IIIF manifest
Choirbook, copied by one main scribe and one additional scribe (ff. 303'-307). Probably copied in Vienna. Purchased in 1551 by Christoph Stari, provost of Augustinian abbey at Klosterneuburg; the abbey may have commissioned the copying.
A-KN Cod. 70
Augustiner-Chorherrenstift, Klosterneuburg, Austria
manuscript of polyphony: c. 1545-50
| Archive | Augustiner-Chorherrenstift, Klosterneuburg, Austria (A-KN) |
|---|---|
| Shelfmark | Cod. 70 |
| Image Availability | The images on this record are linked using IIIF. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 405 x 280 mm |
| Other Identifiers |
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| Relationships |
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| External Links | |
| Provenance |
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| Contents | Contains 83 compositions, 48 from 7 composers, 35 are anonymous. |
General Description
Binding
Original leather covers.
Watermark
resembles Briquet #2110.
Notation
not indicated
Date
dates 1546 and 1550 in manuscript
Foliation
Modern foliation by Hermann Pfeiffer, 1-197; 197a-322.
Decoration
No initials or decoration
Surface
paper
Inventory
Lindsey 1980
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
2 Masses, 62 Mass Proper sections (some with Latin/German texts), 1 Te Deum, 6 motets, 1 German sacred piece, 4 sets of responses = 76
Bruck-1, C. Copus-11 + 2?, Ducis-9 + 8?, Finck-1, Isaac-6, Mahu-1, Stoltzer-2, anon-35
323 paper folios, 405 x 280. Modern foliation by Hermann Pfeiffer, 1-197; 197a-322. Blank folios: 26'-29, 76'-77, 102'-107, 148'149, 160'-162, 183'-185, 221'-222, 263'-264, 307'-311. Original leather covers. No index. Copied by one main scribe and one additional scribe (ff. 303'-307). No initials or decoration . Watermark resembles Briquet #2110.
Ca. 1545-50 (dates 1546 and 1550 in manuscript). Probably copied in Vienna. Purchased in 1551 by Christoph Stari, provost of Augustinian abbey at Klosterneuburg; the abbey may have commissioned the copying.
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‡ denotes primary source study
Haidinger, A. 1983. Katalog der Handschriften des Augustiner Chorherrenstiftes Klosterneuburg. Austrian Academy of Sciences Press. Pages: I:126-129. Notes: physical description; contents list.
‡ Lindsey, Mack Clay III. 1980. Klosterneuburg, Chorherrenstift, Codices 69 and 70: Two Sixteenth-Century Choirbooks, Their Music, and Its Liturgical Use. Indiana University, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances; transcription (partial); mention of MS; discussion.
Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 608. Notes: contents list (partial); concordances (partial).
Fox, Bertha Mary. 1977. A Liturgical-Répertoriai Study of Renaissance Polyphony in Bártfa Mus. Pr. 6 (a-d), National Széchényi Library, Budapest. University of Illinois, Unpublished Ph.D. dissertation. Pages: 157. Notes: contents list (partial); concordances (partial).
Thompson, Glenda Goss. 1975. Benedictus Appenzeller: Maître de la Chapelle to Mary of Hungary and Chansonnier. University of North Carolina, Unpublished Ph.D. dissertation. Pages: 93, 546-50. Notes: mention of MS; contents list (partial).
Han, Kuo-Huang. 1974. The Use of the Marian Antiphons in Renaissance Motets. Northwestern University, Unpublished Ph.D. dissertation. Pages: 172-3. Notes: contents list (partial); mention of MS; discussion.
Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 27: 18-36. Pages: 31. Notes: mention of MS.
Kindermann, Jürgen. 1974. Verzeichnis von Konkordanzen zu Kompositionen aus den Annaberger Chorbüchern Ms. 1126 and Ms. 1248. Die Musikforschung, 27: 86-92. Pages: [incorrectly referred to as MS 69]. Notes: contents list (partial); concordances (partial).
Noblitt, Thomas L. 1973. Manuscript Mus. l/D/505 of the Sächsische Landesbibliothek Dresden (olim Annaberg, Bibliothek der St. Annenkirche, Ms. 1248). Archiv für Musikwissenschaft, 30: 275-310. Pages: 289. Notes: contents list (partial); concordances (partial).
Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 29-31,93. Notes: mention of MS.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 140. Notes: physical description; contents list; incipitsst of contents (partial); incipits (partial).
Osthoff, Helmuth. 1963. Das Te Deum des Arnold von Brück. Festschrift Friedrich Blume zum 70. Geburtstag, 252-7. Kassel. Notes: transcription (partial); mention of MS; discussion.
Albrecht, Hans. 1958-61. Caspar Copus, ein Fast Unbekannter Deutscher Komponist des 16. Jahrhunderts. Miscelânea en Homenaje a Monsenor Higinio Angles 1-9, Barcelona. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Federhofer, Hellmut (editor). 1954-. Musik Alter Meister. Graz. Pages: XI. Notes: transcription (partial).
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VII,1247. Notes: contents list (partial).
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LVII.xv.99ff. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial).
Pfeiffer, Hermanno, and Bertholdo Cernik. 1922-31. Catalogus Codicum Manu Scriptorum, qui in Bibliotheca Canonicorum Regularium S. Augustini Claustroneoburgi Asservantur. Vienna. Pages: I,37-9. Notes: physical description; contents list.
Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XCIX,63-70,109-16. Notes: transcription (partial).
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Marnix van Berchum
Sunday, 6 February, 2022
image link added
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description