D-Rp A.R. 774 (D)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: 1589

Archive Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark A.R. 774 (D)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Pagination
Format portrait
Measurements 309 x 198 mm
Other Identifiers
  • CCM: RegB 774
Copyists
Relationships
Provenance
  • Bavaria, Germany
Contents Contains 152 compositions, 150 from 26 composers, 2 are anonymous.
General Description

A Discantus partbook from a set of six volumes. Copied by Andreas Raselius, cantor of Gymnasium Poeticum in Regensburg 1584-1600. Copied in Regensburg.

Three other scribal names appear in the books but appear only to have contributed the texting of the pieces: "Joachimus Perndelius Ratisponensis texten notulia subiecit Ao: 1589" (T, Nr.144); "Paulus Eisenkekh Ratisponensis textum his notulia subiecit Ao.89" (B, Nr.144); "Johannes Kanndler Ratisbonen: Textum notulia huius voci subiecit" (VI., No.139).

DIAMM, 2017
Binding

Original covers of beige paper over cardboard, with leather spines and leather ties. Front covers decorated with coat of arms of city of Regensburg, inscription 'DODE-CACHORDUM VIVUM' (bottom), and voice designation (top).

DIAMM, 2017
Watermark

(1) coat of arms of city of Regensburg (generally resembles Briquet #1142-4); (2) generally resembles, but not identical to, Briquet #1242.

DIAMM, 2017
Liminary Note

Title page on first folio of D: 'DODECACHORDI / VIVI / in quo / DUODECIM MODORUM / MUSICORUM EXEMPLA DUODENA / sex, quinque et quatuor vocum / in utraque scala admodum / insignia / Singularis iudicio ac diligentia, partim ex / probatissimorum aetatis nostrae symphonetarum / monumentis recentioribus collecta, partim / recens composita sunt per / H. ANDREAM RASELIUM A / Gymnasij poetici SPC. Ratisp. / Cantorem / Mense Novembrij Anno M.D.XIC.' Introductory pages in other books contain Latin poetry, a message from Raselius to his future successors at the Gymnasium, and dedicatory inscription by Raselius to Regensburg town council.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Staff height 13-14

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces, I-CXLIV, excludes four pieces, not part of main corpus, copied at end of Bassus book. (The 'Thematischer Katalog' lists the pieces only by number, and does not give foliation: the DIAMM inventory therefore gives the piece-numbers in parentheses.)

DIAMM, 2017
Foliation

Original ink pagination in upper left margins, beginning on first page with music in each book

DIAMM, 2017
Decoration

Inked initials; attributions, text incipits, piece numbers, and number of voices in red ink (now faded to brownish-red)

DIAMM, 2017
Index

Two original indices at beginning of D book. First index reflects organizational plan of main corpus: pieces grouped under 12 modes ('Dorius,' 'Hypodorius,' 'Phrygius,' 'Hypophrygius,' … 'Hypoionicus'), with two subdivisions ('Regularis' and 'Transpositus') under each mode. Each of the resulting 24 subdivisions has six pieces, arranged in order of decreasing number of voices (two pieces for 6 voices, two for 5 voices, two for 4 voices). Second index lists pieces alphabetically by title.

(There is also a partial listing on the rear flyleaf of 'songs sung in the palace when the teaching was finished' : "CONSIGNATI0 CANTIOnum quae singulis diebus finita schola in Palatio decantari solent" [a list of some of the pieces follows].)

DIAMM, 2017
Surface

Paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

112 motets, 21 German sacred pieces, 2 French sacred pieces, 13 Italian secular pieces = 148

Bertani-1, Bertrand-2, A. Ferrabosco I-2, G. Ferretti-1, Händl -21, Harnisch-5, C. Hollander-1, Hoyoul-3, Kerle-1, Knöfel-1, Lassus [Orland.]-61, Lechner-6, Marenzio-2, Merulo-1, Philippe de Monte-2, Phinot-1, Prenner-2, Raselius-10, Regnart-5, Striggio-1, Utendal-11, Vaet-2, Vinci-1, Wert-2, Zanotti-1, anon-2

6 paper partbooks (DA-83 + i folios each, T-79, B-85 + i,Q-78 + i, S-51 + i), 309 x 198. Original ink pagination in upper left margins, beginning on first page with music in each book. Original numbering of pieces, I-CXLIV, excludes four pieces, not part of main corpus, copied at end of B book. Each book has section of blank folios at end (D: 6; A: 6; T: 2; B: 5; Q: 21; S: 20) and another section of blank folios between introductory pages at front and beginning of music. Original covers of beige paper over cardboard, with leather spines and leather ties. Front covers decorated with coat of arms of city of Regensburg, inscription "DODE-CACHORDUM VIVUM" (bottom), and voice designation (top).

Two original indices at beginning of D book. First index reflects organizational plan of main corpus: pieces grouped under 12 modes ("Dorius," "Hypodorius," "Phrygius," "Hypophrygius," . . . "Hypoionicus"), with two subdivisions ("Regularis" and "Transpositus") under each mode. Each of the resulting 24 subdivisions has six pieces, arranged in order of decreasing number of voices (two pieces for 6 voices, two for 5 voices, two for 4 voices). Second index lists pieces alphabetically by title.

Copied by Andreas Raselius, cantor of Gymnasium Poeticum in Regensburg 1584-1600. Staff height 13-14. Inked initials; attributions, text incipits, piece numbers, and number of voices in red ink (now faded to brownish-red). Watermarks: (1) coat of arms of city of Regensburg (generally resembles Briquet #1142-4); (2) generally resembles, but not identical to, Briquet #1242.

Title page on first folio of D: "DODECACHORDI / VIVI / in quo / DUODECIM MODORUM / MUSICORUM EXEMPLA DUODENA / sex, quinque et quatuor vocum / in utraque scala admodum / insignia / Singularis iudicio ac diligentia, partim ex / probatissimorum aetatis nostrae symphonetarum / monumentis recentioribus collecta, partim / recens composita sunt per / H. ANDREAM RASELIUM A / Gymnasij poetici SPC. Ratisp. / Cantorem / Mense Novembrij Anno M.D.XIC." Introductory pages in other books contain Latin poetry, a message from Raselius to his future successors at the Gymnasium, and dedicatory inscription by Raselius to Regensburg town council.

1589 (date on title page). Copied in Regensburg.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
1v–3 [Discantus only] index (by mode) - - -

index (by mode)

Appears on: 1v–3 [Discantus only]
3v–4v [Discantus only] index (alphabetical) - - Anonymous
Appears on: 3v–4v [Discantus only]
Genres: Index
(1) In voce exultationis 6 Jacob Handl
Appears on: (1)
Genres: Motet
Source Attribution: Jacob Handl
Number of voices: 6
(2) Omnis enim homo 6 Orland. [di Lasso]
Appears on: (2)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 6
(3) De ore prudentis procedit mel alleluia 5 Orland. [di Lasso]
Appears on: (3)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 5
(4) Ich ruf o Gott in dieser Not 5 Otth. Sigfrid Harnisch
Appears on: (4)
Genres: Motet
Source Attribution: Otth. Sigfrid Harnisch
Number of voices: 5
Voice: Discantus
Languages: German
Voice Text: Ich ruff o Gott in disser not
(5) Qui fugat in trepidos 4 Jacob Handl
Appears on: (5)
Genres: Motet
Source Attribution: Jacob Handl
Number of voices: 4
(6) Mon ame chante 4 Anton. Bertrand
Appears on: (6)
Genres: Hymn
Source Attribution: Anton. Bertrand
Number of voices: 4
(7) Paratum cor meum Deus cantabo et psallam 6 Leon. Lechner
Appears on: (7)
Genres: Motet
Source Attribution: Leon. Lechner
Number of voices: 6
(8) Da pacem Domine 6 Baldvin Hoyoul
Appears on: (8)
Genres: Motet
Source Attribution: Baldvin Hoyoul
Number of voices: 6
(9) Cantantibus organis Caecilia - 2a pars (of 2): Fiat Domine cor meum 5 Orland. [di Lasso]
Appears on: (9)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 5
(10) All ding verganglich 5 Joan. Knefel
Appears on: (10)
Genres: Motet
Source Attribution: Joan. Knefel
Number of voices: 5
(11) Dextera Domini fecit 4 Orland. [di Lasso]
Appears on: (11)
Genres: Motet, Offertory
Source Attribution: Orland. [di Lasso]
Number of voices: 4
(12) Ich ruf' zu dir herr Jesu Christ 4 Orland. [di Lasso]
Appears on: (12)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 4
(13) Adesto dolori meo Deus nimium fatigor 6 Alex. Utendal
Appears on: (13)
Genres: Motet
Source Attribution: Alex. Utendal
Number of voices: 6
(14) Nos alium Deum nescimus 6 Jacob Handl
Appears on: (14)
Genres: Motet
Source Attribution: Jacob Handl
Number of voices: 6
(15) Si ambulavero in medio tribulationis (5vv) 5 Orland. [di Lasso]
Appears on: (15)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 5
(16) Ein jeder Mensch bedenke 5 Leon. Lechner
Appears on: (16)
Genres: Sacred Song
Source Attribution: Leon. Lechner
Number of voices: 5
(17) Usquequo Domine - 2a pars (of 2): Usquequo exaltabitur 4 Jacob. Regnart
Appears on: (17)
Genres: Motet
Source Attribution: Jacob. Regnart
Number of voices: 4
(18) Ta verite redresse ma 4 Antonie Bertrand
Appears on: (18)
Genres: Hymn
Source Attribution: Antonie Bertrand
Number of voices: 4
(19) Quas tibi rerum sapiens 6 Orland. [di Lasso]
Appears on: (19)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 6
(20) Quem dies vidit 6 Otth. Sigfrid Harnisch
Appears on: (20)
Genres: Motet
Source Attribution: Otth. Sigfrid Harnisch
Number of voices: 6
(21) Peccata mea Domine sicut sagittae infixa 5 Orland. [di Lasso]
Appears on: (21)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 5
(22) Misericordias Domini 5 Orland. [di Lasso]
Appears on: (22)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 5
(23) Wach auf - 1a pars (of 2): Wach auf, o Menschenkind 4 Orland. [di Lasso]
Appears on: (23)
Genres: Hymn
Source Attribution: Orland. [di Lasso]
Number of voices: 4
Voice: Discantus
Languages: German
Voice Text: Wach auff o Menschenkind
(24) Wach auf - 2a pars (of 2): Ist doch Gott gar ein 4 Orland. [di Lasso]
Appears on: (24)
Genres: Hymn
Source Attribution: Orland. [di Lasso]
Number of voices: 4
Voice: Discantus
Languages: German
Voice Text: Ist doch Gott gar ein
(25) Dominus mihi adjutor - 1a pars (of 2): Dominus mihi adjutor non timebo 6 Orland. [di Lasso]
Appears on: (25)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 6
(25) Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino 6 -
Appears on: (25)
Genres: Motet
Number of voices: 6
(26) Cantate Domino canticum novum (6vv) 6 Orlandi [di Lasso]
Appears on: (26)
Genres: Motet
Source Attribution: Orlandi [di Lasso]
Number of voices: 6
(27) Quis mihi det lacrimis 5 Orlandi [di Lasso]
Appears on: (27)
Genres: Motet
Source Attribution: Orlandi [di Lasso]
Number of voices: 5
(28) Domine Jesu Christe qui cognoscis - 2a pars (of 2): Averte Domine faciem 5 Orlando [di Lasso]
Appears on: (28)
Genres: Motet
Source Attribution: Orlando [di Lasso]
Number of voices: 5
(29) Pulvis et umbra sumus 4 Orland. [di Lasso]
Appears on: (29)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 4
(30) Tu dich o Herr uber dein (=Du corps absent) 4 Orl[ando di Lasso]
Appears on: (30)
Genres: Contrafactum, Sacred Song
Source Attribution: Orl[ando di Lasso]
Number of voices: 4
Voice: Discantus
Languages: German
Voice Text: Thue dich o herr ueber dein
(31) O rex gentium et desideratus earum lapisque 6 Claudii Meruli
Appears on: (31)
Genres: Motet
Source Attribution: Claudii Meruli
Number of voices: 6
(32) Lauda mater ecclesia - 3a pars (of 3): Surgentem cum victoria Jesum videt 6 Orlandi [di Lasso]
Appears on: (32)
Genres: Motet
Source Attribution: Orlandi [di Lasso]
Number of voices: 6
(33) O Domine custodi animam (= Sappi Signor) 5 Pietro Vinci
Appears on: (33)
Genres: Sacred Song
Source Attribution: Pietro Vinci
Number of voices: 5
(34) Vorria saper se voi fiammelle sete 5 Jacomo Regnart
Appears on: (34)
Genres: Madrigal (Italian)
Source Attribution: Jacomo Regnart
Number of voices: 5
(35) Sic Deus dilexit mundum ut filium suum (= Celle qui m'a tant pourmenée) 4 Chr[isti]an Hollander
Appears on: (35)
Genres: Contrafactum, Motet
Source Attribution: Chr[isti]an Hollander
Number of voices: 4
(36) Jubilate Deo omnis terra servite Domino 4 Jacob Handl
Appears on: (36)
Genres: Motet
Source Attribution: Jacob Handl
Number of voices: 4
(37) Terra tremuit ex ira tua Domine (2p. Timor et hebetudo mentis cecidit) 6 Alexan. Utendal
Appears on: (37)
Genres: Motet
Source Attribution: Alexan. Utendal
Number of voices: 6
(38) O bone Deus ne proiicias nos in tempore 6 Jacob Handl
Appears on: (38)
Genres: Motet
Source Attribution: Jacob Handl
Number of voices: 6
(39) Poscia che per mio mal 5 - Anonymous
Appears on: (39)
Genres: Madrigal (Italian)
Number of voices: 5
(40) Amor ecco colei 5 Jacomo Regnart
Appears on: (40)
Genres: Madrigal (Italian)
Source Attribution: Jacomo Regnart
Number of voices: 5
(41) Herr Jesu Christ der du bist (= Le vray ami ne s'estonne) 4 Orland. [di Lasso]
Appears on: (41)
Genres: Contrafactum, Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 4
(42) Aus meiner Sunden Tieffer 4 Orland. [di Lasso]
Appears on: (42)
Genres: Sacred Song
Source Attribution: Orland. [di Lasso]
Number of voices: 4
(43) Media vita (6vv) - 1a pars (of 2): Media vita in morte sumus 6 Orland. [di Lasso]
Appears on: (43)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 6
(43) Media vita (6vv) - 2a pars (of 2): Sancte Deus 6 -
Appears on: (43)
Genres: Motet
Number of voices: 6
(44) Surge propera amica mea columba mea (2p. Veni de libano sponsa mea) 6 Dominicus Phinot
Appears on: (44)
Genres: Motet
Source Attribution: Dominicus Phinot
Number of voices: 6
(45) Domine quando veneris 5 Orland. [di Lasso]
Appears on: (45)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 5
(46) Benedictus Deus - 2a pars (of 2): Benedicte Deum caeli 5 Jacob Handl
Appears on: (46)
Genres: Motet
Source Attribution: Jacob Handl
Number of voices: 5
(47) Improperium expectavit cor 4 Orland. [di Lasso]
Appears on: (47)
Genres: Motet, Offertory
Source Attribution: Orland. [di Lasso]
Number of voices: 4
(48) Anna soror soror Annae 4 Jacob Handl
Appears on: (48)
Genres: Motet
Source Attribution: Jacob Handl
Number of voices: 4
(49) Fratres expurgate vetus fermentum ut sitis 6 Alexand. Utendal
Appears on: (49)
Genres: Motet
Source Attribution: Alexand. Utendal
Number of voices: 6
(50) Poi ch'il mio largo pianto amor 6 Filippo de monte
Appears on: (50)
Genres: Italian secular
Source Attribution: Filippo de monte
Number of voices: 6
Voice: Discantus
Languages: Italian
Voice Text: Poi ch' el mio largo pianto
(51) Beati qui habitant 5 Philip. de Monte
Appears on: (51)
Genres: Motet
Source Attribution: Philip. de Monte
Number of voices: 5
(52) Si vos mansueritis 5 Andreae Rasell.
Appears on: (52)
Genres: Motet
Source Attribution: Andreae Rasell.
Number of voices: 5
(53) Qui de terra est 4 Andr. Rasell.
Appears on: (53)
Genres: Motet
Source Attribution: Andr. Rasell.
Number of voices: 4
(54) Domine exaudi - 1a pars (of 8): Domine exaudi orationem 4 Alexander Utendal
Appears on: (54)
Genres: Motet
Source Attribution: Alexander Utendal
Number of voices: 4
(55) Si iniquitates 6 Andr. Rasell.
Appears on: (55)
Genres: Motet
Source Attribution: Andr. Rasell.
Number of voices: 6
(56) Ego sum lux mundi 6 Andr. Rasell.
Appears on: (56)
Genres: Motet
Source Attribution: Andr. Rasell.
Number of voices: 6
(57) Almo leon' che co'l ruggito altero 5 Camillo Zannotto
Appears on: (57)
Genres: Madrigal
Source Attribution: Camillo Zannotto
Number of voices: 5
Voice: Discantus
Languages: Italian
Voice Text: Almo leon ma se 'l 'ruggite
(58) Ardo si, ma non t'amo 5 Leonardo Lechner
Appears on: (58)
Genres: Madrigal (Italian)
Source Attribution: Leonardo Lechner
Number of voices: 5
Voice: Discantus
Languages: Italian
Voice Text: Ardosi
(59) Domine exaudi - 5a pars (of 8): Quoniam placuerunt 4 Alexand. Utendal
Appears on: (59)
Genres: Motet
Source Attribution: Alexand. Utendal
Number of voices: 4
(60) Domine exaudi - 8a pars (of 8): Initio tu Domine 4 Alexander Utendal
Appears on: (60)
Genres: Motet
Source Attribution: Alexander Utendal
Number of voices: 4
(61) Confitemini Domino (6vv) - 1a pars (of 2): Confitemini Domino filii Israel 6 Orland. [di Lasso]
Appears on: (61)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 6
(61) Confitemini Domino (6vv) - 2a pars (of 2): Ipse castigavit nos 6 -
Appears on: (61)
Genres: Motet
Number of voices: 6
(62) Ego sum via 6 And. Raseli.
Appears on: (62)
Genres: Motet
Source Attribution: And. Raseli.
Number of voices: 6
(63) Quid prodest homini - 1a pars (of 2): Quid prodest homini 5 Orlandi [di Lasso]
Appears on: (63)
Genres: Motet
Source Attribution: Orlandi [di Lasso]
Number of voices: 5
(64) Quid prodest homini - 2a pars (of 2): Futurum est enim 5 Orlandi [di Lasso]
Appears on: (64)
Genres: Motet
Source Attribution: Orlandi [di Lasso]
Number of voices: 5
(65) De profundis - 1a pars (of 3): De profundis clamavi ad te Domine 4 Alexander Utendal
Appears on: (65)
Genres: Motet
Source Attribution: Alexander Utendal
Number of voices: 4
General Note

Opening of the prima pars; a second extract from the prima pars is at no. 66 (Si iniquitates). The 3a pars is at no. 72

(66) De profundis - 1a pars (of 3): De profundis clamavi ad te Domine 4 Alexander Utendal
Appears on: (66)
Genres: Motet
Source Attribution: Alexander Utendal
Number of voices: 4
Voice: Discantus
Languages: Latin
Voice Text: Si iniquitates (second segment of the prima pars of Utendal's De profundis clamavi)
General Note

a second segment (Si iniquitates) of the prima pars of Utendal's motet, following on from no. 65. The 3a pars of the motet is at no. 72

(67) Ne glorieris in crastinum 6 Andr. Rasell.
Appears on: (67)
Genres: Motet
Source Attribution: Andr. Rasell.
Number of voices: 6
(68) Memento creatoris 6 Andr. Rasell.
Appears on: (68)
Genres: Motet
Source Attribution: Andr. Rasell.
Number of voices: 6
(69) Ecce Dominus veniet - 1a pars (of 2): Ecce Dominus veniet et omnes sancti eius 5 Jacob Handl
Appears on: (69)
Genres: Motet
Source Attribution: Jacob Handl
Number of voices: 5
(69) Ecce Dominus veniet - 2a pars (of 2): Ecce veniet Deus et homo de domo David 5 -
Appears on: (69)
Genres: Motet
Number of voices: 5
(70) Eripe me de inimicis 5 Andreas Rasell.
Appears on: (70)
Genres: Motet
Source Attribution: Andreas Rasell.
Number of voices: 5
(71) Lobet den Herren alle Heiden 4 Andre. Rasell.
Appears on: (71)
Genres: Hymn
Source Attribution: Andre. Rasell.
Number of voices: 4
(72) De profundis - 3a pars (of 3): Quia apud Dominum misericordia et copiosa 4 Alexand. Utendal
Appears on: (72)
Genres: Motet
Source Attribution: Alexand. Utendal
Number of voices: 4
(73) In convertendo Dominus captivitatem Sion 6 Leonard. Lechner
Appears on: (73)
Genres: Motet
Source Attribution: Leonard. Lechner
Number of voices: 6
(74) Justus ut palma - 1a pars (of 2): Justus ut palma 6 Otth. Sigfrid Harnisch
Appears on: (74)
Genres: Motet
Source Attribution: Otth. Sigfrid Harnisch
Number of voices: 6
(74) Justus ut palma - 2a pars (of 2): Adhuc germinabunt 6 -
Appears on: (74)
Genres: Motet
Number of voices: 6
(75) Domine clamavi (5vv) - 1a pars (of 3): Domine clamavi ad te 5 Orland. [di Lasso]
Appears on: (75)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 5
General Note

The 3a pars of the motet is at no. 81

(76) Guarda che m' ha condutto 5 Jacomo Regnart
Appears on: (76)
Genres: Madrigal (Italian)
Source Attribution: Jacomo Regnart
Number of voices: 5
Voice: Discantus
Languages: Italian
Voice Text: Guarda
(77) Gressus meos dirige 4 Orland. [di Lasso]
Appears on: (77)
Genres: Motet, Offertory
Source Attribution: Orland. [di Lasso]
Number of voices: 4
(78) Hilf uns o Herr (= Si froid et chaud) 4 Orland. [di Lasso]
Appears on: (78)
Genres: Contrafactum, Sacred Song
Source Attribution: Orland. [di Lasso]
Number of voices: 4
Voice: Discantus
Languages: German
Voice Text: Hilff uns o Herr
(79) Conveniens homini 6 Orlandus [di Lasso]
Appears on: (79)
Genres: Motet
Source Attribution: Orlandus [di Lasso]
Number of voices: 6
(80) Occhi sereni e chiari 6 Luca Marenzio
Appears on: (80)
Genres: Madrigal (Italian)
Source Attribution: Luca Marenzio
Number of voices: 6
Voice: Discantus
Languages: Italian
Voice Text: Occhi
(81) Domine clamavi (5vv) - 3a pars (of 3): Dissipata sunt 5 Orland. [di Lasso]
Appears on: (81)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 5
General Note

the motet's 1a pars is no.75

(82) Liquide perle Amor da gl'occhi sparse 5 Luca Marenzio
Appears on: (82)
Genres: Chanson
Source Attribution: Luca Marenzio
Number of voices: 5
(83) Vir linguosus non dirigetur 4 Jacobus Handl
Appears on: (83)
Genres: Motet
Source Attribution: Jacobus Handl
Number of voices: 4
(84) Domine rex omnipotens - 3a pars (of 3): Tu Domine cui humilium et mansuetorum 4 Jacob de Kerle
Appears on: (84)
Genres: Motet
Source Attribution: Jacob de Kerle
Number of voices: 4
(85) Agimus tibi gratias 6 Orland. [di Lasso]
Appears on: (85)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 6
(86) Veni sancte spiritus reple tuorum corda 6 Orland. [di Lasso]
Appears on: (86)
Genres: Motet, Veni sancte spiritus
Source Attribution: Orland. [di Lasso]
Number of voices: 6
(87) Laudate Dominum omnes gentes, laudate eum 5 Alex. Utendal
Appears on: (87)
Genres: Motet
Source Attribution: Alex. Utendal
Number of voices: 5
(88) Benedixisti Domine terram tuam avertisti 5 Orland. [di Lasso]
Appears on: (88)
Genres: Motet, Offertory
Source Attribution: Orland. [di Lasso]
Number of voices: 5
(89) Orat bis qui corde 4 Jacob. Regnart
Appears on: (89)
Genres: Motet
Source Attribution: Jacob. Regnart
Number of voices: 4
(90) Bewar mich Herr (= Ton feu s'esteint) 4 Orland. [di Lasso]
Appears on: (90)
Genres: Contrafactum, Hymn
Source Attribution: Orland. [di Lasso]
Number of voices: 4
Voice: Discantus
Languages: German
Voice Text: Bewar mich Herr
(91) Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum 6 Orland. [di Lasso]
Appears on: (91)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 6
(92) Amatemi, ben mio, perche sdegn' il mio core 6 Lelio Bertani
Appears on: (92)
Genres: Madrigal (Italian)
Source Attribution: Lelio Bertani
Number of voices: 6
Voice: Discantus
Languages: Italian
Voice Text: Amatemi
(93) Tulit ergo Dominus - 1a pars (of 2): Tulit ergo Dominus 5 Baldv. Hoyoul
Appears on: (93)
Genres: Motet
Source Attribution: Baldv. Hoyoul
Number of voices: 5
(93) Tulit ergo Dominus - 2a pars (of 2): Ex omne ligno 5 -
Appears on: (93)
Genres: Motet
Number of voices: 5
(94) Come poss' io morir se non ho vita 5 Giovan Ferretti
Appears on: (94)
Genres: Madrigal (Italian)
Source Attribution: Giovan Ferretti
Number of voices: 5
Voice: Discantus
Languages: Italian
Voice Text: Come poss'io
(95) Laudate Dominum in sanctis eius (4vv) 4 Jacob. Handl
Appears on: (95)
Genres: Motet
Source Attribution: Jacob. Handl
Number of voices: 4
(96) Perfice gressus meos 4 Orland. [di Lasso]
Appears on: (96)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 4
(97) In Deo salutare - 1a pars (of 2): In Deo salutare meum 6 Orland. [di Lasso]
Appears on: (97)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 6
(97) In Deo salutare - 2a pars (of 2): Sperate in eo 6 -
Appears on: (97)
Genres: Motet
Number of voices: 6
(98) Benedictio et claritas et sapientia 6 Orland. [di Lasso]
Appears on: (98)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 6
(99) Herr Jesu Christ dir 5 Otth. Sigfrid Harnisch
Appears on: (99)
Genres: Hymn
Source Attribution: Otth. Sigfrid Harnisch
Number of voices: 5
(100) Recht ist dass man in 5 Otth. Sigfrid Harnisch
Appears on: (100)
Genres: Sacred Song
Source Attribution: Otth. Sigfrid Harnisch
Number of voices: 5
(101) Precatus est Moyses 4 Orland. [di Lasso]
Appears on: (101)
Genres: Motet, Offertory
Source Attribution: Orland. [di Lasso]
Number of voices: 4
(102) Lauda anima mea 4 Orland. [di Lasso]
Appears on: (102)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 4
(103) O vos omnes qui transitis (C51) 6 Alphonsi Ferrabosci
Appears on: (103)
Genres: Motet
Source Attribution: Alphonsi Ferrabosci
Number of voices: 6
(104) O vos omnes qui transitis per viam 6 Jacob Handl
Appears on: (104)
Genres: Motet
Source Attribution: Jacob Handl
Number of voices: 6
(105) Respexit Elias ad caput 5 Orland. [di Lasso]
Appears on: (105)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 5
(106) Levavi oculos meos - 2a pars (of 2): Auxilium meum a Domino 5 Alexand. Utendal
Appears on: (106)
Genres: Motet
Source Attribution: Alexand. Utendal
Number of voices: 5
(107) Captabant in animam justi 4 Jacob Handl
Appears on: (107)
Genres: Motet
Source Attribution: Jacob Handl
Number of voices: 4
(108) Ingemuit Susanna et ait 4 Jacob Handl
Appears on: (108)
Genres: Motet
Source Attribution: Jacob Handl
Number of voices: 4
(109) Laus et perennis gloria Deo patri et filio (8vv) 6 Jacob Handl
Appears on: (109)
Genres: Motet
Source Attribution: Jacob Handl
Number of voices: 6
(110) Vox de caelo sonuit 6 Jacob Handl
Appears on: (110)
Genres: Motet
Source Attribution: Jacob Handl
Number of voices: 6
(111) Considerate dilectissimi 5 Georgius Prenner
Appears on: (111)
Genres: Motet
Source Attribution: Georgius Prenner
Number of voices: 5
(112) Plange quasi virgo 5 Georgius Prenner
Appears on: (112)
Genres: Motet
Source Attribution: Georgius Prenner
Number of voices: 5
(113) Quoties diem illum considero 4 Jacobus Vaet
Appears on: (113)
Genres: Motet
Source Attribution: Jacobus Vaet
Number of voices: 4
(114) Cogitate miseri 4 Jacob. Handl
Appears on: (114)
Genres: Motet
Source Attribution: Jacob. Handl
Number of voices: 4
(115) Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam (C62) 6 Alphonsi Ferabosci
Appears on: (115)
Genres: Motet
Source Attribution: Alphonsi Ferabosci
Number of voices: 6
(116) Adoramus te Jesu Christe 6 Jacob Handl
Appears on: (116)
Genres: Motet
Source Attribution: Jacob Handl
Number of voices: 6
(117) O Tod du bist - 2a pars (of 2): O Tod wie kannst du sein 5 Leon. Lechner
Appears on: (117)
Genres: Motet
Source Attribution: Leon. Lechner
Number of voices: 5
Voice: Discantus
Languages: German
Voice Text: O Tod wie kanstu sei
(118) Ecce apparebit - 2a pars (of 2): Jerusalem gaude gaudio magno 5 Jacob Vaet
Appears on: (118)
Genres: Motet
Source Attribution: Jacob Vaet
Number of voices: 5
Voice: Discantus
Languages: Latin
Voice Text: Hierusalem gaude
(119) Ad Dominum cum tribularer clamavi 4 Jacob Handl
Appears on: (119)
Genres: Motet
Source Attribution: Jacob Handl
Number of voices: 4
(120) Allein zu dir - 2a pars (of 2): Wann kommen wird mein letzte 4 Leon. Lechner
Appears on: (120)
Genres: Motet
Source Attribution: Leon. Lechner
Number of voices: 4
(121) Ego sum panis vitae patris vestri manducaverunt (2p. Et panis quem ego dabo) 6 Jacob Handl
Appears on: (121)
Genres: Motet
Source Attribution: Jacob Handl
Number of voices: 6
(122) Fratres gaudete - 1a pars (of 2): Fratres gaudete in Domino 6 Orland. [di Lasso]
Appears on: (122)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 6
(122) Fratres gaudete - 2a pars (of 2): Petitiones vestrae 6 -
Appears on: (122)
Genres: Motet
Number of voices: 6
(123) Cum intrasset Jesus - 2a pars (of 2): Et Intravit Jesus in templum 5 Jaches Wertt
Appears on: (123)
Genres: Motet
Source Attribution: Jaches Wertt
Number of voices: 5
(124) Speremus meliora omnes spem nomine sacro 5 idem (i.e Jaches Wertt)
Appears on: (124)
Genres: Motet
Source Attribution: idem (i.e Jaches Wertt)
Number of voices: 5
(125) O fortuna potens quam 4 Jacob Handl
Appears on: (125)
Genres: Motet
Source Attribution: Jacob Handl
Number of voices: 4
(126) Gross angst und not (= Trop endurer sans avoir) 4 Orland. [di Lasso]
Appears on: (126)
Genres: Contrafactum, Sacred Song
Source Attribution: Orland. [di Lasso]
Number of voices: 4
(127) Ante me non est 6 Orland. [di Lasso]
Appears on: (127)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 6
(128) Domine Jesu Christe non sum dignus 6 -
Appears on: (128)
Genres: Motet
Number of voices: 6
(129) Veni Domine et noli tardare 5 Bald. Hoyoul
Appears on: (129)
Genres: Motet
Source Attribution: Bald. Hoyoul
Number of voices: 5
(130) Justorum animae 5 Orland. [di Lasso]
Appears on: (130)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 5
(131) All mein anfang hat (= Le temps peut bien) 4 Orland. [di Lasso]
Appears on: (131)
Genres: Contrafactum, Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 4
(132) Benedicam Dominum qui tribuit 4 Orland. [di Lasso]
Appears on: (132)
Genres: Motet, Offertory
Source Attribution: Orland. [di Lasso]
Number of voices: 4
(133) Deus meus in simplicitate cordis mei 6 Orland. [di Lasso]
Appears on: (133)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 6
(134) Hodie completi sunt dies - 2a pars (of 2): Misit eos in universum mundum 6 Orland. [di Lasso]
Appears on: (134)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 6
(135) Kein Gluck noch heil wil (= Le rossignoll plaisant) 5 Orland. [di Lasso]
Appears on: (135)
Genres: Contrafactum, Lied
Source Attribution: Orland. [di Lasso]
Number of voices: 5
(136) Impulsus eversus sum - 2a pars (of 2): Vox exultationis 5 Orland. [di Lasso]
Appears on: (136)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 5
(137) Populum humilem salvum 4 Orland. [di Lasso]
Appears on: (137)
Genres: Motet, Offertory
Source Attribution: Orland. [di Lasso]
Number of voices: 4
(138) Praeparate corda vestra 4 Jacob Handl
Appears on: (138)
Genres: Motet
Source Attribution: Jacob Handl
Number of voices: 4
(139) Vulnerasti cor meum soror mea sponsa 6 Orland. [di Lasso]
Appears on: (139)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 6
(140) Alla mia dolc' e vaga Donna intorno 6 Alessandro Striggio
Appears on: (140)
Genres: Madrigal (Italian)
Source Attribution: Alessandro Striggio
Number of voices: 6
Voice: Discantus
Languages: Italian
Voice Text: Alla mia dolce
(141) Deus noster refugium et virtus adjutor 5 Orland. [di Lasso]
Appears on: (141)
Genres: Motet
Source Attribution: Orland. [di Lasso]
Number of voices: 5
(142) Was kann uns kommen 5 Orland. [di Lasso]
Appears on: (142)
Genres: Lied
Source Attribution: Orland. [di Lasso]
Number of voices: 5
(143) Exaltabo te Domine 4 Orland. [di Lasso]
Appears on: (143)
Genres: Motet, Offertory
Source Attribution: Orland. [di Lasso]
Number of voices: 4
(144) Eripe me de inimicis [S60] 4 Orland. [di Lasso]
Appears on: (144)
Genres: Motet, Offertory
Source Attribution: Orland. [di Lasso]
Number of voices: 4
Composer Compositions
Anonymous
Bertani, Lelio
Bertrand, Antoine de
Clavius, Christophorus
Ferrabosco, Alfonso (the elder) (1543-1588)
Ferretti, Giovanni
Handl (Gallus), Jacobus (1550-1591)
Harnisch, Otto Siegfried
Hollander, Christian
Hoyoul, Balduin
Kerle, Jacobus de
Knöfel, Johannes (ca. 1525-1617)
Lassus, Orlande de (ca. 1532-1594)
Lechner, Leonhard
Marenzio, Luca (ca. 1553-1599)
Merulo, Claudio (1533-1604)
Monte, Philippe de
Phinot, Dominique
Prenner, Georg (-1590)
Raselius, Andreas (ca. 1563-1602)
Regnart, Jacob (ca. 1540-1599)
Striggio, Alessandro (ca. 1536-1592)
Utendal, Alexander (ca. 1530-1581)
Vaet, Jacobus (ca. 1529-ca. 1567)
Vinci, Pietro
Wert, Giaches [Jaches] de (1535-1596)
Zanotti, Camillo
Composition Composers (? Uncertain) Folios / Pages
Ad Dominum cum tribularer clamavi (119)
Adesto dolori meo Deus nimium fatigor (13)
Adoramus te Jesu Christe (116)
Agimus tibi gratias (85)
All ding verganglich (10)
All mein anfang hat (= Le temps peut bien) (131)
Alla mia dolc' e vaga Donna intorno (140)
Allein zu dir - 2a pars (of 2): Wann kommen wird mein letzte (120)
Almo leon' che co'l ruggito altero (57)
Amatemi, ben mio, perche sdegn' il mio core (92)
Amor ecco colei (40)
Anna soror soror Annae (48)
Ante me non est (127)
Ardo si, ma non t'amo (58)
Aus meiner Sunden Tieffer (42)
Beati qui habitant (51)
Benedicam Dominum qui tribuit (132)
Benedictio et claritas et sapientia (98)
Benedictus Deus - 2a pars (of 2): Benedicte Deum caeli (46)
Benedixisti Domine terram tuam avertisti (88)
Bewar mich Herr (= Ton feu s'esteint) (90)
Cantantibus organis Caecilia - 2a pars (of 2): Fiat Domine cor meum (9)
Cantate Domino canticum novum (6vv) (26)
Captabant in animam justi (107)
Cogitate miseri (114)
Come poss' io morir se non ho vita (94)
Confitemini Domino (6vv) - 1a pars (of 2): Confitemini Domino filii Israel (61)
Confitemini Domino (6vv) - 2a pars (of 2): Ipse castigavit nos (61)
Considerate dilectissimi (111)
Conveniens homini (79)
Cum intrasset Jesus - 2a pars (of 2): Et Intravit Jesus in templum (123)
Da pacem Domine (8)
De ore prudentis procedit mel alleluia (3)
De profundis - 1a pars (of 3): De profundis clamavi ad te Domine (65)
De profundis - 1a pars (of 3): De profundis clamavi ad te Domine (66)
De profundis - 3a pars (of 3): Quia apud Dominum misericordia et copiosa (72)
Deus meus in simplicitate cordis mei (133)
Deus noster refugium et virtus adjutor (141)
Dextera Domini fecit (11)
Domine clamavi (5vv) - 1a pars (of 3): Domine clamavi ad te (75)
Domine clamavi (5vv) - 3a pars (of 3): Dissipata sunt (81)
Domine exaudi - 1a pars (of 8): Domine exaudi orationem (54)
Domine exaudi - 5a pars (of 8): Quoniam placuerunt (59)
Domine exaudi - 8a pars (of 8): Initio tu Domine (60)
Domine Jesu Christe non sum dignus (128)
Domine Jesu Christe qui cognoscis - 2a pars (of 2): Averte Domine faciem (28)
Domine quando veneris (45)
Domine rex omnipotens - 3a pars (of 3): Tu Domine cui humilium et mansuetorum (84)
Dominus mihi adjutor - 1a pars (of 2): Dominus mihi adjutor non timebo (25)
Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino (25)
Ecce apparebit - 2a pars (of 2): Jerusalem gaude gaudio magno (118)
Ecce Dominus veniet - 1a pars (of 2): Ecce Dominus veniet et omnes sancti eius (69)
Ecce Dominus veniet - 2a pars (of 2): Ecce veniet Deus et homo de domo David (69)
Ego sum lux mundi (56)
Ego sum panis vitae patris vestri manducaverunt (2p. Et panis quem ego dabo) (121)
Ego sum via (62)
Ein jeder Mensch bedenke (16)
Eripe me de inimicis (70)
Eripe me de inimicis [S60] (144)
Exaltabo te Domine (143)
Fratres expurgate vetus fermentum ut sitis (49)
Fratres gaudete - 1a pars (of 2): Fratres gaudete in Domino (122)
Fratres gaudete - 2a pars (of 2): Petitiones vestrae (122)
Gressus meos dirige (77)
Gross angst und not (= Trop endurer sans avoir) (126)
Guarda che m' ha condutto (76)
Herr Jesu Christ der du bist (= Le vray ami ne s'estonne) (41)
Herr Jesu Christ dir (99)
Hilf uns o Herr (= Si froid et chaud) (78)
Hodie completi sunt dies - 2a pars (of 2): Misit eos in universum mundum (134)
Ich ruf o Gott in dieser Not (4)
Ich ruf' zu dir herr Jesu Christ (12)
Improperium expectavit cor (47)
Impulsus eversus sum - 2a pars (of 2): Vox exultationis (136)
In convertendo Dominus captivitatem Sion (73)
In Deo salutare - 1a pars (of 2): In Deo salutare meum (97)
In Deo salutare - 2a pars (of 2): Sperate in eo (97)
In voce exultationis (1)
index (alphabetical) Anonymous 3v–4v [Discantus only]
Ingemuit Susanna et ait (108)
Jubilate Deo omnis terra servite Domino (36)
Justorum animae (130)
Justus ut palma - 1a pars (of 2): Justus ut palma (74)
Justus ut palma - 2a pars (of 2): Adhuc germinabunt (74)
Kein Gluck noch heil wil (= Le rossignoll plaisant) (135)
Lauda anima mea (102)
Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum (91)
Lauda mater ecclesia - 3a pars (of 3): Surgentem cum victoria Jesum videt (32)
Laudate Dominum in sanctis eius (4vv) (95)
Laudate Dominum omnes gentes, laudate eum (87)
Laus et perennis gloria Deo patri et filio (8vv) (109)
Levavi oculos meos - 2a pars (of 2): Auxilium meum a Domino (106)
Liquide perle Amor da gl'occhi sparse (82)
Lobet den Herren alle Heiden (71)
Media vita (6vv) - 1a pars (of 2): Media vita in morte sumus (43)
Media vita (6vv) - 2a pars (of 2): Sancte Deus (43)
Memento creatoris (68)
Misericordias Domini (22)
Mon ame chante (6)
Ne glorieris in crastinum (67)
Nos alium Deum nescimus (14)
O bone Deus ne proiicias nos in tempore (38)
O Domine custodi animam (= Sappi Signor) (33)
O fortuna potens quam (125)
O rex gentium et desideratus earum lapisque (31)
O Tod du bist - 2a pars (of 2): O Tod wie kannst du sein (117)
O vos omnes qui transitis (C51) (103)
O vos omnes qui transitis per viam (104)
Occhi sereni e chiari (80)
Omnis enim homo (2)
Orat bis qui corde (89)
Paratum cor meum Deus cantabo et psallam (7)
Peccata mea Domine sicut sagittae infixa (21)
Perfice gressus meos (96)
Plange quasi virgo (112)
Poi ch'il mio largo pianto amor (50)
Populum humilem salvum (137)
Poscia che per mio mal Anonymous (39)
Praeparate corda vestra (138)
Precatus est Moyses (101)
Pulvis et umbra sumus (29)
Quas tibi rerum sapiens (19)
Quem dies vidit (20)
Qui de terra est (53)
Qui fugat in trepidos (5)
Quid prodest homini - 1a pars (of 2): Quid prodest homini (63)
Quid prodest homini - 2a pars (of 2): Futurum est enim (64)
Quis mihi det lacrimis (27)
Quoties diem illum considero (113)
Recht ist dass man in (100)
Respexit Elias ad caput (105)
Si ambulavero in medio tribulationis (5vv) (15)
Si iniquitates (55)
Si vos mansueritis (52)
Sic Deus dilexit mundum ut filium suum (= Celle qui m'a tant pourmenée) (35)
Speremus meliora omnes spem nomine sacro (124)
Surge propera amica mea columba mea (2p. Veni de libano sponsa mea) (44)
Ta verite redresse ma (18)
Terra tremuit ex ira tua Domine (2p. Timor et hebetudo mentis cecidit) (37)
Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam (C62) (115)
Tu dich o Herr uber dein (=Du corps absent) (30)
Tulit ergo Dominus - 1a pars (of 2): Tulit ergo Dominus (93)
Tulit ergo Dominus - 2a pars (of 2): Ex omne ligno (93)
Usquequo Domine - 2a pars (of 2): Usquequo exaltabitur (17)
Veni Domine et noli tardare (129)
Veni sancte spiritus reple tuorum corda (86)
Vir linguosus non dirigetur (83)
Vorria saper se voi fiammelle sete (34)
Vox de caelo sonuit (110)
Vulnerasti cor meum soror mea sponsa (139)
Wach auf - 1a pars (of 2): Wach auf, o Menschenkind (23)
Wach auf - 2a pars (of 2): Ist doch Gott gar ein (24)
Was kann uns kommen (142)

Set: A. R. 774

Type: Partbooks

No images available

D-Rp A.R. 774 (A)

No images available

D-Rp A.R. 774 (B)

No images available

D-Rp A.R. 774 (D)

No images available

D-Rp A.R. 774 (Q)

No images available

D-Rp A.R. 774 (S)

No images available

D-Rp A.R. 774 (T)

denotes primary source study

Haberkamp, Gertraut, August Scharnagl, and Paul Mai. 1989. Bischöfliche Zentralbibliothek Regensburg, Thematischer Katalog der Musikhandschriften. 1: Sammlung Proske. Manuskripte des 16. und 17. Jahrhunderts aus den Signaturen A.R., B, C, AN. described by Gertraut Haberkamp; with a history of the 'Proskeschen Musiksammlung' by August Scharnagl; preface by Paul Mai.  Munich: Henle. Pages: 33-40.

Ameln, Konrad (editor). 1956-. Leonhard Lechner.  Kassel and Basel. Pages: I,xv, 189.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description