D-LEu MS Thomaskirche 49 (1)

Universitätsbibliothek, Leipzig, Germany

partbook: c. 1558

Archive Universitätsbibliothek, Leipzig, Germany (D-LEu)
Shelfmark MS Thomaskirche 49 (1)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 293 x 196 mm
Other Identifiers
  • CCM: LeipU 49
  • olim (Former shelfmark): III, A. a 17-20
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 298 pieces from 68 composers
General Description

A Discantus partbook from a set of five volumes (the first four volumes are under shelfmark MS 49, and the fifth under MS 50. As the binding for one book does not match the others it may originally not have been recognised as part of the set). The set may be incomplete, as many pieces appear elsewhere with an additional voice-part.

Copied by many scribes (YouL identifies 13 text hands and 16 music hands); five hands (including that of Andreas Richter) also appear in LeipU 51 (NoblRL). Scribes made some attempts to systematise repertory; liturgical genres (Masses, Magnificats, Introits, motets, etc.) generally in groups, within which there is a further ordering according to the liturgical calendar. However, the apparent original organisational plan is not carried through consistently, and some pieces do not occur in the same relative location in all books. A number of additional pieces are copied into the Altus and Quintus books.

Copied in Leipzig, perhaps under the direction of Melchior Heger (1522-68), cantor at the St. Thomaskirche. Remained in library of Thomaskirche until 1930, then transferred to Universitätsbibliothek. Removed for safekeeping during World War II; returned to Universitätsbibliothekin 1959.

DIAMM, 2017
Binding

Original covers of leather over wooden boards (DATB books white, Q book brown), all stamped with stylized floral patterns, initials 'I R M,' voice designation, and date '1558.' Bindings probably the work of Balthasar Ziehenhaus or Ziegenaus of Leipzig.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Other numberings: Some original numbering of pieces.

DIAMM, 2017
Foliation

Single system of folio numbers, partly in original ink, partly in modern pencil where original foliation trimmed away, 3-313 (ff. 1-2 missing; ff. [314-377] not numbered)

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

15 Mass Ordinary cycles (some with Proper sections), 1 Mass Ordinary section, 4 Mass Proper cycles, 39 Mass Proper sections, 18 Magnificats, 2 Te Deums, 1 canticle, 8 office hymns, 3 processional hymns, 1 set of Lamentations, 3 Passions (2 in German), 129 motets, 2 sets of responses, 4 Latin/German sacred pieces, 10 German sacred pieces, 1 German secular piece, 1 Italian secular piece, 1 set of 'textless canons (in MS 50 only) = 243 + 11 pieces copied twice = 254

M. Agricola-8, M. Agricola/(Hayne van Ghizeghem)-1, (Appenzeller/Verdelot)-1, Arcadelt-1, (Arcadelt/Verdelot)-1, (Baston/Josquin/Stoltzer/Verdelot)-1, (Bauldeweyn/Grefinger)-1, Breiten-graser-4, Brumel/(A. Agricola/Josquin/La Rue)-1, (Caen/Lupus/Richafort)-1, (Carpentras)-1, (Carpentras/(Josquin)-1, S. Cellarius -2, Clemens non Papa-6, (Conseil)-1, (Courtois)-1, Crecquillon-1, Dietrich-10, (Dietrich-Isaac)-1, Eckel-2, (Figulus/Walter)-1, (Finck)-2, Forster-(A. Févin/La Rue)-1, G.F.-1, C. Gallus-1, (Gombert)-2, (Gombert/Mouton/Verdelot)-1, (Hähnel)-6, (Hähnel-Walter-anon)-1, I. Hassler-2, Heintz-1, (Hellinck)-1, Isaac-6, (Janin)-1, (Jaquet of Mantua/Verdelot/Willaert)-1, Josquin-11, Josquin/(Eckel/Heintz)-1, Josquin/(Finck?/Wolff)-1, Josquin/(Gombert)-1, Josquin/La Rue)-1, (Josquin/Moulu/Mouton/Verdelot)-1, Josquin/(Senfl)-1, (Josquin/Senfl)-1, Josquin/(Verdelot)-1, D. Köler-1, (La Rue)-1, (Lemlin)-1, (Longaval/Obrecht/Venture)-1, (Lupi/Verdelot)-1, (Lupus/Richafort)-1, Maessens/(Mouton)-1, (Morales)-1, (Mouton)-1, Nötel [Georgius Noetellius]-1, Obrecht/(Willaert)-1, Othmayr-2, Paminger-1, Phinot-1, (Pipelare)-1, Pöpel-1, (Rein)-3, (Rener)-4, Resinarius-5, (Richafort)-1, (Schierrentinger)-1, Senfl-17, (Silva)-1, Stoltzer-20, (Trojanus)-1, (Verdelot)-2, Verdelot/(Turchant)-1, Walter-3 + 2?, (Werrecore)-1, (Wircker)-1, Willaert-1, anon-69

5 paper partbooks (D-vii + 375 folios, A-viii + 408, T-ix + 349, B-vii + 387, Q-vi + 158), 293 x 196. Each book has a single system of folio numbers, partly in original ink, partly in modern pencil where original foliation trimmed away - D: 3-313 (ff. 1-2 missing; ff. [314-377] not numbered); A: 1-158 + 158a-343 (ff. [344-407] not numbered); T: 1-299 (ff. [300-349] not numbered); B: 1-323 (1 unnumbered folio between ff. 148/149; ff. [324-385] not numbered; 1 loose unnumbered folio at end); Q: 1-134 (1 loose unnumbered folio between ff. 115/116; ff. [135-157] not numbered). Some original numbering of pieces. Blank folios or blank staves only-D: 3, 181'-182, 222, 313'-377'; A: 1'-2, 3, 179-186, 22O'-221, 244-245', 271'-272, 343'-407'; T: 2-3', 146', 158'-165', 210-211', 247', 299'-349'; B: 1-3, 118', 156', 177, 233-236', 254-254', 323'-385'; Q: 13', 72', 84-85', 133'-157'. Original covers of leather over wooden boards (DATB books white, Q book brown), all stamped with stylized floral patterns, initials "I R M," voice designation, and date "1558." Bindings probably the work of Balthasar Ziehenhaus or Ziegenaus of Leipzig. No index. Copied by many scribes (YouL identifies 13 text hands and 16 music hands); five hands (including that of Andreas Richter) also appear in LeipU 51 (NoblRL). No initials or decoration. Scribes made some attempts to systematize repertory; liturgical genres (Masses, Magnificats, Introits, motets, etc.) generally in groups, within which there is a further ordering according to the liturgical calendar. However, the apparent original organizational plan is not carried through consistently, and some pieces do not occur in the same relative location in all books.

Ca. 1558 (with a few slightly later additions). Copied in Leipzig, perhaps under the direction of Melchior Heger (1522-68), cantor at the St. Thomaskirche. Remained in library of Thomaskirche until 1930, then transferred to Universitätsbibliothek. Removed for safekeeping during World War II; returned to Universitätsbibliothekin 1959.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
3v Set of responses Amen. Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est Anon. Anonymous
Appears on: 3v
Genres: Response
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Set of responses] Amen. Et cum spiritu tuo. Habemus ad dominum. Dignum et iustum est
4–12 Missa Pange lingua = Missa Venerabile sacramento 4.3 Josquinus
Appears on: 4–12
Genres: Mass Ordinary
Source Attribution: Josquinus
Voice: [no designation]
Languages: Latin
Voice Text: Missa composita ad Pange lingua 4.3
12–17v Missa Sine pausis D'un petit mot Thoma Crequillone
Appears on: 12–17v
Genres: Mass Ordinary
Source Attribution: Thoma Crequillone
Voice: [no designation]
Languages: Latin
Voice Text: Missa [D'ung petit mot]
18–18v Resurrexit Quid quaeritis Vs: Gloria et honore [Walter] (also copied at f. 38v)
Appears on: 18–18v
Genres: Responsory
Source Attribution: [Walter] (also copied at f. 38v)
Voice: [no designation]
Languages: Latin, Greek
Voice Text: (Resurrexit) Quid quaeritis viventem Vs: (Gloria et honore) Et constituisti eum
18v–25v Missa Paschalis: KG Anon. Anonymous
Appears on: 18v–25v
Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Kyrie eleison [Gloria] Gratias agimus tibi
28v–25v Alleluia. Pascha nostrum Anon. Anonymous
Appears on: 28v–25v
Genres: Alleluia
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Pascha nostrum imolatus est
18v–25v Victimae paschali 2 Agnus redemit oves 4 Dic nobis Maria 6 Credendum est magis Anon. Anonymous
Appears on: 18v–25v
Genres: Sequence
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Victimae paschali laudes immolent Christiani] Agnus redemit oves 4 Dic nobis Maria 6 Credendum est magis
28v–25v Dominus vobiscum (contrafact of Sanctus) [Hähnel]
Appears on: 28v–25v
Genres: Contrafactum, Dominus vobiscum
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Dominus vobiscum (same music as Sanctus below)
18v–25v Et introeuntes in monumentum Anon. Anonymous
Appears on: 18v–25v
Genres: Communion
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Et introeuntes in monumentum
18v–25v Sanctus [Hähnel]
Appears on: 18v–25v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
25v–30 Missa Jerusalem luge: KGC Georgius Nötellius [= Nötel]
Appears on: 25v–30
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: Georgius Nötellius [= Nötel]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa composita ad Hierusalem [luge] Richaforti [KGC] [= ff. 238v-241v]
30v Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) [Rener]
Appears on: 30v
Genres: Motet
Source Attribution: [Rener]
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet canamus cum angelis [= ff. 40v-41]
General Note

copied again at 40v below; in other books only the second copy was made

31–31v Noli flere Maria alleluia et jam surrexit [Mouton]
Appears on: 31–31v
Genres: Motet
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Noli flere Maria alleluia et iam surrexit
31v–32v Festa Christi omnis Christianitas Per omni tenentis adventum atque vocationem Anon. Anonymous
Appears on: 31v–32v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Festa Christi omnis Christianitas] Per omnitenentis adventum atque vocationem
32v Alleluia. Veni sancte spiritus reple tuorum Anon. Anonymous
Appears on: 32v
Genres: Alleluia, Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Veni sancte spiritus reple tuorum
32v–33 Veni sancte spiritus Anon. Anonymous
Appears on: 32v–33
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus et emitte coelitus
33–33v Alleluia. Benedictus es Domine Deus Anon. Anonymous
Appears on: 33–33v
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Benedictus es domine deus
33v Benedicta semper sancta sit trinitas Non tres tamen dii sunt Deus verus [G. F.] (these 3 verses are repeated as part of the longer setting at f. 269v)
Appears on: 33v
Genres: Motet
Source Attribution: [G. F.] (these 3 verses are repeated as part of the longer setting at f. 269v)
Voice: [no designation]
Languages: Latin
Voice Text: [Benedicta semper sancta sit trinitas] Non tres tamen dii sunt deus verus
34–34v Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Rein]
Appears on: 34–34v
Genres: Hymn
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Voice Text: (Puer natus est nobis) Et filius datus est Vs: (Cantate domino) Quia mirabilia fecit
34v–35v Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Dietrich]
Appears on: 34v–35v
Genres: Motet
Source Attribution: [Dietrich]
Voice: [no designation]
Languages: Latin
Voice Text: (Puer natus est nobis) Et filius datus est Vs: (Cantate domino) Quia mirabilia fecit
35v Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] [Isaac - setting of the verse Quia mirabilia only]
Appears on: 35v
Genres: Introit
Source Attribution: [Isaac - setting of the verse Quia mirabilia only]
Voice: [no designation]
Languages: Latin
Voice Text: (Cantate domino) Quia mirabilia fecit
35v–36v Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me [Hähnel]
Appears on: 35v–36v
Genres: Introit
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me
37–37v Ecce advenit dominator Dominus et regnum Vs: Deus judicium tuum Et justitium tuum Anon. Anonymous
Appears on: 37–37v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Ecce) Advenit dominator dominus et regnum Vs: (Deus iuditium tuum) Et iustitium tuum
37v–38v Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] [Isaac]
Appears on: 37v–38v
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Suscepimus) Deus misericordiam tuam Vs: (Magnus dominus) In civitate dei
38v Resurrexit Quid quaeritis Vs: Gloria et honore [Walter] (also at f. 18 above)
Appears on: 38v
Genres: Responsory
Source Attribution: [Walter] (also at f. 18 above)
38v–39 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto tuo Anon. Anonymous
Appears on: 38v–39
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Spiritus domini) Replevit orbem terrarum Vs: (Confirma hoc deus) A templo sancto tuo
39–39v Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto tuo Anon. Anonymous
Appears on: 39–39v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Spiritus domini) Replevit orbem terrarum Vs: (Confirma hoc deus) A templo sancto tuo
40–40v Benedicite Domino omnes angeli eius Vs: Benedic anima mea Et omnia quae intra me Anon. Anonymous
Appears on: 40–40v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Benedicite domino omnes angeli eius Vs: (Benedic anima mea) Et omnia quae intra me [= f. 133v]
40v–41 Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) [Rener]
Appears on: 40v–41
Genres: Motet
Source Attribution: [Rener]
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis [= f. 30v]
41–41v Apparuerunt apostolis disperditae linguae (2p. Seditque supra singulos eorum; 3p. Loquebantur variis linguis apostoli) Anon. Anonymous
Appears on: 41–41v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Apparuerunt apostolis dispertitae linguae II: Seditque supra singulos eorum III: Loquebantur variis linguis apostoli
41v–42 Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei 4 Accende lumen sensibus infunde Anon. Anonymous
Appears on: 41v–42
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Veni creator spiritus mentes tuorum] 2 Qui paracletus diceris donum dei 4 Accende lumen sensibus infunde
42–43 Festum nunc celebre magnaque gaudia 2 Conscendit jubilans laetus ad aethera 4 Oramus Domine conditor inclite devotos 6 Praesta hoc genitor optimi maxime Anon. Anonymous
Appears on: 42–43
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Festum nunc celebre magnaque gaudia] 2 Conscendit iubilans laetus ad aethera 4 Oramus domine conditor inclite devotos 6 Praesta hoc genitor optimi maxime (Two settings of verse 6)
43–43v Laudate Dominum omnes gentes laudate eum 17.10 Josquin/[Eckel/Heintz]
Appears on: 43–43v
Genres: Motet
Source Attribution: Josquin/[Eckel/Heintz]
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum omnes gentes laudate eum 17.10
43v–44 Festum nunc celebre magnaque gaudia 6 Praesta hoc genitor optimi maxime Anon. Anonymous
Appears on: 43v–44
Genres: Hymn
Source Attribution: Anon.
44–51 Missa Feriis natalibus Domini Christi = Missa in Summis KGCSA [Finck]
Appears on: 44–51
Genres: Mass Ordinary
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Feriis natalibus domini Christi
51v Pater noster qui es in caelis / Veri adoratores / Vivo ego dicit Dominus (2p. Panem nostrum quotidianum / Veri adoratores / Vivo ego dicit Dominus) Guilel. Breitengra. [= Breitengraser]
Appears on: 51v
Genres: Motet
Source Attribution: Guilel. Breitengra. [= Breitengraser]
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in coelis/Veri adoratores/ Vivo ego dicit dominus II: Panem nostrum quotidianum/Veri adoratores/ Vivo ego dicit dominus
52–52v Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime Adrian Willaert
Appears on: 52–52v
Genres: Motet
Source Attribution: Adrian Willaert
Voice: [no designation]
Languages: Latin
Voice Text: Domine Iesu Christe amator benignissime II: O bone Iesu et dulcis spes animae
52v–53 Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes Anon.
Appears on: 52v–53
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Benedicta sit] Sancta trinitas atque Vs: Benedicamus patrem et filium
53v Da pacem Domine (M27) - 1a pars (of 2): Da pacem Domine in diebus nostris LS [= Senfl]
Appears on: 53v
Genres: Motet
Source Attribution: LS [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris II: Quia non est alius qui pugnat
53v–54 Da pacem Domine (M27) - 2a pars (of 2): Quia non est alius qui pugnet [Josquin/Senfl]
Appears on: 53v–54
Genres: Motet
Source Attribution: [Josquin/Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine 15.14 II: [A custodia] Matutina usque ad noctem
54–54v Vae quis mane consurgitis ad ebrietatem (2p. Vae qui potentes estis ad bibendum) Archadelt
Appears on: 54–54v
Genres: Motet
Source Attribution: Archadelt
Voice: [no designation]
Languages: Latin
Voice Text: Vae quis mane consurgitis ad ebrietatem II: Vae qui potentes estis ad bibendum
55–56v Victimae paschali laudes 4 Dic nobis Maria 6 Credendum est magis Cornelius Gallus
Appears on: 55–56v
Genres: Hymn
Source Attribution: Cornelius Gallus
Voice: [no designation]
Languages: Latin
Voice Text: Victimae paschali laudes immolent Christiani
56v–57v In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion Thomas Stoltzer
Appears on: 56v–57v
Genres: Motet
Source Attribution: Thomas Stoltzer
Voice: [no designation]
Languages: Latin
Voice Text: In convertendo dominus captivitatem Sion II: Qui seminant in lachrymis in exultatione
57v–58 In convertendo Dominus - 2a pars (of 2): Qui seminant Anon.
Appears on: 57v–58
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce evangelizo vobis gaudium magnum
58–59 Dixit Dominus Domino meo 2 Sede a dextris 4 Juravit Dominus et non penitebit Anon.
Appears on: 58–59
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Dixit dominus domino meo] Sede a dextris II: Iuravit dominus et non penitebit
59–60 Duo rogavi te Domine ne deneges mihi [Gombert]
Appears on: 59–60
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Duo rogavi te domine ne deneges mihi [= ff. 193-193v]
60–61 De profundis clamavi ad te Domine Anon. Anonymous
Appears on: 60–61
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine
61–61v Veni sancte spiritus et emitte caelitus (5vv) Matthias Eckel
Appears on: 61–61v
Genres: Motet, Veni sancte spiritus
Source Attribution: Matthias Eckel
61v–65v Missa Veni sancte spiritus 4.6 KGCSA [Josquin]
Appears on: 61v–65v
Genres: Mass Ordinary
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Veni sancte spiritus] 4.6
65v–66 Da pacem Domine (M26) - 1a pars (of 2): Da pacem Domine in diebus nostris Lud. Senfel
Appears on: 65v–66
Genres: Motet
Source Attribution: Lud. Senfel
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris II: Quia non est alius qui pugnet
66 Da pacem Domine (M26) - 2a pars (of 2): Quia non est alius qui pugnet Joanne Walthero (Attribution on Q f. 2 (= title page)) [= Walter]
Appears on: 66
Genres: Motet
Source Attribution: Joanne Walthero (Attribution on Q f. 2 (= title page)) [= Walter]
Voice: [no designation]
Languages: none
Voice Text: Fuga Primi toni
66v–67v Libera me Domine de morte aeterna (2p. Quando caeli movendi sunt et terra; 3p. Dies illa dies irae dies calamitatis) Mathias Eckel
Appears on: 66v–67v
Genres: Motet
Source Attribution: Mathias Eckel
Voice: [no designation]
Languages: Latin
Voice Text: Libera me domine de morte aeterna II: Quando coeli movendi sunt et terra III: Dies illa dies irae dies calamitatis
67v–68 Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens LS [= Senfl]
Appears on: 67v–68
Genres: Motet
Source Attribution: LS [= Senfl]
Voice: [no designation]
Languages: Latin, German
Voice Text: Media vita in morte/In mitten unser lebens II: Sancte deus/Heyliger starcker Got
68 Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott [Walter]
Appears on: 68
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Secundi toni
68–68v Ego sum resurrectio et vita qui credit Gulielmus Breitengraser
Appears on: 68–68v
Genres: Motet
Source Attribution: Gulielmus Breitengraser
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum resurrectio et vita qui credit
68v–70 Ite in orbem universum et praedicate Vs. Qui crediderit et baptisatus fuerit R. In nomine patris et filii et spiritus G B [= Breitengraser]
Appears on: 68v–70
Genres: Hymn
Source Attribution: G B [= Breitengraser]
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem universum et praedicate II: Qui crediderit et baptizatus fuerit III: In nomine patris et filii et spiritus
70–71v Magnificat Sexti Toni: Et exultavit [K.1079] Thomas Stoltzer
Appears on: 70–71v
Genres: BVM, Canticle, Magnificat
Source Attribution: Thomas Stoltzer
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] VI Toni: Et exultavit spiritus meus
71v–72 Veni sancte spiritus reple tuorum corda Guilielmus Breitengraser
Appears on: 71v–72
Genres: Sequence, Veni sancte spiritus
Source Attribution: Guilielmus Breitengraser
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda
72–74 Lamentations - Aleph. Ego vir videns paupertatem meam He. Factus sum in derisum omni populo Georgius Forster- [A. Févin/La Rue]
Appears on: 72–74
Genres: Lamentations, Motet
Source Attribution: Georgius Forster- [A. Févin/La Rue]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: [Lamentations] Aleph. Ego vir videns paupertatem meam He. Factus sum in derisum omni populo Zai[n]. Recordata est Hierusalem dierum Lamech. O vos omnes qui transitis Hierusalem convertere ad dominum deum
Concordances

the last part of this settting (bar 159 onwards) is by Fevin, and all of this music appears in Magdalene 1760 under the name of Fevin. Magdalene 1760 dates from NO LATER than 1516, and as Forster was born around 1510 he could not have written it. He may be the author of the music in bars 1-158. (information from W G Kempster)

74v–75 Parce mihi Domini nihil enim sunt dies (2p. Peccavi quid faciam tibi O custos) Philippus Verdelot/[Turchant]
Turchant (?)
Appears on: 74v–75
Genres: Motet
Source Attribution: Philippus Verdelot/[Turchant]
Voice: [no designation]
Languages: Latin
Voice Text: Parce mihi domini nihil enim sunt dies II: Peccavi quid faciam tibi O custos
75v–77 Quare fremuerunt gentes et populi meditati (2p. Et nunc reges intelligite erudimini) (M87) L. Senfel
Appears on: 75v–77
Genres: Motet
Source Attribution: L. Senfel
Voice: [no designation]
Languages: Latin
Voice Text: Quare fremuerunt gentes et populi meditati II: Et nunc reges intelligite erudimini
77–77v O Christe redemptor - 1a pars (of 2): O Christe redemptor O rex omnipotens Petrus Messens/[Mouton]
Appears on: 77–77v
Genres: Motet
Source Attribution: Petrus Messens/[Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: O Christe redemptor O rex omnipotens II: O excelsa trinitas O immensa bonitas
77v–78 O Christe redemptor - 2a pars (of 2): O excelsa trinitas O immensa bonitas [Walter]
Appears on: 77v–78
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Primi et Secundi [toni]
78–80 Festum nunc celebre magnaque gaudia L. S. [= Senfl]
Appears on: 78–80
Genres: Motet
Source Attribution: L. S. [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Festum nunc celebre magnaque gaudia
80v–81v Inter natos mulierum non surrexit major Vs. Qui viam Domino praeparavit in heremo R. Fuit homo missus a Deo cui nomen Thomas Stoltzer
Appears on: 80v–81v
Genres: Responsory
Source Attribution: Thomas Stoltzer
Voice: [no designation]
Languages: Latin
Voice Text: Inter natos mulierum non surrexit maior II: Qui viam domino praeparavit in eremo III: Fuit homo missus a deo cui nomen
81v–82v Laudate Dominum omnes gentes laudate eum (2p. Laudate Dominum omnes gentes) Th. Stoltzer
Appears on: 81v–82v
Genres: Motet
Source Attribution: Th. Stoltzer
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum omnes gentes laudate eum II: Laudate dominum omnes gentes laudate
83 Circumdederunt me Gemitus mortis dolores Vs: Diligam te Domine Dominus firmamentum Tho. Stoltzer
Appears on: 83
Genres: Introit
Source Attribution: Tho. Stoltzer
Voice: [no designation]
Languages: Latin
Voice Text: (Circumdederunt me) Gemitus mortis dolores Vs: (Diligam te domine) Dominus firmamentum
83v Exurge Quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri T. S. [= Stoltzer]
Appears on: 83v
Genres: Introit
Source Attribution: T. S. [= Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: (Exurge) Quare obdormis domine exurge Vs: (Deus auribus nostris) Patres nostri
84 Esto mihi In Deum protectorem et in locum Vs: In te Domine speravi In justicia tua T. S.
Appears on: 84
Genres: Introit
Source Attribution: T. S.
Voice: [no designation]
Languages: Latin
Voice Text: (Esto mihi) In deum protectorem et in locum Vs: (In te domine speravi) In iustitia tua
84v Misereris omnium Domine et nihil odisti Vs: Miserere mei Deus Quoniam in te confidit T. S.
Appears on: 84v
Genres: Introit
Source Attribution: T. S.
Voice: [no designation]
Languages: Latin
Voice Text: (Misereris omnium) Domine et nihil odisti Vs: (Miserere mei deus) Quoniam in te
85 Invocabit me Et ego exaudiam eum Vs: Qui habitat in adjutorio In protectione T. S.
Appears on: 85
Genres: Introit
Source Attribution: T. S.
Voice: [no designation]
Languages: Latin
Voice Text: (Invocavit me) Et ego exaudiam eum Vs: (Qui habitat in adiutorio) In protectione
85v Reminiscere Miserationum tuarum Domine Vs: Ad te Domine levavi Deus meus in te T. S.
Appears on: 85v
Genres: Introit, Psalm
Source Attribution: T. S.
Voice: [no designation]
Languages: Latin
Voice Text: (Reminiscere) Miserationum tuarum domine Vs: (Ad te domine levavi) Deus meus in te
86 Oculi mei semper Ad Dominum quia ipse Vs: Ad te Domine levavi Deus meus in te T. S.
Appears on: 86
Genres: Introit
Source Attribution: T. S.
Voice: [no designation]
Languages: Latin
Voice Text: (Oculi mei semper) Ad dominum quia ipse Vs: (Ad te domine levavi) Deus meus in te
86v Laetare Jerusalem Et conventum facite Vs: Laetatus sum in his In domum Domini T. S.
Appears on: 86v
Genres: Introit
Source Attribution: T. S.
Voice: [no designation]
Languages: Latin
Voice Text: (Laetare Hierusalem) Et conventum facite Vs: (Laetatus sum in his) In domum domini
87 Judica me Deus Et discerne causam meam Vs: Emitte lucem tuam Ipsa me deduxerunt T. S.
Appears on: 87
Genres: Introit
Source Attribution: T. S.
Voice: [no designation]
Languages: Latin
Voice Text: (Judica me deus) Et discerne causam meam Vs: (Emitte lucem tuam) Ipsa me deduxerunt
87v Domine ne longe facias Auxilium tuum Vs: Deus Deus meus Quare me dereliquisti? T. S.
Appears on: 87v
Genres: Introit
Source Attribution: T. S.
Voice: [no designation]
Languages: Latin
Voice Text: (Domine ne longe facias) Auxilium tuum Vs: (Deus deus meus) Quare me dereliquisti?
88–88v Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me T. S.
Appears on: 88–88v
Genres: Introit, Psalm
Source Attribution: T. S.
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me
88v–90 Missa Paschalis: KG Anon. Anonymous
Appears on: 88v–90
Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Paschalis] Kyrie eleison [Gloria] Et in terra pax hominibus Alleluia. Pascha nostrum immolatus [Victimae paschali laudes immolent Christiani] Agnus redemit oves Pascha nostrum immolatus est Christus
88v–90 Alleluia. Pascha nostrum immolatus est Christus Anon. Anonymous
Appears on: 88v–90
Genres: Alleluia
Source Attribution: Anon.
90–90v Victimae paschali 2 Agnus redemit oves 4 Dic nobis Maria 6 Credendum est magis Anon. (=f. 117) Anonymous
Appears on: 90–90v
Genres: Hymn
Source Attribution: Anon. (=f. 117)
90v–91 Pascha nostrum immolatus est Christus Anon. Anonymous
Appears on: 90v–91
Genres: Communion
Source Attribution: Anon.
91–92v Missa Paschalis: Kyrie Thomas Pöpel
Appears on: 91–92v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Thomas Pöpel
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Paschalis] Kyrie eleison [Gloria] Gratias agimus tibi Sanctus Agnus dei qui tollis peccata Pascha nostrum immolatus est Christus
91–92v Missa Paschalis: Gloria [Pöpel]
Appears on: 91–92v
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [Pöpel]
91–92v Missa Paschalis: Sanctus [Pöpel] (=f. 118)
Appears on: 91–92v
Genres: Sanctus [& Benedictus]
Source Attribution: [Pöpel] (=f. 118)
91–92v Missa Paschalis: Agnus Dei [Pöpel] (= f. 118v)
Appears on: 91–92v
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [Pöpel] (= f. 118v)
92v Pascha nostrum immolatus est Christus [Pöpel?]
Appears on: 92v
Genres: Communion
Source Attribution: [Pöpel?]
93–93v Viri Galilaei Vs: Omnes gentes plaudite [Proprium de Ascensione Domini] Lud: Senfell
Appears on: 93–93v
Genres: Introit
Source Attribution: Lud: Senfell
Voice: [no designation]
Languages: Latin
Voice Text: (Viri Galilaei) Quid admiramini aspicientes Vs: (Omnes gentes plaudite) Iubilate deo
General Note

May also include Senfl's "Alleluia. Ascendit Deus", "Alleluia. Dominus in Sina", "[Summi triumphum] Quicaeli qui terrae", "Psallite Domino / Qui ascendit"

93v Alleluia. Ascendit Deus in jubilatione [Proprium de Ascensione Domini] [Senfl]
Appears on: 93v
Genres: Alleluia, Motet
Source Attribution: [Senfl]
94 Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] [Senfl]
Appears on: 94
Genres: Alleluia, Motet
Source Attribution: [Senfl]
94v–96v Summi triumphum regis Qui caeli qui terrae [Proprium de Ascensione Domini] [Senfl]
Appears on: 94v–96v
Genres: Sequence
Source Attribution: [Senfl]
96 Psallite Domino Qui ascendit super caelos [Proprium de Ascensione Domini] [Senfl]
Appears on: 96
Genres: Communion
Source Attribution: [Senfl]
96–97 Exurgens autem Maria Vs. Benedicta tu R. Et benedicta fructus Anon. Anonymous
Appears on: 96–97
Genres: Responsory
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Exurgens autem Maria abiit in montana
97–98 Imitemur mentis piae constantem fiduciam (7 verses) Anon. Anonymous
Appears on: 97–98
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Imitemur mentis piae constantem fiduciam
98–98v Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius T. S.
Appears on: 98–98v
Genres: Motet
Source Attribution: T. S.
Voice: [no designation]
Languages: Latin
Voice Text: Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam dei) Et opera
98v–99 Scio cui credidi Et certus sum Vs: Caeli enarrant gloriam Dei Et opera T. S.
Appears on: 98v–99
Genres: Introit
Source Attribution: T. S.
Voice: [no designation]
Languages: Latin
Voice Text: (Scio cui credidi) Et certus sum Vs: (Caeli enarrant gloriam dei) Et opera
99–99v Mihi autem nimis Honorati sunt amici tui Vs: Domine probasti me Tu cognovisti (P57) Lud. Sen.
Appears on: 99–99v
Genres: Introit
Source Attribution: Lud. Sen.
Voice: [no designation]
Languages: Latin
Voice Text: (Mihi autem nimis) Honorati sunt amici tui Vs: (Domine probasti me) Tu cognovisti
99v–100 Requiem aeternam 2 Te decet hymnus 3 Et tibi reddetur 4 Exaudi orationem T. S.
Appears on: 99v–100
Genres: Introit
Source Attribution: T. S.
Voice: [no designation]
Languages: Latin
Voice Text: Requiem aeternam dona eis domine et lux Vs: Te decet hymnus deus in Sion
100–101v Magnificat primi toni: Et exultavit [K.724] [Dietrich]
Appears on: 100–101v
Genres: BVM, Canticle, Magnificat
Source Attribution: [Dietrich]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Primi toni: Et exultavit spiritus meus
101v–103v Magnificat Secundi Toni: Et exultavit [K.725] [Dietrich]
Appears on: 101v–103v
Genres: BVM, Canticle, Magnificat
Source Attribution: [Dietrich]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Secundi Toni: Et exultavit spiritus meus
103v–105 Magnificat Tertii Toni: Et exultavit [K.726] [Dietrich]
Appears on: 103v–105
Genres: BVM, Canticle, Magnificat
Source Attribution: [Dietrich]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Tertii Toni: Et exultavit spiritus meus
105–106v Magnificat Quarti Toni: Et exultavit [K.727] [Dietrich]
Appears on: 105–106v
Genres: BVM, Canticle, Magnificat
Source Attribution: [Dietrich]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Quarti Toni: Et exultavit spiritus meus
106v–108 Magnificat Quinti Toni: Et exultavit [K.728] [Dietrich]
Appears on: 106v–108
Genres: BVM, Canticle, Magnificat
Source Attribution: [Dietrich]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Quinti Toni: Et exultavit spiritus meus
108–109v Magnificat Sexti Toni: Et exultavit [K.729] [Dietrich]
Appears on: 108–109v
Genres: BVM, Canticle, Magnificat
Source Attribution: [Dietrich]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Sexti Toni: Et exultavit spiritus meus
109v–111 Magnificat Septimi Toni: Et exultavit [K.730] [Dietrich]
Appears on: 109v–111
Genres: BVM, Canticle, Magnificat
Source Attribution: [Dietrich]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Septimi Toni: Et exultavit spiritus meus
111v–113v Magnificat octavi toni: Et exultavit [K.731] [Dietrich]
Appears on: 111v–113v
Genres: BVM, Canticle, Magnificat
Source Attribution: [Dietrich]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Octavi Toni: Et exultavit spiritus meus
113v Alleluia. Haec est illa Maria H Isaac
Appears on: 113v
Genres: Alleluia, Motet
Source Attribution: H Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Haec est illa Maria
113v–114v Laus tibi Christe qui es creator Caeli terrae maris angelorum et hominum H. Isaac
Appears on: 113v–114v
Genres: Sequence
Source Attribution: H. Isaac
Voice: [no designation]
Languages: Latin
Voice Text: [Laus tibi Christe qui es creator] Coeli terrae maris angelorum et hominum
114v Dico vobis Gaudium est angelis Dei [Mass proper II] [Isaac]
Appears on: 114v
Genres: Communion
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Dico vobis) Gaudium est angelis dei
115–116 Ego sum qui sum et consilium meum (2p. Stetit Jesus in medio discipulorum) [Conseil]
Appears on: 115–116
Genres: Motet
Source Attribution: [Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum qui sum et consilium meum II: Stetit Jhesus in medio discipulorum
116v In Galilaea Jesum videbitis sicut dixit Anon. (= f. 152v) Anonymous
Appears on: 116v
Genres: Motet
Source Attribution: Anon. (= f. 152v)
Voice: [no designation]
Languages: Latin
Voice Text: In Galilaea Iesum videbitis sicut dixit [= ff. 153-153v]
117–118 Victimae paschali 2 Agnus redemit oves 4 Dic nobis Maria 6 Credendum est magis Anon. (= f. 90v) Anonymous
Appears on: 117–118
Genres: Hymn
Source Attribution: Anon. (= f. 90v)
Voice: [no designation]
Languages: Latin
Voice Text: [Victimae paschali laudes immolent Christiani] Agnus redemit oves Christus innocens
118–118v Missa Paschalis: Sanctus [Pöpel] (= f. 92)
Appears on: 118–118v
Genres: Sanctus [& Benedictus]
Source Attribution: [Pöpel] (= f. 92)
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Paschalis] [SA] [= f. 92]
118v Missa Paschalis: Agnus Dei [Pöpel] (= f. 92v)
Appears on: 118v
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [Pöpel] (= f. 92v)
119–119v Vita sanctorum decus angelorum 2 Tu tuo laetos famulos trophoeo 3 Pasca quo victor atque cum multis Anon. Anonymous
Appears on: 119–119v
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Vita sanctorum decus angelorum 2 Tu tuo laetos famulos trophoeo 3 Pasca quo victor atque cum multis
120–120v Accessit ad pedes Jesu peccatrix mulier Vs. Et osculata est et lavit lachrimis R. Dimissa sunt ei peccata multa H Isaac
Appears on: 120–120v
Genres: Responsory
Source Attribution: H Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Accessit ad pedes Jesu peccatrix mulier II: Et osculata est et lavit lachrymis III: Dimissa sunt ei peccata multa
121–128v La Battaglia: Signori et cavalieri - 1a pars (of 3): Signori et cavalier de ingeni e forza [Werrecore]
Appears on: 121–128v
Genres: Italian secular
Source Attribution: [Werrecore]
Voice: [no designation]
Languages: Italian
Voice Text: Signori et cavalier de ingeni e forza II: Signor prosper Calonese guarda III: O Marchese de Peschara O Signor
121–128v La Battaglia: Signori et cavalieri - 2a pars (of 3): Signor prosper Calonese guarda -
Appears on: 121–128v
Genres: Italian secular
121–128v La Battaglia: Signori et cavalieri - 3a pars (of 3): O Marchese de Peschara O Signor -
Appears on: 121–128v
Genres: Italian secular
128v–129v Dum complerentur dies Pentecostes erant omnes [Arcadelt/Verdelot]
Appears on: 128v–129v
Genres: Motet
Source Attribution: [Arcadelt/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Dum complerentur dies pentecostes erant
129v–130v Benedicta sit Sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS. Trinitate] L. Senfl
Appears on: 129v–130v
Genres: Introit
Source Attribution: L. Senfl
Voice: [no designation]
Languages: Latin
Voice Text: (Benedicta sit) Sancta trinitas atque
130v Alleluia. Benedictus es Domine Deus [Proprium de SS. Trinitate] [Senfl]
Appears on: 130v
Genres: Alleluia
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Benedictus es domine deus
131–133 Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS. Trinitate] [Senfl]
Appears on: 131–133
Genres: Sequence
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: [Benedicta semper sancta sit trinitas] Pater filius sanctus spiritus tria sunt
133–133v Benedicite Domino omnes angeli eius Vs: Benedic anima mea Et omnia quae intra me Anon. Anonymous
Appears on: 133–133v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Benedicite domino omnes angeli eius Vs: (Benedic anima mea) Et omnia quae intra me [= ff. 40-40v]
134–134v Te decet laus et honor Domine Vs. Cherubin quoque et seraphin sanctus R. Gloria patri et filio et spiritui Anon. Anonymous
Appears on: 134–134v
Genres: Responsory
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Te decet laus et honor domine II: Cherubin quoque et seraphin sanctus III: Gloria patri et filio et spiritui
135–136 Psallite regi nostro psallite prudenter Nam psalterium est iucundum cum cithara Anon. Anonymous
Appears on: 135–136
Genres: Sequence
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Psallite regi nostro psallite prudenter] Nam psalterium est iucundum cum cithara
136v Veni redemptor gentium ostende partum 2 Non ex virili semine sed mistico [Finck]
Appears on: 136v
Genres: Hymn
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Veni redemptor gentium ostende partum 2 Non ex virili semine sed mistico
136v–137 Ecce concipies et paries filium et vocabis Anon. Anonymous
Appears on: 136v–137
Genres: Responsory
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce concipies et paries filium et vocabis
137–138 Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] [Isaac]
Appears on: 137–138
Genres: Alleluia, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Halleluia. Dies sanctificatus illuxit nobis
138–138v Hostis Herodes impie Christum venire 2 Ibant magi quam viderant stellam 4 Lavacra puri gurgitis caelestis 6 Novum genus potentiae aquae rubescunt 9 Gloria tibi Domine qui apparuisti hodie Anon. Anonymous
Appears on: 138–138v
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Hostis Herodes impie Christum venire] 2 Ibant magi quam viderant stellam 4 Lavacra puri gurgitis caelestis 6 Novum genus potentiae aquae rubescunt 9 Gloria tibi domine qui apparuisti hodie
138v–139 Surge illuminare Et gloria Domini super te 3 Et ambulabunt gentes in lumine tuo 8 Gloria patri et filio et spiritui Anon. Anonymous
Appears on: 138v–139
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Illuminare] Et gloria domini super te II: Et ambulabunt gentes in lumine tuo III: Gloria patri et filio et spiritui
139v–141 Postquam impleti sunt dies purgationis Vs. Et cum inducerent puerum R. Nunc dimittis servum tuum [Rener]
Appears on: 139v–141
Genres: Responsory
Source Attribution: [Rener]
Voice: [no designation]
Languages: Latin
Voice Text: Postquam impleti sunt dies purgationis II: Et cum inducerent puerum Jesum III: Nunc dimittis servum tuum domine
141v In natali Domini clamant mortales / Wo ist uns das Kind geborn [Hähnel]
Appears on: 141v
Genres: Motet
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: In natali domini clamant mortales singuli
141v–142 Ein kindelein so lobelich ist uns geborn Anon. Anonymous
Appears on: 141v–142
Genres: Motet, Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ein kindelein so lobelich ist uns geborn
142–142v Christum wir sollen loben schon (=Beatus auctor) [Resinarius]
Appears on: 142–142v
Genres: Contrafactum, Hymn
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: German
Voice Text: Christum wir sollen [loben schon]
142v–143 In dulci jubilo nun singet und seid froh [Figulus/Walter]
Appears on: 142v–143
Genres: Chorale, Sacred Song
Source Attribution: [Figulus/Walter]
Voice: [no designation]
Languages: Latin, German
Voice Text: In dulci iubilo [nu singet und seid fro]
143 Von Himmel hoch da komm ich her ich bring Anon. Anonymous
Appears on: 143
Genres: Chorale, Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Von himel hoch da kom ich her ich bring
143v Dies est laetitiae in ortu regali Anon. Anonymous
Appears on: 143v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Dies est laetitiae in ortu regali
144 Missa Beata Virgine = Missa Coronata 3.3: Gloria (excerpt: Cum sancto spiritu) [Josquin/La Rue]
Appears on: 144
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [Josquin/La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: Cum sancto spiritu [from Missa De beata Virgine] 3.3
144v–145 Apparuit benignitas et humanitas salvatoris [Hähnel]
Appears on: 144v–145
Genres: Motet
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Apparuit benignitas et humanitas salvatoris
145v Gaude Maria virgo cunctas haereses sola Vs. Dum virgo Deum et hominem genuisti Anon. Anonymous
Appears on: 145v
Genres: Responsory
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Gaude Maria virgo cunctas haereses sola II: Dum virgo deum et hominem genuisti
146–149 Missa De profundis: Kyrie [Trojanus]
Appears on: 146–149
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Trojanus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa De profundis
146–149 Missa De profundis: Gloria -
Appears on: 146–149
Genres: Gloria (et in terra pax), Mass Ordinary
146–149 Missa De profundis: Patrem omnipotentem [Credo] -
Appears on: 146–149
Genres: Credo (patrem omnipotentem), Mass Ordinary
146–149 Missa De profundis: Sanctus -
Appears on: 146–149
Genres: Mass Ordinary, Sanctus [& Benedictus]
146–149 Missa De profundis: Agnus Dei -
Appears on: 146–149
Genres: Agnus Dei, Mass Ordinary
149v–150v Quomodo fiet istud angele Dei quia virum (2p. Audi Maria virgo spiritus sanctus) [Senfl]
Appears on: 149v–150v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Quomodo fiet istud angele dei quia virum II: Audi Maria virgo spiritus sanctus
150v–152v Ave Maria gratia plena Dominus tecum (2p. Quomodo fiet istud quia virum) Anon. Anonymous
Appears on: 150v–152v
Genres: Ave Maria, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena dominus tecum II: Quomodo fiet istud quia virum
152v–153v In Galilaea Jesum videbitis sicut dixit Anon. Anonymous
Appears on: 152v–153v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: In Galilaea Jesum videbitis sicut dixit [= ff. 116v-117]
153v–154v Veni sancte spiritus reple tuorum corda (8vv) [M120] [Senfl]
Appears on: 153v–154v
Genres: Motet, Veni sancte spiritus
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda
155–156 Beatam trinitatem patrem et filium (2p. Miserere populo tuo sanguine Christus) (= O trinitas et Deitas alma tibi omnes) [Rein]
Appears on: 155–156
Genres: Contrafactum, Motet
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Voice Text: Beatem trinitatem patrem et filium II: Miserere populo tuo sanguine Christi [= O trinitas et deitas alma tibi omnes]
156–157v Super salutem et omnem pulchritudinem (2p. Dixi sapientiae soror mea es) [Janin]
Appears on: 156–157v
Genres: Motet
Source Attribution: [Janin]
Voice: [no designation]
Languages: Latin
Voice Text: Super salutem et omnem pulcritudinem dilexi II: Dixi sapientiae soror mea es
158–159 Fremuit spiritus Jesu et turbavit seipsum (2p. Videns Dominus flentes sorores Lazari) Clemens non Papa
Appears on: 158–159
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Fremuit spiritus Iesu et turbavit seipsum II: Videns dominus flentes sorores Lazari
159v Cherubim quoque et seraphim sanctus proclamant [Resinarius]
Appears on: 159v
Genres: Motet
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Cherubim quoque et seraphim sanctus proclamant
160–161 Servus tuus ego sum (2p. Ego vero egenus) [Clemens non Papa]
Appears on: 160–161
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Servus tuus ego sum da mihi intellectum II: Ego vero egenus et pauper sum
161–162v Adesto dolori meo (2p. Interiora mea) [Clemens non Papa]
Appears on: 161–162v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Adesto dolori meo deus nimium fatigor II: Interiora mea efferbuerunt [me]
162v–166 Caeli creator et terrae humanum genus Anon. Anonymous
Appears on: 162v–166
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Coeli creator et terrae humanum genus
166v–168v Caeli enarrant gloriam Dei [In divisione apostolorum] [Isaac]
Appears on: 166v–168v
Genres: Sequence
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Coeli enarrant gloriam dei facti de terra
169–170 Concussum est mare et contremuit terra (2p. Factum est silentium in caelo dum draco) Clemens non Papa
Appears on: 169–170
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Concussum est mare et contremuit terra II: Factum est silentium in caelo
170v–172 Sana me domine et sanabor salvum me fac (2p. Omnia iudicia tua justa sunt) Clemens non Papa
Appears on: 170v–172
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Sana me domine et sanabor salvum me fac II: Omnia iudicia tua iustia sunt
172–172v Geborn ist uns der heilige Christ Anon. Anonymous
Appears on: 172–172v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Geboren ist unss der heilige Christ
172v–173 Gaude laetare Jerusalem et canito Alleluia = Hilf Glück mit Freuden, Freud euch und jubiliert Anon. Anonymous
Appears on: 172v–173
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Gaude laetare Jerusalem et canito halleluia [= Hilff glückh mit freuden, Freudt euch und jubiliert]
173v–174 Virgo decus mulierum genuit Deum verum Anon. Anonymous
Appears on: 173v–174
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Virgo decus mulierum genuit deum verum
174–174v Joseph, lieber Joseph, mein, hilf mir wiegen [Hähnel]
Appears on: 174–174v
Genres: Motet
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: German
Voice Text: Joseph lieber Joseph mein hilff mir wigen
174v–175 Surrexit Christus hodie Alleluia / Erstanden ist der heilige Christ Anon. Anonymous
Appears on: 174v–175
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, German
Voice Text: Surrexit Christus hodie halleluia/Erstanden ist der heilige Christ
175v–176 Resurrexit Christus Dominus de sepulchro / Erstanden ist der Heilige Christ Anon. Anonymous
Appears on: 175v–176
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, German
Voice Text: Resurrexit Christus dominus de sepulcro/Erstanden ist der heilige Christ
176v Alleluia Christi fulget victoria vexilla Anon. Anonymous
Appears on: 176v
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Halleluia Christi fulget victoria vexilla
177 Erschienen ist der heilige tag Anon. Anonymous
Appears on: 177
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Erschienen ist der heilige tag
177v–178 Ite in orbem universum Vs. Qui crediderit R. In nomine patris [Resinarius]
Appears on: 177v–178
Genres: Responsory
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: [Ite in orbem universum et praedicate] II: Qui crediderit et baptisatus fuerit III: In nomine patris et filii et spiritus
178v Alleluia. Benedictus es Domine in firmamento [Resinarius]
Appears on: 178v
Genres: Alleluia, Motet
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Benedictus es domine in firmamento
179–181 Magnificat Quinti Toni: Et exultavit [K.802] [Hähnel]
Appears on: 179–181
Genres: BVM, Canticle, Magnificat
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Quinti toni]: Et exultavit spiritus meus
182v Response: Amen Anon. Anonymous

Response: Amen

Anonymous
Appears on: 182v
Genres: Response
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Response]: Amen
Layout

2 voice parts copied in each of DAT, for a total of 7vv

183–184v Salve Jesu Christe misericordiae 2 Vita dulcedo et spes nostra salve 3 Ad te clamamus exules filii Evae 4 Eia ergo advocata noster illos tuos 5 Et patrem benignum cui datorem 6 O clemens O pie O dulcis Jesu Anon. Anonymous
Appears on: 183–184v
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Salve Iesu Christe misericordiae II: Vita dulcedo et spes nostra salve III: Ad te clamamus exules filii Evae IV: Eia ergo advocata noster illos tuos V: Et patrem benignum cui datorem VI: O clemens O pie O dulcis Jesu
184v–185v [blank staves] - -

[blank staves]

Appears on: 184v–185v
General Note

ruled for copying "Ecce evangelizo vobis" (which is ciopied in the equivalent place in the other books) but no music copied

185v–186 Domine non est exaltatum cor meum neque (2p. Sicut ablactatum est super matre) [Schierrentinger]
Appears on: 185v–186
Genres: Motet
Source Attribution: [Schierrentinger]
Voice: [no designation]
Languages: Latin
Voice Text: Domine non est exaltatum cor meum II: Sicut ablactatum est super matre
186–186v Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis [Gombert/Mouton/Verdelot]
Appears on: 186–186v
Genres: Motet
Source Attribution: [Gombert/Mouton/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Surge Petre et indue te vestimentis tuis II: Angelus domini astitit et lumen [= ff. 293-294]
186v–187 Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit [Walter]
Appears on: 186v–187
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Tertii Toni
187–187v Alleluia. Mane nobiscum Domini (M2 - 4vv) Senffl
Appears on: 187–187v
Genres: Alleluia, Motet
Source Attribution: Senffl
Voice: [no designation]
Languages: Latin
Voice Text: Halleluia. Mane nobiscum domini halleluia
187v–188 Memento mei Domine Deus dum veneris [Lemlin]
Appears on: 187v–188
Genres: Motet
Source Attribution: [Lemlin]
Voice: [no designation]
Languages: Latin
Voice Text: Memento mei domini veneris in regnum tuum
188 Ego sum ipse qui deleo iniquitates (= Tenez moi en vos bras 30.12) [Josquin]
Appears on: 188
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum ipse qui deleo iniquitates 30.12 [= Tenez moy en vos bras mon amy]
188v Petite et accipietis ut gaudium vestrum [= Petite camusette 30.7] [Josquin]
Appears on: 188v
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Petite et accipietis ut gaudium vestrum 30.7 [= Petite camusette à la mort m'avez mis]
188v–189 Miserator et misericors Dominus paciens (= Se congié prens de mes belles amours 30.11) Josquini
Appears on: 188v–189
Genres: Contrafactum, Motet
Source Attribution: Josquini
Voice: [no designation]
Languages: Latin
Voice Text: Miserator et misericors dominus patiens 30.11 [= Se congié prens de mes belles amours]
189v Venite ad me omnes qui laboratis (= En non saichant ce qu'il luy fault 29.6) Iosquin
Appears on: 189v
Genres: Contrafactum, Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Venite ad me omnes qui laboratis 29.6 [= En non saichant ce qu'il luy fault]
189v–190 Delevi ut nubem iniquitates tuas (= Faulte d'argent c'est douleur non pareille 29.7) [Josquin]
Appears on: 189v–190
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Delevi ut nubem iniquitates tuas 29.7 [= Faulte d'argent c'est douleur]
190–191 Ecce sacerdos magnus qui confidit in Domino (2p. Benefac Domine bonis et rectis corde) Anon. Anonymous
Appears on: 190–191
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce sacerdos magnus qui confidit in domino II: Benefac domine bonis et rectis corde
191–191v Sana me Domine et sanabor salvum me fac (= Plusieurs regrets qui sur la terre 29.21) Josquin
Appears on: 191–191v
Genres: Contrafactum, Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Sana me domine et sanabor salvum me fac 29.21 [= Plusieurs regretz qui sur la terre]
191v–192 Hora est jam nos de somno surgere Baldasar [Resinarius]
Appears on: 191v–192
Genres: Motet
Source Attribution: Baldasar [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Hora est iam nos de somno surgere
192v Simile est regnum caelorum homini [Carpentras]
Appears on: 192v
Genres: Motet
Source Attribution: [Carpentras]
Voice: [no designation]
Languages: Latin
Voice Text: Simile est regnum coelorum homini
193–193v Duo rogavi te Domine ne deneges mihi [Gombert]
Appears on: 193–193v
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Duo rogavi te domine ne deneges mihi [= ff. 59-60]
194–194v Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis Josquin
Appears on: 194–194v
Genres: Ave Maria, Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in coelis 20.9
194v–195v Nunc dimittis servum tuum domine secundum (2p. Lumen ad revelationem gentium et gloriam) Senfl
Appears on: 194v–195v
Genres: Motet
Source Attribution: Senfl
Voice: [no designation]
Languages: Latin
Voice Text: Nunc dimittis servum tuum domine II: Lumen ad revelationem gentium
196 Pange lingua gloriosi corporis mysterium Anon. Anonymous
Appears on: 196
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Pange lingua gloriosi corporis mysterium
196–197 Pater noster (4vv) (2p. Ave Maria gratia plena) Obrecht/[Willaert]
Appears on: 196–197
Genres: Ave Maria, Motet, Pater noster
Source Attribution: Obrecht/[Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in caelis
General Note

this is the only source which names Obrecht as composer, obviously in error. The Pater noster may be copied here alone (without the Ave Maria) - it is not clear.

197–197v Sic benedicetis filiis Israel et dicetis M. Agricola
Appears on: 197–197v
Genres: Motet
Source Attribution: M. Agricola
Voice: [no designation]
Languages: Latin
Voice Text: Sic benedicetis filiis Israhel et dicetis
197v–198v Judica me Deus et discerna causam meam (2p. Et introibo ad altare Dei) Wolff Heintz
Appears on: 197v–198v
Genres: Motet
Source Attribution: Wolff Heintz
Voice: [no designation]
Languages: Latin
Voice Text: Judica me deus et discerna causam meam II: Et introibo ad altare dei
198v–199 Si Deus pro nobis quis contra nos (2p. Certum est enim quia neque mors) Anon. Anonymous
Appears on: 198v–199
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Si deus pro nobis quis contra nos II: Certum est enim quia neque mors
199v–200 Accipite spiritum sanctum quorum remiseritis [M.] Agricola
Appears on: 199v–200
Genres: Motet
Source Attribution: [M.] Agricola
Voice: [no designation]
Languages: Latin
Voice Text: Accipite spiritum sanctum quorum remiseritis
200–201v Quid retribuam Domino pro omnibus (2p. Vota mea reddam coram Domino) Anon. Anonymous
Appears on: 200–201v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Quid retribuam domino pro omnibus II: Vota mea reddam coram domino
201v–203 Domine ne proiicias me in tempore 16.9 (2p. Sed tibi soli peccavi Deus meus) [Josquin]
Appears on: 201v–203
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Domine ne proiicias me in tempore 16.9 II: Sed tibi soli peccavi deus meus
202–202v Hiob [Job] tonso capite - 1a pars (of 3): Hiob tonso capite corruens in terram [M.] Agricola
Appears on: 202–202v
Genres: Motet
Source Attribution: [M.] Agricola
Voice: [no designation]
Languages: Latin
Voice Text: Hiob tonso capite corruens in terram
203v–205 Quid gloriaris in malitia Vs. Propterea Deus destruet R. Videbunt justi et timebunt Anon. Anonymous
Appears on: 203v–205
Genres: Responsory
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Quid gloriaris in malitia qui potens es
205–205v Lumen ad revelationem gentium et gloriam 2 Quia viderun oculi mei 4 Sicut erat in principio Xystus Dieterich
Appears on: 205–205v
Genres: Hymn
Source Attribution: Xystus Dieterich
Voice: [no designation]
Languages: Latin
Voice Text: Lumen ad revelationem gentium et gloriam
205v–208 Te Deum laudamus L. Senfl
Appears on: 205v–208
Genres: Liturgical work, Te Deum
Source Attribution: L. Senfl
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus te dominum confitemur
208v–209 Domine quis habitabit in tabernaculo suo (2p. Ad nihilum deductus est in conspectu) Anon. Anonymous
Appears on: 208v–209
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Domine quis habitabit in tabernaculo suo II: Ad nihilum deductus est in conspectu
209–209v Tribulatio patientiam operatur patientia Caspar Othmayr
Appears on: 209–209v
Genres: Motet
Source Attribution: Caspar Othmayr
Voice: [no designation]
Languages: Latin
Voice Text: Tribulatio pacientiam operatur pacientia
209v–210 Ecce concipies et paries filium et vocabis M. Agricola
Appears on: 209v–210
Genres: Motet
Source Attribution: M. Agricola
Voice: [no designation]
Languages: Latin
Voice Text: Ecce concipies et paries filium et vocabis
210–210v Ecce Maria genuit nobis salvatorem Anon. Anonymous
Appears on: 210–210v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce Maria genuit nobis salvatorem
210v Spiritus sanctus in te descendet Maria M. Agricola
Appears on: 210v
Genres: Motet
Source Attribution: M. Agricola
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus sanctus in te descendet Maria
211–211v Nuptiae factae sunt in Chana Galileae (2p. Dulcis coniugii bonum sit omen [2p is a contrafact of Ghizeghem's "Alles regrets]; 3p. Nascatur similis puer parenti) M. Agr: [= M. Agricola]/[Hayne van Ghizeghem]
Appears on: 211–211v
Genres: Contrafactum, Motet
Source Attribution: M. Agr: [= M. Agricola]/[Hayne van Ghizeghem]
Voice: [no designation]
Languages: Latin
Voice Text: Nuptiae factae sunt in Chana Galileae II: Dulcis coniugii bonum sit omen (Pars II is contrafact of Hayne van Ghizeghemvs "Alles regretz vuidez de ma présence") III: Nascatur similis puer parenti
211v–212 Beati omnes 15.2 [M12] - 1a pars (of 2): Beati omnes qui timent Dominum Josquin/[Senfl]
Appears on: 211v–212
Genres: Motet
Source Attribution: Josquin/[Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Beati omnes qui timent dominum 15.2 II: Filii tui sicut novellae olivarum
212–212v Beati omnes 15.2 [M12] - 2a pars (of 2): Filii tui sicut novellae olivarum [Walter]
Appears on: 212–212v
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Cuarti Toni
212v–213 Lumen ad revelationem gentium et gloriam Anon. Anonymous
Appears on: 212v–213
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Lumen ad revelationem gentium et gloriam
213–214v Omnes gentes plaudite manibus jubilate Deo (2p. Ascendit Deus in jubilo et Dominus) (M79) [Senfl]
Appears on: 213–214v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Omnes gentes plaudite manibus jubilate deo II: Ascendit deus in jubilo et dominus
215–215v Venite post me qui laboratis et onerati [Hähnel]
Appears on: 215–215v
Genres: Motet
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Venite ad me qui laboratis et onerati
215v–216 Audi Israel - 1a pars (of 3): Audi Israel praecepta Domini et ea Simon Cellarius
Appears on: 215v–216
Genres: Motet
Source Attribution: Simon Cellarius
Voice: [no designation]
Languages: Latin
Voice Text: Audi Israhel praecepta domini et ea II: Et dabo tibi terram fluentem III: Israel si me audieris non erit
216 Audi Israel - 2a pars (of 3): Et dabo tibi terram fluentem [Walter]
Appears on: 216
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Cuinti Toni
216–216v Audi Israel - 3a pars (of 3): Israel si me audieris non erit [Walter]
Appears on: 216–216v
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Sexti Toni
216v–217 Vigila super nos aeterne salvator Anon. Anonymous
Appears on: 216v–217
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Vigila super nos aeterne salvator
217 Christe fili Dei vivi miserere nostri S. C. [= Cellarius]
Appears on: 217
Genres: Motet
Source Attribution: S. C. [= Cellarius]
Voice: [no designation]
Languages: Latin
Voice Text: Christe fili dei vivi miserere nostri
217v–218v Gloria laus et honor tibi sit rex Christe 3 Coetus in excelsis te laudat 4 Plebs Hebrea tibi cum palmis 5 Hi tibi passuro solvebant munia 6 Hi placuere tibi placeat devotio Anon. Anonymous
Appears on: 217v–218v
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Gloria laus et honor tibi sit rex Christe II: Coetus in excelsis te laudat III: Plebs Hebrea tibi cum palmis IV: Hi tibi passuro solvebant munia V: Hi placuere tibi placeat devotio
219 Dum steteritis ante reges et praesides [Senfl]
Appears on: 219
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Dum steteritis ante reges et praesides
219–221v In exitu Israel de Aegypto domus Jacob (in 15 sections) M. A. [= M. Agricola]
Appears on: 219–221v
Genres: Hymn
Source Attribution: M. A. [= M. Agricola]
Voice: [no designation]
Languages: Latin
Voice Text: In exitu Israel de Aegypto domus Jacob
222v Ne reminiscaris Domine delicta mea M. A.
Appears on: 222v
Genres: Motet
Source Attribution: M. A.
Voice: [no designation]
Languages: Latin
Voice Text: Ne reminiscaris domine delicta mea
223–224v Bonitatem fecisti cum servo tuo Domine 15.5 (2p. Manus tuae Domine faecerunt me) [Carpentras/Josquin]
Appears on: 223–224v
Genres: Motet
Source Attribution: [Carpentras/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Bonitatem fecisti cum servo tuo domine 15.5 II: Manus tuae domine fecerunt me
225–226 Conserva me Domine quoniam speravi 15.10 (2p. Dominus pars hereditatis meae) Josquin/[Finck/Wolff]
Appears on: 225–226
Genres: Motet
Source Attribution: Josquin/[Finck/Wolff]
Voice: [no designation]
Languages: Latin
Voice Text: Conserva me domine quoniam speravi 15.10 II: Dominus pars haereditatis meae
226–227v Beati immaculati in via qui ambulant 2 Utinam dirigantur viae meae 3 Benedictus es Domine doce me 4 Inclina cor meum in testimonia tua 5 Eructabunt labia mea hymnum cum docueris [Walter]
Appears on: 226–227v
Genres: Psalm
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Beati immaculati in via qui ambulant II: Utinam dirigantur viae meae III: Benedictus domine doce me IV: Inclina cor meum in testimonia tua V: Eructabunt labia mea hymnum cum docueris
General Note

2vv in Altus; 2vv for some partes in Bassus. In verses 1 & 5, 2 voices praise Luther, Melanchthon, Charles V Holy Roman Emperor, etc.

227v–229v Domine ne in furore 16.8 (2p. Discedite a me omnes qui operamini) [Baston/Josquin/Stoltzer/Verdelot]
Appears on: 227v–229v
Genres: Motet
Source Attribution: [Baston/Josquin/Stoltzer/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Domine ne in furore tuo arguas me 16.8 II: Discedite a me omnes qui operamini III: Domine libera me ab inimicis meis
230 Missa in Festo Nativitatis Christi: Kyrie Fons bonitatis - Anonymous
Appears on: 230
Genres: Mass Ordinary, Troped Kyrie
230–235v Missa Sine nomine KGCSA Anon. Anonymous
Appears on: 230–235v
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sine nomine]
235v–236 Missa Tous les regrets [2nd tradition]: Kyrie [La Rue]
Appears on: 235v–236
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [La Rue]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Tous les regretz] [KG]
236–237 Missa Tous les regrets [2nd tradition]: Gloria [Walter]
Appears on: 236–237
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Septimi Toni
237–238v Missa Sine nomine KG Anon. Anonymous
Appears on: 237–238v
Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Sine nomine] [KG]
238v–241v Missa Jerusalem luge: KGC [Nötel]
Appears on: 238v–241v
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: [Nötel]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Hierusalem luge] [KGC] [= ff. 25v-30]
242–245 Missa Sine nomine KGCSA Anon. Anonymous
Appears on: 242–245
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sine nomine]
245–247v Missa Christ ist erstanden: KG [Hähnel]
Appears on: 245–247v
Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Christ ist erstanden] Kyrie eleyson [Gloria] Gratias agimus tibi Alleluia. Pascha nostrum immolatus est [Victimae paschali laudes] Agnus redemit oves Christus innocens Sanctus Agnus dei qui tollis peccata
245–247v Alleluia. Pascha nostrum immolatus est -
Appears on: 245–247v
Genres: Alleluia, Motet
245–247v Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden -
Appears on: 245–247v
Genres: Hymn
245–247v Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden -
Appears on: 245–247v
Genres: Hymn
245–247v Victimae paschali - 3a pars (of 3): Credendum est magis -
Appears on: 245–247v
Genres: Hymn
245–247v Missa Christ ist erstanden: SA -
Appears on: 245–247v
Genres: Agnus Dei, Mass Ordinary, Sanctus [& Benedictus]
248–249v Magnificat primi toni: Anima mea [K.140] Anon. Anonymous
Appears on: 248–249v
Genres: BVM, Canticle, Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Primi toni]: Magnificat anima mea dominum
249v–251v Magnificat Tertii Toni: Et exultavit [K.575] Mart: Agric. [= M. Agricola]
Appears on: 249v–251v
Genres: BVM, Canticle, Magnificat
Source Attribution: Mart: Agric. [= M. Agricola]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Tertii toni]: Et exultavit spiritus meus
251v–253 Magnificat quarti toni 20.3: Anima mea Ant. Brumel/[A. Agricola/Josquin/La Rue]
Appears on: 251v–253
Genres: BVM, Canticle, Magnificat
Source Attribution: Ant. Brumel/[A. Agricola/Josquin/La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Quarti toni]: Et exultavit spiritus meus 20.2
253v–254v Magnificat Septimi Toni: Et exultavit spiritus meus 20.5 Josquin
Appears on: 253v–254v
Genres: BVM, Canticle, Magnificat
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Septimi Toni: Et exultavit spiritus meus 20.3
254v–256 Magnificat Sexti Toni: Et exultavit [K.1006] [Rener]
Appears on: 254v–256
Genres: BVM, Canticle, Magnificat
Source Attribution: [Rener]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Sexti Toni: Et exultavit spiritus meus
256–258v Magnificat septimi toni: Anima mea [K.920] [Morales]
Appears on: 256–258v
Genres: BVM, Canticle, Magnificat
Source Attribution: [Morales]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Septimi Toni: (Magnificat) Anima mea dominum
258v–259v Magnificat Tertii Toni: Et exultavit spiritus meus [Pipelare]
Appears on: 258v–259v
Genres: BVM, Canticle, Magnificat
Source Attribution: [Pipelare]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Tertii Toni: Et exultavit spiritus meus
260–261 Magnificat Primi Toni: Et exultavit [K.1001] [Rener]
Appears on: 260–261
Genres: Motet
Source Attribution: [Rener]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Primi toni: Et exultavit spiritus meus
261v–264v Passio Domini nostri Jesu Christi secundum Matthaeum (2p. Apprehendit ergo eum Pilatus; 3p. Orabat autem Jesus pro crucifigantibus) [Longaval/Obrecht/Venture]
Appears on: 261v–264v
Genres: Liturgical work, Passion
Source Attribution: [Longaval/Obrecht/Venture]
Voice: [no designation]
Languages: Latin
Voice Text: Passio domini nostri Jesu Christi secundum Matthaeum II: Appraehendit ergo eum Pilatus III: Orabat autem Jesus pro crucifigentibus
265–265v Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas) Richaforti (attribution on f. 25v of D book, as part of title for Nötel's parody Mass on this motet)/[Caen/Lupus]
Appears on: 265–265v
Genres: Motet
Source Attribution: Richaforti (attribution on f. 25v of D book, as part of title for Nötel's parody Mass on this motet)/[Caen/Lupus]
Voice: [no designation]
Languages: Latin
Voice Text: Hierusalem luge et exue te vestibus II: Deduc quasi torrentem lacrymas
266 Aeterno gratias patri 2 Hic mores exui malos iussit me Joannes Walther
Appears on: 266
Genres: Hymn
Source Attribution: Joannes Walther
Voice: [no designation]
Languages: Latin
Voice Text: Aeterno gratias patri omnes canant ecclesiae
266–267 Lucis creator optime lucem dierum 2 Qui mane iunctum vesperi diem Anon. Anonymous
Appears on: 266–267
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Lucis creator optime lucem dierum 2 Qui mane iunctum vesperi diem
267v–268 Veni redemptor gentium ostende partum 2 Non ex virili semine sed mystico Anon. Anonymous
Appears on: 267v–268
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Veni redemptor gentium ostende partum] 2 Non ex virili semine sed mystico
268–268v Factus est repente de caelo sonus Advenientis spiritus [Hassler]
Appears on: 268–268v
Genres: Hymn
Source Attribution: [Hassler]
Voice: [no designation]
Languages: Latin
Voice Text: (Factus est repente de caelo sonus) Advenientis spiritus
268v–269 Ecce concipies Et paries filium et vocabis Hasler
Appears on: 268v–269
Genres: Hymn
Source Attribution: Hasler
Voice: [no designation]
Languages: Latin
Voice Text: (Ecce concipies) Et paries filium et vocabis
269–269v Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium [Rein]
Appears on: 269–269v
Genres: Motet
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Voice Text: (Benedicta sit) Sancta trinitas atque Vs: (Benedicamus patrem) Cum sancto spiritu
269v–273v Benedicta semper sancta sit trinitas G. F. (11 verses, 3 of them the same as the setting at f.33v)
Appears on: 269v–273v
Genres: Hymn
Source Attribution: G. F. (11 verses, 3 of them the same as the setting at f.33v)
Voice: [no designation]
Languages: Latin
Voice Text: (Benedicta) Semper sancta sit trinitas
274–275v Imitemur mentis piae constantem fiduciam Anon. Anonymous
Appears on: 274–275v
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Imitemur mentis piae constantem fiduciam
276–276v Ach hilf mich leid und sehnlich klag Anon. Anonymous
Appears on: 276–276v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ach hilff mich leid unnd sehnlich klag
276v–277 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anon. Anonymous
Appears on: 276v–277
Genres: Introit
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Spiritus domini) Replevit orbem terrarum Vs: (Confirma hoc deus) A templo sancto
277–278 Herr, wie lang wiltu mein so gar vergessen (2p. Schau doch und erhöre mich Herr; 3p. Ich hoff aber auff Deine gütte) [Stoltzer]
Appears on: 277–278
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: German
Voice Text: Herr wie lang wiltu mein so gar vergessen II: Schau doch und erhöre mich Herr III: Ich hoff aber auff deine gütte
278v Komm, Gott schöpfer Heiliger Geist Anon. Anonymous
Appears on: 278v
Genres: Motet, Veni creator spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Kohm Gott schöpfer heiliger geist
278v–279v Heilig ist Gott der Vater (2p. Gelobet sei der da kommt im Namen des Herrn) [Dietrich]
Appears on: 278v–279v
Genres: Motet
Source Attribution: [Dietrich]
Voice: [no designation]
Languages: German
Voice Text: Heilig ist Gott der Vatter
279v–280 Ach Gott wem soll ichs klagen das heimliche leiden [Bauldeweyn/Grefinger]
Appears on: 279v–280
Genres: Song
Source Attribution: [Bauldeweyn/Grefinger]
Voice: [no designation]
Languages: German
Voice Text: Ach Gott wem soll ichs klagen das heimliche leiden [= En douleur en tristesse]
280 Erhalt uns Herr bei Deinem wortt Anon. Anonymous
Appears on: 280
Genres: Chorale, Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Erhalt uns Herr bei deinem wortt
280v Gloria laus et honor - 1a pars (of 3): Gloria laus Et honor tibi sit rex Christe [Othmayr]
Appears on: 280v
Genres: Motet
Source Attribution: [Othmayr]
Voice: [no designation]
Languages: Latin
Voice Text: (Gloria laus) Et honor tibi sit rex Christe II: Israel es tu rex Davidis et inclita III: Coetus in excelsis te laudat
281 Gloria laus et honor - 2a pars (of 3): Israel es tu Rex [Walter]
Appears on: 281
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Cuarti Toni
281–281v Gloria laus et honor - 3a pars (of 3): Coetus in excelsis [Walter]
Appears on: 281–281v
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Septimi et Octavi [toni]
281v–282 Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia) Anon. Anonymous
Appears on: 281v–282
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Salve festa dies toto venerabilis aevo II: Ecce renascentis testatur gratia
282v–283v Domine quis habitabit in tabernaculo suo (2p. Ad nihilum deductus est in conspectu) [Courtois]
Appears on: 282v–283v
Genres: Motet
Source Attribution: [Courtois]
Voice: [no designation]
Languages: Latin
Voice Text: Domine quis habitabit in tabernaculo tuo II: Ad nihilum deductus est in conspectu
283v–284v Jam non dicam vos servos sed amicos meos (2p. Cum venerit ille spiritus veritatis) [Lupus/Richafort]
Appears on: 283v–284v
Genres: Motet
Source Attribution: [Lupus/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Iam non dicam vos servos sed amicos meos II: Cum venerit ille spiritus veritatis
284v–285 Non turbetur cor vestrum ego vado ad patrem (2p. Ego rogabo patrem meum et alium) [Richafort]
Appears on: 284v–285
Genres: Motet
Source Attribution: [Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Non turbetur cor vestrum ego vado ad patrem II: Ego rogabo patrem meum et alium
285v–286 Videte miraculum mater Domini concepit (2p. Suscepimus Deus misericordiam tuam) Anon. Anonymous
Appears on: 285v–286
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Videte miraculum mater domini concepit II: Suscepimus deus misericordiam tuam
286–287 Ave sanctissima Maria mater Dei regina [Gombert]
Appears on: 286–287
Genres: Antiphon
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Ave [sanctissima Maria mater dei regina]
287–288 Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum) [Hellinck]
Appears on: 287–288
Genres: Motet
Source Attribution: [Hellinck]
Voice: [no designation]
Languages: Latin
Voice Text: Panis quem ego dabo caro mea est II: Locutus est populus ad dominum
288–288v Gaudeamus omnes in Domino diem festum [Verdelot]
Appears on: 288–288v
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Gaudeamus omnes in domino diem festum
288v–289 Tribulatio et angustia invenerunt me 18.11 Josquin/[Verdelot]
Appears on: 288v–289
Genres: Motet
Source Attribution: Josquin/[Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Tribulatio et angustia invenerunt me 18.11
289–289v De ore prudentis - 1a pars (of 2): De ore prudentis procedit [Silva]
Appears on: 289–289v
Genres: Motet
Source Attribution: [Silva]
Voice: [no designation]
Languages: Latin
Voice Text: De ore prudentis procedit mel et lac II: Expurgate vetus fermentum ut sitis
289v–290 De ore prudentis - 2a pars (of 2): Expurgate vetus fermentum [Walter]
Appears on: 289v–290
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Octavi Toni
290–291 Da pacem Domine in diebus nostris [Appenzeller/Verdelot]
Appears on: 290–291
Genres: Motet
Source Attribution: [Appenzeller/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris
291–291v Veni Domine et noli tardare relaxa facinora [Verdelot]
Appears on: 291–291v
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Veni domine et noli tardare relaxa facinora
291v–292 Videns Dominus flentes sorores Lazari [Verdelot/Willaert]
Appears on: 291v–292
Genres: Motet
Source Attribution: [Verdelot/Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Videns dominus flentes sorores Lazari
292–293 Quam pulchra es et quam decora carissima (2p. Veni dilecte mi egrediamur in ortum) [Lupi/Verdelot]
Appears on: 292–293
Genres: Motet
Source Attribution: [Lupi/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulcra es et quam decora carissima II: Veni dilecte mi egrediamur in ortum
293–293v Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit [Gombert/Mouton/Verdelot] (= f. 186)
Appears on: 293–293v
Genres: Motet
Source Attribution: [Gombert/Mouton/Verdelot] (= f. 186)
Voice: [no designation]
Languages: Latin
Voice Text: Angelus domini astitit et lumen II: Surge Petre et indue te vestimentis tuis (Partes reversed here, copied again, in correct order, on ff. 186-187)
293v–294 Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis -
Appears on: 293v–294
Genres: Motet
294–294v Tu es refugium meum a tribulatione Anon. Anonymous
Appears on: 294–294v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Tu es refugium meum a tribulatione
294v–295v Quam pulchra es 14.10 (2p. Labia tua distillantia) [Josquin/Moulu/Mouton/Verdelot]
Appears on: 294v–295v
Genres: Motet
Source Attribution: [Josquin/Moulu/Mouton/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulcra es amica mea quam pulcra 14.10 II: Labia tua [lilia] distillent(!)
295v–296 Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) Iodocus Pratensis/[Gombert]
Appears on: 295v–296
Genres: Motet
Source Attribution: Iodocus Pratensis/[Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum et nescio ubi 14.7 [= Lugebat David Absalom pius pater filium]
296–299 Missa Quam pulchra es KGCSA Dominici Finoti
Appears on: 296–299
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Dominici Finoti
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa super Quam pulcra es
299–299v Te sanctum Dominum in excelsis laudant (2p. Cherubin et seraphin sanctus proclamant) David Kölerus
Appears on: 299–299v
Genres: Motet
Source Attribution: David Kölerus
Voice: [no designation]
Languages: Latin
Voice Text: Te sanctum dominum in excelsis laudant II: Cherubin et seraphin sanctus proclamant
300 O admirabile commercium creator generis [Stoltzer]
Appears on: 300
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: O admirabile commertium creator generis
300v Ecce Maria genuit nobis salvatorem (M37) [Senfl]
Appears on: 300v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce Maria genuit nobis salvatorem
300v–303v Benedic anima mea Domino et omnia quae (2p. Longanimis et multum misericors; 3p. Dominus in caelo paravit sedem) Leonhardus Pamminger
Appears on: 300v–303v
Genres: Motet
Source Attribution: Leonhardus Pamminger
Voice: [no designation]
Languages: Latin
Voice Text: Benedic anima mea domino et omnia II: Miserator et misericors dominus III: Dominus in coelo paravit sedem
303v–304v Domine Jesu Christe respicere digneris Clemens non Papa
Appears on: 303v–304v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Domine Iesu Christe respicere digneris
305–308 Te Deum laudamus [Wircker]
Appears on: 305–308
Genres: Liturgical work, Te Deum
Source Attribution: [Wircker]
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus te dominum confitemur
308v–309 In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) Anon. Anonymous
Appears on: 308v–309
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar II: Quoniam fortitudo mea et refugium
309v–310 Viri Galilaei quid aspicitis in caelum Anon.
Appears on: 309v–310
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Viri Galilaei quid aspicitis in coelum
310v–312 Passio secundum Matthaeum: Ja nicht auf das fest [Walter?]
Appears on: 310v–312
Genres: Liturgical work, Passion
Source Attribution: [Walter?]
Voice: [no designation]
Languages: German
Voice Text: Passio secundum Matthaeum: Ja nicht auf das fest
312v–313 Passio secundum Johannem: Jesum von Nazareth [Walter?]
Appears on: 312v–313
Genres: Liturgical work, Passion
Source Attribution: [Walter?]
Voice: [no designation]
Languages: German
Voice Text: Passio secundum Joannem: Jesum von Nazareth
Composer Compositions
Agricola, Alexander (ca. 1445–1506)
Agricola, Martin (ca. 1486–1556)
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Arcadelt, Jacques (ca. 1507–1568)
Baston, Josquin (fl. 1542–63)
Bauldeweyn, Noel (ca. 1480–1529)
Breittengrasser, Gulielmus (Wilhelm)
Brumel, Antoine (ca. 1460–ca. 1513)
Caen, Arnold
Carpentras, Elzear Genet (ca. 1470–1548)
Cellarius, Simon (ca. 1500–1544)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Conseil, Jean (ca. 1498–1534)
Courtois, Jean (fl. 1530-1545)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Dietrich, Sixt (ca. 1493–1548)
Eckel, Matthias
Ferretti, Giovanni
Figulus, Wolfgang (ca. 1525–1589)
Finck, Heinrich
Forster, Georg (ca. 1510–1568)
G.F.
Galliculus, Johannes
Gallus, Cornelius
Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Gombert, Nicolas (ca. 1495–ca. 1560)
Grefinger, Wolfgang
Grüntlerus, N. Trojanus
Hassler, Hans Leo (1564–1612)
Heintz, Wolff
Hellinck, Lupus (ca. 1494–1541)
Isaac, Heinrich (ca. 1450–1517)
Janin
Köler, David (ca. 1532–1565)
Lemlin, Lorenz (ca. 1495–ca. 1549)
Longueval, Antoine de (fl. 1498-1525)
Lupi, Johannes (ca. 1506–1539)
Maessens, Pieter
Mantua, Jacquet de (1483–1559)
Morales, Cristóbal de (ca. 1500–1553)
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Notel, Georgius
Obrecht, Jacobus (ca. 1457–1505)
Othmayr, Caspar
Paminger, Leonhard (1495–1567)
Phinot, Dominique
Pipelare, Mattheus (ca. 1450–ca. 1515)
Popel, Thomas
Rein, Conrad (ca. 1475–1522)
Rener, Adam (ca. 1485–ca. 1520)
Resinarius, Balthasar
Richafort, Jean (ca. 1480–ca. 1550)
Rue, Pierre de la (ca. 1452–1518)
Schierrentinger, Nikolas
Senfl, Ludwig (ca. 1486–ca. 1543)
Silva, Andreas de (ca. 1475–ca. 1522)
Stoltzer, Thomas (ca. 1480–1526)
Turchant
Venture, Johannes a la (fl. c1500)
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Werrecore, Matthias Hermann
Willaert, Adrian (ca. 1490–1562)
Wircker, Johann (ca. 1548–ca. 1572)
Wolff, Martin
Composition Composers (? Uncertain) Folios / Pages
Accessit ad pedes Jesu peccatrix mulier Vs. Et osculata est et lavit lachrimis R. Dimissa sunt ei peccata multa 120–120v
Accipite spiritum sanctum quorum remiseritis 199v–200
Ach Gott wem soll ichs klagen das heimliche leiden 279v–280
Ach hilf mich leid und sehnlich klag Anonymous 276–276v
Adesto dolori meo (2p. Interiora mea) 161–162v
Aeterno gratias patri 2 Hic mores exui malos iussit me 266
Alleluia Christi fulget victoria vexilla Anonymous 176v
Alleluia. Ascendit Deus in jubilatione [Proprium de Ascensione Domini] 93v
Alleluia. Benedictus es Domine Deus Anonymous 33–33v
Alleluia. Benedictus es Domine Deus [Proprium de SS. Trinitate] 130v
Alleluia. Benedictus es Domine in firmamento 178v
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] 137–138
Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] 94
Alleluia. Haec est illa Maria 113v
Alleluia. Mane nobiscum Domini (M2 - 4vv) 187–187v
Alleluia. Pascha nostrum Anonymous 28v–25v
Alleluia. Pascha nostrum immolatus est 245–247v
Alleluia. Pascha nostrum immolatus est Christus Anonymous 88v–90
Alleluia. Veni sancte spiritus reple tuorum Anonymous 32v
Apparuerunt apostolis disperditae linguae (2p. Seditque supra singulos eorum; 3p. Loquebantur variis linguis apostoli) Anonymous 41–41v
Apparuit benignitas et humanitas salvatoris 144v–145
Audi Israel - 1a pars (of 3): Audi Israel praecepta Domini et ea 215v–216
Audi Israel - 2a pars (of 3): Et dabo tibi terram fluentem 216
Audi Israel - 3a pars (of 3): Israel si me audieris non erit 216–216v
Ave Maria gratia plena Dominus tecum (2p. Quomodo fiet istud quia virum) Anonymous 150v–152v
Ave sanctissima Maria mater Dei regina 286–287
Beatam trinitatem patrem et filium (2p. Miserere populo tuo sanguine Christus) (= O trinitas et Deitas alma tibi omnes) 155–156
Beati immaculati in via qui ambulant 2 Utinam dirigantur viae meae 3 Benedictus es Domine doce me 4 Inclina cor meum in testimonia tua 5 Eructabunt labia mea hymnum cum docueris 226–227v
Beati omnes 15.2 [M12] - 1a pars (of 2): Beati omnes qui timent Dominum 211v–212
Beati omnes 15.2 [M12] - 2a pars (of 2): Filii tui sicut novellae olivarum 212–212v
Benedic anima mea Domino et omnia quae (2p. Longanimis et multum misericors; 3p. Dominus in caelo paravit sedem) 300v–303v
Benedicite Domino omnes angeli eius Vs: Benedic anima mea Et omnia quae intra me Anonymous 40–40v
Benedicite Domino omnes angeli eius Vs: Benedic anima mea Et omnia quae intra me Anonymous 133–133v
Benedicta semper sancta sit trinitas 269v–273v
Benedicta semper sancta sit trinitas Non tres tamen dii sunt Deus verus 33v
Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS. Trinitate] 131–133
Benedicta sit Sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS. Trinitate] 129v–130v
Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium 269–269v
Bonitatem fecisti cum servo tuo Domine 15.5 (2p. Manus tuae Domine faecerunt me) 223–224v
Caeli creator et terrae humanum genus Anonymous 162v–166
Caeli enarrant gloriam Dei [In divisione apostolorum] 166v–168v
Cherubim quoque et seraphim sanctus proclamant 159v
Christe fili Dei vivi miserere nostri 217
Christum wir sollen loben schon (=Beatus auctor) 142–142v
Circumdederunt me Gemitus mortis dolores Vs: Diligam te Domine Dominus firmamentum 83
Concussum est mare et contremuit terra (2p. Factum est silentium in caelo dum draco) 169–170
Conserva me Domine quoniam speravi 15.10 (2p. Dominus pars hereditatis meae) 225–226
Da pacem Domine (M26) - 1a pars (of 2): Da pacem Domine in diebus nostris 65v–66
Da pacem Domine (M26) - 2a pars (of 2): Quia non est alius qui pugnet 66
Da pacem Domine (M27) - 1a pars (of 2): Da pacem Domine in diebus nostris 53v
Da pacem Domine (M27) - 2a pars (of 2): Quia non est alius qui pugnet 53v–54
Da pacem Domine in diebus nostris 290–291
De ore prudentis - 1a pars (of 2): De ore prudentis procedit 289–289v
De ore prudentis - 2a pars (of 2): Expurgate vetus fermentum 289v–290
De profundis clamavi ad te Domine Anonymous 60–61
Delevi ut nubem iniquitates tuas (= Faulte d'argent c'est douleur non pareille 29.7) 189v–190
Dico vobis Gaudium est angelis Dei [Mass proper II] 114v
Dies est laetitiae in ortu regali Anonymous 143v
Dixit Dominus Domino meo 2 Sede a dextris 4 Juravit Dominus et non penitebit 58–59
Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime 52–52v
Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes 52v–53
Domine Jesu Christe respicere digneris 303v–304v
Domine ne in furore 16.8 (2p. Discedite a me omnes qui operamini) 227v–229v
Domine ne longe facias Auxilium tuum Vs: Deus Deus meus Quare me dereliquisti? 87v
Domine ne proiicias me in tempore 16.9 (2p. Sed tibi soli peccavi Deus meus) 201v–203
Domine non est exaltatum cor meum neque (2p. Sicut ablactatum est super matre) 185v–186
Domine quis habitabit in tabernaculo suo (2p. Ad nihilum deductus est in conspectu) Anonymous 208v–209
Domine quis habitabit in tabernaculo suo (2p. Ad nihilum deductus est in conspectu) 282v–283v
Dominus vobiscum (contrafact of Sanctus) 28v–25v
Dum complerentur dies Pentecostes erant omnes 128v–129v
Dum steteritis ante reges et praesides 219
Duo rogavi te Domine ne deneges mihi 59–60
Duo rogavi te Domine ne deneges mihi 193–193v
Ecce advenit dominator Dominus et regnum Vs: Deus judicium tuum Et justitium tuum Anonymous 37–37v
Ecce concipies et paries filium et vocabis Anonymous 136v–137
Ecce concipies et paries filium et vocabis 209v–210
Ecce concipies Et paries filium et vocabis 268v–269
Ecce Maria genuit nobis salvatorem Anonymous 210–210v
Ecce Maria genuit nobis salvatorem (M37) 300v
Ecce sacerdos magnus qui confidit in Domino (2p. Benefac Domine bonis et rectis corde) Anonymous 190–191
Ego sum ipse qui deleo iniquitates (= Tenez moi en vos bras 30.12) 188
Ego sum qui sum et consilium meum (2p. Stetit Jesus in medio discipulorum) 115–116
Ego sum resurrectio et vita qui credit 68–68v
Ein kindelein so lobelich ist uns geborn Anonymous 141v–142
Erhalt uns Herr bei Deinem wortt Anonymous 280
Erschienen ist der heilige tag Anonymous 177
Esto mihi In Deum protectorem et in locum Vs: In te Domine speravi In justicia tua 84
Et introeuntes in monumentum Anonymous 18v–25v
Exurge Quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri 83v
Exurgens autem Maria Vs. Benedicta tu R. Et benedicta fructus Anonymous 96–97
Factus est repente de caelo sonus Advenientis spiritus 268–268v
Festa Christi omnis Christianitas Per omni tenentis adventum atque vocationem Anonymous 31v–32v
Festum nunc celebre magnaque gaudia 78–80
Festum nunc celebre magnaque gaudia 2 Conscendit jubilans laetus ad aethera 4 Oramus Domine conditor inclite devotos 6 Praesta hoc genitor optimi maxime Anonymous 42–43
Festum nunc celebre magnaque gaudia 6 Praesta hoc genitor optimi maxime Anonymous 43v–44
Fremuit spiritus Jesu et turbavit seipsum (2p. Videns Dominus flentes sorores Lazari) 158–159
Gaude laetare Jerusalem et canito Alleluia = Hilf Glück mit Freuden, Freud euch und jubiliert Anonymous 172v–173
Gaude Maria virgo cunctas haereses sola Vs. Dum virgo Deum et hominem genuisti Anonymous 145v
Gaudeamus omnes in Domino diem festum 288–288v
Geborn ist uns der heilige Christ Anonymous 172–172v
Gloria laus et honor - 1a pars (of 3): Gloria laus Et honor tibi sit rex Christe 280v
Gloria laus et honor - 2a pars (of 3): Israel es tu Rex 281
Gloria laus et honor - 3a pars (of 3): Coetus in excelsis 281–281v
Gloria laus et honor tibi sit rex Christe 3 Coetus in excelsis te laudat 4 Plebs Hebrea tibi cum palmis 5 Hi tibi passuro solvebant munia 6 Hi placuere tibi placeat devotio Anonymous 217v–218v
Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) 30v
Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) 40v–41
Heilig ist Gott der Vater (2p. Gelobet sei der da kommt im Namen des Herrn) 278v–279v
Herr, wie lang wiltu mein so gar vergessen (2p. Schau doch und erhöre mich Herr; 3p. Ich hoff aber auff Deine gütte) 277–278
Hiob [Job] tonso capite - 1a pars (of 3): Hiob tonso capite corruens in terram 202–202v
Hora est jam nos de somno surgere 191v–192
Hostis Herodes impie Christum venire 2 Ibant magi quam viderant stellam 4 Lavacra puri gurgitis caelestis 6 Novum genus potentiae aquae rubescunt 9 Gloria tibi Domine qui apparuisti hodie Anonymous 138–138v
Imitemur mentis piae constantem fiduciam Anonymous 274–275v
Imitemur mentis piae constantem fiduciam (7 verses) Anonymous 97–98
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 56v–57v
In convertendo Dominus - 2a pars (of 2): Qui seminant 57v–58
In dulci jubilo nun singet und seid froh 142v–143
In exitu Israel de Aegypto domus Jacob (in 15 sections) 219–221v
In Galilaea Jesum videbitis sicut dixit Anonymous 116v
In Galilaea Jesum videbitis sicut dixit Anonymous 152v–153v
In natali Domini clamant mortales / Wo ist uns das Kind geborn 141v
In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) Anonymous 308v–309
Inter natos mulierum non surrexit major Vs. Qui viam Domino praeparavit in heremo R. Fuit homo missus a Deo cui nomen 80v–81v
Invocabit me Et ego exaudiam eum Vs: Qui habitat in adjutorio In protectione 85
Ite in orbem universum et praedicate Vs. Qui crediderit et baptisatus fuerit R. In nomine patris et filii et spiritus 68v–70
Ite in orbem universum Vs. Qui crediderit R. In nomine patris 177v–178
Jam non dicam vos servos sed amicos meos (2p. Cum venerit ille spiritus veritatis) 283v–284v
Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas) 265–265v
Joseph, lieber Joseph, mein, hilf mir wiegen 174–174v
Judica me Deus et discerna causam meam (2p. Et introibo ad altare Dei) 197v–198v
Judica me Deus Et discerne causam meam Vs: Emitte lucem tuam Ipsa me deduxerunt 87
Komm, Gott schöpfer Heiliger Geist Anonymous 278v
La Battaglia: Signori et cavalieri - 1a pars (of 3): Signori et cavalier de ingeni e forza 121–128v
La Battaglia: Signori et cavalieri - 2a pars (of 3): Signor prosper Calonese guarda 121–128v
La Battaglia: Signori et cavalieri - 3a pars (of 3): O Marchese de Peschara O Signor 121–128v
Laetare Jerusalem Et conventum facite Vs: Laetatus sum in his In domum Domini 86v
Lamentations - Aleph. Ego vir videns paupertatem meam He. Factus sum in derisum omni populo 72–74
Laudate Dominum omnes gentes laudate eum (2p. Laudate Dominum omnes gentes) 81v–82v
Laudate Dominum omnes gentes laudate eum 17.10 43–43v
Laus tibi Christe qui es creator Caeli terrae maris angelorum et hominum 113v–114v
Libera me Domine de morte aeterna (2p. Quando caeli movendi sunt et terra; 3p. Dies illa dies irae dies calamitatis) 66v–67v
Lucis creator optime lucem dierum 2 Qui mane iunctum vesperi diem Anonymous 266–267
Lumen ad revelationem gentium et gloriam Anonymous 212v–213
Lumen ad revelationem gentium et gloriam 2 Quia viderun oculi mei 4 Sicut erat in principio 205–205v
Magnificat octavi toni: Et exultavit [K.731] 111v–113v
Magnificat primi toni: Anima mea [K.140] Anonymous 248–249v
Magnificat Primi Toni: Et exultavit [K.1001] 260–261
Magnificat primi toni: Et exultavit [K.724] 100–101v
Magnificat quarti toni 20.3: Anima mea 251v–253
Magnificat Quarti Toni: Et exultavit [K.727] 105–106v
Magnificat Quinti Toni: Et exultavit [K.728] 106v–108
Magnificat Quinti Toni: Et exultavit [K.802] 179–181
Magnificat Secundi Toni: Et exultavit [K.725] 101v–103v
Magnificat septimi toni: Anima mea [K.920] 256–258v
Magnificat Septimi Toni: Et exultavit [K.730] 109v–111
Magnificat Septimi Toni: Et exultavit spiritus meus 20.5 253v–254v
Magnificat Sexti Toni: Et exultavit [K.1006] 254v–256
Magnificat Sexti Toni: Et exultavit [K.1079] 70–71v
Magnificat Sexti Toni: Et exultavit [K.729] 108–109v
Magnificat Tertii Toni: Et exultavit [K.575] 249v–251v
Magnificat Tertii Toni: Et exultavit [K.726] 103v–105
Magnificat Tertii Toni: Et exultavit spiritus meus 258v–259v
Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens 67v–68
Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott 68
Memento mei Domine Deus dum veneris 187v–188
Mihi autem nimis Honorati sunt amici tui Vs: Domine probasti me Tu cognovisti (P57) 99–99v
Miserator et misericors Dominus paciens (= Se congié prens de mes belles amours 30.11) 188v–189
Misereris omnium Domine et nihil odisti Vs: Miserere mei Deus Quoniam in te confidit 84v
Missa Beata Virgine = Missa Coronata 3.3: Gloria (excerpt: Cum sancto spiritu) 144
Missa Christ ist erstanden: KG 245–247v
Missa Christ ist erstanden: SA 245–247v
Missa De profundis: Agnus Dei 146–149
Missa De profundis: Gloria 146–149
Missa De profundis: Kyrie 146–149
Missa De profundis: Patrem omnipotentem [Credo] 146–149
Missa De profundis: Sanctus 146–149
Missa Feriis natalibus Domini Christi = Missa in Summis KGCSA 44–51
Missa in Festo Nativitatis Christi: Kyrie Fons bonitatis Anonymous 230
Missa Jerusalem luge: KGC 25v–30
Missa Jerusalem luge: KGC 238v–241v
Missa Pange lingua = Missa Venerabile sacramento 4.3 4–12
Missa Paschalis: Agnus Dei 91–92v
Missa Paschalis: Agnus Dei 118v
Missa Paschalis: Gloria 91–92v
Missa Paschalis: KG Anonymous 18v–25v
Missa Paschalis: KG Anonymous 88v–90
Missa Paschalis: Kyrie 91–92v
Missa Paschalis: Sanctus 91–92v
Missa Paschalis: Sanctus 118–118v
Missa Quam pulchra es KGCSA 296–299
Missa Sine nomine KG Anonymous 237–238v
Missa Sine nomine KGCSA Anonymous 230–235v
Missa Sine nomine KGCSA Anonymous 242–245
Missa Sine pausis D'un petit mot 12–17v
Missa Tous les regrets [2nd tradition]: Gloria 236–237
Missa Tous les regrets [2nd tradition]: Kyrie 235v–236
Missa Veni sancte spiritus 4.6 KGCSA 61v–65v
Ne reminiscaris Domine delicta mea 222v
Noli flere Maria alleluia et jam surrexit 31–31v
Non turbetur cor vestrum ego vado ad patrem (2p. Ego rogabo patrem meum et alium) 284v–285
Nunc dimittis servum tuum domine secundum (2p. Lumen ad revelationem gentium et gloriam) 194v–195v
Nuptiae factae sunt in Chana Galileae (2p. Dulcis coniugii bonum sit omen [2p is a contrafact of Ghizeghem's "Alles regrets]; 3p. Nascatur similis puer parenti) 211–211v
O admirabile commercium creator generis 300
O Christe redemptor - 1a pars (of 2): O Christe redemptor O rex omnipotens 77–77v
O Christe redemptor - 2a pars (of 2): O excelsa trinitas O immensa bonitas 77v–78
Oculi mei semper Ad Dominum quia ipse Vs: Ad te Domine levavi Deus meus in te 86
Omnes gentes plaudite manibus jubilate Deo (2p. Ascendit Deus in jubilo et Dominus) (M79) 213–214v
Pange lingua gloriosi corporis mysterium Anonymous 196
Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum) 287–288
Parce mihi Domini nihil enim sunt dies (2p. Peccavi quid faciam tibi O custos)
Turchant (?)
74v–75
Pascha nostrum immolatus est Christus Anonymous 90v–91
Pascha nostrum immolatus est Christus 92v
Passio Domini nostri Jesu Christi secundum Matthaeum (2p. Apprehendit ergo eum Pilatus; 3p. Orabat autem Jesus pro crucifigantibus) 261v–264v
Passio secundum Johannem: Jesum von Nazareth 312v–313
Passio secundum Matthaeum: Ja nicht auf das fest 310v–312
Pater noster (4vv) (2p. Ave Maria gratia plena) 196–197
Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis 194–194v
Pater noster qui es in caelis / Veri adoratores / Vivo ego dicit Dominus (2p. Panem nostrum quotidianum / Veri adoratores / Vivo ego dicit Dominus) 51v
Petite et accipietis ut gaudium vestrum [= Petite camusette 30.7] 188v
Postquam impleti sunt dies purgationis Vs. Et cum inducerent puerum R. Nunc dimittis servum tuum 139v–141
Psallite Domino Qui ascendit super caelos [Proprium de Ascensione Domini] 96
Psallite regi nostro psallite prudenter Nam psalterium est iucundum cum cithara Anonymous 135–136
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit 34–34v
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit 34v–35v
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] 35v
Quam pulchra es 14.10 (2p. Labia tua distillantia) 294v–295v
Quam pulchra es et quam decora carissima (2p. Veni dilecte mi egrediamur in ortum) 292–293
Quare fremuerunt gentes et populi meditati (2p. Et nunc reges intelligite erudimini) (M87) 75v–77
Quid gloriaris in malitia Vs. Propterea Deus destruet R. Videbunt justi et timebunt Anonymous 203v–205
Quid retribuam Domino pro omnibus (2p. Vota mea reddam coram Domino) Anonymous 200–201v
Quomodo fiet istud angele Dei quia virum (2p. Audi Maria virgo spiritus sanctus) 149v–150v
Reminiscere Miserationum tuarum Domine Vs: Ad te Domine levavi Deus meus in te 85v
Requiem aeternam 2 Te decet hymnus 3 Et tibi reddetur 4 Exaudi orationem 99v–100
Response: Amen Anonymous 182v
Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me 35v–36v
Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me 88–88v
Resurrexit Christus Dominus de sepulchro / Erstanden ist der Heilige Christ Anonymous 175v–176
Resurrexit Quid quaeritis Vs: Gloria et honore 18–18v
Resurrexit Quid quaeritis Vs: Gloria et honore 38v
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius 98–98v
Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia) Anonymous 281v–282
Salve Jesu Christe misericordiae 2 Vita dulcedo et spes nostra salve 3 Ad te clamamus exules filii Evae 4 Eia ergo advocata noster illos tuos 5 Et patrem benignum cui datorem 6 O clemens O pie O dulcis Jesu Anonymous 183–184v
Sana me domine et sanabor salvum me fac (2p. Omnia iudicia tua justa sunt) 170v–172
Sana me Domine et sanabor salvum me fac (= Plusieurs regrets qui sur la terre 29.21) 191–191v
Sanctus 18v–25v
Scio cui credidi Et certus sum Vs: Caeli enarrant gloriam Dei Et opera 98v–99
Servus tuus ego sum (2p. Ego vero egenus) 160–161
Set of responses Amen. Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est Anonymous 3v
Si Deus pro nobis quis contra nos (2p. Certum est enim quia neque mors) Anonymous 198v–199
Sic benedicetis filiis Israel et dicetis 197–197v
Simile est regnum caelorum homini 192v
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous 276v–277
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto tuo Anonymous 38v–39
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto tuo Anonymous 39–39v
Spiritus sanctus in te descendet Maria 210v
Summi triumphum regis Qui caeli qui terrae [Proprium de Ascensione Domini] 94v–96v
Super salutem et omnem pulchritudinem (2p. Dixi sapientiae soror mea es) 156–157v
Surge illuminare Et gloria Domini super te 3 Et ambulabunt gentes in lumine tuo 8 Gloria patri et filio et spiritui Anonymous 138v–139
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis 186–186v
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis 293v–294
Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit 186v–187
Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit 293–293v
Surrexit Christus hodie Alleluia / Erstanden ist der heilige Christ Anonymous 174v–175
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] 37v–38v
Te decet laus et honor Domine Vs. Cherubin quoque et seraphin sanctus R. Gloria patri et filio et spiritui Anonymous 134–134v
Te Deum laudamus 205v–208
Te Deum laudamus 305–308
Te sanctum Dominum in excelsis laudant (2p. Cherubin et seraphin sanctus proclamant) 299–299v
Tribulatio et angustia invenerunt me 18.11 288v–289
Tribulatio patientiam operatur patientia 209–209v
Tu es refugium meum a tribulatione Anonymous 294–294v
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 295v–296
Vae quis mane consurgitis ad ebrietatem (2p. Vae qui potentes estis ad bibendum) 54–54v
Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei 4 Accende lumen sensibus infunde Anonymous 41v–42
Veni Domine et noli tardare relaxa facinora 291–291v
Veni redemptor gentium ostende partum 2 Non ex virili semine sed mistico 136v
Veni redemptor gentium ostende partum 2 Non ex virili semine sed mystico Anonymous 267v–268
Veni sancte spiritus Anonymous 32v–33
Veni sancte spiritus et emitte caelitus (5vv) 61–61v
Veni sancte spiritus reple tuorum corda 71v–72
Veni sancte spiritus reple tuorum corda (8vv) [M120] 153v–154v
Venite ad me omnes qui laboratis (= En non saichant ce qu'il luy fault 29.6) 189v
Venite post me qui laboratis et onerati 215–215v
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden 245–247v
Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden 245–247v
Victimae paschali - 3a pars (of 3): Credendum est magis 245–247v
Victimae paschali 2 Agnus redemit oves 4 Dic nobis Maria 6 Credendum est magis Anonymous 18v–25v
Victimae paschali 2 Agnus redemit oves 4 Dic nobis Maria 6 Credendum est magis Anonymous 90–90v
Victimae paschali 2 Agnus redemit oves 4 Dic nobis Maria 6 Credendum est magis Anonymous 117–118
Victimae paschali laudes 4 Dic nobis Maria 6 Credendum est magis 55–56v
Videns Dominus flentes sorores Lazari 291v–292
Videte miraculum mater Domini concepit (2p. Suscepimus Deus misericordiam tuam) Anonymous 285v–286
Vigila super nos aeterne salvator Anonymous 216v–217
Virgo decus mulierum genuit Deum verum Anonymous 173v–174
Viri Galilaei quid aspicitis in caelum 309v–310
Viri Galilaei Vs: Omnes gentes plaudite [Proprium de Ascensione Domini] 93–93v
Vita sanctorum decus angelorum 2 Tu tuo laetos famulos trophoeo 3 Pasca quo victor atque cum multis Anonymous 119–119v
Von Himmel hoch da komm ich her ich bring Anonymous 143

Set: Thomaskirche 49 (1-4) & 50

Type: Partbooks

No images available

D-LEu MS Thomaskirche 49 (1)

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D-LEu MS Thomaskirche 49 (2)

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D-LEu MS Thomaskirche 49 (3)

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D-LEu MS Thomaskirche 49 (4)

No images available

D-LEu MS Thomaskirche 50

denotes primary source study

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fiedler, Eric F. 1979. Heinrich Finck, Gaspar van Weerbeke und die Göttin Venus: Ein Beitrag zur Geschichte der Cantus-firmus-Praxis im frühen 16. Jahrhundert. Renaissance-Studien: Helmuth Osthoff zum 80. Geburtstag, Frankfurter Beiträge zur Musikwissenschaft. 29-55. Tutzing. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances; incipits; transcription (partial); mention of MS; discussion.

Orf, Wolfgang. 1977. Die Musikhandschriften Thomaskirche Mss. 49/50 und 51 in der Universitätsbibliothek Leipzig. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Notes: physical description; contents list; concordances; incipits; facsimile (partial); mention of MS; discussion.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 142-3. Notes: physical description (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa.  Kassel. Pages: 167-8, 172-85, passim. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Seiffert, Max (editor). 1957-61. Denkmäler Deutscher Tonkunst. Leipzig, 1892-1931.  Wiesbaden and Graz. Pages: LXV, 130-4. Notes: contents list (partial); transcription (partial).

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: I, 62; II, 194. Notes: physical description (partial); contents list (partial).

Schröder, Otto (editor). 1953-70. Johann Walter: Sämtliche Werke.  Kassel and Basel. Pages: III, 97-8; IV, xxix-xxx, 127-8; VI, xxii, 184ff. Notes: physical description; contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: II, 1349; VIII, 576; XII, 1333. Notes: physical description (partial); facsimile (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VI, 94; VIII, 123, 127; IX, 129-30. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII, 115ff; XXII, 90; XXVI, 129-30; XXXIV, 405; LXVI, 61-7, 174, 176; XXVI,129-30,153; LXX.30-64,193,197; XCIX, 91,93-5. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk.  Berlin/Wolfenbüttel. Pages: LXXXV, vii, 9-18. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen.  Amsterdam. Pages: XII, xxi; XIII, xxxiii. Notes: physical description (partial); contents list (partial); concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: XVIII, vii-xiv. Notes: contents list (partial); concordances (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I, 452. Notes: physical description (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: VIII, vi, 131-5; XXVIII, [v-viii]. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

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William Kempster

Saturday, 20 February, 2021

the last part of the Lamentations settting at ff.72-74 (bar 159 onwards) is by Fevin, and all of this music appears in Magdalene 1760 under the name of Fevin. Magdalene 1760 dates from no later than 1516, and as Forster was born around 1510 he could not have written it. Bars 1-158 may be by Forster. Inventory therefore amended to show the last opart of the setting as concordant with the Magdalene 1760 setting by Fevin.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description