E-PAbm B99-V2-22 (Cancionero de Medinaceli)

Fundación Bartolomé March, Palma de Mallorca, Spain

manuscript of polyphony: 16th century

Archive	Fundación Bartolomé March, Palma de Mallorca, Spain (E-PAbm)
Shelfmark	B99-V2-22 (Cancionero de Medinaceli)
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	307 x 215 mm
Other Identifiers	CCM: MadM 6829 olim (Former shelfmark): Biblioteca de la Cada del Duque de Medinaceli, MS 13230 olim (Former shelfmark): E-Mb MS R. 6829 (861)
Relationships	? monastery, Jerez (owner) Servera, Bartolome March (owner) Cordoba y Salabert, Luis Jesus Fernández de (1880–1956) (owner)
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database Books of Hispanic Polyphony
Provenance	Spain
Contents	190 pieces from 23 composers

General Description

Copied by one main scribe and two or three additional scribes. Copied in Spain. Possibly of monastic origin (RandS); partially illegible inscription suggests ownership by a monastery at Jerez. Later owned by Luis Jesús Fernández de Cordoba y Salabert, 17th Duke of Medinaceli (1880-1956); may have belonged to Medinaceli family from an early period. Acquired (in 1960's?) by the lawyer and financier Bartolomé March Servera of Madrid.

DIAMM, 2017

Physical Description

First original folio now missing.

DIAMM, 2017

Binding

Original covers of leather on cardboard; modern protective slipcase.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

Two systems of old foliation, one added after index was made up and additions to and deletions from original corpus had been made.

DIAMM, 2017

Index

Original index (some listed pieces no longer in manuscript; some pieces now in manuscript not listed in index; present folio numbers for many pieces not same as those in index).

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 K-G-S-A Masses, 1 K-S-A Mass, 1 troped Kyrie, 1 Credo, 1 Credo section, 4 Magnificats, 23 psalms, 5 office hymns, I processional hymn, 3 Lamentations, 1 Passion, 29 motets, 2 sets of responses, 100 Spanish sacred and secular pieces, 1 textless piece = 175 + 1 duplicate = 176

Bernal González-4, A. Cabezón-1, R. Ceballos-5, R. Ceballos-Varrio Nuevo-1, Cebrián-3, Chacón-2, Juan Díaz-1, Escobedo-1, Farfán-1, Garçon-7, Gerónimo-1, Gombert-1, Guerrero-13, P. Guerrero-3, (Lassus)-1, Morales-18, Morata-13, Navarro of Seville-7, Navarro of Seville-anon-1, Ortega-1, Rore? [Ziprianus] -6,* Sanforte-1, anon-83

*See RoreO (VIII, xi) for discussion of Rore's possible authorship of these pieces.

208 paper folios, 307 x 215. First original folio now missing. Two systems of old foliation, one added after index was made up and additions to and deletions from original corpus had been made. Original covers of leather on cardboard; modern protective slipcase. Original index (some listed pieces no longer in manuscript; some pieces now in manuscript not listed in index; present folio numbers for many pieces not same as those in index). Copied by one main scribe and two or three additional scribes.

Second half of 16th century. Copied in Spain. Possibly of monastic origin (RandS); partially illegible inscription suggests ownership by a monastery at Jerez. Later owned by Luis Jesús Fernández de Cordoba y Salabert, 17th Duke of Medinaceli (1880-1956); may have belonged to Medinaceli family from an early period. Acquired (in 1960's?) by the lawyer and financier Bartolomé March Servera of Madrid.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2	Ojos claros y serenos que de dulce	-	Guerrero, Francisco
Ojos claros y serenos que de dulce Guerrero, Francisco Appears on: 2 Genres: Madrigal, Madrigal (English)
2v–3	Sabete, linda zagala	-	Anonymous
Sabete, linda zagala Anonymous Appears on: 2v–3 Genres: Vilancico
3v–4	Lagrimas de mi consuelo	Cebrian	Cebrián, Antonio
Lagrimas de mi consuelo Cebrián, Antonio Appears on: 3v–4 Genres: Canción Source Attribution: Cebrian
3v–4	Por ese mar d'[H]elesponto	-	Anonymous
Por ese mar d'[H]elesponto Anonymous Appears on: 3v–4 Genres: Song
4v–5	Claros y frescos rios	-	Anonymous
Claros y frescos rios Anonymous Appears on: 4v–5 Genres: Madrigal
5v–7	Puse mis amores	-	Anonymous
Puse mis amores Anonymous Appears on: 5v–7 Genres: Secular song
6v–7	A beinte y siete de Março	-	Anonymous
A beinte y siete de Março Anonymous Appears on: 6v–7 Genres: Song
7v–8	Di, perra mora	-	Anonymous
Di, perra mora Anonymous Appears on: 7v–8 Genres: Song
8v–9	Que se hizo, Juan, tu placer?	-	Anonymous
Que se hizo, Juan, tu placer? Anonymous Appears on: 8v–9 Genres: Vilancico
9v–10	Llaman a Teresica	-	Anonymous
Llaman a Teresica Anonymous Appears on: 9v–10 Genres: Madrigal
9v–10	O dulce suspiro mio	-	Anonymous
O dulce suspiro mio Anonymous Appears on: 9v–10 Genres: Canción
10v–11	Amargar oras de los dulces dias	Ro. Cevallos	Ceballos, Rodrigo de (ca. 1525–1581)
Amargar oras de los dulces dias Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 10v–11 Genres: Madrigal Source Attribution: Ro. Cevallos
11v–12	Fresco y claro arroyuelo	Guerrero	Guerrero, Francisco
Fresco y claro arroyuelo Guerrero, Francisco Appears on: 11v–12 Genres: Canción Source Attribution: Guerrero
12v–13	Hermosa Catalina	Guerrero	Guerrero, Francisco
Hermosa Catalina Guerrero, Francisco Appears on: 12v–13 Genres: Canción Source Attribution: Guerrero
13v–14	Ten cuenta amor	Guerrero	Guerrero, Francisco
Ten cuenta amor Guerrero, Francisco Appears on: 13v–14 Genres: Madrigal Source Attribution: Guerrero
14v–15	Y dize a tu pesar	-	Anonymous
Y dize a tu pesar Anonymous Appears on: 14v–15 Genres: Madrigal
15v–16	Amor andava triste	Guerrero	Guerrero, Francisco
Amor andava triste Guerrero, Francisco Appears on: 15v–16 Genres: Madrigal Source Attribution: Guerrero
16v–17	Carillo, si tu quirieres	Diego Garcon	Garçon, Diego
Carillo, si tu quirieres Garçon, Diego Appears on: 16v–17 Genres: Madrigal Source Attribution: Diego Garcon
17v–18	Gasajoso esta Carillo	'del dicho' [i.e. Garcon]	Garçon, Diego
Gasajoso esta Carillo Garçon, Diego Appears on: 17v–18 Genres: Vilancico Source Attribution: 'del dicho' [i.e. Garcon]
18v–19	Amor ciego y atrevido	'del dicho' [i.e. Garcon]	Garçon, Diego
Amor ciego y atrevido Garçon, Diego Appears on: 18v–19 Genres: Vilancico Source Attribution: 'del dicho' [i.e. Garcon]
19v–20	Clemente jurava [a] tal	'del dicho' [i.e. Garcon]	Garçon, Diego
Clemente jurava [a] tal Garçon, Diego Appears on: 19v–20 Genres: Vilancico Source Attribution: 'del dicho' [i.e. Garcon]
21v–22	Viste, Gil, a mi zagala?	Didachus Garcon	Garçon, Diego
Viste, Gil, a mi zagala? Garçon, Diego Appears on: 21v–22 Genres: Vilancico Source Attribution: Didachus Garcon
22v–23	Llorad conmigo, pastores	Didachus Garcon	Garçon, Diego
Llorad conmigo, pastores Garçon, Diego Appears on: 22v–23 Genres: Vilancico Source Attribution: Didachus Garcon
23v–24	Inter vestibulum et altare	Morales	Morales, Cristóbal de (ca. 1500–1553)
Inter vestibulum et altare Morales, Cristóbal de (ca. 1500–1553) Appears on: 23v–24 Genres: Motet Source Attribution: Morales
24v–25	Cum sublevasset oculos Jesus	Zipriano	Rore, Cipriano de (ca. 1515–1565) (?)
Cum sublevasset oculos Jesus Rore, Cipriano de (ca. 1515–1565) (?) Appears on: 24v–25 Genres: Motet Source Attribution: Zipriano
25v–26	Tu es pastor ovium	Zipriano	Rore, Cipriano de (ca. 1515–1565) (?)
Tu es pastor ovium Rore, Cipriano de (ca. 1515–1565) (?) Appears on: 25v–26 Genres: Motet Source Attribution: Zipriano
26v–27	Sicut cervus desiderat	Zipriano	Rore, Cipriano de (ca. 1515–1565) (?)
Sicut cervus desiderat Rore, Cipriano de (ca. 1515–1565) (?) Appears on: 26v–27 Genres: Motet Source Attribution: Zipriano
27v–28	Dinumerabo eos	Zipriano	Rore, Cipriano de (ca. 1515–1565) (?)
Dinumerabo eos Rore, Cipriano de (ca. 1515–1565) (?) Appears on: 27v–28 Genres: Motet Source Attribution: Zipriano
28v–29	Sacerdos et pontifex	Zipriano	Rore, Cipriano de (ca. 1515–1565) (?)
Sacerdos et pontifex Rore, Cipriano de (ca. 1515–1565) (?) Appears on: 28v–29 Genres: Motet Source Attribution: Zipriano
29v–30	Vinea mea electa	-	Anonymous
Vinea mea electa Anonymous Appears on: 29v–30 Genres: Responsory
30v–31	Accepit Jesus panes	Morales	Morales, Cristóbal de (ca. 1500–1553)
Accepit Jesus panes Morales, Cristóbal de (ca. 1500–1553) Appears on: 30v–31 Genres: Motet Source Attribution: Morales
31v–32	[Ave maris stella] Sumens illud ave	Zipri[ano]	Rore, Cipriano de (ca. 1515–1565) (?)
[Ave maris stella] Sumens illud ave Rore, Cipriano de (ca. 1515–1565) (?) Appears on: 31v–32 Genres: Ave maris stella, BVM, Hymn Source Attribution: Zipri[ano]
31v–32	Cavallero, si a Francia ides	-	Anonymous
Cavallero, si a Francia ides Anonymous Appears on: 31v–32 Genres: Song
32v–34	Buelve tus claros ojos	Navarro	Navarro 'of Seville/Hispalensis', Juan
Buelve tus claros ojos Navarro 'of Seville/Hispalensis', Juan Appears on: 32v–34 Genres: Vilancico Source Attribution: Navarro
34v–35	Como per alto mar tenpestuoso	Gines de Morata	Morata, Gines de
Como per alto mar tenpestuoso Morata, Gines de Appears on: 34v–35 Genres: Madrigal Source Attribution: Gines de Morata
35v–36	Aste casado, Anilla?	-	Anonymous
Aste casado, Anilla? Anonymous Appears on: 35v–36 Genres: Canción
36v–37	Tu dulce canto, Silvia	-	Anonymous
Tu dulce canto, Silvia Anonymous Appears on: 36v–37 Genres: Canción
37v–38	Ojos que ya no veis	Gines de Morata	Morata, Gines de
Ojos que ya no veis Morata, Gines de Appears on: 37v–38 Genres: Madrigal Source Attribution: Gines de Morata
38v–39	Aqui me declaro su pensamiento	Gines de Morata	Morata, Gines de
Aqui me declaro su pensamiento Morata, Gines de Appears on: 38v–39 Genres: Madrigal Source Attribution: Gines de Morata
39v–40	Pues que no puedo olvidarte	Gines de Morata	Morata, Gines de
Pues que no puedo olvidarte Morata, Gines de Appears on: 39v–40 Genres: Vilancico Source Attribution: Gines de Morata
40v–41	Navego en hondo mar	Bernal Goncales	Bernal Goncalez, Jose
Navego en hondo mar Bernal Goncalez, Jose Appears on: 40v–41 Genres: Madrigal Source Attribution: Bernal Goncales
41v–43	Nimpha gentil	Gines de Morata	Morata, Gines de
Nimpha gentil Morata, Gines de Appears on: 41v–43 Genres: Madrigal Source Attribution: Gines de Morata
43v–44	Ay de mi sin ventura	Navarro	Navarro 'of Seville/Hispalensis', Juan
Ay de mi sin ventura Navarro 'of Seville/Hispalensis', Juan Appears on: 43v–44 Genres: Madrigal Source Attribution: Navarro Concordances repeated at f. 151v-152
44v–45	Acaba ya zagala	-	Anonymous
Acaba ya zagala Anonymous Appears on: 44v–45 Genres: Vilancico
45v–49	Magnificat sexti toni: Anima mea [K.919]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat sexti toni: Anima mea [K.919] Morales, Cristóbal de (ca. 1500–1553) Appears on: 45v–49 Genres: BVM, Canticle, Magnificat Source Attribution: Morales
49v–50	Ojos hermanos, amorosillos, graves	Cevallos - Varrio Nuevo	Varrio Nuevo Ceballos, Rodrigo de (ca. 1525–1581)
Ojos hermanos, amorosillos, graves Varrio Nuevo Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 49v–50 Genres: Canción Source Attribution: Cevallos - Varrio Nuevo
50v–51	Pues para tan alta prueva	Gines de Morata	Morata, Gines de
Pues para tan alta prueva Morata, Gines de Appears on: 50v–51 Genres: Vilancico Source Attribution: Gines de Morata
51v–52	Clamavit autem mulier Cananea	Farfan	Farfán
Clamavit autem mulier Cananea Farfán Appears on: 51v–52 Genres: Motet Source Attribution: Farfan
52v–56	Magnificat quarti toni: Anima mea [K.917]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat quarti toni: Anima mea [K.917] Morales, Cristóbal de (ca. 1500–1553) Appears on: 52v–56 Genres: BVM, Canticle, Magnificat Source Attribution: Morales
56v–57	Aquella boz de Cristo	-	Anonymous
Aquella boz de Cristo Anonymous Appears on: 56v–57 Genres: Canción
57v–58	Asperges me, Domine	-	Anonymous
Asperges me, Domine Anonymous Appears on: 57v–58 Genres: Antiphon
58v–58	Domine memento mei	-	Anonymous
Domine memento mei Anonymous Appears on: 58v–58 Genres: Motet
56v–57	Aquella fuerça grande	-	Anonymous
Aquella fuerça grande Anonymous Appears on: 56v–57 Genres: Canción
59v–60	A su alvedrio	-	Anonymous
A su alvedrio Anonymous Appears on: 59v–60 Genres: Canción
60v–62	Pues que me tienes, Miguel	Ortega	Ortega
Pues que me tienes, Miguel Ortega Appears on: 60v–62 Genres: Vilancico Source Attribution: Ortega
62v–64	Por do començare mi triste llanto	P. Guerrero	Guerrero, Pedro
Por do començare mi triste llanto Guerrero, Pedro Appears on: 62v–64 Genres: Madrigal Source Attribution: P. Guerrero
64v–65	Dixit Dominus	-	Anonymous
Dixit Dominus Anonymous Appears on: 64v–65 Genres: Fauxbourdon/faburden
64v–65	Prado verde y florido fuente clara	-	Guerrero, Francisco
Prado verde y florido fuente clara Guerrero, Francisco Appears on: 64v–65 Genres: Secular
65v–67	Sobre una peña do la mar batia al triste II: O mar si el de mis ojos no te amansa	Navarro	Navarro 'of Seville/Hispalensis', Juan
Sobre una peña do la mar batia al triste II: O mar si el de mis ojos no te amansa Navarro 'of Seville/Hispalensis', Juan Appears on: 65v–67 Genres: Canción Source Attribution: Navarro
67v–68	O mas dura que marmor a mis quexas	P. Guerrero	Guerrero, Pedro
O mas dura que marmor a mis quexas Guerrero, Pedro Appears on: 67v–68 Genres: Madrigal Source Attribution: P. Guerrero
68v–69	En el campo me meti	Gines de Morata	Morata, Gines de
En el campo me meti Morata, Gines de Appears on: 68v–69 Genres: Vilancico Source Attribution: Gines de Morata
69v–71	Quien me dixera, Elisa, vida mia!	Fr. Juan Diaz	Diaz, Juan
Quien me dixera, Elisa, vida mia! Diaz, Juan Appears on: 69v–71 Genres: Madrigal Source Attribution: Fr. Juan Diaz
71v–72	Rosales mirtos plátanos y flores regalo	-	Ceballos, Rodrigo de (ca. 1525–1581)
Rosales mirtos plátanos y flores regalo Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 71v–72 Genres: Secular Concordances repeated at f. 94v
72v–73	Siendo mios, di, pastora	Navarro	Navarro 'of Seville/Hispalensis', Juan
Siendo mios, di, pastora Navarro 'of Seville/Hispalensis', Juan Appears on: 72v–73 Genres: Vilancico Source Attribution: Navarro
73v–75	Corten espadas afiladas	-	Anonymous
Corten espadas afiladas Anonymous Appears on: 73v–75 Genres: Ensalada en forma de villancico
74v–75	Llamo a la muerte	G. Morata	Morata, Gines de
Llamo a la muerte Morata, Gines de Appears on: 74v–75 Genres: Canción Source Attribution: G. Morata
75v–76	Dulcissima Maria	-	Anonymous
Dulcissima Maria Anonymous Appears on: 75v–76 Genres: Canción
76v–77	Descuidado de cuidado	Gines de Morata	Morata, Gines de
Descuidado de cuidado Morata, Gines de Appears on: 76v–77 Genres: Vilancico Source Attribution: Gines de Morata
77v–78	Ay soledad amarga!	Navarro	Navarro 'of Seville/Hispalensis', Juan
Ay soledad amarga! Navarro 'of Seville/Hispalensis', Juan Appears on: 77v–78 Genres: Madrigal Source Attribution: Navarro
78v–79	A quien no matara solo un olvido?	-	Anonymous
A quien no matara solo un olvido? Anonymous Appears on: 78v–79 Genres: Madrigal
78v–79	Tu me robaste	G. Morata	Morata, Gines de
Tu me robaste Morata, Gines de Appears on: 78v–79 Genres: Vilancico Source Attribution: G. Morata
79v–80	Pange lingua	Morata	Morata, Gines de
Pange lingua Morata, Gines de Appears on: 79v–80 Genres: Hymn Source Attribution: Morata
80v–81	Pange lingua	-	Anonymous
Pange lingua Anonymous Appears on: 80v–81 Genres: Hymn
81v–82	Sacris solemniis	Chacon	Chacón
Sacris solemniis Chacón Appears on: 81v–82 Genres: Hymn Source Attribution: Chacon
82v–85	Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum	Morales	Morales, Cristóbal de (ca. 1500–1553)
Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum Morales, Cristóbal de (ca. 1500–1553) Appears on: 82v–85 Genres: Lamentations, Motet Source Attribution: Morales
85v–88	Lamentations (5): Aleph. Quomodo sedet sola civitas Beth. Plorans ploravit in nocte Gimel. Migravit Iudas propter afflictionem Daleth. Vie Sion lugent eo quod non Heth. Facti sunt hostes eius in capite Jerusalem convertere ad Dominum Deum	Morales	Morales, Cristóbal de (ca. 1500–1553)
Lamentations (5): Aleph. Quomodo sedet sola civitas Beth. Plorans ploravit in nocte Gimel. Migravit Iudas propter afflictionem Daleth. Vie Sion lugent eo quod non Heth. Facti sunt hostes eius in capite Jerusalem convertere ad Dominum Deum Morales, Cristóbal de (ca. 1500–1553) Appears on: 85v–88 Genres: Motet Source Attribution: Morales
88v–90	Alegrate Isabel	Geronimo [F. Guerrero has been scratched out]	Geronimo [=Jerónimo Durán de la Cueva?]
Alegrate Isabel Geronimo [=Jerónimo Durán de la Cueva?] Appears on: 88v–90 Genres: Canción Source Attribution: Geronimo [F. Guerrero has been scratched out]
90v–91	Tu dorado caballo	-	Guerrero, Francisco
Tu dorado caballo Guerrero, Francisco Appears on: 90v–91 Genres: Vilancico
91v–92	Beatriz, como es posible	Guerrero	Guerrero, Francisco
Beatriz, como es posible Guerrero, Francisco Appears on: 91v–92 Genres: Madrigal Source Attribution: Guerrero
92v–93	La rubia pastorcica	Gines de Morata	Morata, Gines de
La rubia pastorcica Morata, Gines de Appears on: 92v–93 Genres: Madrigal Source Attribution: Gines de Morata
93v–94	Esos tus claros ojos	Gines de Morata	Morata, Gines de
Esos tus claros ojos Morata, Gines de Appears on: 93v–94 Genres: Madrigal Source Attribution: Gines de Morata
94v	Rosales mirtos plátanos y flores regalo	Ro. Cevallos	Ceballos, Rodrigo de (ca. 1525–1581)
Rosales mirtos plátanos y flores regalo Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 94v Genres: Secular Source Attribution: Ro. Cevallos Concordances also at f. 71v-72
95	Gloria Patri	Morales	Morales, Cristóbal de (ca. 1500–1553)
Gloria Patri Morales, Cristóbal de (ca. 1500–1553) Appears on: 95 Genres: Doxology Source Attribution: Morales
95	Nativitas tua	-	Anonymous
Nativitas tua Anonymous Appears on: 95 Genres: Antiphon
95v–96	Socorreme pastora	Antonio Cebrian	Cebrián, Antonio
Socorreme pastora Cebrián, Antonio Appears on: 95v–96 Genres: Madrigal Source Attribution: Antonio Cebrian
96v–97	Di, Gil, que siente Juan?	Antonio Cebrian	Cebrián, Antonio
Di, Gil, que siente Juan? Cebrián, Antonio Appears on: 96v–97 Genres: Vilancico Source Attribution: Antonio Cebrian
97	Recuerde el alma dormida	-	Anonymous
Recuerde el alma dormida Anonymous Appears on: 97 Genres: Madrigal General Note incomplete: bass stave only, unused
97v–101	Missa Sine nomine: Kyrie	Garzon	Garçon, Diego
Missa Sine nomine: Kyrie Garçon, Diego Appears on: 97v–101 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Garzon
97v–101	Missa Sine nomine: Gloria	-	Garçon, Diego
Missa Sine nomine: Gloria Garçon, Diego Appears on: 97v–101 Genres: Gloria (et in terra pax), Mass Ordinary
97v–101	Missa Sine nomine: Sanctus	-	Garçon, Diego
Missa Sine nomine: Sanctus Garçon, Diego Appears on: 97v–101 Genres: Mass Ordinary, Sanctus [& Benedictus]
97v–101	Missa Sine nomine: Agnus Dei	-	Garçon, Diego
Missa Sine nomine: Agnus Dei Garçon, Diego Appears on: 97v–101 Genres: Agnus Dei, Mass Ordinary
101v–102	Cristalfa, una pastora - 1a pars (of 4): Cristalfa, una pastora enamorada	Chacon	Chacón
Cristalfa, una pastora - 1a pars (of 4): Cristalfa, una pastora enamorada Chacón Appears on: 101v–102 Genres: Madrigal Source Attribution: Chacon
102v–103	Cristalfa, una pastora - 2a pars (of 4): Comienza a deshazer	-	Chacón
Cristalfa, una pastora - 2a pars (of 4): Comienza a deshazer Chacón Appears on: 102v–103 Genres: Madrigal
103v–104	Cristalfa, una pastora - 3a pars (of 4): Belfortano, un pastor d'Estremadura	-	Chacón
Cristalfa, una pastora - 3a pars (of 4): Belfortano, un pastor d'Estremadura Chacón Appears on: 103v–104 Genres: Madrigal
104v–105	Cristalfa, una pastora - 4a pars (of 4): Govierna poco a poco	-	Chacón
Cristalfa, una pastora - 4a pars (of 4): Govierna poco a poco Chacón Appears on: 104v–105 Genres: Madrigal
105v–106	Ne recorderis	-	Anonymous
Ne recorderis Anonymous Appears on: 105v–106 Genres: Responsory
106v–107	Estavase Marfida contemplando	-	Anonymous
Estavase Marfida contemplando Anonymous Appears on: 106v–107 Genres: Canción
107	Sancta Maria	Cabeçon	Cabezon, Antonio de
Sancta Maria Cabezon, Antonio de Appears on: 107 Genres: BVM, Motet Source Attribution: Cabeçon
107v–108	Donec [ponam inimicos] 8o tono	-	Anonymous
Donec [ponam inimicos] 8o tono Anonymous Appears on: 107v–108 Genres: Fauxbourdon/faburden
107v–108	Dixit Dominus 2o tono	-	Anonymous
Dixit Dominus 2o tono Anonymous Appears on: 107v–108 Genres: Fauxbourdon/faburden
107v–108	Donec ponam inimicos 2o tono	-	Anonymous
Donec ponam inimicos 2o tono Anonymous Appears on: 107v–108 Genres: Fauxbourdon/faburden
107v–108	Et ex[ultavit?]	-	Anonymous
Et ex[ultavit?] Anonymous Appears on: 107v–108 Genres: BVM, Canticle, Magnificat
108v–109	Dixit [Dominus] 6o tono	Morales	Morales, Cristóbal de (ca. 1500–1553)
Dixit [Dominus] 6o tono Morales, Cristóbal de (ca. 1500–1553) Appears on: 108v–109 Genres: Fauxbourdon/faburden Source Attribution: Morales
108v–109	Dixit [Dominus] 1o tono	Morales	Morales, Cristóbal de (ca. 1500–1553)
Dixit [Dominus] 1o tono Morales, Cristóbal de (ca. 1500–1553) Appears on: 108v–109 Genres: Fauxbourdon/faburden Source Attribution: Morales
108v–109	Dixit 5o tono	Morales	Morales, Cristóbal de (ca. 1500–1553)
Dixit 5o tono Morales, Cristóbal de (ca. 1500–1553) Appears on: 108v–109 Genres: Fauxbourdon/faburden Source Attribution: Morales
108v–109	Dixit 6o tono	Morales	Morales, Cristóbal de (ca. 1500–1553)
Dixit 6o tono Morales, Cristóbal de (ca. 1500–1553) Appears on: 108v–109 Genres: Fauxbourdon/faburden Source Attribution: Morales
108v–109	Dixit 2o tono	Morales	Morales, Cristóbal de (ca. 1500–1553)
Dixit 2o tono Morales, Cristóbal de (ca. 1500–1553) Appears on: 108v–109 Genres: Fauxbourdon/faburden Source Attribution: Morales
109v–110	Dixit 2o tono	-	Anonymous
Dixit 2o tono Anonymous Appears on: 109v–110 Genres: Fauxbourdon/faburden
109v–110	Quia misit (?)	-	Anonymous
Quia misit (?) Anonymous Appears on: 109v–110 Genres: Fauxbourdon/faburden
109v–110	Magna opera [Domini]	Escobedo	Escobedo, Bartolome de (ca. 1505–1563)
Magna opera [Domini] Escobedo, Bartolome de (ca. 1505–1563) Appears on: 109v–110 Genres: Fauxbourdon/faburden Source Attribution: Escobedo
109v–110	Donec [ponam inimicos]	-	Anonymous
Donec [ponam inimicos] Anonymous Appears on: 109v–110 Genres: Fauxbourdon/faburden
109v–110	Cum invocarem 2o tono	-	Anonymous
Cum invocarem 2o tono Anonymous Appears on: 109v–110 Genres: Fauxbourdon/faburden
110v	Miserere mei Deus 1o tono	-	Anonymous
Miserere mei Deus 1o tono Anonymous Appears on: 110v Genres: Fauxbourdon/faburden
110v	Miserere mei Deus 6o tono	-	Anonymous
Miserere mei Deus 6o tono Anonymous Appears on: 110v Genres: Fauxbourdon/faburden
111–113	Ave sanctissima Maria mater Dei regina	Gonber	Gombert, Nicolas (ca. 1495–ca. 1560)
Ave sanctissima Maria mater Dei regina Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 111–113 Genres: Antiphon Source Attribution: Gonber
113v–114	Christus natus est nobis	-	Anonymous
Christus natus est nobis Anonymous Appears on: 113v–114 Genres: Antiphon
115v–116	Missa de feria: Kyrie	Bernal	Bernal Goncalez, Jose
Missa de feria: Kyrie Bernal Goncalez, Jose Appears on: 115v–116 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Bernal
115v–16	Missa de feria: Sanctus	-	Bernal Goncalez, Jose
Missa de feria: Sanctus Bernal Goncalez, Jose Appears on: 115v–16 Genres: Mass Ordinary, Sanctus [& Benedictus]
115v–116	Missa de feria: Agnus Dei	-	Bernal Goncalez, Jose
Missa de feria: Agnus Dei Bernal Goncalez, Jose Appears on: 115v–116 Genres: Agnus Dei, Mass Ordinary
117	Dixit Dominus	-	Anonymous
Dixit Dominus Anonymous Appears on: 117 Genres: Fauxbourdon/faburden
117v–123	Magnificat octavi toni: Anima mea [K.921]	-	Morales, Cristóbal de (ca. 1500–1553)
Magnificat octavi toni: Anima mea [K.921] Morales, Cristóbal de (ca. 1500–1553) Appears on: 117v–123 Genres: BVM, Canticle, Magnificat
123v	Miserere mei Deus 8o tono	-	Anonymous
Miserere mei Deus 8o tono Anonymous Appears on: 123v Genres: Fauxbourdon/faburden
123v	Tibi soli peccavi 1o tono	-	Anonymous
Tibi soli peccavi 1o tono Anonymous Appears on: 123v Genres: Fauxbourdon/faburden
124v–125	Alleluya	-	Anonymous
Alleluya Anonymous Appears on: 124v–125 Genres: Alleluia
125v–128	Credo. Patrem omnipotentem	-	Anonymous
Credo. Patrem omnipotentem Anonymous Appears on: 125v–128 Genres: Credo (patrem omnipotentem), Mass Ordinary
128v	[Responses to the Preface of the Mass]	-	Anonymous
[Responses to the Preface of the Mass] Anonymous Appears on: 128v Genres: Response
129	Miserere mei Deus 6o tono	-	Anonymous
Miserere mei Deus 6o tono Anonymous Appears on: 129 Genres: Fauxbourdon/faburden
129v–130	Quan bienaventurado aquel puede llamarse	Cevallos	Ceballos, Francisco de (1571–)
Quan bienaventurado aquel puede llamarse Ceballos, Francisco de (1571–) Appears on: 129v–130 Genres: Madrigal Source Attribution: Cevallos
130v–131	Huyd, huyd, o çiegos amadores	-	Guerrero, Francisco
Huyd, huyd, o çiegos amadores Guerrero, Francisco Appears on: 130v–131 Genres: Madrigal
131v–32	Marfira, por vos muero	-	Anonymous
Marfira, por vos muero Anonymous Appears on: 131v–32 Genres: Madrigal
132v–134	Intolerable rayo	-	Anonymous
Intolerable rayo Anonymous Appears on: 132v–134 Genres: Madrigal
133v–134	Juana, yo juro a fe	-	Anonymous
Juana, yo juro a fe Anonymous Appears on: 133v–134 Genres: Canción
134v–135	Duro mal, terrible llanto	-	Ceballos, Rodrigo de (ca. 1525–1581)
Duro mal, terrible llanto Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 134v–135 Genres: Madrigal
135v–136	Dime manso viento si viste a mi pastora	-	Ceballos, Rodrigo de (ca. 1525–1581)
Dime manso viento si viste a mi pastora Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 135v–136 Genres: Italian secular
136v–137	No ver, amor, que esta gentil moçuela	-	Navarro 'of Seville/Hispalensis', Juan
No ver, amor, que esta gentil moçuela Navarro 'of Seville/Hispalensis', Juan Appears on: 136v–137 Genres: Canción
137v–138	Los ojos puestos en el alto cielo	-	Anonymous
Los ojos puestos en el alto cielo Anonymous Appears on: 137v–138 Genres: Canción
138v	[Fabordon, untexted]	-	Anonymous
[Fabordon, untexted] Anonymous Appears on: 138v Genres: Fauxbourdon/faburden
138v–139	Luisa de mi alma	-	Anonymous
Luisa de mi alma Anonymous Appears on: 138v–139 Genres: Madrigal
139v–140	Dexo la venda larco y el aljava	-	Guerrero, Francisco
Dexo la venda larco y el aljava Guerrero, Francisco Appears on: 139v–140 Genres: Madrigal
140v–141	A que vienes, tiranno?	-	Anonymous
A que vienes, tiranno? Anonymous Appears on: 140v–141 Genres: Madrigal
141v–142	Olvidaste, zagala, aqueste apero	-	Anonymous
Olvidaste, zagala, aqueste apero Anonymous Appears on: 141v–142 Genres: Canción
142v–143	Carillo, quieresme bien?	-	Anonymous
Carillo, quieresme bien? Anonymous Appears on: 142v–143 Genres: Vilancico
143v–144	Pasando el mar Leandro el animoso	-	Guerrero, Pedro
Pasando el mar Leandro el animoso Guerrero, Pedro Appears on: 143v–144 Genres: Madrigal
144v–145	Leonor, enferma estavas y llorosa	-	Anonymous
Leonor, enferma estavas y llorosa Anonymous Appears on: 144v–145 Genres: Canción
145v–146	Catalina sin par	-	Anonymous
Catalina sin par Anonymous Appears on: 145v–146 Genres: Canción
146v–148	Parlera sois asi, senora Juana	-	Anonymous
Parlera sois asi, senora Juana Anonymous Appears on: 146v–148 Genres: Madrigal
148v–149	Hermosa pastorçilla	-	Anonymous
Hermosa pastorçilla Anonymous Appears on: 148v–149 Genres: Canción
149v–151	Frescura soberana	-	Anonymous
Frescura soberana Anonymous Appears on: 149v–151 Genres: Madrigal
151v–152	Ay de mi sin ventura	-	Navarro 'of Seville/Hispalensis', Juan
Ay de mi sin ventura Navarro 'of Seville/Hispalensis', Juan Appears on: 151v–152 Genres: Madrigal Concordances also at f. 43v-44
152v–153	Divina nimpha mia no es menor	-	Guerrero, Francisco
Divina nimpha mia no es menor Guerrero, Francisco Appears on: 152v–153 Genres: Canción
153v–155	Donde se sufre, Juana?	-	Anonymous
Donde se sufre, Juana? Anonymous Appears on: 153v–155 Genres: Vilancico
155v–156bis	Incipit oratio Hieremiae prophetae	-	Anonymous
Incipit oratio Hieremiae prophetae Anonymous Appears on: 155v–156bis Genres: Lamentations
156bis.v–157	Domine memento mei	Bernal	Bernal Goncalez, Jose
Domine memento mei Bernal Goncalez, Jose Appears on: 156bis.v–157 Genres: Motet Source Attribution: Bernal
157v–158	Miserere mei Deus	-	Anonymous
Miserere mei Deus Anonymous Appears on: 157v–158 Genres: Fauxbourdon/faburden
157v–158	Circumdederunt me gemitus mortis	-	Anonymous
Circumdederunt me gemitus mortis Anonymous Appears on: 157v–158 Genres: Antiphon
158v–159	Inter natos mulierum non surrexit major II: Fuit homo missus a deo cui nomen	Morales	Morales, Cristóbal de (ca. 1500–1553)
Inter natos mulierum non surrexit major II: Fuit homo missus a deo cui nomen Morales, Cristóbal de (ca. 1500–1553) Appears on: 158v–159 Genres: Motet Source Attribution: Morales
159v–160	Kyrie eleyson [tro] Qui passurus	-	Anonymous
Kyrie eleyson [tro] Qui passurus Anonymous Appears on: 159v–160 Genres: Mass Ordinary, Troped Kyrie
160v–162	Parce mihi Domine	-	Anonymous
Parce mihi Domine Anonymous Appears on: 160v–162 Genres: Motet
162v–167	Missa Sine nomine: Kyrie	-	Anonymous
Missa Sine nomine: Kyrie Anonymous Appears on: 162v–167 Genres: Kyrie eleison, Mass Ordinary
162v–167	Missa Sine nomine: Gloria	-	Anonymous
Missa Sine nomine: Gloria Anonymous Appears on: 162v–167 Genres: Gloria (et in terra pax), Mass Ordinary
162v–167	Missa Sine nomine: Sanctus	-	Anonymous
Missa Sine nomine: Sanctus Anonymous Appears on: 162v–167 Genres: Mass Ordinary, Sanctus [& Benedictus]
162v–167	Missa Sine nomine: Agnus Dei	-	Anonymous
Missa Sine nomine: Agnus Dei Anonymous Appears on: 162v–167 Genres: Agnus Dei, Mass Ordinary
166v–167	Missa Sine nomine: [Credo] Et incarnatus est	-	Anonymous
Missa Sine nomine: [Credo] Et incarnatus est Anonymous Appears on: 166v–167 Genres: Credo (patrem omnipotentem), Mass Ordinary
167v–180	Passion: Non in die festo	Bernal	Bernal Goncalez, Jose
Passion: Non in die festo Bernal Goncalez, Jose Appears on: 167v–180 Genres: Passion Source Attribution: Bernal
180v–181	Domine non secundum peccata nostra	-	Anonymous
Domine non secundum peccata nostra Anonymous Appears on: 180v–181 Genres: Motet
181v	Dixit Dominus	-	Anonymous
Dixit Dominus Anonymous Appears on: 181v Genres: Fauxbourdon/faburden
182	Israel es tu rex Davidis	Morales	Morales, Cristóbal de (ca. 1500–1553)
Israel es tu rex Davidis Morales, Cristóbal de (ca. 1500–1553) Appears on: 182 Genres: Hymn Source Attribution: Morales General Note incomplete - tenor only
182	Qui est iste Rex gloriae	Morales	Morales, Cristóbal de (ca. 1500–1553)
Qui est iste Rex gloriae Morales, Cristóbal de (ca. 1500–1553) Appears on: 182 Genres: Antiphon Source Attribution: Morales General Note incomplete - bassus only
182v–185	Miserere mei Deus	Sanforte	Sanforte
Miserere mei Deus Sanforte Appears on: 182v–185 Genres: Fauxbourdon/faburden, Miserere mei Deus Source Attribution: Sanforte
184	Deo gratias	-	Anonymous
Deo gratias Anonymous Appears on: 184 Genres: Deo gratias
184	Dic nobis Maria	-	Anonymous
Dic nobis Maria Anonymous Appears on: 184 Genres: Antiphon
184v–189	Salve regina (4vv) Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris - O clemens IV: O dulcis	Morales	Morales, Cristóbal de (ca. 1500–1553)
Salve regina (4vv) Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris - O clemens IV: O dulcis Morales, Cristóbal de (ca. 1500–1553) Appears on: 184v–189 Genres: BVM, Motet, Salve Regina Source Attribution: Morales
189v–190	Esclarecida Juana	-	Guerrero, Francisco
Esclarecida Juana Guerrero, Francisco Appears on: 189v–190 Genres: Canción
190v–191	Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas quibus	-	Morales, Cristóbal de (ca. 1500–1553)
Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas quibus Morales, Cristóbal de (ca. 1500–1553) Appears on: 190v–191 Genres: Antiphon
191v–192	Sancta et immaculata - 2a pars (of 2): Benedicta tu in mulieribus	-	Morales, Cristóbal de (ca. 1500–1553)
Sancta et immaculata - 2a pars (of 2): Benedicta tu in mulieribus Morales, Cristóbal de (ca. 1500–1553) Appears on: 191v–192 Genres: Antiphon
192v–193	Ribera el sacro Darro - 1a pars (of 2): Ribera el sacro Darro en el arena dorada	Navarro (3rd verse)	Navarro 'of Seville/Hispalensis', Juan
Ribera el sacro Darro - 1a pars (of 2): Ribera el sacro Darro en el arena dorada Navarro 'of Seville/Hispalensis', Juan Appears on: 192v–193 Genres: Madrigal Source Attribution: Navarro (3rd verse)
193v–194	Ribera el sacro Darro - 2a pars (of 2): Y aunque el mucho llorar no le dexava	Navarro (3rd verse)	Navarro 'of Seville/Hispalensis', Juan
Ribera el sacro Darro - 2a pars (of 2): Y aunque el mucho llorar no le dexava Navarro 'of Seville/Hispalensis', Juan Appears on: 193v–194 Genres: Madrigal Source Attribution: Navarro (3rd verse)
194v–195	Manso viento que con dulce rruido	-	Anonymous
Manso viento que con dulce rruido Anonymous Appears on: 194v–195 Genres: Madrigal
195v–196	Prado verdo y florido - 2a pars (of 2): El fresco y manso viento que os alegra	-	Anonymous
Prado verdo y florido - 2a pars (of 2): El fresco y manso viento que os alegra Anonymous Appears on: 195v–196 Genres: Madrigal
196v–197	Illustre silva fertil y abundante	-	Anonymous
Illustre silva fertil y abundante Anonymous Appears on: 196v–197 Genres: Secular
197v–198	El fresco ayre - 1a pars (of 2): El fresco ayre del favor humano	-	Anonymous
El fresco ayre - 1a pars (of 2): El fresco ayre del favor humano Anonymous Appears on: 197v–198 Genres: Madrigal
198v–199	El fresco ayre - 2a pars (of 2): Teneis el tiempo, la vida y la clemnza	-	Anonymous
El fresco ayre - 2a pars (of 2): Teneis el tiempo, la vida y la clemnza Anonymous Appears on: 198v–199 Genres: Madrigal
199v–200	Ay vida trabaxosa entre paredes ay questre = Ay Jesus que mal fraile	-	Anonymous
Ay vida trabaxosa entre paredes ay questre = Ay Jesus que mal fraile Anonymous Appears on: 199v–200 Genres: Madrigal General Note text: Ay Jesus que mal fraile; musically concordant with E-V 17 f. 2v
200v–201	Hermosa Magdalena	-	Anonymous
Hermosa Magdalena Anonymous Appears on: 200v–201 Genres: Madrigal
201v–202	Susanne un jour d'amour solicitée par deux viellards	-	Lassus, Orlande de (ca. 1532–1594)
Susanne un jour d'amour solicitée par deux viellards Lassus, Orlande de (ca. 1532–1594) Appears on: 201v–202 Genres: Chanson General Note text: Siendo de amor Susana requerida
202v–203	Hermosa Catalina	-	Anonymous
Hermosa Catalina Anonymous Appears on: 202v–203 Genres: Madrigal General Note not Guerrero's setting, at f. 12v-13
203v–204	Jesu nostra redemptio	-	Anonymous
Jesu nostra redemptio Anonymous Appears on: 203v–204 Genres: Hymn
206	[short tract on notation]	-	Anonymous
[short tract on notation] Anonymous Appears on: 206 Genres: Text only
207	Et homo factus est	-	Anonymous
Et homo factus est Anonymous Appears on: 207 Genres: Credo (patrem omnipotentem), Mass Ordinary
207v	Et cum spirito tuo	-	Anonymous
Et cum spirito tuo Anonymous Appears on: 207v Genres: Response

Composer	Compositions
Anonymous	A beinte y siete de Março – 6v–7 A que vienes, tiranno? – 140v–141 A quien no matara solo un olvido? – 78v–79 A su alvedrio – 59v–60 Acaba ya zagala – 44v–45 Alleluya – 124v–125 Aquella boz de Cristo – 56v–57 Aquella fuerça grande – 56v–57 Asperges me, Domine – 57v–58 Aste casado, Anilla? – 35v–36 Ay vida trabaxosa entre paredes ay questre = Ay Jesus que mal fraile – 199v–200 Carillo, quieresme bien? – 142v–143 Catalina sin par – 145v–146 Cavallero, si a Francia ides – 31v–32 Christus natus est nobis – 113v–114 Circumdederunt me gemitus mortis – 157v–158 Claros y frescos rios – 4v–5 Corten espadas afiladas – 73v–75 Credo. Patrem omnipotentem – 125v–128 Cum invocarem 2o tono – 109v–110 Deo gratias – 184 Di, perra mora – 7v–8 Dic nobis Maria – 184 Dixit 2o tono – 109v–110 Dixit Dominus – 117 Dixit Dominus – 64v–65 Dixit Dominus – 181v Dixit Dominus 2o tono – 107v–108 Domine memento mei – 58v–58 Domine non secundum peccata nostra – 180v–181 Donde se sufre, Juana? – 153v–155 Donec [ponam inimicos] – 109v–110 Donec [ponam inimicos] 8o tono – 107v–108 Donec ponam inimicos 2o tono – 107v–108 Dulcissima Maria – 75v–76 El fresco ayre - 1a pars (of 2): El fresco ayre del favor humano – 197v–198 El fresco ayre - 2a pars (of 2): Teneis el tiempo, la vida y la clemnza – 198v–199 Estavase Marfida contemplando – 106v–107 Et cum spirito tuo – 207v Et ex[ultavit?] – 107v–108 Et homo factus est – 207 Frescura soberana – 149v–151 Hermosa Catalina – 202v–203 Hermosa Magdalena – 200v–201 Hermosa pastorçilla – 148v–149 Illustre silva fertil y abundante – 196v–197 Incipit oratio Hieremiae prophetae – 155v–156bis Intolerable rayo – 132v–134 Jesu nostra redemptio – 203v–204 Juana, yo juro a fe – 133v–134 Kyrie eleyson [tro] Qui passurus – 159v–160 Leonor, enferma estavas y llorosa – 144v–145 Llaman a Teresica – 9v–10 Los ojos puestos en el alto cielo – 137v–138 Luisa de mi alma – 138v–139 Manso viento que con dulce rruido – 194v–195 Marfira, por vos muero – 131v–32 Miserere mei Deus – 157v–158 Miserere mei Deus 1o tono – 110v Miserere mei Deus 6o tono – 129 Miserere mei Deus 6o tono – 110v Miserere mei Deus 8o tono – 123v Missa Sine nomine: Agnus Dei – 162v–167 Missa Sine nomine: Gloria – 162v–167 Missa Sine nomine: Kyrie – 162v–167 Missa Sine nomine: Sanctus – 162v–167 Missa Sine nomine: [Credo] Et incarnatus est – 166v–167 Nativitas tua – 95 Ne recorderis – 105v–106 O dulce suspiro mio – 9v–10 Olvidaste, zagala, aqueste apero – 141v–142 Pange lingua – 80v–81 Parce mihi Domine – 160v–162 Parlera sois asi, senora Juana – 146v–148 Por ese mar d'[H]elesponto – 3v–4 Prado verdo y florido - 2a pars (of 2): El fresco y manso viento que os alegra – 195v–196 Puse mis amores – 5v–7 Que se hizo, Juan, tu placer? – 8v–9 Quia misit (?) – 109v–110 Recuerde el alma dormida – 97 Sabete, linda zagala – 2v–3 Tibi soli peccavi 1o tono – 123v Tu dulce canto, Silvia – 36v–37 Vinea mea electa – 29v–30 Y dize a tu pesar – 14v–15 [Fabordon, untexted] – 138v [Responses to the Preface of the Mass] – 128v [short tract on notation] – 206
Bernal Goncalez, Jose	Domine memento mei – 156bis.v–157 Missa de feria: Agnus Dei – 115v–116 Missa de feria: Kyrie – 115v–116 Missa de feria: Sanctus – 115v–16 Navego en hondo mar – 40v–41 Passion: Non in die festo – 167v–180
Cabezon, Antonio de	Sancta Maria – 107
Ceballos, Francisco de (1571–)	Quan bienaventurado aquel puede llamarse – 129v–130
Ceballos, Rodrigo de (ca. 1525–1581)	Amargar oras de los dulces dias – 10v–11 Dime manso viento si viste a mi pastora – 135v–136 Duro mal, terrible llanto – 134v–135 Ojos hermanos, amorosillos, graves – 49v–50 Rosales mirtos plátanos y flores regalo – 71v–72 Rosales mirtos plátanos y flores regalo – 94v
Cebrián, Antonio	Di, Gil, que siente Juan? – 96v–97 Lagrimas de mi consuelo – 3v–4 Socorreme pastora – 95v–96
Chacón	Cristalfa, una pastora - 1a pars (of 4): Cristalfa, una pastora enamorada – 101v–102 Cristalfa, una pastora - 2a pars (of 4): Comienza a deshazer – 102v–103 Cristalfa, una pastora - 3a pars (of 4): Belfortano, un pastor d'Estremadura – 103v–104 Cristalfa, una pastora - 4a pars (of 4): Govierna poco a poco – 104v–105 Sacris solemniis – 81v–82
Diaz, Juan	Quien me dixera, Elisa, vida mia! – 69v–71
Escobedo, Bartolome de (ca. 1505–1563)	Magna opera [Domini] – 109v–110
Farfán	Clamavit autem mulier Cananea – 51v–52
Garçon, Diego	Amor ciego y atrevido – 18v–19 Carillo, si tu quirieres – 16v–17 Clemente jurava [a] tal – 19v–20 Gasajoso esta Carillo – 17v–18 Llorad conmigo, pastores – 22v–23 Missa Sine nomine: Agnus Dei – 97v–101 Missa Sine nomine: Gloria – 97v–101 Missa Sine nomine: Kyrie – 97v–101 Missa Sine nomine: Sanctus – 97v–101 Viste, Gil, a mi zagala? – 21v–22
Geronimo [=Jerónimo Durán de la Cueva?]	Alegrate Isabel – 88v–90
Gombert, Nicolas (ca. 1495–ca. 1560)	Ave sanctissima Maria mater Dei regina – 111–113
Guerrero, Francisco	Amor andava triste – 15v–16 Beatriz, como es posible – 91v–92 Dexo la venda larco y el aljava – 139v–140 Divina nimpha mia no es menor – 152v–153 Esclarecida Juana – 189v–190 Fresco y claro arroyuelo – 11v–12 Hermosa Catalina – 12v–13 Huyd, huyd, o çiegos amadores – 130v–131 Ojos claros y serenos que de dulce – 2 Prado verde y florido fuente clara – 64v–65 Ten cuenta amor – 13v–14 Tu dorado caballo – 90v–91
Guerrero, Pedro	O mas dura que marmor a mis quexas – 67v–68 Pasando el mar Leandro el animoso – 143v–144 Por do començare mi triste llanto – 62v–64
Lassus, Orlande de (ca. 1532–1594)	Susanne un jour d'amour solicitée par deux viellards – 201v–202
Morales, Cristóbal de (ca. 1500–1553)	Accepit Jesus panes – 30v–31 Dixit 2o tono – 108v–109 Dixit 5o tono – 108v–109 Dixit 6o tono – 108v–109 Dixit [Dominus] 1o tono – 108v–109 Dixit [Dominus] 6o tono – 108v–109 Gloria Patri – 95 Inter natos mulierum non surrexit major II: Fuit homo missus a deo cui nomen – 158v–159 Inter vestibulum et altare – 23v–24 Israel es tu rex Davidis – 182 Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum – 82v–85 Lamentations (5): Aleph. Quomodo sedet sola civitas Beth. Plorans ploravit in nocte Gimel. Migravit Iudas propter afflictionem Daleth. Vie Sion lugent eo quod non Heth. Facti sunt hostes eius in capite Jerusalem convertere ad Dominum Deum – 85v–88 Magnificat octavi toni: Anima mea [K.921] – 117v–123 Magnificat quarti toni: Anima mea [K.917] – 52v–56 Magnificat sexti toni: Anima mea [K.919] – 45v–49 Qui est iste Rex gloriae – 182 Salve regina (4vv) Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris - O clemens IV: O dulcis – 184v–189 Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas quibus – 190v–191 Sancta et immaculata - 2a pars (of 2): Benedicta tu in mulieribus – 191v–192
Morata, Gines de	Aqui me declaro su pensamiento – 38v–39 Como per alto mar tenpestuoso – 34v–35 Descuidado de cuidado – 76v–77 En el campo me meti – 68v–69 Esos tus claros ojos – 93v–94 La rubia pastorcica – 92v–93 Llamo a la muerte – 74v–75 Nimpha gentil – 41v–43 Ojos que ya no veis – 37v–38 Pange lingua – 79v–80 Pues para tan alta prueva – 50v–51 Pues que no puedo olvidarte – 39v–40 Tu me robaste – 78v–79
Navarro 'of Seville/Hispalensis', Juan	Ay de mi sin ventura – 151v–152 Ay de mi sin ventura – 43v–44 Ay soledad amarga! – 77v–78 Buelve tus claros ojos – 32v–34 No ver, amor, que esta gentil moçuela – 136v–137 Ribera el sacro Darro - 1a pars (of 2): Ribera el sacro Darro en el arena dorada – 192v–193 Ribera el sacro Darro - 2a pars (of 2): Y aunque el mucho llorar no le dexava – 193v–194 Siendo mios, di, pastora – 72v–73 Sobre una peña do la mar batia al triste II: O mar si el de mis ojos no te amansa – 65v–67
Ortega	Pues que me tienes, Miguel – 60v–62
Rore, Cipriano de (ca. 1515–1565)	(?) Cum sublevasset oculos Jesus – 24v–25 (?) Dinumerabo eos – 27v–28 (?) Sacerdos et pontifex – 28v–29 (?) Sicut cervus desiderat – 26v–27 (?) Tu es pastor ovium – 25v–26 (?) [Ave maris stella] Sumens illud ave – 31v–32
Sanforte	Miserere mei Deus – 182v–185
Varrio Nuevo	Ojos hermanos, amorosillos, graves – 49v–50

Composition	Composers (? Uncertain)	Folios / Pages
[Ave maris stella] Sumens illud ave	Rore, Cipriano de (ca. 1515–1565) (?)	31v–32
[Fabordon, untexted]	Anonymous	138v
[Responses to the Preface of the Mass]	Anonymous	128v
[short tract on notation]	Anonymous	206
A beinte y siete de Março	Anonymous	6v–7
A que vienes, tiranno?	Anonymous	140v–141
A quien no matara solo un olvido?	Anonymous	78v–79
A su alvedrio	Anonymous	59v–60
Acaba ya zagala	Anonymous	44v–45
Accepit Jesus panes	Morales, Cristóbal de (ca. 1500–1553)	30v–31
Alegrate Isabel	Geronimo [=Jerónimo Durán de la Cueva?]	88v–90
Alleluya	Anonymous	124v–125
Amargar oras de los dulces dias	Ceballos, Rodrigo de (ca. 1525–1581)	10v–11
Amor andava triste	Guerrero, Francisco	15v–16
Amor ciego y atrevido	Garçon, Diego	18v–19
Aquella boz de Cristo	Anonymous	56v–57
Aquella fuerça grande	Anonymous	56v–57
Aqui me declaro su pensamiento	Morata, Gines de	38v–39
Asperges me, Domine	Anonymous	57v–58
Aste casado, Anilla?	Anonymous	35v–36
Ave sanctissima Maria mater Dei regina	Gombert, Nicolas (ca. 1495–ca. 1560)	111–113
Ay de mi sin ventura	Navarro 'of Seville/Hispalensis', Juan	43v–44
Ay de mi sin ventura	Navarro 'of Seville/Hispalensis', Juan	151v–152
Ay soledad amarga!	Navarro 'of Seville/Hispalensis', Juan	77v–78
Ay vida trabaxosa entre paredes ay questre = Ay Jesus que mal fraile	Anonymous	199v–200
Beatriz, como es posible	Guerrero, Francisco	91v–92
Buelve tus claros ojos	Navarro 'of Seville/Hispalensis', Juan	32v–34
Carillo, quieresme bien?	Anonymous	142v–143
Carillo, si tu quirieres	Garçon, Diego	16v–17
Catalina sin par	Anonymous	145v–146
Cavallero, si a Francia ides	Anonymous	31v–32
Christus natus est nobis	Anonymous	113v–114
Circumdederunt me gemitus mortis	Anonymous	157v–158
Clamavit autem mulier Cananea	Farfán	51v–52
Claros y frescos rios	Anonymous	4v–5
Clemente jurava [a] tal	Garçon, Diego	19v–20
Como per alto mar tenpestuoso	Morata, Gines de	34v–35
Corten espadas afiladas	Anonymous	73v–75
Credo. Patrem omnipotentem	Anonymous	125v–128
Cristalfa, una pastora - 1a pars (of 4): Cristalfa, una pastora enamorada	Chacón	101v–102
Cristalfa, una pastora - 2a pars (of 4): Comienza a deshazer	Chacón	102v–103
Cristalfa, una pastora - 3a pars (of 4): Belfortano, un pastor d'Estremadura	Chacón	103v–104
Cristalfa, una pastora - 4a pars (of 4): Govierna poco a poco	Chacón	104v–105
Cum invocarem 2o tono	Anonymous	109v–110
Cum sublevasset oculos Jesus	Rore, Cipriano de (ca. 1515–1565) (?)	24v–25
Deo gratias	Anonymous	184
Descuidado de cuidado	Morata, Gines de	76v–77
Dexo la venda larco y el aljava	Guerrero, Francisco	139v–140
Di, Gil, que siente Juan?	Cebrián, Antonio	96v–97
Di, perra mora	Anonymous	7v–8
Dic nobis Maria	Anonymous	184
Dime manso viento si viste a mi pastora	Ceballos, Rodrigo de (ca. 1525–1581)	135v–136
Dinumerabo eos	Rore, Cipriano de (ca. 1515–1565) (?)	27v–28
Divina nimpha mia no es menor	Guerrero, Francisco	152v–153
Dixit 2o tono	Morales, Cristóbal de (ca. 1500–1553)	108v–109
Dixit 2o tono	Anonymous	109v–110
Dixit 5o tono	Morales, Cristóbal de (ca. 1500–1553)	108v–109
Dixit 6o tono	Morales, Cristóbal de (ca. 1500–1553)	108v–109
Dixit [Dominus] 1o tono	Morales, Cristóbal de (ca. 1500–1553)	108v–109
Dixit [Dominus] 6o tono	Morales, Cristóbal de (ca. 1500–1553)	108v–109
Dixit Dominus	Anonymous	64v–65
Dixit Dominus	Anonymous	117
Dixit Dominus	Anonymous	181v
Dixit Dominus 2o tono	Anonymous	107v–108
Domine memento mei	Anonymous	58v–58
Domine memento mei	Bernal Goncalez, Jose	156bis.v–157
Domine non secundum peccata nostra	Anonymous	180v–181
Donde se sufre, Juana?	Anonymous	153v–155
Donec [ponam inimicos]	Anonymous	109v–110
Donec [ponam inimicos] 8o tono	Anonymous	107v–108
Donec ponam inimicos 2o tono	Anonymous	107v–108
Dulcissima Maria	Anonymous	75v–76
Duro mal, terrible llanto	Ceballos, Rodrigo de (ca. 1525–1581)	134v–135
El fresco ayre - 1a pars (of 2): El fresco ayre del favor humano	Anonymous	197v–198
El fresco ayre - 2a pars (of 2): Teneis el tiempo, la vida y la clemnza	Anonymous	198v–199
En el campo me meti	Morata, Gines de	68v–69
Esclarecida Juana	Guerrero, Francisco	189v–190
Esos tus claros ojos	Morata, Gines de	93v–94
Estavase Marfida contemplando	Anonymous	106v–107
Et cum spirito tuo	Anonymous	207v
Et ex[ultavit?]	Anonymous	107v–108
Et homo factus est	Anonymous	207
Fresco y claro arroyuelo	Guerrero, Francisco	11v–12
Frescura soberana	Anonymous	149v–151
Gasajoso esta Carillo	Garçon, Diego	17v–18
Gloria Patri	Morales, Cristóbal de (ca. 1500–1553)	95
Hermosa Catalina	Guerrero, Francisco	12v–13
Hermosa Catalina	Anonymous	202v–203
Hermosa Magdalena	Anonymous	200v–201
Hermosa pastorçilla	Anonymous	148v–149
Huyd, huyd, o çiegos amadores	Guerrero, Francisco	130v–131
Illustre silva fertil y abundante	Anonymous	196v–197
Incipit oratio Hieremiae prophetae	Anonymous	155v–156bis
Inter natos mulierum non surrexit major II: Fuit homo missus a deo cui nomen	Morales, Cristóbal de (ca. 1500–1553)	158v–159
Inter vestibulum et altare	Morales, Cristóbal de (ca. 1500–1553)	23v–24
Intolerable rayo	Anonymous	132v–134
Israel es tu rex Davidis	Morales, Cristóbal de (ca. 1500–1553)	182
Jesu nostra redemptio	Anonymous	203v–204
Juana, yo juro a fe	Anonymous	133v–134
Kyrie eleyson [tro] Qui passurus	Anonymous	159v–160
La rubia pastorcica	Morata, Gines de	92v–93
Lagrimas de mi consuelo	Cebrián, Antonio	3v–4
Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum	Morales, Cristóbal de (ca. 1500–1553)	82v–85
Lamentations (5): Aleph. Quomodo sedet sola civitas Beth. Plorans ploravit in nocte Gimel. Migravit Iudas propter afflictionem Daleth. Vie Sion lugent eo quod non Heth. Facti sunt hostes eius in capite Jerusalem convertere ad Dominum Deum	Morales, Cristóbal de (ca. 1500–1553)	85v–88
Leonor, enferma estavas y llorosa	Anonymous	144v–145
Llaman a Teresica	Anonymous	9v–10
Llamo a la muerte	Morata, Gines de	74v–75
Llorad conmigo, pastores	Garçon, Diego	22v–23
Los ojos puestos en el alto cielo	Anonymous	137v–138
Luisa de mi alma	Anonymous	138v–139
Magna opera [Domini]	Escobedo, Bartolome de (ca. 1505–1563)	109v–110
Magnificat octavi toni: Anima mea [K.921]	Morales, Cristóbal de (ca. 1500–1553)	117v–123
Magnificat quarti toni: Anima mea [K.917]	Morales, Cristóbal de (ca. 1500–1553)	52v–56
Magnificat sexti toni: Anima mea [K.919]	Morales, Cristóbal de (ca. 1500–1553)	45v–49
Manso viento que con dulce rruido	Anonymous	194v–195
Marfira, por vos muero	Anonymous	131v–32
Miserere mei Deus	Anonymous	157v–158
Miserere mei Deus	Sanforte	182v–185
Miserere mei Deus 1o tono	Anonymous	110v
Miserere mei Deus 6o tono	Anonymous	110v
Miserere mei Deus 6o tono	Anonymous	129
Miserere mei Deus 8o tono	Anonymous	123v
Missa de feria: Agnus Dei	Bernal Goncalez, Jose	115v–116
Missa de feria: Kyrie	Bernal Goncalez, Jose	115v–116
Missa de feria: Sanctus	Bernal Goncalez, Jose	115v–16
Missa Sine nomine: [Credo] Et incarnatus est	Anonymous	166v–167
Missa Sine nomine: Agnus Dei	Garçon, Diego	97v–101
Missa Sine nomine: Agnus Dei	Anonymous	162v–167
Missa Sine nomine: Gloria	Garçon, Diego	97v–101
Missa Sine nomine: Gloria	Anonymous	162v–167
Missa Sine nomine: Kyrie	Garçon, Diego	97v–101
Missa Sine nomine: Kyrie	Anonymous	162v–167
Missa Sine nomine: Sanctus	Garçon, Diego	97v–101
Missa Sine nomine: Sanctus	Anonymous	162v–167
Nativitas tua	Anonymous	95
Navego en hondo mar	Bernal Goncalez, Jose	40v–41
Ne recorderis	Anonymous	105v–106
Nimpha gentil	Morata, Gines de	41v–43
No ver, amor, que esta gentil moçuela	Navarro 'of Seville/Hispalensis', Juan	136v–137
O dulce suspiro mio	Anonymous	9v–10
O mas dura que marmor a mis quexas	Guerrero, Pedro	67v–68
Ojos claros y serenos que de dulce	Guerrero, Francisco	2
Ojos hermanos, amorosillos, graves	Varrio Nuevo Ceballos, Rodrigo de (ca. 1525–1581)	49v–50
Ojos que ya no veis	Morata, Gines de	37v–38
Olvidaste, zagala, aqueste apero	Anonymous	141v–142
Pange lingua	Morata, Gines de	79v–80
Pange lingua	Anonymous	80v–81
Parce mihi Domine	Anonymous	160v–162
Parlera sois asi, senora Juana	Anonymous	146v–148
Pasando el mar Leandro el animoso	Guerrero, Pedro	143v–144
Passion: Non in die festo	Bernal Goncalez, Jose	167v–180
Por do començare mi triste llanto	Guerrero, Pedro	62v–64
Por ese mar d'[H]elesponto	Anonymous	3v–4
Prado verde y florido fuente clara	Guerrero, Francisco	64v–65
Prado verdo y florido - 2a pars (of 2): El fresco y manso viento que os alegra	Anonymous	195v–196
Pues para tan alta prueva	Morata, Gines de	50v–51
Pues que me tienes, Miguel	Ortega	60v–62
Pues que no puedo olvidarte	Morata, Gines de	39v–40
Puse mis amores	Anonymous	5v–7
Quan bienaventurado aquel puede llamarse	Ceballos, Francisco de (1571–)	129v–130
Que se hizo, Juan, tu placer?	Anonymous	8v–9
Qui est iste Rex gloriae	Morales, Cristóbal de (ca. 1500–1553)	182
Quia misit (?)	Anonymous	109v–110
Quien me dixera, Elisa, vida mia!	Diaz, Juan	69v–71
Recuerde el alma dormida	Anonymous	97
Ribera el sacro Darro - 1a pars (of 2): Ribera el sacro Darro en el arena dorada	Navarro 'of Seville/Hispalensis', Juan	192v–193
Ribera el sacro Darro - 2a pars (of 2): Y aunque el mucho llorar no le dexava	Navarro 'of Seville/Hispalensis', Juan	193v–194
Rosales mirtos plátanos y flores regalo	Ceballos, Rodrigo de (ca. 1525–1581)	71v–72
Rosales mirtos plátanos y flores regalo	Ceballos, Rodrigo de (ca. 1525–1581)	94v
Sabete, linda zagala	Anonymous	2v–3
Sacerdos et pontifex	Rore, Cipriano de (ca. 1515–1565) (?)	28v–29
Sacris solemniis	Chacón	81v–82
Salve regina (4vv) Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris - O clemens IV: O dulcis	Morales, Cristóbal de (ca. 1500–1553)	184v–189
Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas quibus	Morales, Cristóbal de (ca. 1500–1553)	190v–191
Sancta et immaculata - 2a pars (of 2): Benedicta tu in mulieribus	Morales, Cristóbal de (ca. 1500–1553)	191v–192
Sancta Maria	Cabezon, Antonio de	107
Sicut cervus desiderat	Rore, Cipriano de (ca. 1515–1565) (?)	26v–27
Siendo mios, di, pastora	Navarro 'of Seville/Hispalensis', Juan	72v–73
Sobre una peña do la mar batia al triste II: O mar si el de mis ojos no te amansa	Navarro 'of Seville/Hispalensis', Juan	65v–67
Socorreme pastora	Cebrián, Antonio	95v–96
Susanne un jour d'amour solicitée par deux viellards	Lassus, Orlande de (ca. 1532–1594)	201v–202
Ten cuenta amor	Guerrero, Francisco	13v–14
Tibi soli peccavi 1o tono	Anonymous	123v
Tu dorado caballo	Guerrero, Francisco	90v–91
Tu dulce canto, Silvia	Anonymous	36v–37
Tu es pastor ovium	Rore, Cipriano de (ca. 1515–1565) (?)	25v–26
Tu me robaste	Morata, Gines de	78v–79
Vinea mea electa	Anonymous	29v–30
Viste, Gil, a mi zagala?	Garçon, Diego	21v–22
Y dize a tu pesar	Anonymous	14v–15

‡ denotes primary source study

Randel, Don M. 1974. Sixteenth-Century Spanish Polyphony and the Poetry of Garcilaso. The Musical Quarterly, 61-79. Notes: contents list (partial); transcription (partial); texts (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 146. Notes: contents list (partial); concordances (partial); incipits (partial).

Schneider, Màrius. 1965. Der Rhythmus als Stilelement im Cancionero de la casa de Medinaceli: Ein Beitrag zur Editionstechnik und zum Verhältnis von Musik und Sprache. Die Musikforschung, 361-70. Notes: physical description; mention of MS; discussion.

Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age. Berkeley and Los Angeles. Pages: 42,44,135,186,218-9,306,314-5. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Meier, Bernhard (editor). 1959-. Cipriani Rore: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI,xiv; VIII,xi,81-95. Notes: mention of MS; contents list (partial); transcription (partial).

Rubio, P Samuel (editor). 1954-6. Antologia Polifònica Sacra. Madrid. Pages: I,20-l. Notes: transcription (partial).

Johnson, Alvin Harold. 1954. The Liturgical Music of Cipriano de Rore. Yale University, Unpublished Ph.D. dissertation. Pages: 243,337ff. Notes: contents list (partial); mention of MS; discussion.

Subirá, José. 1953. Historia de la Música Espanola e Hispanoamèrica. Barcelona. Pages: 187, 195-7. Notes: contents list (partial); facsimile (partial); mention of MS; discussion.

Querol Gavaldá, Miguel (editor). 1949-1950. Cancionero musical de la Casa de Medinaceli (siglo XVI). Barcelona: Consejo Superior de Investigaciones Científicas. Notes: contents list; transcription (partial); discussion.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: VIII-IX, passim; XIII,25ff; XIV,28-30; XVI,20ff; XVII,59,62; XX,14; XXXIV,25; XL, [14], 57-66 [referred to as MS 13231]. Notes: physical description; contents list; concordances (partial); transcription; Tefacsimile (partial); mention of MS; discussion.

Trend, J B. 1927. Catalogue of the Music in the Biblioteca Medinaceli, Madrid. Revue Hispanique, 485-554. Pages: 489-508. Notes: physical description; contents list; concordances (partial); discussion.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description