E-TZ Archivo Ms. 1

Archivo Capitular de la Catedral, Tarazona, Spain

manuscript of polyphony: Early 17th century.

Archive	Archivo Capitular de la Catedral, Tarazona, Spain (E-TZ)
Shelfmark	Archivo Ms. 1
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	531 x 379 mm
Other Identifiers	CCM: TarazC 1
Relationships	Tarazona Cathedral (copied at)
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database Books of Hispanic Polyphony
Provenance	Spain
Contents	31 pieces from 6 composers

General Description

Copied by a single scribe. Copied in Tarazona, for use by cathedral choir.

Cristina Urchueguía, 2010

Physical Description

Some original folios missing at beginning and end; new ff. 124-126 torn in half diagonally. Folios trimmed, obliterating most original foliation and some attributions

Cristina Urchueguía, 2010

Binding

Original covers of brown and tan tooled leather over cardboard, in poor condition. Two additional fragmentary folios from same manuscript now glued inside front and back covers as endpapers; both contain Magnificat fragments.

Cristina Urchueguía, 2010

Notation

not indicated

Cristina Urchueguía, 2010

Ruling

Staff height 25

Cristina Urchueguía, 2010

Foliation

Modern pencil foliation on lower right rectos, 1-126 ('103' and '116' applied to two consecutive folios); earlier foliation on upper right rectos, now incomplete and inconsistent due to loss of folios.

Cristina Urchueguía, 2010

Decoration

Inked calligraphic initials.

Cristina Urchueguía, 2010

Surface

Paper

Cristina Urchueguía, 2010

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 6 Magnificats, 4 Magnificat fragments, 2 hymns, 1 Lamentation, 14 motets = 28

(Arnal)-5, (Beneincasa)-1, (Guerrero)-1, Morales-3, (M. Navarro)-2, (Perez)-7, (Silos)-2, anon-7

128 paper folios, 531 x 379 (two additional fragmentary folios from same manuscript now glued inside front and back covers as endpapers; both contain Magnificat fragments). Some original folios missing at beginning and end; new ff. 124-126 torn in half diagonally. Folios trimmed, obliterating most original foliation and some attributions. Modern pencil foliation on lower right rectos, 1-126 ("103" and "116" applied to two consecutive folios); earlier foliation on upper right rectos, now incomplete and inconsistent due to loss of folios. Original covers of brown and tan tooled leather over cardboard, in poor condition. No index. Copied by a single scribe. Staff height 25. Inked calligraphic initials.

Early 17th century. Copied in Tarazona, for use by cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–18	Missa Sine nomine: Kyrie	-	Silos, Francesco de
Missa Sine nomine: Kyrie Silos, Francesco de Appears on: 1–18 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Sine nomine] Christe (only Altus and Bassus). Kyrie II. Gloria: 2 partes. Credo: 3 partes. Sanctus (with: Osanna, Benedictus: 3 voces). Agnus General Note Kyrie incomplete: Christe only Altus and Bassus, & Kyrie II
1–18	Missa Sine nomine: Gloria	-	Silos, Francesco de
Missa Sine nomine: Gloria Silos, Francesco de Appears on: 1–18 Genres: Gloria (et in terra pax), Mass Ordinary
1–18	Missa Sine nomine: Credo	-	Silos, Francesco de
Missa Sine nomine: Credo Silos, Francesco de Appears on: 1–18 Genres: Credo (patrem omnipotentem), Mass Ordinary
1–18	Missa Sine nomine: Sanctus	-	Silos, Francesco de
Missa Sine nomine: Sanctus Silos, Francesco de Appears on: 1–18 Genres: Mass Ordinary, Sanctus [& Benedictus]
1–18	Missa Sine nomine: Agnus Dei	-	Silos, Francesco de
Missa Sine nomine: Agnus Dei Silos, Francesco de Appears on: 1–18 Genres: Agnus Dei, Mass Ordinary
19v–22	Hoc est praeceptum meum	-	Gines Perez, Juan (1548–1600)
Hoc est praeceptum meum Gines Perez, Juan (1548–1600) Appears on: 19v–22 Genres: Motet
22v–24	Conventione autem	-	Gines Perez, Juan (1548–1600)
Conventione autem Gines Perez, Juan (1548–1600) Appears on: 22v–24 Genres: Motet
24v–26	Cum turba plurima	-	Gines Perez, Juan (1548–1600)
Cum turba plurima Gines Perez, Juan (1548–1600) Appears on: 24v–26 Genres: Motet
26v–28	Cum adpropinquaret Jesus	-	Gines Perez, Juan (1548–1600)
Cum adpropinquaret Jesus Gines Perez, Juan (1548–1600) Appears on: 26v–28 Genres: Motet
28v–30	Ductus est Jesus	-	Gines Perez, Juan (1548–1600)
Ductus est Jesus Gines Perez, Juan (1548–1600) Appears on: 28v–30 Genres: Motet
30v–35	Erat Jesus	-	Gines Perez, Juan (1548–1600)
Erat Jesus Gines Perez, Juan (1548–1600) Appears on: 30v–35 Genres: Motet
35v–39	Cum sublevasset ergo	-	Gines Perez, Juan (1548–1600)
Cum sublevasset ergo Gines Perez, Juan (1548–1600) Appears on: 35v–39 Genres: Motet
39v–40	Vexilla regis	-	Anonymous
Vexilla regis Anonymous Appears on: 39v–40 Genres: Hymn
40v–46	Ductus est Jesus	-	Anonymous
Ductus est Jesus Anonymous Appears on: 40v–46 Genres: Motet
46v–48	Dominus meus et Deus meus	Morales	Morales, Cristóbal de (ca. 1500–1553) (?) Guerrero, Pedro
Dominus meus et Deus meus Morales, Cristóbal de (ca. 1500–1553) (?) Guerrero, Pedro Appears on: 46v–48 Genres: Motet Source Attribution: Morales
48v–54	Cum turba plurima - 1a pars (of 2): Cum turba plurima	-	Silos, Francesco de
Cum turba plurima - 1a pars (of 2): Cum turba plurima Silos, Francesco de Appears on: 48v–54 Genres: Motet
48v–54	Cum turba plurima - 2a pars (of 2): Et dum seminat	-	Silos, Francesco de
Cum turba plurima - 2a pars (of 2): Et dum seminat Silos, Francesco de Appears on: 48v–54 Genres: Motet
54v–55	Antequam comedam - 1a pars (of 2): Antequam comedam suspiro et tanquam	Morales	Morales, Cristóbal de (ca. 1500–1553)
Antequam comedam - 1a pars (of 2): Antequam comedam suspiro et tanquam Morales, Cristóbal de (ca. 1500–1553) Appears on: 54v–55 Genres: Motet Source Attribution: Morales
55v–56	Antequam comedam - 2a pars (of 2): Nonne dissimulavi nonne quicui	-	Morales, Cristóbal de (ca. 1500–1553)
Antequam comedam - 2a pars (of 2): Nonne dissimulavi nonne quicui Morales, Cristóbal de (ca. 1500–1553) Appears on: 55v–56 Genres: Motet
56v–60	Ibant magi	Morales	Arnal, Juan (ca. 1586–)
Ibant magi Arnal, Juan (ca. 1586–) Appears on: 56v–60 Genres: Hymn Source Attribution: Morales
60v–75	Lamentations (3): Phe. Expandit Sion manus suas	Morales	Morales, Cristóbal de (ca. 1500–1553)
Lamentations (3): Phe. Expandit Sion manus suas Morales, Cristóbal de (ca. 1500–1553) Appears on: 60v–75 Genres: Lamentations, Liturgical work, Motet Source Attribution: Morales General Note Text: Heth. Misericordiae Domini
75v–81	Salve regina	-	Anonymous
Salve regina Anonymous Appears on: 75v–81 Genres: BVM, Motet, Salve Regina
81v–83	Ave Maria	-	Anonymous
Ave Maria Anonymous Appears on: 81v–83 Genres: Ave Maria, BVM, Motet
83v–88	Salve regina	-	Anonymous
Salve regina Anonymous Appears on: 83v–88 Genres: BVM, Motet, Salve Regina
88v–94	Magnificat. Anima mea [K.147]	-	Anonymous
Magnificat. Anima mea [K.147] Anonymous Appears on: 88v–94 Genres: BVM, Canticle, Magnificat
94v–101	Magnificat. Anima mea [K.399]	-	Anonymous
Magnificat. Anima mea [K.399] Anonymous Appears on: 94v–101 Genres: BVM, Canticle, Magnificat
101v–107	Magnificat. Et exultavit (1 toni)	-	Arnal, Juan (ca. 1586–)
Magnificat. Et exultavit (1 toni) Arnal, Juan (ca. 1586–) Appears on: 101v–107 Genres: BVM, Canticle, Magnificat
107v–113	Magnificat. Et exultavit (6 toni)	-	Arnal, Juan (ca. 1586–)
Magnificat. Et exultavit (6 toni) Arnal, Juan (ca. 1586–) Appears on: 107v–113 Genres: BVM, Canticle, Magnificat
113v–119	Magnificat. Anima mea (4 toni)	-	Arnal, Juan (ca. 1586–)
Magnificat. Anima mea (4 toni) Arnal, Juan (ca. 1586–) Appears on: 113v–119 Genres: BVM, Canticle, Magnificat
119v–125	Magnificat. Anima mea (8 toni)	-	Arnal, Juan (ca. 1586–)
Magnificat. Anima mea (8 toni) Arnal, Juan (ca. 1586–) Appears on: 119v–125 Genres: BVM, Canticle, Magnificat
125v–128	Magnificat (1 toni). verse Fecit potentiam [K.462]	-	Anonymous
Magnificat (1 toni). verse Fecit potentiam [K.462] Anonymous Appears on: 125v–128 Genres: BVM, Canticle, Magnificat General Note incomplete: several folios missing from end of manuscript

Composer	Compositions
Anonymous	Ave Maria – 81v–83 Ductus est Jesus – 40v–46 Magnificat (1 toni). verse Fecit potentiam [K.462] – 125v–128 Magnificat. Anima mea [K.147] – 88v–94 Magnificat. Anima mea [K.399] – 94v–101 Salve regina – 83v–88 Salve regina – 75v–81 Vexilla regis – 39v–40
Arnal, Juan (ca. 1586–)	Ibant magi – 56v–60 Magnificat. Anima mea (4 toni) – 113v–119 Magnificat. Anima mea (8 toni) – 119v–125 Magnificat. Et exultavit (1 toni) – 101v–107 Magnificat. Et exultavit (6 toni) – 107v–113
Gines Perez, Juan (1548–1600)	Conventione autem – 22v–24 Cum adpropinquaret Jesus – 26v–28 Cum sublevasset ergo – 35v–39 Cum turba plurima – 24v–26 Ductus est Jesus – 28v–30 Erat Jesus – 30v–35 Hoc est praeceptum meum – 19v–22
Guerrero, Pedro	Dominus meus et Deus meus – 46v–48
Morales, Cristóbal de (ca. 1500–1553)	Antequam comedam - 1a pars (of 2): Antequam comedam suspiro et tanquam – 54v–55 Antequam comedam - 2a pars (of 2): Nonne dissimulavi nonne quicui – 55v–56 (?) Dominus meus et Deus meus – 46v–48 Lamentations (3): Phe. Expandit Sion manus suas – 60v–75
Silos, Francesco de	Cum turba plurima - 1a pars (of 2): Cum turba plurima – 48v–54 Cum turba plurima - 2a pars (of 2): Et dum seminat – 48v–54 Missa Sine nomine: Agnus Dei – 1–18 Missa Sine nomine: Credo – 1–18 Missa Sine nomine: Gloria – 1–18 Missa Sine nomine: Kyrie – 1–18 Missa Sine nomine: Sanctus – 1–18

Composition	Composers (? Uncertain)	Folios / Pages
Antequam comedam - 1a pars (of 2): Antequam comedam suspiro et tanquam	Morales, Cristóbal de (ca. 1500–1553)	54v–55
Antequam comedam - 2a pars (of 2): Nonne dissimulavi nonne quicui	Morales, Cristóbal de (ca. 1500–1553)	55v–56
Ave Maria	Anonymous	81v–83
Conventione autem	Gines Perez, Juan (1548–1600)	22v–24
Cum adpropinquaret Jesus	Gines Perez, Juan (1548–1600)	26v–28
Cum sublevasset ergo	Gines Perez, Juan (1548–1600)	35v–39
Cum turba plurima	Gines Perez, Juan (1548–1600)	24v–26
Cum turba plurima - 1a pars (of 2): Cum turba plurima	Silos, Francesco de	48v–54
Cum turba plurima - 2a pars (of 2): Et dum seminat	Silos, Francesco de	48v–54
Dominus meus et Deus meus	Morales, Cristóbal de (ca. 1500–1553) (?) Guerrero, Pedro	46v–48
Ductus est Jesus	Gines Perez, Juan (1548–1600)	28v–30
Ductus est Jesus	Anonymous	40v–46
Erat Jesus	Gines Perez, Juan (1548–1600)	30v–35
Hoc est praeceptum meum	Gines Perez, Juan (1548–1600)	19v–22
Ibant magi	Arnal, Juan (ca. 1586–)	56v–60
Lamentations (3): Phe. Expandit Sion manus suas	Morales, Cristóbal de (ca. 1500–1553)	60v–75
Magnificat (1 toni). verse Fecit potentiam [K.462]	Anonymous	125v–128
Magnificat. Anima mea (4 toni)	Arnal, Juan (ca. 1586–)	113v–119
Magnificat. Anima mea (8 toni)	Arnal, Juan (ca. 1586–)	119v–125
Magnificat. Anima mea [K.147]	Anonymous	88v–94
Magnificat. Anima mea [K.399]	Anonymous	94v–101
Magnificat. Et exultavit (1 toni)	Arnal, Juan (ca. 1586–)	101v–107
Magnificat. Et exultavit (6 toni)	Arnal, Juan (ca. 1586–)	107v–113
Missa Sine nomine: Agnus Dei	Silos, Francesco de	1–18
Missa Sine nomine: Credo	Silos, Francesco de	1–18
Missa Sine nomine: Gloria	Silos, Francesco de	1–18
Missa Sine nomine: Kyrie	Silos, Francesco de	1–18
Missa Sine nomine: Sanctus	Silos, Francesco de	1–18
Salve regina	Anonymous	75v–81
Salve regina	Anonymous	83v–88
Vexilla regis	Anonymous	39v–40

‡ denotes primary source study

Del Sol, Manuel. 2014. Lamentaciones de Cristobal de Morales: Historia y Autenticidad. Revista de Musicologia, 107-139.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 165.

Sevillano, Justo. 1961. Catálogo musical del Archivo Capitular de Tarazona. Anuário Musical, 149-76. Pages: 149-50.

Anglès, Higinio. 1953. La obra musical de Morales. Anuário Musical, 70ff. Pages: 84 [referred to as MS V].

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

E-TZ Archivo Ms. 1

Archivo Capitular de la Catedral, Tarazona, Spain

manuscript of polyphony: Early 17th century.

General Description

Physical Description

Binding

Notation

Ruling

Foliation

Decoration

Surface

Census Catalogue of Music Description

General Note

General Note

General Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017