E-SI Ms. 21

Abadia Benedictina Santo Domingo, Archivo, Santo Domingo de Silos, Spain

manuscript of polyphony: Second half of 16th century, with additions in late 16th or early 17th century.

Archive	Abadia Benedictina Santo Domingo, Archivo, Santo Domingo de Silos, Spain (E-SI)
Shelfmark	Ms. 21
Surface	Paper
Numbering System	Foliation
Measurements	480 × 385 mm
Other Identifiers	CCM: SilosA 21
Relationships	Santo Domingo de Silos Monastery (copied at)
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database Books of Hispanic Polyphony
Provenance	Spain
Contents	53 pieces from 10 composers

General Description

Main corpus copied by a single scribe; later additions on ff. 99'-110' by several other scribes. Probably copied in Santo Domingo de Silos.

Cristina Urchueguía, 2010

Binding

Original covers of dark brown tooled leather over wooden boards, metal corner guards

Cristina Urchueguía, 2010

Notation

not indicated

Cristina Urchueguía, 2010

Ruling

Staff height 29

Cristina Urchueguía, 2010

Foliation

New pencil foliation, 1-110, on lower center rectos (one or more original folios now missing at beginning and end; one original folio missing between new ff. 14/15 and between new ff. 98/99)

Cristina Urchueguía, 2010

Decoration

Gothic and plain block style initials decorated with floral designs, in green, yellow, blue, red, and purple.

Cristina Urchueguía, 2010

Surface

paper

Cristina Urchueguía, 2010

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 1 Requiem Mass, 1 Te Deum, 3 hymns, 3 Lamentations, 28 motets = 38

(R. Ceballos)-1, (P. Guerrero)-2, (Lhéritier)-1, (Morales)-12, (Obrecht/Willaert)-1, (Robledo)-1, (Tejeda)-4, (F. Torre)-1, Vivanco-1, anon-14

110 paper folios, 452 x 362. New pencil foliation, 1-110, on lower center rectos (one or more original folios now missing at beginning and end; one original folio missing between new ff. 14/15 and between new ff. 98/99). Original covers of dark brown tooled leather over wooden boards, with metal corner guards. No index. Main corpus copied by a single scribe; later additions on ff. 99'-110' by several other scribes. Staff height 29. Gothic and plain block style initials decorated with floral designs, in green, yellow, blue, red, and purple.

Second half of 16th century, with additions in late 16th or early 17th century. Probably copied in Santo Domingo de Silos.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–3	Missa voces musicales: Kyrie	-	Robledo, Melchor
Missa voces musicales: Kyrie Robledo, Melchor Appears on: 1–3 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Super voces musicales] Kyrie (fragment). Gloria: 2 partes. Credo: 4 partes (Crucifixus: 4 voces). Sanctus. Agnus I. Agnus II: 7 voces (fragment). General Note incomplete, missing Sup 1/Sup 2/Ten of the opening Kyrie I
3v–5	Missa voces musicales: Gloria	-	Robledo, Melchor
Missa voces musicales: Gloria Robledo, Melchor Appears on: 3v–5 Genres: Gloria (et in terra pax), Mass Ordinary
5v–10	Missa voces musicales: Credo	-	Robledo, Melchor
Missa voces musicales: Credo Robledo, Melchor Appears on: 5v–10 Genres: Credo (patrem omnipotentem), Mass Ordinary
10v–12	Missa voces musicales: Sanctus	-	Robledo, Melchor
Missa voces musicales: Sanctus Robledo, Melchor Appears on: 10v–12 Genres: Mass Ordinary, Sanctus [& Benedictus] General Note Sanctus - Pleni only, no Osanna or Benedictus
12v–14v	Missa voces musicales: Agnus Dei	-	Robledo, Melchor
Missa voces musicales: Agnus Dei Robledo, Melchor Appears on: 12v–14v Genres: Agnus Dei, Mass Ordinary General Note Agnus 3 (7vv) lacks final page (Altus 1 & 2, Bassus)
15	Missa cortilla = Missa Fa, re, ut, fa, sol, la: Kyrie	-	Morales, Cristóbal de (ca. 1500–1553)
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Kyrie Morales, Cristóbal de (ca. 1500–1553) Appears on: 15 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Fa, re, ut, fa, sol, la] Kyrie (fragment). Gloria: 2 partes. Credo: 3 partes. Variant: Sanctus (with: Pleni, Osanna). Agnus I. Agnus II. General Note opening Kyrie missing first page (Sup/Ten)
15v–16	Missa cortilla = Missa Fa, re, ut, fa, sol, la: Gloria: 2 partes.	-	Morales, Cristóbal de (ca. 1500–1553)
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Gloria: 2 partes. Morales, Cristóbal de (ca. 1500–1553) Appears on: 15v–16 Genres: Gloria (et in terra pax), Mass Ordinary
16v–19	Missa cortilla = Missa Fa, re, ut, fa, sol, la: Credo: 3 partes.	-	Morales, Cristóbal de (ca. 1500–1553)
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Credo: 3 partes. Morales, Cristóbal de (ca. 1500–1553) Appears on: 16v–19 Genres: Credo (patrem omnipotentem), Mass Ordinary
19v–21	Missa cortilla = Missa Fa, re, ut, fa, sol, la: Sanctus mit: Pleni, Osanna, Benedictus.	-	Morales, Cristóbal de (ca. 1500–1553)
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Sanctus mit: Pleni, Osanna, Benedictus. Morales, Cristóbal de (ca. 1500–1553) Appears on: 19v–21 Genres: Mass Ordinary, Sanctus [& Benedictus] General Note Sanctus - Pleni - Osanna only, no Benedictus
20v–21	Missa cortilla = Missa Fa, re, ut, fa, sol, la: Agnus I. Agnus II.	-	Morales, Cristóbal de (ca. 1500–1553)
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Agnus I. Agnus II. Morales, Cristóbal de (ca. 1500–1553) Appears on: 20v–21 Genres: Agnus Dei, Mass Ordinary General Note one Agnus only
21v–23	Hortus conclusus soror mea sponsa (2a pars: Veni speciosa mea)	-	Ceballos, Rodrigo de (ca. 1525–1581)
Hortus conclusus soror mea sponsa (2a pars: Veni speciosa mea) Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 21v–23 Genres: Motet
23v–25	Ave regina caelorum	-	Anonymous
Ave regina caelorum Anonymous Appears on: 23v–25 Genres: Ave regina caelorum, Motet
25v–29	Invitatorium pro defunctis: i. Regem cui	-	Morales, Cristóbal de (ca. 1500–1553)
Invitatorium pro defunctis: i. Regem cui Morales, Cristóbal de (ca. 1500–1553) Appears on: 25v–29 Genres: Motet
29v–31	Parce mihi Domine	-	Morales, Cristóbal de (ca. 1500–1553)
Parce mihi Domine Morales, Cristóbal de (ca. 1500–1553) Appears on: 29v–31 Genres: Fauxbourdon/faburden, Motet
31v–34	Alma redemptoris mater	-	Anonymous
Alma redemptoris mater Anonymous Appears on: 31v–34 Genres: Alma redemptoris mater, Motet
34v–35	Per tuam crucem - 1a pars (of 2): Per tuam crucem salva nos Christe	-	Morales, Cristóbal de (ca. 1500–1553)
Per tuam crucem - 1a pars (of 2): Per tuam crucem salva nos Christe Morales, Cristóbal de (ca. 1500–1553) Appears on: 34v–35 Genres: Motet
35v–36	Per tuam crucem - 2a pars (of 2): Miserere nostri Jesu benigne	-	Morales, Cristóbal de (ca. 1500–1553)
Per tuam crucem - 2a pars (of 2): Miserere nostri Jesu benigne Morales, Cristóbal de (ca. 1500–1553) Appears on: 35v–36 Genres: Motet
36v–38	Regina caeli laetare	-	Anonymous
Regina caeli laetare Anonymous Appears on: 36v–38 Genres: Motet, Regina caeli laetare
38v–39	Martine pastor optime	-	Anonymous
Martine pastor optime Anonymous Appears on: 38v–39 Genres: Motet
39v–40	Sacerdos Dei Martine	-	Anonymous
Sacerdos Dei Martine Anonymous Appears on: 39v–40 Genres: Motet
40v–43	Gaude virgo Catherina	-	Anonymous
Gaude virgo Catherina Anonymous Appears on: 40v–43 Genres: Motet
43v–45	Assumpsit Jesus Petrum	-	Anonymous
Assumpsit Jesus Petrum Anonymous Appears on: 43v–45 Genres: Motet
45v–47	Accepit Jesus panes	-	Anonymous
Accepit Jesus panes Anonymous Appears on: 45v–47 Genres: Motet
47v–49	Veni creator spiritus	-	Anonymous
Veni creator spiritus Anonymous Appears on: 47v–49 Genres: Motet, Veni creator spiritus
49v–53	Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum	-	Morales, Cristóbal de (ca. 1500–1553)
Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum Morales, Cristóbal de (ca. 1500–1553) Appears on: 49v–53 Genres: Lamentations, Motet Item Bibliography Del Sol, Manuel. 2014. Lamentaciones de Cristobal de Morales: Historia y Autenticidad. Revista de Musicologia, 107-139.
53v–58	Lamentations (2): Num. Vigilavit jugum iniquitatum	-	Morales, Cristóbal de (ca. 1500–1553)
Lamentations (2): Num. Vigilavit jugum iniquitatum Morales, Cristóbal de (ca. 1500–1553) Appears on: 53v–58 Genres: Lamentations, Motet Concordances E-Zac 34 (Tenor) (121r-122v) E-VAar 3016 (48v-50) MEX-Pc 1 (103v-108) Item Bibliography Del Sol, Manuel. 2014. Lamentaciones de Cristobal de Morales: Historia y Autenticidad. Revista de Musicologia, 107-139.
58v–63	Lamentations (3): Phe. Expandit Sion manus suas	-	Morales, Cristóbal de (ca. 1500–1553)
Lamentations (3): Phe. Expandit Sion manus suas Morales, Cristóbal de (ca. 1500–1553) Appears on: 58v–63 Genres: Lamentations, Liturgical work, Motet Item Bibliography Del Sol, Manuel. 2014. Lamentaciones de Cristobal de Morales: Historia y Autenticidad. Revista de Musicologia, 107-139.
63v–64	Missa Requiem (4vv): 1. Introitus: Requiem aeternam	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 1. Introitus: Requiem aeternam Morales, Cristóbal de (ca. 1500–1553) Appears on: 63v–64 Genres: Introit, Requiem Voice: [no designation] Languages: Latin, German Voice Text: [Requiem] Introitus. Kyrie. Gradual: 2 partes. Tractus (Sicut cervus). Offertorium. Sanctus (with: Pleni, Benedictus). Agnus. Variant: Communio.
64v–65	Missa Requiem (4vv): 2. Kyrie	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 2. Kyrie Morales, Cristóbal de (ca. 1500–1553) Appears on: 64v–65 Genres: Kyrie eleison, Mass Ordinary
65v–68	Missa Requiem (4vv): 3. Graduale: [Requiem aeternam] Dona eis Domine	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 3. Graduale: [Requiem aeternam] Dona eis Domine Morales, Cristóbal de (ca. 1500–1553) Appears on: 65v–68 Genres: Gradual, Requiem
68v–69	Missa Requiem (4vv): 4. Tractus: Sicut cervus	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 4. Tractus: Sicut cervus Morales, Cristóbal de (ca. 1500–1553) Appears on: 68v–69 Genres: Requiem
69v–71	Missa Requiem (4vv): 6. Offertorium: [Domine Jesu Christe] Libera animas fidelium - Hostias et preces	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 6. Offertorium: [Domine Jesu Christe] Libera animas fidelium - Hostias et preces Morales, Cristóbal de (ca. 1500–1553) Appears on: 69v–71 Genres: Offertory, Requiem
71v–73	Missa Requiem (4vv): 7. Sanctus incl.: Pleni, Benedictus	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 7. Sanctus incl.: Pleni, Benedictus Morales, Cristóbal de (ca. 1500–1553) Appears on: 71v–73 Genres: Requiem, Sanctus [& Benedictus]
72v–74	Missa Requiem (4vv): 8. Agnus Dei	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 8. Agnus Dei Morales, Cristóbal de (ca. 1500–1553) Appears on: 72v–74 Genres: Agnus Dei, Requiem
74v–76	Missa Requiem (4vv): 9. Communio: Lux aeterna	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Requiem (4vv): 9. Communio: Lux aeterna Morales, Cristóbal de (ca. 1500–1553) Appears on: 74v–76 Genres: Communion, Requiem
76v–77	Ne recorderis dirige dum veneris / Kyrie eleison	-	Guerrero, Francisco (?) Torre, Francisco de la Morales, Cristóbal de (ca. 1500–1553) (?)
Ne recorderis dirige dum veneris / Kyrie eleison Guerrero, Francisco (?) Torre, Francisco de la Morales, Cristóbal de (ca. 1500–1553) (?) Appears on: 76v–77 Genres: Responsory, Verse
77v–78	Libera me Domine	-	Anonymous
Libera me Domine Anonymous Appears on: 77v–78 Genres: Responsory General Note set of short responses: Libera me Domine - Quando caeli - Dum veneris - Dies illa dies irae [sic] - Kyrie eleison x3
78v–85	Te Deum	-	Anonymous
Te Deum Anonymous Appears on: 78v–85 Genres: Te Deum
85v–87	Veni Domine et noli tardare	-	Anonymous
Veni Domine et noli tardare Anonymous Appears on: 85v–87 Genres: Hymn
87v–89	Inter vestibulum et altare	-	Anonymous
Inter vestibulum et altare Anonymous Appears on: 87v–89 Genres: Motet
89v–92	Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis	-	Obrecht, Jacobus (ca. 1457–1505) (?) Willaert, Adrian (ca. 1490–1562)
Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis Obrecht, Jacobus (ca. 1457–1505) (?) Willaert, Adrian (ca. 1490–1562) Appears on: 89v–92 Genres: Motet
92v–94	Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	-	Willaert, Adrian (ca. 1490–1562) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum Willaert, Adrian (ca. 1490–1562) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 92v–94 Genres: Ave Maria, Motet
94v–96	Gaudent in caelis	-	Anonymous
Gaudent in caelis Anonymous Appears on: 94v–96 Genres: Motet
96v–98	Dominus meus et Deus meus	-	Morales, Cristóbal de (ca. 1500–1553) (?) Guerrero, Pedro
Dominus meus et Deus meus Morales, Cristóbal de (ca. 1500–1553) (?) Guerrero, Pedro Appears on: 96v–98 Genres: Motet
98v	O beata Maria - 1a pars (of 2): O beata Maria spes unica peccatorum	-	Guerrero, Pedro
O beata Maria - 1a pars (of 2): O beata Maria spes unica peccatorum Guerrero, Pedro Appears on: 98v Genres: Motet General Note incomplete - Cantus & Tenor only of opening page
99	O beata Maria - 2a pars (of 2): Accipe quod offerimus, redona quod rogamus	-	Guerrero, Pedro
O beata Maria - 2a pars (of 2): Accipe quod offerimus, redona quod rogamus Guerrero, Pedro Appears on: 99 Genres: Motet General Note incomplete - Altus & Bassus of final page only, from "[Per] te speramus..."
99v–100	Vexilla regis prodeunt	-	Anonymous
Vexilla regis prodeunt Anonymous Appears on: 99v–100 Genres: Hymn
100v–103	Vexilla regis prodeunt	-	Anonymous
Vexilla regis prodeunt Anonymous Appears on: 100v–103 Genres: Hymn
103v–104	Absolve Domine	-	Anonymous
Absolve Domine Anonymous Appears on: 103v–104 Genres: Psalm
104v–104b	In manus tuas	-	Anonymous
In manus tuas Anonymous Appears on: 104v–104b Genres: Responsory
104b v–105	In manus tuas	Vivanco	Vivanco, Sebastián de
In manus tuas Vivanco, Sebastián de Appears on: 104b v–105 Source Attribution: Vivanco
105v–108	Miserere mei Deus	-	Anonymous
Miserere mei Deus Anonymous Appears on: 105v–108 Genres: Motet
108v–109	Super flumina Babilonis	-	Anonymous
Super flumina Babilonis Anonymous Appears on: 108v–109 Genres: Motet General Note incomplete with loss of folio after f. 109

Composer	Compositions
Anonymous	Absolve Domine – 103v–104 Accepit Jesus panes – 45v–47 Alma redemptoris mater – 31v–34 Assumpsit Jesus Petrum – 43v–45 Ave regina caelorum – 23v–25 Gaude virgo Catherina – 40v–43 Gaudent in caelis – 94v–96 In manus tuas – 104v–104b Inter vestibulum et altare – 87v–89 Libera me Domine – 77v–78 Martine pastor optime – 38v–39 Miserere mei Deus – 105v–108 Regina caeli laetare – 36v–38 Sacerdos Dei Martine – 39v–40 Super flumina Babilonis – 108v–109 Te Deum – 78v–85 Veni Domine et noli tardare – 85v–87 Veni creator spiritus – 47v–49 Vexilla regis prodeunt – 100v–103 Vexilla regis prodeunt – 99v–100
Ceballos, Rodrigo de (ca. 1525–1581)	Hortus conclusus soror mea sponsa (2a pars: Veni speciosa mea) – 21v–23
Guerrero, Francisco	(?) Ne recorderis dirige dum veneris / Kyrie eleison – 76v–77
Guerrero, Pedro	Dominus meus et Deus meus – 96v–98 O beata Maria - 1a pars (of 2): O beata Maria spes unica peccatorum – 98v O beata Maria - 2a pars (of 2): Accipe quod offerimus, redona quod rogamus – 99
Morales, Cristóbal de (ca. 1500–1553)	(?) Dominus meus et Deus meus – 96v–98 Invitatorium pro defunctis: i. Regem cui – 25v–29 Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum – 49v–53 Lamentations (2): Num. Vigilavit jugum iniquitatum – 53v–58 Lamentations (3): Phe. Expandit Sion manus suas – 58v–63 Missa Requiem (4vv): 1. Introitus: Requiem aeternam – 63v–64 Missa Requiem (4vv): 2. Kyrie – 64v–65 Missa Requiem (4vv): 3. Graduale: [Requiem aeternam] Dona eis Domine – 65v–68 Missa Requiem (4vv): 4. Tractus: Sicut cervus – 68v–69 Missa Requiem (4vv): 6. Offertorium: [Domine Jesu Christe] Libera animas fidelium - Hostias et preces – 69v–71 Missa Requiem (4vv): 7. Sanctus incl.: Pleni, Benedictus – 71v–73 Missa Requiem (4vv): 8. Agnus Dei – 72v–74 Missa Requiem (4vv): 9. Communio: Lux aeterna – 74v–76 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Agnus I. Agnus II. – 20v–21 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Credo: 3 partes. – 16v–19 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Gloria: 2 partes. – 15v–16 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Kyrie – 15 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Sanctus mit: Pleni, Osanna, Benedictus. – 19v–21 (?) Ne recorderis dirige dum veneris / Kyrie eleison – 76v–77 Parce mihi Domine – 29v–31 Per tuam crucem - 1a pars (of 2): Per tuam crucem salva nos Christe – 34v–35 Per tuam crucem - 2a pars (of 2): Miserere nostri Jesu benigne – 35v–36
Obrecht, Jacobus (ca. 1457–1505)	(?) Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis – 89v–92 (?) Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum – 92v–94
Robledo, Melchor	Missa voces musicales: Agnus Dei – 12v–14v Missa voces musicales: Credo – 5v–10 Missa voces musicales: Gloria – 3v–5 Missa voces musicales: Kyrie – 1–3 Missa voces musicales: Sanctus – 10v–12
Torre, Francisco de la	Ne recorderis dirige dum veneris / Kyrie eleison – 76v–77
Vivanco, Sebastián de	In manus tuas – 104b v–105
Willaert, Adrian (ca. 1490–1562)	Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis – 89v–92 (?) Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum – 92v–94

Composition	Composers (? Uncertain)	Folios / Pages
Absolve Domine	Anonymous	103v–104
Accepit Jesus panes	Anonymous	45v–47
Alma redemptoris mater	Anonymous	31v–34
Assumpsit Jesus Petrum	Anonymous	43v–45
Ave regina caelorum	Anonymous	23v–25
Dominus meus et Deus meus	Morales, Cristóbal de (ca. 1500–1553) (?) Guerrero, Pedro	96v–98
Gaude virgo Catherina	Anonymous	40v–43
Gaudent in caelis	Anonymous	94v–96
Hortus conclusus soror mea sponsa (2a pars: Veni speciosa mea)	Ceballos, Rodrigo de (ca. 1525–1581)	21v–23
In manus tuas	Anonymous	104v–104b
In manus tuas	Vivanco, Sebastián de	104b v–105
Inter vestibulum et altare	Anonymous	87v–89
Invitatorium pro defunctis: i. Regem cui	Morales, Cristóbal de (ca. 1500–1553)	25v–29
Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum	Morales, Cristóbal de (ca. 1500–1553)	49v–53
Lamentations (2): Num. Vigilavit jugum iniquitatum	Morales, Cristóbal de (ca. 1500–1553)	53v–58
Lamentations (3): Phe. Expandit Sion manus suas	Morales, Cristóbal de (ca. 1500–1553)	58v–63
Libera me Domine	Anonymous	77v–78
Martine pastor optime	Anonymous	38v–39
Miserere mei Deus	Anonymous	105v–108
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Agnus I. Agnus II.	Morales, Cristóbal de (ca. 1500–1553)	20v–21
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Credo: 3 partes.	Morales, Cristóbal de (ca. 1500–1553)	16v–19
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Gloria: 2 partes.	Morales, Cristóbal de (ca. 1500–1553)	15v–16
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Kyrie	Morales, Cristóbal de (ca. 1500–1553)	15
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Sanctus mit: Pleni, Osanna, Benedictus.	Morales, Cristóbal de (ca. 1500–1553)	19v–21
Missa Requiem (4vv): 1. Introitus: Requiem aeternam	Morales, Cristóbal de (ca. 1500–1553)	63v–64
Missa Requiem (4vv): 2. Kyrie	Morales, Cristóbal de (ca. 1500–1553)	64v–65
Missa Requiem (4vv): 3. Graduale: [Requiem aeternam] Dona eis Domine	Morales, Cristóbal de (ca. 1500–1553)	65v–68
Missa Requiem (4vv): 4. Tractus: Sicut cervus	Morales, Cristóbal de (ca. 1500–1553)	68v–69
Missa Requiem (4vv): 6. Offertorium: [Domine Jesu Christe] Libera animas fidelium - Hostias et preces	Morales, Cristóbal de (ca. 1500–1553)	69v–71
Missa Requiem (4vv): 7. Sanctus incl.: Pleni, Benedictus	Morales, Cristóbal de (ca. 1500–1553)	71v–73
Missa Requiem (4vv): 8. Agnus Dei	Morales, Cristóbal de (ca. 1500–1553)	72v–74
Missa Requiem (4vv): 9. Communio: Lux aeterna	Morales, Cristóbal de (ca. 1500–1553)	74v–76
Missa voces musicales: Agnus Dei	Robledo, Melchor	12v–14v
Missa voces musicales: Credo	Robledo, Melchor	5v–10
Missa voces musicales: Gloria	Robledo, Melchor	3v–5
Missa voces musicales: Kyrie	Robledo, Melchor	1–3
Missa voces musicales: Sanctus	Robledo, Melchor	10v–12
Ne recorderis dirige dum veneris / Kyrie eleison	Guerrero, Francisco (?) Torre, Francisco de la Morales, Cristóbal de (ca. 1500–1553) (?)	76v–77
O beata Maria - 1a pars (of 2): O beata Maria spes unica peccatorum	Guerrero, Pedro	98v
O beata Maria - 2a pars (of 2): Accipe quod offerimus, redona quod rogamus	Guerrero, Pedro	99
Parce mihi Domine	Morales, Cristóbal de (ca. 1500–1553)	29v–31
Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis	Obrecht, Jacobus (ca. 1457–1505) (?) Willaert, Adrian (ca. 1490–1562)	89v–92
Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	Willaert, Adrian (ca. 1490–1562) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	92v–94
Per tuam crucem - 1a pars (of 2): Per tuam crucem salva nos Christe	Morales, Cristóbal de (ca. 1500–1553)	34v–35
Per tuam crucem - 2a pars (of 2): Miserere nostri Jesu benigne	Morales, Cristóbal de (ca. 1500–1553)	35v–36
Regina caeli laetare	Anonymous	36v–38
Sacerdos Dei Martine	Anonymous	39v–40
Super flumina Babilonis	Anonymous	108v–109
Te Deum	Anonymous	78v–85
Veni creator spiritus	Anonymous	47v–49
Veni Domine et noli tardare	Anonymous	85v–87
Vexilla regis prodeunt	Anonymous	99v–100
Vexilla regis prodeunt	Anonymous	100v–103

‡ denotes primary source study

Diego Pacheco, Cristina. 2016. Cristóbal de Morales en Espagne: ses premières œuvres et le manuscrit de Valladolid. 304. Lyon: Symétrie Recherche.

Del Sol, Manuel. 2014. Lamentaciones de Cristobal de Morales: Historia y Autenticidad. Revista de Musicologia, 107-139.

Zaragoza Pascual, Ernesto. 1977. Los Cantorales de 1a Abadia de Silos. Tesoro Sacro Musical, 46-57. Pages: 57.

Preciado, Dionisio (editor). 1974-. Alonso de Tejeda (ca. 1556-1628): Obras Completas. Madrid. Pages: I,114.

Fernandez de la Cuesta, Ismael. 1974. Cantorales Polifónicos de 1a Abadia de Santo Domingo de Silos. Tesoro Sacro Musical, 35-9. Pages: [erroneously referred to as MS I].

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Edward Tambling

Tuesday, 6 February, 2024

Concordance of 'Hortus conclusus' on fols 21v-23r with the piece by Rodrigo Ceballos, also found in E-Tc 7.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

E-SI Ms. 21

Abadia Benedictina Santo Domingo, Archivo, Santo Domingo de Silos, Spain

manuscript of polyphony: Second half of 16th century, with additions in late 16th or early 17th century.

General Description

Binding

Notation

Ruling

Foliation

Decoration

Surface

Census Catalogue of Music Description

General Note

General Note

General Note

General Note

General Note

General Note

Item Bibliography

Concordances

Item Bibliography

Item Bibliography

General Note

General Note

General Note

General Note

Edward Tambling

Tuesday, 6 February, 2024

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017