D-Nla St. Egidien 28

Landeskirchliches Archiv, Nürnberg (Nuremberg), Germany

manuscript of polyphony: 1574

Archive Landeskirchliches Archiv, Nürnberg (Nuremberg), Germany (D-Nla)
Shelfmark St. Egidien 28
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 489 x 342 mm
Other Identifiers
  • CCM: NurLA 28
  • olim (Former shelfmark): St. Egidien 142
Copyists
Relationships
External Authorities
Provenance
  • Bavaria, Germany
Contents 39 pieces from 9 composers
General Description

Copied by Friedrich Lindner, who also wrote BerlDS 40023, NurGN 8820B, NurGN 8820Q, NurLA 33, and NurLA 224 (see RubIC and ButlerLM). Copied in Nuremberg, for use at the Church of St. Egidien. Commissioned by Nuremberg city council; prepared under direction of Friedrich Lindner (ca. 1542-1597), cantor at St. Egidien, and Hieronymus Paumgartner, Jr., council administrator for church affairs. Moved to Lorenzkirche in late 19th century; later transferred to Nuremberg Stadtbibliothek, then to Landeskirchliches Archiv.

DIAMM, 2017
Binding

Original covers of light brown tooled leather over wooden boards, with brass clasps, edges, and bosses. Front covers stamped with letter 'K' and medallion incorporating arms of city of Nuremberg and arms of Paumgartner family. Back covers stamped with representation of St. Egidien ministering to a wounded roe.

DIAMM, 2017
Watermark

Nuremberg shield surmounted by coronet (generally resembles Briquet #916ff).

DIAMM, 2017
Liminary Note

Title page: 'Cantiones Sacrae de praecipuis festis. Cum Quinque Sex et pluribus vocibus ab excellentissimis autoribus compositae: Conscriptae à Federico Lindnero Lignicensi Silesio. 1574.'

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Original ink foliation, 1-381

DIAMM, 2017
Decoration

Plain block initials, rubrics, voice designations, and attributions in red ink.

DIAMM, 2017
Index

Original(?) index on recto of back flyleaf lists pieces in order of appearance, with attributions

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 canticle, 28 motets = 29

Clemens non Papa-1, Crecquillon-1, C. Hollander-1, Lassus-16, Maessens-1, Philippe de Monte-1, Phinot-2, Riccio-2, Utendal-4

i + i + 381 + i + i paper folios, 489 x 342. Original ink foliation, 1-381. Blank folios: 161'-166, 215'-216, 293'-296, 381'. Original covers of light brown tooled leather over wooden boards, with brass clasps, edges, and bosses. Front covers stamped with letter "K" and medallion incorporating arms of city of Nuremberg and arms of Paumgartner family. Back covers stamped with representation of St. Egidien ministering to a wounded roe. Original(?) index on recto of back flyleaf lists pieces in order of appearance, with attributions. Copied by Friedrich Lindner, who also wrote BerlDS 40023, NurGN 8820B, NurGN 8820Q, NurLA 33, NurLA 224, and other manuscripts not within scope of this catalogue (see RubIC and ButlerLM for discussion of complex). Plain block initials, rubrics, voice designations, and attributions in red ink. Title page: "Cantiones Sacrae de praecipuis festis. Cum Quinque Sex et pluribus vocibus ab excellentissimis autoribus compositae: Conscriptae à Federico Lindnero Lignicensi Silesio. 1574." Watermark: Nuremberg shield surmounted by coronet (generally resembles Briquet #916ff).

1574 (date on title page). Copied in Nuremberg, for use at the Church of St. Egidien. Commissioned by Nuremberg city council; prepared under direction of Friedrich Lindner (ca. 1542-1597), cantor at St. Egidien, and Hieronymus Paumgartner, Jr., council administrator for church affairs. Moved to Lorenzkirche in late 19th century; later transferred to Nuremberg Stadtbibliothek, then to Landeskirchliches Archiv.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–8 Non vos me elegistis sed ego elegi vos Lassus
Appears on: 1v–8
Genres: Motet
Source Attribution: Lassus
8v–14 Quia vidisti me Thoma Lassus
Appears on: 8v–14
Genres: Motet
Source Attribution: Lassus
14v–21 Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem Lassus
Appears on: 14v–21
Genres: Motet
Source Attribution: Lassus
14v–21 Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei qui tollit peccata mundi -
Appears on: 14v–21
Genres: Motet
21v–29 Angelus ad pastores ait annuntio vobis Lassus
Appears on: 21v–29
Genres: Motet
Source Attribution: Lassus
29v–56 Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda Lassus
Appears on: 29v–56
Genres: Motet
Source Attribution: Lassus
29v–56 Cum natus esset - 2a pars (of 3): Et illi dixerunt ei -
Appears on: 29v–56
Genres: Motet
29v–56 Cum natus esset - 3a pars (of 3): Et ecce stella quam viderant -
Appears on: 29v–56
Genres: Motet
56v–67 Tribus miraculis ornatum diem sanctum colimus Lassus
Appears on: 56v–67
Genres: Motet
Source Attribution: Lassus
67v–77 Exultet caelum mare sol luna et sidera Lassus
Appears on: 67v–77
Genres: Motet
Source Attribution: Lassus
77v–93 Descendit sicut pluvia - 1a pars (of 2): Descendit sicut pluvia Lassus
Appears on: 77v–93
Genres: Motet, Responsory
Source Attribution: Lassus
77v–93 Descendit sicut pluvia - 2a pars (of 2): Coram illo procident Lassus
Appears on: 77v–93
Genres: Motet, Responsory
Source Attribution: Lassus
98v–108 Hodie beata virgo Maria Riccio
Appears on: 98v–108
Genres: Antiphon, Motet
Source Attribution: Riccio
108v–118 Nunc dimittis servum tuum Domine Utendal
Appears on: 108v–118
Genres: Canticle
Source Attribution: Utendal
118v–131 Venite ad me omnes qui laboratis Lassus
Appears on: 118v–131
Genres: Motet
Source Attribution: Lassus
131v–161 In illo tempore - 1a pars (of 3): In illo tempore missus est angelus Gabriel Utendal
Appears on: 131v–161
Genres: Motet
Source Attribution: Utendal
General Note

Title given as "Missus est angelus Gabriel"

131v–161 In illo tempore - 2a pars (of 3): Is erit magnus et filius altissimi -
Appears on: 131v–161
Genres: Motet
131v–161 In illo tempore - 3a pars (of 3): Et respondens angelus dixit ei spiritus -
Appears on: 131v–161
Genres: Motet
166v–175 Angelus Domini locutus est mulieribus Lassus
Appears on: 166v–175
Genres: Motet
Source Attribution: Lassus
176v–184 Philippe qui videt me alleluia Crecquillon
Appears on: 176v–184
Genres: Alleluia, Motet
Source Attribution: Crecquillon
184v–196 Ascendo ad patrem meum et patrem vestrum Utendal
Appears on: 184v–196
Genres: Motet
Source Attribution: Utendal
196v–215 Velum templi - 2a pars (of 2): Amen dico tibi hodie mecum eris Clemens non Papa
Appears on: 196v–215
Genres: Motet
Source Attribution: Clemens non Papa
196v–215 Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt -
Appears on: 196v–215
216v–237 Repleti sunt omnes - 1a pars (of 2): Repleti sunt omnes spiritu sancto Hollander
Appears on: 216v–237
Genres: Motet, Responsory
Source Attribution: Hollander
216v–237 Repleti sunt omnes - 2a pars (of 2): Loquebantur variis linguis apostoli -
Appears on: 216v–237
Genres: Motet, Responsory
237v–246 Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria, tibi gratiarum actio Lassus
Appears on: 237v–246
Genres: Motet
Source Attribution: Lassus
237v–246 Tibi laus, tibi gloria - 2a pars (of 2): Da gaudiorum praemia da gratiarum munera -
Appears on: 237v–246
Genres: Motet
246v–258 Sancta Trinitas unus Deus miserere nobis (8vv) Phinot
Appears on: 246v–258
Genres: Motet
Source Attribution: Phinot
258v–264 Inter natos mulierum non surrexit major Lassus
Appears on: 258v–264
Genres: Motet
Source Attribution: Lassus
264v–277 O sacrum convivium in quo Christus sumitur (8vv) Phnot
Appears on: 264v–277
Genres: Motet
Source Attribution: Phnot
277v–293 Confitebor tibi Domine in toto corde (8vv, LV189) Lassus
Appears on: 277v–293
Genres: Motet
Source Attribution: Lassus
296v–313 In dedicatione huius templi - 1a pars (of 2): In dedicatione huius templi decantabat Petrus Massenus
Appears on: 296v–313
Genres: Motet, Responsory
Source Attribution: Petrus Massenus
296v–313 In dedicatione huius templi - 2a pars (of 2): Obtulerunt sacrificium super altare -
Appears on: 296v–313
Genres: Motet, Responsory
313v–321 Beati qui habitant P de Monte
Appears on: 313v–321
Genres: Motet
Source Attribution: P de Monte
321v–337 Clare sanctorum senatus (2p. Thoma, Bartholomee) Lassus
Appears on: 321v–337
Genres: Motet
Source Attribution: Lassus
337v–354 Stabunt justi - 1a pars (of 2): Stabunt justi in magna constantia adversus Lassus
Appears on: 337v–354
Genres: Motet
Source Attribution: Lassus
337v–354 Stabunt justi - 2a pars (of 2): Hi sunt quos habuimus aliquando -
Appears on: 337v–354
Genres: Motet
354v–363 Gaudent in caelis animae Riccio
Appears on: 354v–363
Genres: Antiphon, Motet
Source Attribution: Riccio
363v–361 Quid gloriaris in malitia Lassus
Appears on: 363v–361
Genres: Motet
Source Attribution: Lassus
Composer Compositions
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Hollander, Christian
Lassus, Orlande de (ca. 1532–1594)
Maessens, Pieter
Monte, Philippe de
Phinot, Dominique
Riccio, Teodoro
Utendal, Alexander (ca. 1530–1581)
Composition Composers (? Uncertain) Folios / Pages
Angelus ad pastores ait annuntio vobis 21v–29
Angelus Domini locutus est mulieribus 166v–175
Ascendo ad patrem meum et patrem vestrum 184v–196
Beati qui habitant 313v–321
Clare sanctorum senatus (2p. Thoma, Bartholomee) 321v–337
Confitebor tibi Domine in toto corde (8vv, LV189) 277v–293
Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda 29v–56
Cum natus esset - 2a pars (of 3): Et illi dixerunt ei 29v–56
Cum natus esset - 3a pars (of 3): Et ecce stella quam viderant 29v–56
Descendit sicut pluvia - 1a pars (of 2): Descendit sicut pluvia 77v–93
Descendit sicut pluvia - 2a pars (of 2): Coram illo procident 77v–93
Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem 14v–21
Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei qui tollit peccata mundi 14v–21
Exultet caelum mare sol luna et sidera 67v–77
Gaudent in caelis animae 354v–363
Hodie beata virgo Maria 98v–108
In dedicatione huius templi - 1a pars (of 2): In dedicatione huius templi decantabat 296v–313
In dedicatione huius templi - 2a pars (of 2): Obtulerunt sacrificium super altare 296v–313
In illo tempore - 1a pars (of 3): In illo tempore missus est angelus Gabriel 131v–161
In illo tempore - 2a pars (of 3): Is erit magnus et filius altissimi 131v–161
In illo tempore - 3a pars (of 3): Et respondens angelus dixit ei spiritus 131v–161
Inter natos mulierum non surrexit major 258v–264
Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt 196v–215
Non vos me elegistis sed ego elegi vos 1v–8
Nunc dimittis servum tuum Domine 108v–118
O sacrum convivium in quo Christus sumitur (8vv) 264v–277
Philippe qui videt me alleluia 176v–184
Quia vidisti me Thoma 8v–14
Quid gloriaris in malitia 363v–361
Repleti sunt omnes - 1a pars (of 2): Repleti sunt omnes spiritu sancto 216v–237
Repleti sunt omnes - 2a pars (of 2): Loquebantur variis linguis apostoli 216v–237
Sancta Trinitas unus Deus miserere nobis (8vv) 246v–258
Stabunt justi - 1a pars (of 2): Stabunt justi in magna constantia adversus 337v–354
Stabunt justi - 2a pars (of 2): Hi sunt quos habuimus aliquando 337v–354
Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria, tibi gratiarum actio 237v–246
Tibi laus, tibi gloria - 2a pars (of 2): Da gaudiorum praemia da gratiarum munera 237v–246
Tribus miraculis ornatum diem sanctum colimus 56v–67
Velum templi - 2a pars (of 2): Amen dico tibi hodie mecum eris 196v–215
Venite ad me omnes qui laboratis 118v–131

denotes primary source study

Butler, Bartlett Russell. 1970. Liturgical Music in Sixteenth-Century Nürnberg. A Socio-Musical Study. University of Illinois, Unpublished Ph.D. dissertation. Pages: 660-73, 859ff. Notes: physical description (partial); contents list; concordances; mention of MS; discussion.

Krautwurst, Franz. 1968. Review of GottH. Die Musikforschung, 233-7. Pages: 234. Notes: mention of MS.

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 4ff [sometimes referred to as MS 28, sometimes as MS 142]. Notes: contents list (partial); concordances (partial).

Kempers, Karel Philippus Bernet. 1964. Bibliography of the Sacred Works of Jacobus Clemens non Papa. Musica Disciplina, 85-150. Pages: lll. Notes: contents list (partial); concordances (partial).

Rubsamen, Walter H. 1957. The International 'Catholic' Repertoire of a Lutheran Church in Nürnberg (1574-1597). Annales Musicologiques, 229-327. Notes: physical description; contents list; concordances; mention of MS; discussion.

Kempers, Karel Philippus Bernet, and Chris J. Maas (editors). 1951-76. Jacobus Clemens non Papa: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IX,iii. Notes: contents list (partial); concordances (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description