'Liber cantionum ecclesiasticarum 4, 5 et 6 vocum'. Copied in Rein or vicinity, for use by Cistercian monastery there; apparently commissioned by Bartholomaeus von Grudenegg, monastery's abbot 1559-77 and mentioned in library catalogue 1568. Copied by a single scribe, except for 'Asperges me' added slightly later by a different hand on folios left blank at beginning.
| Archive | Stiftsarchiv, Rein, Austria (A-R) |
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| Shelfmark | 101 (Grudenegg Codex) |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | ca. 580 x 410 mm (pages 550 x 392 mm) |
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| Notations |
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| Provenance |
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| Contents | Contains 41 compositions, 38 from 9 composers, 3 are anonymous. Contains uninventoried compositions from 1 composer. |
General Description
Binding
Original covers
Notation
black void mensural
Ruling
Staff height 26.
Foliation
Original ink foliation, 1-345
Decoration
Inked calligraphic initials, some decorated with grotesques. Pasted inside front and back covers are coats of arms (printed from woodblocks) of Cistercian monastery at Rein; of monastery's abbot, Bartholomaeus von Grudenegg; and of several affiliated convents.
Index
Original index on front flyleaf lists pieces in order of appearance, with foliation, number of voices, and attributions.
Surface
Paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
6 Masses, 1 Requiem Mass, 5 Kyries, 45 Mass Proper sections (= 15 Introit-Alleluia-Communion cycles, ordered according to liturgical calendar), 11 motets, 8 responses or sets of responses = 76
Clemens non Papa-2, Cleve-52, Gombert-1, L'Archier-1, Lassus-3, Maillard/(Tye)-1, Morales-2, Vaet-1, Ville Font-1, anon-12
iii + 345 paper folios, ca. 580 x 410. Original ink foliation, 1-345. Original covers. Original index on front flyleaf lists pieces in order of appearance, with foliation, number of voices, and attributions. Copied by a single scribe, except for "Asperges me" added slightly later by a different hand on folios left blank at beginning. Staff height 26. Inked calligraphic initials, some decorated with grotesques. Pasted inside front and back covers are coats of arms (printed from woodblocks) of Cistercian monastery at Rein; of monastery's abbot, Bartholomaeus von Grudenegg; and of several affiliated convents.
Ca. 1575 (BoettL). Copied in Rein or vicinity, for use by Cistercian monastery there; apparently commissioned by Bartholomaeus von Grudenegg, monastery's abbot 1559-77.
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‡ denotes primary source study
Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance, vol. I. Kassel and Basel. Pages: 833.
Hermelink, Siegfried (editor). 1956-. Orlando di Lasso: Sämtliche Werke, Neue Reihe. Kassel and Basel. Pages: lV.xiii.xx.xxxv.
Federhofer, Hellmut (editor). 1954-. Musik Alter Meister. Graz. Pages: I.
Kempers, Karel Philippus Bernet, and Chris J. Maas (editors). 1951-76. Jacobus Clemens non Papa: Opera Omnia. Corpus mensurabilis musicae, vol. 4. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IX,ix.
Weis, Anton. 1891. Handschriftenverzeichnis der Stifts-Bibliothek zu Rein. Xenia Bernardina, 2: 3-114. Pages: 58, 223-225.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description