A-KN 70

Augustiner-Chorherrenstift, Klosterneuburg, Austria

manuscript of polyphony: c. 1545-50

Archive Augustiner-Chorherrenstift, Klosterneuburg, Austria (A-KN)
Shelfmark 70
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 405 x 280 mm
Other Identifiers
  • CCM: KlosA 70
Relationships
External Links
Provenance
  • Austria
Contents 92 pieces from 8 composers
General Description

Copied by one main scribe and one additional scribe (ff. 303'-307). Probably copied in Vienna. Purchased in 1551 by Christoph Stari, provost of Augustinian abbey at Klosterneuburg; the abbey may have commissioned the copying.

DIAMM, 2017
Binding

Original leather covers.

DIAMM, 2017
Watermark

resembles Briquet #2110.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Date

dates 1546 and 1550 in manuscript

DIAMM, 2017
Foliation

Modern foliation by Hermann Pfeiffer, 1-197; 197a-322.

DIAMM, 2017
Decoration

No initials or decoration

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 62 Mass Proper sections (some with Latin/German texts), 1 Te Deum, 6 motets, 1 German sacred piece, 4 sets of responses = 76

Bruck-1, C. Copus-11 + 2?, Ducis-9 + 8?, Finck-1, Isaac-6, Mahu-1, Stoltzer-2, anon-35

323 paper folios, 405 x 280. Modern foliation by Hermann Pfeiffer, 1-197; 197a-322. Blank folios: 26'-29, 76'-77, 102'-107, 148'149, 160'-162, 183'-185, 221'-222, 263'-264, 307'-311. Original leather covers. No index. Copied by one main scribe and one additional scribe (ff. 303'-307). No initials or decoration . Watermark resembles Briquet #2110.

Ca. 1545-50 (dates 1546 and 1550 in manuscript). Probably copied in Vienna. Purchased in 1551 by Christoph Stari, provost of Augustinian abbey at Klosterneuburg; the abbey may have commissioned the copying.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–4 [Veni sancte spiritus] Reple tuorum corda - Anonymous
Appears on: 1v–4
Genres: Antiphon
4v–8 [Vidi aquam] Egredientem de templo - Anonymous
Appears on: 4v–8
Genres: Antiphon
General Note

Canons in both sections - D from A in part 1, A from D in part 2

8v–12 [Asperges me] Domine hyssopo - Anonymous
Appears on: 8v–12
Genres: Antiphon
12v–14 Et osculata - Anonymous

Et osculata

Anonymous
Appears on: 12v–14
Genres: Responsory
14v–18 Statuit ei Dominus Vs. Misericordias Domini Benedictus Ducis
Appears on: 14v–18
Genres: Introit
Source Attribution: Benedictus Ducis
17v–20 Alleluia. Juravit Dominus -
Appears on: 17v–20
Genres: Alleluia
20v–24 Dilectus Deo et hominibus -
Appears on: 20v–24
Genres: Sequence
24v–26 Beatus servus quem cum venerit -
Appears on: 24v–26
Genres: Communion
26v–29 [blank pages] - -

[blank pages]

Appears on: 26v–29
29v–30 Responsories to the Gospel (Amen - Et cum spiritu tuo - Gloria) Thomas Stoltzer
Appears on: 29v–30
Genres: Responsory
Source Attribution: Thomas Stoltzer
29v–30 Responsories to the preface (Amen - Et cum spiritu tuo - Habemus) Thomas Stoltzer
Appears on: 29v–30
Genres: Responsory
Source Attribution: Thomas Stoltzer
30v–31 Responsories to the Gospel (Amen - Et cum spiritu tuo - Gloria) Casparus Copus
Appears on: 30v–31
Genres: Responsory
Source Attribution: Casparus Copus
30v–31 Responsories to the preface (Et cum spiritu tuo - Habemus) Casparus Copus
Appears on: 30v–31
Genres: Responsory
Source Attribution: Casparus Copus
31v–34 Rorate caeli Vs. Caeli enarrant Benedictus Ducis
Appears on: 31v–34
Genres: Introit
Source Attribution: Benedictus Ducis
34v–36 Alleluia. Prophetae sancti - Anonymous
Appears on: 34v–36
Genres: Alleluia
36v–43 [Mittit ad virginem] Fortem expediat - Anonymous
Appears on: 36v–43
Genres: Sequence
43v–45 Ecce virgo concipiet Et pariet - Anonymous
Appears on: 43v–45
Genres: Communion
45v–48 Gelobet seist du Jesu Christ / Puer natus est nobis Casparus Copus
Appears on: 45v–48
Genres: Introit
Source Attribution: Casparus Copus
47v–50 Der ewigen Vaters / Alleluia. Dies sanctificatus -
Appears on: 47v–50
Genres: Alleluia
50v–58 Der Sohn des Vaters / Per quem fit machina -
Appears on: 50v–58
Genres: Sequence
58v–59 Viderunt omnes fines terrae - Anonymous
Appears on: 58v–59
Genres: Communion
59v–62 Gelober seist du Jesu Christ / Ecce advenit Cas: Cop: [=Copus]
Appears on: 59v–62
Genres: Introit
Source Attribution: Cas: Cop: [=Copus]
62v–67 Alleluia. Vidimus stellam Hen[ricus] Finck
Appears on: 62v–67
Genres: Alleluia
Source Attribution: Hen[ricus] Finck
67v–76 [Festa Christi] Quae miris sunt - Anonymous
Appears on: 67v–76
Genres: Sequence
76v–77 [blank pages] - -

[blank pages]

Appears on: 76v–77
77v–81 Vultum tuum deprecabuntur Vs. Eructavit cor meum Benedic: Ducis
Appears on: 77v–81
Genres: Introit
Source Attribution: Benedic: Ducis
80v–82 Alleluia. Post partum inviolata [Proprium in octavo Nativitate] -
Appears on: 80v–82
Genres: Alleluia
83v–89 Laetabundus exultet Regem regum intacte [Proprium in octavo Nativitate] -
Appears on: 83v–89
Genres: Sequence
88v, 89v–91 Simile est regnum caelorum Homini negotiatori - Anonymous
Appears on: 88v, 89v–91
Genres: Communion
91–94 Suscepimus Deus misericordiam -
Appears on: 91–94
Genres: Introit
94v–101 Gaude Maria virgo - Anonymous

Gaude Maria virgo

Anonymous
Appears on: 94v–101
Genres: Tract
General Note

in 4 sections, opening two are duos

100v–102 Responsum accepit Simeon - Anonymous
Appears on: 100v–102
Genres: Communion
102v–107 [blank pages] - -

[blank pages]

Appears on: 102v–107
107v–111 Christ ist erstanden / Resurrexi et adhuc Casparus Copus
Appears on: 107v–111
Genres: Introit
Source Attribution: Casparus Copus
110v–113 Alleluia. Pascha nostrum -
Appears on: 110v–113
Genres: Alleluia
113v–117 Christ ist erstanden / Victimae paschali laudes -
Appears on: 113v–117
Genres: Sequence
117v–119 Christ ist erstanden Stephanus Mahu
Appears on: 117v–119
Genres: Hymn
Source Attribution: Stephanus Mahu
119v–123 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] Hen: Ysaac
Appears on: 119v–123
Genres: Introit
Source Attribution: Hen: Ysaac
122v–125 Alleluia. Ascendit Deus - Anonymous
Appears on: 122v–125
Genres: Alleluia
125v–132 Summi triumphum Qui caeli qui terrae - Anonymous
Appears on: 125v–132
Genres: Sequence
132v–134 Psallite Domino Qui ascendit - Anonymous
Appears on: 132v–134
Genres: Communion
134v–137 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto tuo - Anonymous
Appears on: 134v–137
Genres: Motet
137v–140 Alleluia. Veni sancte spiritus - Anonymous
Appears on: 137v–140
Genres: Alleluia
140v–148 Sancti spiritus Quae corda nostra - Anonymous
Appears on: 140v–148
Genres: Sequence
148v–149 [blank pages] - -

[blank pages]

Appears on: 148v–149
149v–152 Benedicta sit sancta trinitas Benedictus Ducis
Appears on: 149v–152
Genres: Introit
Source Attribution: Benedictus Ducis
151v–153 Alleluia. Benedicta es - Anonymous
Appears on: 151v–153
Genres: Alleluia
153v–160 Benedicta semper sancta - Anonymous
Appears on: 153v–160
Genres: Sequence
160v–162 [blank pages] - -

[blank pages]

Appears on: 160v–162
162v–166 Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo Jubilate deo Jacob [Proprium de Corpore Christi] -
Appears on: 162v–166
Genres: Introit
165v–170 Alleluia. Caro mea - Anonymous

Alleluia. Caro mea

Anonymous
Appears on: 165v–170
Genres: Alleluia
170v–183 Lauda Sion Quantum potes - Anonymous
Appears on: 170v–183
Genres: Sequence
183v–185 [blank pages] - -

[blank pages]

Appears on: 183v–185
185v–188 De ventre matris Vs. Bonum est confiteri B. D. [Benedictus Ducis]
Appears on: 185v–188
Genres: Introit
Source Attribution: B. D. [Benedictus Ducis]
187v–189 Alleluia. Inter natos -
Appears on: 187v–189
Genres: Alleluia
189v–193 Sancti Baptistae - Solennia celebrantes -
Appears on: 189v–193
Genres: Sequence
193v–195 Tu puer propheta altissimi Hen: Ysaac
Appears on: 193v–195
Genres: Communion
Source Attribution: Hen: Ysaac
195v–198 Alleluia. Conversus Jesus -
Appears on: 195v–198
Genres: Alleluia
198v–205 Laus tibi Christe - Caeli terrae maris - Anonymous
Appears on: 198v–205
Genres: Motet
205v–206 [Dico vobis] Gaudium est - Anonymous
Appears on: 205v–206
Genres: Communion
206v–210 Gaudeamus omnes in Domino Cas: Copus
Appears on: 206v–210
Genres: Introit
Source Attribution: Cas: Copus
210v–213 Alleluia. Assumpta est Maria - Anonymous
Appears on: 210v–213
Genres: Alleluia
213v–221 Congaudent angelorum chori gloriosae Quae sine virili commixtione genuit [Proprium de Assumptione BVM] -
Appears on: 213v–221
Genres: Motet
221v–222 [blank pages] - -

[blank pages]

Appears on: 221v–222
222v–225 Gaudeamus omnes in Domino B. D. [Benedictus Ducis]
Appears on: 222v–225
Genres: Introit
Source Attribution: B. D. [Benedictus Ducis]
225v–227 Alleluia. Nativitas gloriosae virginis - Anonymous
Appears on: 225v–227
Genres: Alleluia
227v–231 Stirpe Maria - Laude digna angelorum - Anonymous
Appears on: 227v–231
Genres: Sequence
231v–233 Diffusa est gratia -
Appears on: 231v–233
Genres: Communion
233v–236 Alleluia. In Maria benignitas - Anonymous
Appears on: 233v–236
Genres: Alleluia
236v–242 Veni praecelsa, veni salvatrix - Anonymous
Appears on: 236v–242
Genres: Sequence
242v–244 Beata viscera Marae virginis - Anonymous
Appears on: 242v–244
Genres: Communion
244v–247 Terribilis est locus iste Vs. Quam dilecta tabernacula Ben: Du[cis]
Appears on: 244v–247
Genres: Introit
Source Attribution: Ben: Du[cis]
246v–248 Alleluia. Vox exultationis -
Appears on: 246v–248
Genres: Alleluia
248v–252 Psallat ecclesia Haec domus - Anonymous
Appears on: 248v–252
Genres: Sequence
252v–254 Domus mea domus orationis - Anonymous
Appears on: 252v–254
Genres: Communion
254v–257 Gaudeamus omnes in Domino Vs. Exsultate justi Cas: Copus
Appears on: 254v–257
Genres: Introit
Source Attribution: Cas: Copus
257v–262 Omnes sancti - Archangeli angeli - Anonymous
Appears on: 257v–262
Genres: Sequence
261v–263 Amen dico vobis - Anonymous

Amen dico vobis

Anonymous
Appears on: 261v–263
Genres: Communion
263v–264 [blank pages] - -

[blank pages]

Appears on: 263v–264
264v–267 Missa de beata virgine: Kyrie Benedictus Ducis
Appears on: 264v–267
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Benedictus Ducis
267v–273 Missa de beata virgine: Gloria -
Appears on: 267v–273
Genres: Gloria (et in terra pax), Mass Ordinary
273v–281 Missa de beata virgine: Credo -
Appears on: 273v–281
Genres: Credo (patrem omnipotentem), Mass Ordinary
281v–284 Missa de beata virgine: Sanctus -
Appears on: 281v–284
Genres: Mass Ordinary, Sanctus [& Benedictus]
284v–285 Missa de beata virgine: Agnus Dei -
Appears on: 284v–285
Genres: Agnus Dei, Mass Ordinary
285v–288 Missa Pascale/Christ ist erstanden: Kyrie Cas: Copus
Appears on: 285v–288
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Cas: Copus
288v–292 Missa Pascale/Christ ist erstanden: Gloria -
Appears on: 288v–292
Genres: Gloria (et in terra pax), Mass Ordinary
292v–296 Missa Pascale/Christ ist erstanden: Sanctus -
Appears on: 292v–296
Genres: Mass Ordinary, Sanctus [& Benedictus]
296v–297 Missa Pascale/Christ ist erstanden: Agnus Dei -
Appears on: 296v–297
Genres: Agnus Dei, Mass Ordinary
297v–307 Te Deum (in 15 sections) Arnoldus de Bruck
Appears on: 297v–307
Genres: Te Deum
Source Attribution: Arnoldus de Bruck
307v–311 [blank pages] - -

[blank pages]

Appears on: 307v–311
311v–318 Salve regina 'Cum sancto spiritu' Casparus Copus
Appears on: 311v–318
Genres: Marian antiphon, Motet, Salve Regina
Source Attribution: Casparus Copus
General Note

Discantus is a varied borrowing from the 'Cum sancto spiritu' of Josquin's Missa de beata virgine. Inscribed "Casparus Copus in gratiam Arnoldi de Bruck 1550".

318v–322 Salve regina Vita dulcedo - Anonymous
Appears on: 318v–322
Genres: Marian antiphon, Motet, Salve Regina
Composer Compositions
Anonymous
Bruck, Arnold von (ca. 1500–1554)
Copus, Caspar
Ducis, Benedictus
Finck, Heinrich
Isaac, Heinrich (ca. 1450–1517)
Mahu, Stephan
Stoltzer, Thomas (ca. 1480–1526)
Composition Composers (? Uncertain) Folios / Pages
[Asperges me] Domine hyssopo Anonymous 8v–12
[Dico vobis] Gaudium est Anonymous 205v–206
[Festa Christi] Quae miris sunt Anonymous 67v–76
[Mittit ad virginem] Fortem expediat Anonymous 36v–43
[Veni sancte spiritus] Reple tuorum corda Anonymous 1v–4
[Vidi aquam] Egredientem de templo Anonymous 4v–8
Alleluia. Ascendit Deus Anonymous 122v–125
Alleluia. Assumpta est Maria Anonymous 210v–213
Alleluia. Benedicta es Anonymous 151v–153
Alleluia. Caro mea Anonymous 165v–170
Alleluia. Conversus Jesus 195v–198
Alleluia. In Maria benignitas Anonymous 233v–236
Alleluia. Inter natos 187v–189
Alleluia. Juravit Dominus 17v–20
Alleluia. Nativitas gloriosae virginis Anonymous 225v–227
Alleluia. Pascha nostrum 110v–113
Alleluia. Post partum inviolata [Proprium in octavo Nativitate] 80v–82
Alleluia. Prophetae sancti Anonymous 34v–36
Alleluia. Veni sancte spiritus Anonymous 137v–140
Alleluia. Vidimus stellam 62v–67
Alleluia. Vox exultationis 246v–248
Amen dico vobis Anonymous 261v–263
Beata viscera Marae virginis Anonymous 242v–244
Beatus servus quem cum venerit 24v–26
Benedicta semper sancta Anonymous 153v–160
Benedicta sit sancta trinitas 149v–152
Christ ist erstanden 117v–119
Christ ist erstanden / Resurrexi et adhuc 107v–111
Christ ist erstanden / Victimae paschali laudes 113v–117
Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo Jubilate deo Jacob [Proprium de Corpore Christi] 162v–166
Congaudent angelorum chori gloriosae Quae sine virili commixtione genuit [Proprium de Assumptione BVM] 213v–221
De ventre matris Vs. Bonum est confiteri 185v–188
Der ewigen Vaters / Alleluia. Dies sanctificatus 47v–50
Der Sohn des Vaters / Per quem fit machina 50v–58
Diffusa est gratia 231v–233
Dilectus Deo et hominibus 20v–24
Domus mea domus orationis Anonymous 252v–254
Ecce virgo concipiet Et pariet Anonymous 43v–45
Et osculata Anonymous 12v–14
Gaude Maria virgo Anonymous 94v–101
Gaudeamus omnes in Domino 206v–210
Gaudeamus omnes in Domino 222v–225
Gaudeamus omnes in Domino Vs. Exsultate justi 254v–257
Gelober seist du Jesu Christ / Ecce advenit 59v–62
Gelobet seist du Jesu Christ / Puer natus est nobis 45v–48
Laetabundus exultet Regem regum intacte [Proprium in octavo Nativitate] 83v–89
Lauda Sion Quantum potes Anonymous 170v–183
Laus tibi Christe - Caeli terrae maris Anonymous 198v–205
Missa de beata virgine: Agnus Dei 284v–285
Missa de beata virgine: Credo 273v–281
Missa de beata virgine: Gloria 267v–273
Missa de beata virgine: Kyrie 264v–267
Missa de beata virgine: Sanctus 281v–284
Missa Pascale/Christ ist erstanden: Agnus Dei 296v–297
Missa Pascale/Christ ist erstanden: Gloria 288v–292
Missa Pascale/Christ ist erstanden: Kyrie 285v–288
Missa Pascale/Christ ist erstanden: Sanctus 292v–296
Omnes sancti - Archangeli angeli Anonymous 257v–262
Psallat ecclesia Haec domus Anonymous 248v–252
Psallite Domino Qui ascendit Anonymous 132v–134
Responsories to the Gospel (Amen - Et cum spiritu tuo - Gloria) 29v–30
Responsories to the Gospel (Amen - Et cum spiritu tuo - Gloria) 30v–31
Responsories to the preface (Amen - Et cum spiritu tuo - Habemus) 29v–30
Responsories to the preface (Et cum spiritu tuo - Habemus) 30v–31
Responsum accepit Simeon Anonymous 100v–102
Rorate caeli Vs. Caeli enarrant 31v–34
Salve regina 'Cum sancto spiritu' 311v–318
Salve regina Vita dulcedo Anonymous 318v–322
Sancti Baptistae - Solennia celebrantes 189v–193
Sancti spiritus Quae corda nostra Anonymous 140v–148
Simile est regnum caelorum Homini negotiatori Anonymous 88v, 89v–91
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto tuo Anonymous 134v–137
Statuit ei Dominus Vs. Misericordias Domini 14v–18
Stirpe Maria - Laude digna angelorum Anonymous 227v–231
Summi triumphum Qui caeli qui terrae Anonymous 125v–132
Suscepimus Deus misericordiam 91–94
Te Deum (in 15 sections) 297v–307
Terribilis est locus iste Vs. Quam dilecta tabernacula 244v–247
Tu puer propheta altissimi 193v–195
Veni praecelsa, veni salvatrix Anonymous 236v–242
Viderunt omnes fines terrae Anonymous 58v–59
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] 119v–123
Vultum tuum deprecabuntur Vs. Eructavit cor meum 77v–81

denotes primary source study

Lindsey, Mack Clay III. 1980. Klosterneuburg, Chorherrenstift, Codices 69 and 70: Two Sixteenth-Century Choirbooks, Their Music, and Its Liturgical Use. Indiana University, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances; transcription (partial); mention of MS; discussion.

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 608. Notes: contents list (partial); concordances (partial).

Fox, Bertha Mary. 1977. A Liturgical-Répertoriai Study of Renaissance Polyphony in Bártfa Mus. Pr. 6 (a-d), National Széchényi Library, Budapest. University of Illinois, Unpublished Ph.D. dissertation. Pages: 157. Notes: contents list (partial); concordances (partial).

Thompson, Glenda Goss. 1975. Benedictus Appenzeller: Maître de la Chapelle to Mary of Hungary and Chansonnier. University of North Carolina, Unpublished Ph.D. dissertation. Pages: 93, 546-50. Notes: mention of MS; contents list (partial).

Han, Kuo-Huang. 1974. The Use of the Marian Antiphons in Renaissance Motets. Northwestern University, Unpublished Ph.D. dissertation. Pages: 172-3. Notes: contents list (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 18-36. Pages: 31. Notes: mention of MS.

Kindermann, Jürgen. 1974. Verzeichnis von Konkordanzen zu Kompositionen aus den Annaberger Chorbüchern Ms. 1126 and Ms. 1248. Die Musikforschung, 86-92. Pages: [incorrectly referred to as MS 69]. Notes: contents list (partial); concordances (partial).

Noblitt, Thomas L. 1973. Manuscript Mus. l/D/505 of the Sächsische Landesbibliothek Dresden (olim Annaberg, Bibliothek der St. Annenkirche, Ms. 1248). Archiv für Musikwissenschaft, 275-310. Pages: 289. Notes: contents list (partial); concordances (partial).

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 29-31,93. Notes: mention of MS.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 140. Notes: physical description; contents list; incipitsst of contents (partial); incipits (partial).

Osthoff, Helmuth. 1963. Das Te Deum des Arnold von Brück. Festschrift Friedrich Blume zum 70. Geburtstag, 252-7. Kassel. Notes: transcription (partial); mention of MS; discussion.

Albrecht, Hans. 1958-61. Caspar Copus, ein Fast Unbekannter Deutscher Komponist des 16. Jahrhunderts. Miscelânea en Homenaje a Monsenor Higinio Angles 1-9,  Barcelona. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Federhofer, Hellmut (editor). 1954-. Musik Alter Meister.  Graz. Pages: XI. Notes: transcription (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: VII,1247. Notes: contents list (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LVII.xv.99ff. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial).

Pfeiffer, Hermanno, and Bertholdo Cernik. 1922-31. Catalogus Codicum Manu Scriptorum, qui in Bibliotheca Canonicorum Regularium S. Augustini Claustroneoburgi Asservantur.  Vienna. Pages: I,37-9. Notes: physical description; contents list.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: XCIX,63-70,109-16. Notes: transcription (partial).

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Marnix van Berchum

Sunday, 6 February, 2022

image link added

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description