E-Bim Fondo Reserva Ms 1

Instituto Espanol de Musicologia, Barcelona, Spain

partbook: 1601-3

Archive Instituto Espanol de Musicologia, Barcelona, Spain (E-Bim)
Shelfmark Fondo Reserva Ms 1
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 260 x 202 mm
Other Identifiers
  • CCM: BarclM 34
  • olim (Former shelfmark): MS 34
Notations
  • black void mensural
External Links
Provenance
  • Toledo? Spain
Contents Contains 60 compositions, 31 from 7 composers, 29 are anonymous.
General Description

An Altus partbook (voice-parts mostly in (2nd) superius range, with the occasional piece for 'altus' or tenor). At least 33 folios have been cut out, leaving only stubs (originally 72 folios); some evidence of other folios missing from later in book. May have been copied by a single scribe. Probably copied in Toledo; purchased in that city from an antiquarian book dealer.

DIAMM, 2017
Binding

Original covers of brown leather worked with gold.

DIAMM, 2017
Liminary Note

Inscription inside covers: 'Contra alto deno segor en [de voz que era?] de mi senora dona ysabel de quinoses de dona madalena de Billaquiran y de dona francisca ma Ri que [manrique?] que dios guarde amen amen.' Isabel de Quinoses and Dona Beatriz also named on back cover.

DIAMM, 2017
Notation

black void

DIAMM, 2017
Foliation

Original ink foliation, 34-72.

DIAMM, 2017
Surface

paper

DIAMM, 2017
DIAMM Note

A part-book preserved in the Instituto Español de Musicología, Barcelona, contains over fifty items of sacred music by composers associated with both the Cathedral and the Colegio de los Infantes in Toledo during the sixteenth and early seventeenth centuries. These composers range from Morales and Guerrero, to Francisco de Tapia and Jorge de Santa María -- both Masters at the Colegio in the later sixteenth century -- and Alonso Lobo, chapelmaster at the cathedral, 1593 to 1603. The majority of the music is unique to this source, and it also includes works by Morales that were revised for publication when he was in Italy. The part-book is very largely copied for second or first superius, and there are indications that much of the repertory was intended for high voices; but there is also the occasional piece for a lower voice part. The manuscript contains a wide range of Latin-texted sacred music that includes mass settings, Magnificats, motets and psalms. In addition to about a dozen items by Morales, the partbook includes rare settings of calendas by Santa Maria, examples of mass propers in contrapunto style by Francisco de Tapia, and a sequence of music for the Christmas Misa del gallo (midnight mass).

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 6 Mass Proper sections, 5 Magnificats, 1 Te Deum, 1 Canticle, 17 psalms (9 are falsobordoni settings), 3 hymns, 2 Lamentations, 19 motets, 1 textless piece = 57 + 2 duplicates = 59

Detapia-7, Guerrero-2, A. Lobo-1, Morales-10, Ruys-1, anon-36

1 paper partbook (A-39 folios of an original 72), 260 x 202. At the beginning, 33 folios have been cut out; only stubs remain. Original ink foliation, 34-72. Original covers of brown leather worked with gold. No index. Inscription inside covers: "Co . . . ra al Io deno segor en demi senora dona ysabel de quinoses de dona madalena de Billaquiran y de dona foran, ciscama Ri que . . . dios guarde amen amen."

1601-3 (KirschQM). Probably copied in Toledo; purchased in that city from an antiquarian book dealer.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Nelson, Bernadette. 2010. A Little Known Part-Book From Toledo. Music By Morales, Guerrero, Jorge De Santa María, Alonso Lobo And Others In Barcelona, Instituto Español De Musicología, Fondo Reserva, Ms 1. Anuario Musical, 65: 25-56. Notes: full inventory.

Nelson, Bernadette. 2002. Was Morales in Valencia? New light on the origins of the Missa Benedicta es, caelorum regina. Early Music, 30: 365-379. Notes: facsimiles (partial), description (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 121.

Nelson, Bernadette. None. Morales’s contribution to the Pange lingua tradition and an anonymous Tantum ergo. Cristóbal de Morales: Sources, Influences, Reception, 85-109. Woodbridge, Boydell.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Liminary Note; Notation Note; Foliation Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description