I-LT 37

Biblioteca della Santa Casa, Loreto, Spain

manuscript of polyphony: early 17th century

Archive	Biblioteca della Santa Casa, Loreto, Spain (I-LT)
Shelfmark	37
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	434 x 320 mm
Other Identifiers	CCM: LoreB 37
Inventory	This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Relationships	Cappella Lauretana (commissioned/made for)
Provenance	Spain
Contents	Contains 15 compositions from 3 composers. Contains uninventoried compositions from 8 composers.

General Description

Copied by a single scribe, probably in Loreto, for use of the Cappella Lauretana.

DIAMM, 2017

Physical Description

Many folios damaged by ink corrosion

DIAMM, 2017

Binding

Modern covers of cream-white parchment

DIAMM, 2017

Watermark

No watermarks visible

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Date

Early 17th century (TebAM)

DIAMM, 2017

Foliation

Modern ink foliation, 1-192

DIAMM, 2017

Decoration

No initials or decoration

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

20 Magnificats, 2 Magnificat sections, 18 psalms, 9 hymns, 23 motets = 72

Asola-5, G. Ferretti-15, Gastoldi-6, Jaquet of Mantua-2, Lassus-5, Merulo-3, Morales-7, Palestrina-7, Ruffo-4, Sermisy-1, Viadana -12, anon-5

i + 192 + i paper folios, 434 x 320. Many folios damaged by ink corrosion. Modern ink foliation, 1-192. Modern covers of cream-white parchment. No index. Copied by a single scribe. No initials or decoration. No watermarks visible.

Early 17th century (TebAM). Possibly copied in Loreto, for use of the Cappella Lauretana.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

This source has not been fully inventoried. If you would like to contribute an inventory please get in touch. E-mail diamm@music.ox.ac.uk.

Known compositions

Composition	Composers (? Uncertain)	Folios / Pages	Source Attribution
Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore semper	Lassus, Orlande de (ca. 1532–1594)	[-]	-
Benedicam Dominum - 2a pars (of 2): In Domino laudabitur anima mea	Lassus, Orlande de (ca. 1532–1594)	[-]	-
Deus noster refugium et virtus adjutor	Lassus, Orlande de (ca. 1532–1594)	[-]	-
Gustate et videte - 1a pars (of 2): Gustate et videte quoniam suavis est Dominus	Lassus, Orlande de (ca. 1532–1594)	[-]	-
Gustate et videte - 2a pars (of 2): Divites eguerunt et esurierunt inquirentes	Lassus, Orlande de (ca. 1532–1594)	[-]	-
Magnificat octavi toni: Anima mea [K.921]	Morales, Cristóbal de (ca. 1500–1553)	78v–81	Morales
Magnificat primi toni (6vv): Et exultavit [NR 1]	Lassus, Orlande de (ca. 1532–1594)	[-]	-
Magnificat primi toni: Et exultavit	Ruffo, Vincenzo (ca. 1508–1587)	[-]	-
Magnificat primi toni: Et exultavit [K.914]	Morales, Cristóbal de (ca. 1500–1553)	84v–88	Morales
Magnificat quarti toni: Anima mea [K.917]	Morales, Cristóbal de (ca. 1500–1553)	[-]	-
Magnificat quarti toni: Et exultavit	Ruffo, Vincenzo (ca. 1508–1587)	[-]	-
Magnificat quinti toni: Et exultavit	Ruffo, Vincenzo (ca. 1508–1587)	[-]	-
Magnificat septimi toni: Anima mea [K.920]	Morales, Cristóbal de (ca. 1500–1553)	[-]	-
Magnificat tertii toni: Anima mea [K.916]	Morales, Cristóbal de (ca. 1500–1553)	[-]	-
Magnificat tertti toni: Et exultavit	Ruffo, Vincenzo (ca. 1508–1587)	[-]	-

Known composers

Composers (? Uncertain)	Folios / Pages	Item title	Attribution in Source
Works by Asola, Giammateo (ca. 1532–1609)	[-]	-	-
Works by Ferretti, Giovanni	[-]	-	-
Works by Gastoldi, Giovanni Giacomo (ca. 1554–1609)	[-]	-	-
Works by Mantua, Jacquet de (1483–1559)	[-]	-	-
Works by Merulo, Claudio (1533–1604)	[-]	-	-
Works by Palestrina, Giovanni Pierluigi da (1525–1594)	[-]	-	-
Works by Sermisy, Claudin de (ca. 1490–1562)	[-]	-	-
Works by Viadana, Lodovico (ca. 1560–1627)	[-]	-	-

Composer	Compositions
Anonymous	[No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-]
Lassus, Orlande de (ca. 1532-1594)	Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore semper – [-] Benedicam Dominum - 2a pars (of 2): In Domino laudabitur anima mea – [-] Deus noster refugium et virtus adjutor – [-] Gustate et videte - 1a pars (of 2): Gustate et videte quoniam suavis est Dominus – [-] Gustate et videte - 2a pars (of 2): Divites eguerunt et esurierunt inquirentes – [-] Magnificat primi toni (6vv): Et exultavit [NR 1] – [-]
Morales, Cristóbal de (ca. 1500-1553)	Magnificat octavi toni: Anima mea [K.921] – 78v–81 Magnificat primi toni: Et exultavit [K.914] – 84v–88 Magnificat quarti toni: Anima mea [K.917] – [-] Magnificat septimi toni: Anima mea [K.920] – [-] Magnificat tertii toni: Anima mea [K.916] – [-]
Ruffo, Vincenzo (ca. 1508-1587)	Magnificat primi toni: Et exultavit – [-] Magnificat quarti toni: Et exultavit – [-] Magnificat quinti toni: Et exultavit – [-] Magnificat tertti toni: Et exultavit – [-]

Composition	Composers (? Uncertain)	Folios / Pages
Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore semper	Lassus, Orlande de (ca. 1532–1594)	[-]
Benedicam Dominum - 2a pars (of 2): In Domino laudabitur anima mea	Lassus, Orlande de (ca. 1532–1594)	[-]
Deus noster refugium et virtus adjutor	Lassus, Orlande de (ca. 1532–1594)	[-]
Gustate et videte - 1a pars (of 2): Gustate et videte quoniam suavis est Dominus	Lassus, Orlande de (ca. 1532–1594)	[-]
Gustate et videte - 2a pars (of 2): Divites eguerunt et esurierunt inquirentes	Lassus, Orlande de (ca. 1532–1594)	[-]
Magnificat octavi toni: Anima mea [K.921]	Morales, Cristóbal de (ca. 1500–1553)	78v–81
Magnificat primi toni (6vv): Et exultavit [NR 1]	Lassus, Orlande de (ca. 1532–1594)	[-]
Magnificat primi toni: Et exultavit	Ruffo, Vincenzo (ca. 1508–1587)	[-]
Magnificat primi toni: Et exultavit [K.914]	Morales, Cristóbal de (ca. 1500–1553)	84v–88
Magnificat quarti toni: Anima mea [K.917]	Morales, Cristóbal de (ca. 1500–1553)	[-]
Magnificat quarti toni: Et exultavit	Ruffo, Vincenzo (ca. 1508–1587)	[-]
Magnificat quinti toni: Et exultavit	Ruffo, Vincenzo (ca. 1508–1587)	[-]
Magnificat septimi toni: Anima mea [K.920]	Morales, Cristóbal de (ca. 1500–1553)	[-]
Magnificat tertii toni: Anima mea [K.916]	Morales, Cristóbal de (ca. 1500–1553)	[-]
Magnificat tertti toni: Et exultavit	Ruffo, Vincenzo (ca. 1508–1587)	[-]

‡ denotes primary source study

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 748-9. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 145 [does not list all Magnificats in this source]. Notes: contents list (partial); concordances (partial); incipits (partial).

Krautwurst, Franz. 1965: (XXV) 1967: (XXVII). Die Heilsbronner Chorbücher der Universitätsbibliothek Erlangen (Ms. 473, 1-4). Jahrbuch für Fränkische Landesforschung, 25 & 27: 273-324:(XXV)253-82:(XXVII). Pages: XXVII,271. Notes: contents list (partial); concordances (partial).

Tebaldini, Giovanni. 1921. L'Archivio Musicale della Cappella Lauretana. Catalogo Storico-Critico. Loreto. Pages: 30-3 [inventory unreliable]. Notes: physical description (partial); contents list; concordances (partial); mention of MS; discussion.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description