D-Ngm 8820 B

Bibliothek des Germanischen Nationalmuseums, Nürnberg (Nuremberg), Germany

manuscript of polyphony: 1574

Archive Bibliothek des Germanischen Nationalmuseums, Nürnberg (Nuremberg), Germany (D-Ngm)
Shelfmark 8820 B
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 496 x 351 mm
Other Identifiers
  • CCM: NurGN 8820B
Copyists
Relationships
External Links
Provenance
  • Bavaria, Germany
Contents 43 pieces from 10 composers
General Description

Copied by Friedrich Lindner, who also wrote BerlDS 40023, NurGN 8820Q, NurLA 28, NurLA 33, and NurLA 224 (see RubIC and ButlerLM for discussion of complex). Variant script on some folios possibly a different form of Lindner's hand, or may be work of second, unidentified scribe (ButlerLM). Copied in Nuremberg, for use at the Church of St. Egidien. Commissioned by Nuremberg city council; prepared under direction of Friedrich Lindner (ca. 1542-1597), cantor at St. Egidien, and Hieronymus Paumgartner, Jr., council administrator for church affairs. Later passed to von Tucher family of Nuremberg, who placed it in Germanisches Nationalmuseum following Franco-Prussian War. Returned to von Tucher family in 1877, but reacquired by Museum in 1885.

DIAMM, 2017
Physical Description

Some folios severely damaged by ink corrosion

DIAMM, 2017
Binding

Original covers of light brown tooled leather over wooden boards (modern spine), with brass clasps, edges, and bosses; modern leather ties. Front covers stamped with letter 'B,' date 'MDLXXIIII,' and medallion incorporating arms of city of Nuremberg and arms of Paumgartner family. Back covers stamped with representation of St. Egidien ministering to a wounded roe.

DIAMM, 2017
Watermark

Nuremberg shield surmounted by coronet (generally resembles Briquet #916ff).

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Modern pencil foliation, I-II, on original flyleaves; original ink foliation, 1-354 (ff. 271-274 erroneously numbered '371-374,' but correct numbers added in pencil by modern hand); modern pencil foliation, 355-357.

DIAMM, 2017
Decoration

Red inked calligraphic initials; red voice designations and rubrics

DIAMM, 2017
Index

Original index on f. 355 lists all pieces in order of appearance, and gives attributions for two pieces.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

22 motets

(Clemens non Papa)-1, La Bruguiere-1, Lassus-11, (Longaval/ Obrecht/Venture)-1, (Senfl?)-1, (Wert)-2, Willaert-2, anon-3

ii + 356 + i paper folios, 496 x 351. Some folios severely damaged by ink corrosion. Modern pencil foliation, I-II, on original flyleaves; original ink foliation, 1-354 (ff. 271-274 erroneously numbered "371-374," but correct numbers added in pencil by modern hand); modern pencil foliation, 355-357. Blank folios: III', 267'-273, 354', 355'-357'. Original covers of light brown tooled leather over wooden boards (modern spine), with brass clasps, edges, and bosses; modern leather ties. Front covers stamped with letter "B," date "MDLXXIIII," and medallion incorporating arms of city of Nuremberg and arms of Paumgartner family. Back covers stamped with representation of St. Egidien ministering to a wounded roe. Original index on f. 355 lists all pieces in order of appearance, and gives attributions for two pieces. Copied by Friedrich Lindner, who also wrote BerlDS 40023, NurGN 8820Q, NurLA 28, NurLA 33, NurLA 224, and other manuscripts not within scope of this catalogue (see RubIC and ButlerLM for discussion of complex). Variant script on some folios possibly a different form of Lindner's hand, or may be work of second, unidentified scribe (ButlerLM). Red inked calligraphic initials; red voice designations and rubrics. Watermark: Nuremberg shield surmounted by coronet (generally resembles Briquet #916ff).

1574 (date on cover). Copied in Nuremberg, for use at the Church of St. Egidien. Commissioned by Nuremberg city council; prepared under direction of Friedrich Lindner (ca. 1542-1597), cantor at St. Egidien, and Hieronymus Paumgartner, Jr., council administrator for church affairs. Later passed to von Tucher family of Nuremberg, who placed it in Germanisches Nationalmuseum following Franco-Prussian War. Returned to von Tucher family in 1877, but reacquired by Museum in 1885.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–23r In principio erat verbum - 1a pars (of 3): In principio erat verbum Lassus
Appears on: 1v–23r
Genres: Motet
Source Attribution: Lassus
1v–23 In principio erat verbum - 2a pars (of 3): Fuit homo missus -
Appears on: 1v–23
Genres: Motet
1v–23 In principio erat verbum - 3a pars (of 3): In propria venit -
Appears on: 1v–23
Genres: Motet
23v–33 Jubilemus singuli - 1a pars (of 2): Jubilemus singuli carmina pro mentis festa Lassus
Appears on: 23v–33
Genres: Motet
Source Attribution: Lassus
23v–33 Jubilemus singuli - 2a pars (of 2): Inter animalia in praesepe missus -
Appears on: 23v–33
Genres: Motet
33v–41 Verbum caro factum est et habitavit [anon]
Appears on: 33v–41
Genres: Motet
Source Attribution: [anon]
41v–53 Senex puerum portabat puer autem senem regebat - Anonymous
Appears on: 41v–53
Genres: Motet
53v–78r Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant [anon]
Appears on: 53v–78r
Genres: Motet
Source Attribution: [anon]
53v–78r Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius -
Appears on: 53v–78r
Genres: Motet
78v–98 Tempus est ut revertar - 1a pars (of 2): Tempus est ut revertar ad eum qui misit [anon]
Appears on: 78v–98
Genres: Motet
Source Attribution: [anon]
78v–98 Tempus est ut revertar - 2a pars (of 2): Nisi ego abiero paraclitus non veniet -
Appears on: 78v–98
Genres: Motet
98v–113 Dixit Joseph - 1a pars (of 2): Dixit Joseph undecim fratribus suis Lassus
Appears on: 98v–113
Genres: Motet
Source Attribution: Lassus
98v–113 Dixit Joseph - 2a pars (of 2): Nuntiaverunt Jacob dicentes Ioseph -
Appears on: 98v–113
Genres: Motet
113v–127 Surge propera - 1a pars (of 2): Surge propera amica mea columba mea [anon]
Appears on: 113v–127
Genres: Motet
Source Attribution: [anon]
113v–127 Surge propera - 2a pars (of 2): Surge amica mea speciosa mea -
Appears on: 113v–127
Genres: Motet
127v–132 Da pacem Domine (6vv, LV 63) Lassus
Appears on: 127v–132
Genres: Motet
Source Attribution: Lassus
Concordances

This setting published in Lassus *Selectissimae cantiones (6 & more voices)* (Gerlach, Nurnberg, 1579); the same piece is copied into Egidius 29, f. 149v. [A different 6vv setting follows it in Egidius 29 (f. 154v), which was published in *Motetta 6vv typis nondum uspiam excusa* (Berg, Munchen, 1582).]

132v–141 Responsum accepit Simeon La Briguiere
Appears on: 132v–141
Genres: Motet
Source Attribution: La Briguiere
141v–151 Beata Dei genitrix - Anonymous

Beata Dei genitrix

Anonymous
Appears on: 141v–151
Genres: Motet
151v–164 Credidi propter - 1a pars (of 2): Credidi propter quod locutus sum ego [anon]
Appears on: 151v–164
Genres: Motet
Source Attribution: [anon]
151v–164 Credidi propter - 2a pars (of 2): Vota mea Domino reddam coram omni -
Appears on: 151v–164
Genres: Motet
164v–183 Missus est angelus Gabriel - 1a pars (of 4): Missus est angelus Gabriel à Deo in civitatem [anon]
Appears on: 164v–183
Genres: Motet
Source Attribution: [anon]
164v–183 Missus est angelus Gabriel - 2a pars (of 4): Ne timeas Maria invenisti enim gratiam -
Appears on: 164v–183
Genres: Motet
164v–183 Missus est angelus Gabriel - 3a pars (of 4): Dixit autem Maria ad angelum -
Appears on: 164v–183
Genres: Motet
164v–183 Missus est angelus Gabriel - 4a pars (of 4): Dixit autem Maria ecce ancilla Domini -
Appears on: 164v–183
Genres: Motet
183v–189 Speremus meliora omnes spem nomine sacro de Wert
Appears on: 183v–189
Genres: Motet
Source Attribution: de Wert
189v–216 Mittit ad virginem (2p. Exi qui mitteris; 3p. Audit et suscipit) Willaert
Appears on: 189v–216
Genres: Motet
Source Attribution: Willaert
216v–236 Congratulamini mihi omnes - 1a pars (of 2): Congratulamini mihi omnes [anon]
Appears on: 216v–236
Genres: Motet
Source Attribution: [anon]
216v–236 Congratulamini mihi omnes - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi -
Appears on: 216v–236
Genres: Motet
236v–252 Jesu nostra redemptio - 1a pars (of 4): Jesu nostra redemptio amor et desiderium [anon]
Appears on: 236v–252
Genres: Motet
Source Attribution: [anon]
236v–252 Jesu nostra redemptio - 2a pars (of 4): Inferni claustra penetrans tuos -
Appears on: 236v–252
Genres: Motet
236v–252 Jesu nostra redemptio - 3a pars (of 4): Ipsa te cogat pietas ut mala -
Appears on: 236v–252
Genres: Motet
236v–252 Jesu nostra redemptio - 4a pars (of 4): Tu esto nostrum gaudium qui es -
Appears on: 236v–252
Genres: Motet
252v–267 Jerusalem plantabis - 2a pars (of 2): Gaude et laetare Jacob quia de medio gentium de Wert
Appears on: 252v–267
Genres: Motet
Source Attribution: de Wert
252v–267 Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam -
Appears on: 252v–267
Genres: Motet
273v–309 Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum [anon]
Appears on: 273v–309
Genres: Liturgical work, Motet, Passion
Source Attribution: [anon]
273v–309 Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus -
Appears on: 273v–309
Genres: Passion
273v–309 Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus -
Appears on: 273v–309
Genres: Motet
309v–322 Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium [anon]
Appears on: 309v–322
Genres: Motet
Source Attribution: [anon]
309v–322 Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine -
Appears on: 309v–322
Genres: Motet
322v–355 In te Domine speravi - Anonymous
Appears on: 322v–355
Genres: Motet
335v–354 Huc me sidereo - 1a pars (of 3): Huc me sidereo descendere jussit Olympo Willaert
Appears on: 335v–354
Genres: Motet
Source Attribution: Willaert
335v–354 Huc me sidereo - 2a pars (of 3): Pungentem capiti Dominum gestare -
Appears on: 335v–354
Genres: Motet
335v–354 Huc me sidereo - 3a pars (of 3): De me solus amor potuit perferre -
Appears on: 335v–354
Genres: Motet
Composer Compositions
Anonymous
Bruguiere, Jean de la
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Lassus, Orlande de (ca. 1532–1594)
Longueval, Antoine de (fl. 1498-1525)
Obrecht, Jacobus (ca. 1457–1505)
Senfl, Ludwig (ca. 1486–ca. 1543)
Venture, Johannes a la (fl. c1500)
Wert, Giaches [Jaches] de (1535–1596)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Beata Dei genitrix Anonymous 141v–151
Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium 309v–322
Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine 309v–322
Congratulamini mihi omnes - 1a pars (of 2): Congratulamini mihi omnes 216v–236
Congratulamini mihi omnes - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi 216v–236
Credidi propter - 1a pars (of 2): Credidi propter quod locutus sum ego 151v–164
Credidi propter - 2a pars (of 2): Vota mea Domino reddam coram omni 151v–164
Da pacem Domine (6vv, LV 63) 127v–132
Dixit Joseph - 1a pars (of 2): Dixit Joseph undecim fratribus suis 98v–113
Dixit Joseph - 2a pars (of 2): Nuntiaverunt Jacob dicentes Ioseph 98v–113
Huc me sidereo - 1a pars (of 3): Huc me sidereo descendere jussit Olympo 335v–354
Huc me sidereo - 2a pars (of 3): Pungentem capiti Dominum gestare 335v–354
Huc me sidereo - 3a pars (of 3): De me solus amor potuit perferre 335v–354
In principio erat verbum - 1a pars (of 3): In principio erat verbum 1v–23r
In principio erat verbum - 2a pars (of 3): Fuit homo missus 1v–23
In principio erat verbum - 3a pars (of 3): In propria venit 1v–23
In te Domine speravi Anonymous 322v–355
Jerusalem plantabis - 2a pars (of 2): Gaude et laetare Jacob quia de medio gentium 252v–267
Jesu nostra redemptio - 1a pars (of 4): Jesu nostra redemptio amor et desiderium 236v–252
Jesu nostra redemptio - 2a pars (of 4): Inferni claustra penetrans tuos 236v–252
Jesu nostra redemptio - 3a pars (of 4): Ipsa te cogat pietas ut mala 236v–252
Jesu nostra redemptio - 4a pars (of 4): Tu esto nostrum gaudium qui es 236v–252
Jubilemus singuli - 1a pars (of 2): Jubilemus singuli carmina pro mentis festa 23v–33
Jubilemus singuli - 2a pars (of 2): Inter animalia in praesepe missus 23v–33
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant 53v–78r
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius 53v–78r
Missus est angelus Gabriel - 1a pars (of 4): Missus est angelus Gabriel à Deo in civitatem 164v–183
Missus est angelus Gabriel - 2a pars (of 4): Ne timeas Maria invenisti enim gratiam 164v–183
Missus est angelus Gabriel - 3a pars (of 4): Dixit autem Maria ad angelum 164v–183
Missus est angelus Gabriel - 4a pars (of 4): Dixit autem Maria ecce ancilla Domini 164v–183
Mittit ad virginem (2p. Exi qui mitteris; 3p. Audit et suscipit) 189v–216
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum 273v–309
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus 273v–309
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus 273v–309
Responsum accepit Simeon 132v–141
Senex puerum portabat puer autem senem regebat Anonymous 41v–53
Speremus meliora omnes spem nomine sacro 183v–189
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea 113v–127
Surge propera - 2a pars (of 2): Surge amica mea speciosa mea 113v–127
Tempus est ut revertar - 1a pars (of 2): Tempus est ut revertar ad eum qui misit 78v–98
Tempus est ut revertar - 2a pars (of 2): Nisi ego abiero paraclitus non veniet 78v–98
Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam 252v–267
Verbum caro factum est et habitavit 33v–41

denotes primary source study

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Notes: contents list (partial); concordances (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 752-3. Notes: contents list (partial); concordances (partial).

Maas, Chris J. 1976. Towards A New Obrecht Edition. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 84-108. Notes: contents list (partial); concordances (partial).

Butler, Bartlett Russell. 1970. Liturgical Music in Sixteenth-Century Nürnberg. A Socio-Musical Study. University of Illinois, Unpublished Ph.D. dissertation. Pages: 660–73, 861f., 864, 870, 880, 890, 902, 913, 921f., 925, 927f., 940f., 977, 983, 987, 993f. Notes: physical description (partial); contents list; concordances; facsimile (partial); mention of MS; discussion.

Loach, Donald Glenn. 1969. Aegidius Tschudi's Songbook (St. Gall MS 463): A Humanistic Document from the Circle of Heinrich Glarean. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I,310. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München.  Wiesbaden. Pages: 81. Notes: contents list (partial); concordances (partial).

Krautwurst, Franz. 1968. Review of GottH. Die Musikforschung, 233-7. Pages: 235. Notes: mention of MS.

Krautwurst, Franz. 1965: (XXV) 1967: (XXVII). Die Heilsbronner Chorbücher der Universitätsbibliothek Erlangen (Ms. 473, 1-4). Jahrbuch für Fränkische Landesforschung, 273-324:(XXV)253-82:(XXVII). Pages: XXVII,272. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 20. Notes: contents list (partial); concordances (partial).

Kempers, Karel Philippus Bernet. 1964. Bibliography of the Sacred Works of Jacobus Clemens non Papa. Musica Disciplina, 85-150. Pages: 112. Notes: contents list (partial); concordances (partial).

Rubsamen, Walter H. 1957. The International 'Catholic' Repertoire of a Lutheran Church in Nürnberg (1574-1597). Annales Musicologiques, 229-327. Pages: 258, passim. Notes: physical description; contents list; concordances; mention of MS; discussion.

Kempers, Karel Philippus Bernet, and Chris J. Maas (editors). 1951-76. Jacobus Clemens non Papa: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IX,iv. Notes: contents list (partial); concordances (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description