CZ-CHRm 12580

Okresní muzeum [formerly: Mestske Muzeum], Chrudim, Czech Republic

chant book with added polyphony: 16th century

Archive Okresní muzeum [formerly: Mestske Muzeum], Chrudim, Czech Republic (CZ-CHRm)
Shelfmark 12580
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Parchment
Numbering System Foliation
Measurements 595 x 395 mm
Other Identifiers
  • RISM: CS-CH
  • CCM: ChruM 12580
Notations
  • black full mensural
  • Bohemian chant
Copyists
External Links
Provenance
  • Bohemia, Germany
Contents Contains 81 compositions, 18 from 1 composer, 63 are anonymous.
General Description

Scribe for ff. 2-307' is J. Táborsky; another scribe copied ff. 308-344. Copied in Bohemia.

DIAMM, 2017
Binding

Original covers of white leather over boards, with metal clasps, 16th century

DIAMM, 2017
Notation

Bohemian chant and black mensural notation

DIAMM, 2017
Date

1530-49 (ff. 2-307')

DIAMM, 2017
Foliation

Original foliation, a I-XVIII to v XV; modern foliation, 1-34

DIAMM, 2017
Surface

parchment

DIAMM, 2017
RISM Description

RISM B IV/3: 16. Jh.; 433 Blätter Pergament, 595 x 395 mm. Originale Foliierung von f. a I-XVIII und so weiter bis v XV (mehrere Blätter fehlen); moderne Foliierung von f. 1-344 (originale f. a I = moderne f. 3). Je Seite bis zu 10 rote Vier- oder Fünfliniensysteme mit böhmischer Choralnotation und schwarzer Mensuralnotation — Einband: original 16. Jh.; mit weißem Leder überzogene Holzdeckel, Metallbeschläge.

Neben dem Franus-Kantional (CS-HK II A 6) enthält diese Pracht-Handschrift, ein Graduale, die umfangreichste Sammlung an polyphonen Werken utraquistischer Herkunft. Möglicherweise wurden einige Stücke direkt aus dem Franus-Kantional kopiert. Doch sind die Notationen im Chrudim-Graduale oft zuverlässiger. Die Handschrift wurde von 1530 bis 1549 von Johannes Táborský geschrieben (vergleiche f. 2r und 307v). Einige heute fehlende Blätter sind vermutlich 1738 anläßlich einer Zensur herausgeschnitten worden. Im Register (f. 1 und 2) sind die mehrtextigen Stücke als Cantilenae bezeichnet.

Inhalt: Die Texte sind fast ausnahmslos lat.: f. 1-2 Register; f. 3-25 Kyrie, Gloria; f. 25v-44v Sanctus, Agnus; f. 45-227v Proprium und Commune, Sequenzen; f. 228-247v Patrem; f. 248-307v Kantionen; f. 308-344 Motetten (Cantilenae).

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

ChruM 12580

CHRUDIM. Mëstské Muzeum (Municipal Museum). MS 12580

4 Credos, 5 Sanctus, 71 motets, 1 Czech sacred piece = 81

Anonymous

344 parchment folios, 595 x 395. Original foliation, a I-XVIII to v XV; modern foliation, 1-344. Original 16th-century covers of white leather over boards, with metal clasps. Bohemian chant notation and black mensural notation. Scribe for ff. 2-307' is J. Táborsky; another scribe copied ff. 308-344.

1530-49 (ff. 2-307')- Copied in Bohemia.

Vol 4

Composers: (P. Wilhelmi)-15 + 1?, anon-65

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Brewer, Charles Everett. 1984. The Introduction of the Ars Nova into East Central Europe: A Study of Late Medieval Polish Sources. City University of New York, Unpublished Ph.D. dissertation. Pages: 317-9,351-2,555. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Černý, Jaromír. 1975. Petrus Wilhelmi de Grudencz: Neznámy Skladatel Doby Dufayovy v Ceskych Pramenech. Hudební Veda, 12: 195-238. Pages: 205,224-31,234. Notes: mention of MS; contents list (partial); concordances (partial); incipits (partial).

Černý, Jaromír. 1975. Stredovëky vicehlas v Ceskych zemích. Miscellanea Musicologica [Prague], 27-28: 9-116. Pages: 90,98,110. Notes: mention of MS; contents list (partial); transcription (partial); texts (partial).

Vanicky, S J. 1955. Umeni vokalni polyphonie, Selectio artis musicae polyphonicae a XII.-XVI. saec.  Praha. Pages: 14 (Ue. von Nr. 58).

Orel, Dobroslav. 1922. Kancionál Franusuv.  Prague. Pages: 103, 105, 110, 112, 117, 127 (Ue. von Nr. 29-32, 34, 37, 42, 44); 11, 23, 147.

Konrád, Karel. 1893. Dijiny Posvátného Zpìvu Staroîeského od XV. Veku do Zrulenî Literátskych Bratrstev.  Prague. Pages: II, 131f.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description