‡ denotes primary source study
Kiel, Jacobijn. 2003. Terminus post Alamire? On some later scribes. The Burgundian-Habsburg Court Complex of Music Manuscripts, 97-106. Alamire Foundation.
Notes: scribal hands.
Rees, Owen. 1995. Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra. New York & London: Garland.
Notes: physical description; inventory; concordances.
Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society.
Pages: 131-3.
Notes: concordances (partial).
Minor, Andrew C (editor). 1967-. Joannes Mouton: Opera Omnia. Corpus mensurabilis musicae, vol. 43. Neuhausen nr. Stuttgart: American Institute of Musicology.
Pages: III.xii; IV,xiv.
Notes: concordances (partial).
Kast, Paul. 1955. Studien zu den Messen des Jean Mouton. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation.
Pages: 46-7.
Notes: concordances (partial).
Luper, Albert T. 1950. Portuguese Polyphony in the Sixteenth and Early Seventeenth Centuries. Journal of the American Musicological Society, 3: 93-112.
Pages: 103-4.
Notes: mention of MS.
Berti, Ugo. 1940. Ensaio com notas biográficas de um Catálogo dos manuscritos musicais da Biblioteca da Universidade de Coimbra. Coimbra.
Pages: 5-10.
Notes: physical description; contents list.
Kastner, Macario Santiago. 1937. Inventário dos inéditos e impressos musicais. Coimbra.
Pages: 12-3.
Notes: physical description; contents list.