Copied by a single scribe, possibly Fray Pedro Durán (see below), who also wrote second part of GranCR 3. According to inscription on verso of front flyleaf, this source contains all motets composed by R. Ceballos (see SnowRC and StevnsnSCM for discussion of this claim). Copied in Granada. Purchased by Ginés de Boluda and Alonso de Morata for Toledo cathedral choir in 1586; Boluda and Morata purchased manuscript in Granada from Fray Pedro Durán, an Augustinian friar and copyist (SnowRC).
E-Tc Ms. 7
Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain
manuscript of polyphony: c. 1586
| Archive | Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain (E-Tc) |
|---|---|
| Shelfmark | Ms. 7 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 544 x 384 mm |
| Other Identifiers |
|
| Inventory | This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk |
| Copyists |
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| Relationships |
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| External Links | |
| Provenance |
|
| Contents | Contains 31 compositions from 6 composers. |
General Description
Physical Description
Folios in very poor condition due to severe ink corrosion; some music illegible.
Binding
Restored and rebound in 1980-1; original wooden boards covered with new leather
Notation
not indicated
Foliation
Original ink foliation, [5]-206 + 268-336 (ff. 1-4 and 207-267 now missing)
Decoration
Inked calligraphic initials.
Surface
Paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
3 Masses, 68 motets (1 fragmentary) = 71
J. Aliseda [Aliseda]-2, S. Aliseda [Sanctos]-20, R. Ceballos-43, P. Guerrero-2, Morales-3, Phinot-1
i + 271 paper folios of an original 336, 544 x 384. Folios in very poor condition due to severe ink corrosion; some music illegible. Original ink foliation, [5]-206 + 268-336 (ff. 1-4 and 207-267 now missing). Restored and rebound in 1980-1; original wooden boards covered with new leather. No index remains. Copied by a single scribe, possibly Fray Pedro Durán (see below), who also wrote second part of GranCR 3. Inked calligraphic initials. According to inscription on verso of front flyleaf, this source contains all motets composed by R. Ceballos (see SnowRC and StevnsnSCM for discussion of this claim).
Ca. 1586 (SnowRC). Copied in Granada. Purchased by Ginés de Boluda and Alonso de Morata for Toledo cathedral choir in 1586; Boluda and Morata purchased manuscript in Granada from Fray Pedro Durán, an Augustinian friar and copyist (SnowRC).
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‡ denotes primary source study
Reynaud, François. 1996. La Polyphonie Tolédane et son milieu des premiers témoignages aux environs de 1600. Paris/Turnhout.
Borg, Paul. 1980. The Jacaltenango Miscellany: A Revised Catalogue. Inter-American Music Review, 3/1: 55-64. Pages: (57).
Snow, Robert Joseph. 1980. The Extant Music of Rodrigo de Ceballos and Its Sources. Detroit Studies in Music Bibliography, vol. 44. Detroit. Pages: (22-6, 41-62, 96-7, 106-9).
Russell, Eleanor. 1978-80. A new manuscript source for the music of Cristobal de Morales: Morales' 'Lost' Missa pro Defunctis and early Spanish requiem traditions. Anuário Musical, 33-35: 9-49. Pages: (26,28,46).
Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 20: 87-107. Pages: 91-103, passim.
Merino, Luis Felix. 1972. The Masses of Francisco Guerrero (1528-1599). University of California at Los Angeles, Unpublished Ph.D. dissertation. Pages: (I,26).
López Calo, S.J., José. 1963. La Música en la Catedral de Granada en el Sigio XVI. Granada. Pages: (II,xii-xiii.xv).
Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age. Berkeley and Los Angeles. Pages: (305-6, 315).
Westrup, Jack A (editor). 1954-. New Oxford History of Music. London, New York, and Toronto. Pages: (IV,393).
Lenaerts, René Bernard. 1952. Les Manuscrits Polyphoniques de la Bibliothèque Capitulaire de Tolède. International Musicological Society: Report of the 4th Congress, Utrech 1952, 276-81. Pages: (278).
Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XXXIV,23.
Rubio Piqueras, Felipe. 1925. Códices Polifónicos Toledanos. Toledo. Pages: (23-4).
Cllet, Henri. 1913. Le Mysticisme Musical Espagnol au XVI' Siècle. Paris. Pages: (343).
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description