Orabat autem Jesus pro crucifigantibus) – 103v–114
Richafort, Jean (ca. 1480–ca. 1550)	(?) Ego sum qui sum Alleluia et consilium meum (2p. Tulerunt Dominum meum et nescio ubi) – 135v–139 Homo quidam fecit caenam magnam et misit II: O quam suavis est domine spiritus – 235v–239 Magnificat octavi toni: Et exultavit [K.1017 (=K.1016?)] – 45v–52 Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens) – 294v–298
Therache, Pierrequin de (ca. 1470–1528)	Magnificat primi toni: Et exultavit – 261v–267
Thibault, Adrianus	In divina visione Ezechiel propheta vidit II: Quid est porta in domo Domini clausa III: Dicant ergo Maria porta facta sunt – 298v–303 Repleti sunt omnes spiritu sancto II: Loquente Petro ad plebem cecidit – [194v]–199
Venture, Johannes a la (fl. c1500)	(?) Passio Domini nostri Jesu Christi secundum Matthaeum (2p. Apprehendit ergo eum Pilatus; 3p. Orabat autem Jesus pro crucifigantibus) – 103v–114

Composition	Composers (? Uncertain)	Folios / Pages
Ascendens Christus in altum captivam duxit	Fevin, Antoine de (ca. 1470–ca. 1512)	145v–150
Ave caro Christi cara inviolata crucis 21.1 (2p. Salve corpus Jhesu Christe; 3p. Salve lux mundi verbum) = Ave Christe immolate in crucis ara	Despres, Josquin (ca. 1450–1521) (?) Bauldeweyn, Noel (ca. 1480–1529) (?)	267v–271
Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum)	Despres, Josquin (ca. 1450–1521)	18v–23
Ego sum qui sum Alleluia et consilium meum (2p. Tulerunt Dominum meum et nescio ubi)	Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Hesdin, Nicolle des Celliers de (–1538) (?)	135v–139
Homo quidam fecit caenam magnam et misit II: O quam suavis est domine spiritus	Richafort, Jean (ca. 1480–ca. 1550)	235v–239
In divina visione Ezechiel propheta vidit II: Quid est porta in domo Domini clausa III: Dicant ergo Maria porta facta sunt	Thibault, Adrianus	298v–303
In exitu Israel 17.4 (2p. Deus autem noster; 3p. Dominus memor fuit)	Despres, Josquin (ca. 1450–1521)	286v–294
In principio erat verbum 19.7 II: Fuit homo missus a deo cui nomen III: Et verbum caro factum est et habitavit	Despres, Josquin (ca. 1450–1521)	52v–57
Liber generationis Jesu Christi filii 19.13 II: Salomon autem genuit Roboam III: Et post transmigracionem Babilonis	Despres, Josquin (ca. 1450–1521)	0v–7
Magnificat octavi toni: Et exultavit [K.1017 (=K.1016?)]	Richafort, Jean (ca. 1480–ca. 1550)	45v–52
Magnificat primi toni: Et exultavit	Therache, Pierrequin de (ca. 1470–1528)	261v–267
Magnificat primi toni: Et exultavit [K.943]	Mouton, Jean (ca. 1459–1522)	89v–95
Magnificat quarti toni: Et exultavit [K.875]	Lheritier, Jean (ca. 1480–ca. 1551)	139v–145
Magnificat Quinti Toni: Et exultavit [K.940]	Mouton, Jean (ca. 1459–1522)	222v–228
Magnificat Septimi Toni: Anima mea Dominum	Courtois, Jean (fl. 1530-1545)	7v–18
Magnificat sexti toni: Anima mea [K.944]	Mouton, Jean (ca. 1459–1522)	183v–[194]
Magnificat Tertii Toni: Et exultavit [K.270]	Anonymous	173v–179
Missa Beata Virgine = Missa Coronata 3.3	Despres, Josquin (ca. 1450–1521)	23v–45
Missa Benedictus Dominus Deus meus	Mouton, Jean (ca. 1459–1522)	239v–261
Missa Feria (5vv)	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512)	151v–173
Missa Nigra sum sed formosa	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	199v–222
Missa pro fidelibus defunctis (Requiem)	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Divitis, Antonius (ca. 1470–ca. 1530) (?)	271v–286
Missa Tua est potentia	Mouton, Jean (ca. 1459–1522)	114v–135
Missa Verbum bonum et suave	Mouton, Jean (ca. 1459–1522)	57v–84
Passio Domini nostri Jesu Christi secundum Matthaeum (2p. Apprehendit ergo eum Pilatus; 3p. Orabat autem Jesus pro crucifigantibus)	Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525)	103v–114
Pater noster (2p. Ave Maria) 20.9	Despres, Josquin (ca. 1450–1521)	98v–103
Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus)	Despres, Josquin (ca. 1450–1521)	85v–89
Puer natus est nobis et filius datus est (2p. Angelus ad pastores ait annuntio vobis)	Mouton, Jean (ca. 1459–1522)	95v–98
Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens)	Richafort, Jean (ca. 1480–ca. 1550)	294v–298
Qui habitat 18.7 (2p. Non accedat ad te malum)	Despres, Josquin (ca. 1450–1521)	228v–234
Repleti sunt omnes spiritu sancto II: Loquente Petro ad plebem cecidit	Thibault, Adrianus	[194v]–199
Tempus meum est ut revertar (2p. Viri Galilaei)	Fevin, Antoine de (ca. 1470–ca. 1512)	179v–183

‡ denotes primary source study

Reynaud, François. 1996. La Polyphonie Tolédane et son milieu des premiers témoignages aux environs de 1600. Paris/Turnhout.

Snow, Robert Joseph. 1983. Toledo Cathedral Ms. Reservado 23: A Lost Manuscript Rediscovered. The Journal of Musicology, 246-77.

Janini, José, and Ramón Gonzálvez. 1977. Catálogo de los Manuscritos Litúrgicos de la Catedral de Toledo. Toledo. Pages: 272.

Stevenson, Robert. 1976. Josquin in the Music of Spain and Portugal. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 217-46. London, New York, and Toronto. Pages: 222, Plate 34 [incorrectly identified with MS 22 of Biblioteca Capitular].

Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 68ff [incorrectly said to have no call number].

Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 87-107. Pages: 89-90.

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 98ff, 128-9,140 [some statements regarding attributions are incorrect].

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 168-9 [entries for "Tol 46" and "Tol?" both refer to this manuscript].

Lenaerts, René Bernard. 1952. Les Manuscrits Polyphoniques de la Bibliothèque Capitulaire de Tolède. International Musicological Society: Report of the 4th Congress, Utrech 1952, 276-81. Pages: 279-80 [incorrectly identified with MS 22 of Biblioteca Capitular].

Doorslaer, G van. 1929. Jean Richafort, Maître de chapelle-compositeur, 1480? -+ 1548. Bulletin de Académie Royale d'Archéologie de Belgique, 103-61. Pages: 116-7,152.

Rubio Piqueras, Felipe. 1925. Códices Polifónicos Toledanos. Toledo. Pages: 59-62.

Rubio Piqueras, Felipe. 1922-3. Música y Músicos toledanos: Estudio artísticocritico. Toledo. Pages: 27-9.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

E-Tc Reservado 23

Catedral, Obra y Fabrica, Toledo, Spain

manuscript of polyphony: c. 1520-35

General Description

Binding

Notation

Date

Foliation

Decoration

Index

Surface

Census Catalogue of Music Description

Concordances

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017