P-BRp 967

Arquivo Distrital, Braga, Portugal

manuscript of polyphony: 1615

Archive Arquivo Distrital, Braga, Portugal (P-BRp)
Shelfmark 967
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 393 x 270 mm
Other Identifiers
  • CCM: BragaD 967
Provenance
  • Portugal
Contents 89 pieces from 4 composers
General Description

Composite of two originally separate sections later bound together (Snow). Copied by two main scribes and two additional scribes (Snow). Presumably copied in Braga.

DIAMM, 2017
Binding

Original covers of beige leather.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Original ink foliation, 1-136 ('47' applied to two consecutive folios; '77' omitted; one folio between ff. 118/119 not numbered)

DIAMM, 2017
Decoration

Inked calligraphic initials.

DIAMM, 2017
Index

Original index on f. [i] lists 44 Introits.

DIAMM, 2017
Surface

paper

DIAMM, 2017
DIAMM Note

Concordances with Oporto 40 allow several additional pieces to be attributed to Fonseca.

DIAMM, 2020
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Agnus, 86 Mass Proper sections (1 without text), 2 motets = 89

Fonseca-42, (Josquin)-1, anon-46

1 + 137 paper folios, 393 x 270. Composite of two originally separate sections later bound together (Snow). Original ink foliation, 1-136 ("47" applied to two consecutive folios; "77" omitted; one folio between ff. 118/119 not numbered). Original covers of beige leather. Original index on f. [i] lists 44 Introits.

Copied by two main scribes and two additional scribes (Snow). Inked calligraphic initials.

1615 (date on covers). Presumably copied in Braga.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–3 Ad te levavi Animam meam Deus meus Vs: Vias tuas Domine Et semitas tuas Fonseca
Appears on: 1v–3
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Ad te levavi) Animam meam deus meus Vs: (Vias tuas domine) Et semitas tuas
3v–4 Dominus dabit benignitatem et terra Fonseca
Appears on: 3v–4
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Dominus) Dabit begninitatem et terra
4v–6 Populus Sion ecce Dominus veniet Vs: Qui regis Isrrael Qui deducis velut Fonseca
Appears on: 4v–6
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: Populus Sion ecce dominus veniet Vs: (Qui regis Isrrael) Qui deducis velut
6v–7 Jerusalem Surge et sta in excelso Fonseca
Appears on: 6v–7
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Jherusalem) Surge et sta in excelso
7v–10 Gaudete In Domino semper iterum dico Vs: Et pax Dei Custodiat corda vestra Fonseca
Appears on: 7v–10
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Gaudete) In domino semper iterum dico Vs: (Et pax dei) Custodiat corda vestra
9v–10 Dicite Pusilanimes comfortamini et nolite Fonseca
Appears on: 9v–10
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Dicite) Pusilanimes comfortamini et nolite
10v–13 Memento Nostri Domine in bene placito Vs: Peccavimus cum patribus Iniuste egimus Fonseca
Appears on: 10v–13
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Memento) Nostri domine in bene placito Vs: (Peccavimus cum patribus) Iniuste egimus
12v–13 Revelabi tui Gloria Domini et videbit Fonseca
Appears on: 12v–13
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Revelabi tui) Gloria domini et videbit
13v–15 Dominus dixit ad me filius meus Vs: Quare fremuerunt gentes Et populi Fonseca
Appears on: 13v–15
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Dominus) Dixit ad me filius meus Vs: (Quare fremuerunt gentes) Et populi
15v–16 In splendoribus sanctorum ex utero Fonseca
Appears on: 15v–16
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: In splendoribus sanctorum ex utero
16v–19 Puer Natus est nobis et filius datus Vs: Cantate Domino Quia mirabilia fecit Fonseca
Appears on: 16v–19
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Puer) Natus est nobis et filius datus Vs: (Cantate domino) Quia mirabilia fecit
19v–20 Viderunt omnes fines terre salutare [Fonseca]
Appears on: 19v–20
Genres: Motet
Source Attribution: [Fonseca]
Voice: [no designation]
Languages: Latin
Voice Text: Viderunt omnes fines terre salutare
20v–22 Et enim sederunt Principes adversum Vs: Beati immaculati Qui ambulant in lege Fonseca
Appears on: 20v–22
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Et enim sederunt) Principes adversum Vs: (Beati immaculati) Qui ambulant in lege
22v–23 Video caelos apertos Et Jesum stantem Fonseca
Appears on: 22v–23
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Video celos apertos) Et Jhesum stantem
23v–25 In medio ecclesiae aperuit os eius Vs: Bonum est comfiteri Et psallere nomini Fonseca
Appears on: 23v–25
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: In medio ecclesie aperuit os eius Vs: (Bonum est comfiteri) Et psallere nomini
Concordances

Alvarenga states that there is a (musical, not textual?) concordance with the piece at Oporto 40 ff.32v-34

25v–26 Exit sermo Inter fratres quod discipulus Fonseca
Appears on: 25v–26
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Exit sermo) Inter fratres quod discipulus
26v–28 Ex ore infancium Deus et lactencium Vs: Domine Dominus noster Quam admirabile Fonseca
Appears on: 26v–28
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: Ex ore infancium deus et lactencium Vs: (Domine dominus noster) Quam admirabile
28v–29 Vox in rama Audita est ploratus Fonseca
Appears on: 28v–29
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Vox in rama) Audita est ploratus
29v–32 Dum medium silentium tenerent omnia Vs: Dominus regnavit Indutus est Dominus Fonseca
Appears on: 29v–32
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Dum medium) Silencium tenerent omnia Vs: (Dominus regnavit) Indutus est dominus
Concordances

Alvarenga states that there is a (musical, not textual?) concordance with the piece at Oporto 40 ff29v-31

32v–33 Tole puerum Et matrem eius et vade Fonseca
Appears on: 32v–33
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Tole puerum) Et matrem eius et vade
33v–35 Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis Fonseca
Appears on: 33v–35
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Ecce) Advenit dominator dominus et regnum Vs: (Deus iudicium tuum) Et iusticiam tuam
35v–36 Vidimus Stelam eius in oriente et venimus Fonseca
Appears on: 35v–36
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Vidimus) Stelam eius in oriente et venimus
36v–38 In excelso throno vidi sedere virum Vs: Jubilate deo Psalmum dicite nomini Fonseca
Appears on: 36v–38
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: In excelso trono vidi sedere virum Vs: (Jubilate deo) Psalmum dicite nomini
38v–39 Filii Quid fecisti nobis sic ego Fonseca
Appears on: 38v–39
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Filii) Quid fecisti nobis sic ego
39v–41 Omnis terra adoret te Deus et psalat Vs: Jubilate deo Psalmum dicite nomini Fonseca
Appears on: 39v–41
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: Omnis terra adoret te deus et psalat Vs: (Jubilate deo) Psalmum dicite nomini
41v–43 Dicit Dominus implete Hidrias aqua Fonseca
Appears on: 41v–43
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Dicit dominus implete) Hidrias aqua
43v–46 Circumdederunt Me gemitus mortis dolores Vs: Diligam te Domine Dominus firmamentum [Fonseca]
Appears on: 43v–46
Genres: Motet
Source Attribution: [Fonseca]
Voice: [no designation]
Languages: Latin
Voice Text: (Circimdederunt) Me gemitus mortis dolores Vs: (Diligam te domine) Dominus firmamentum
46v–47 Ilumina faciem tuam Super servum tuum [Fonseca]
Appears on: 46v–47
Genres: Motet
Source Attribution: [Fonseca]
Voice: [no designation]
Languages: Latin
Voice Text: (Ilumina faciem tuam) Super servum tuum
47v–48 Exurge Quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri [Fonseca]
Appears on: 47v–48
Genres: Motet
Source Attribution: [Fonseca]
Voice: [no designation]
Languages: Latin
Voice Text: (Exurge) Quare obdormis domine exurge Vs: (Deus auribus nostris) Patres nostri
48v–49 Introibo Ad altare Dei ad Deum [Fonseca]
Appears on: 48v–49
Genres: Motet
Source Attribution: [Fonseca]
Voice: [no designation]
Languages: Latin
Voice Text: (Introibo) Ad altare dei ad deum
49v–51 Esto mihi In Deum protectorem et in locum Vs: In te Domine speravi In justicia tua [Fonseca?]
Appears on: 49v–51
Genres: Motet
Source Attribution: [Fonseca?]
Voice: [no designation]
Languages: Latin
Voice Text: (Esto mihi) In deum protectorem et in locum Vs: (In te domine speravi) In iusticia tua
51v–52 Manducaverunt et saturati sunt nimis [Fonseca?]
Appears on: 51v–52
Genres: Motet
Source Attribution: [Fonseca?]
Voice: [no designation]
Languages: Latin
Voice Text: (Manducaverunt) Et saturati sunt nimis
52v–54 Vidi aquam egredientem de templo Fonseca
Appears on: 52v–54
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Vidi aquam) Egredientem de templo
54v–57 Resurrexi Et adhuc tecum sum aleluia Vs: Domine probasti me Tu cognovisti Fonseca
Appears on: 54v–57
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Resurrexi) Et adhuc tecum sum aleluia Vs: (Domine probasti me) Tu cognovisti
57v–59 Pascha nostrum Immolatus est Christus Fonseca
Appears on: 57v–59
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Pascha nostrum) Immolatus est Christus
59v–63 Victimae paschali laudes immolent Christiani Fonseca
Appears on: 59v–63
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: Victime pascali laudes immolant Cristiani
63v–65 Introduxit Nos Dominus in terram Vs: Comfitemini Domino Quoniam in saeculum Fonseca
Appears on: 63v–65
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Introduxit) Nos dominus in terram Vs: (Comfitemini domino) Quoniam in seculum
Concordances

Alvarenga states that there is a (musical, not textual?) concordance with the piece at Oporto 40 ff29v-31

65v–66 Surrexit Dominus et aparuit Petro Fonseca
Appears on: 65v–66
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Surrexit) Dominus et aparuit Petro
66v–67 Alleluia (Tractus - Missa in quadragesima) -
Appears on: 66v–67
Genres: Alleluia, Mass Ordinary, Tract
Voice: [no designation]
Languages: none
Voice Text: Textless "Trato Da Coresma" [later addition]
Concordances

untexted "Trato Da Coresma" later addition Concordant with Mendes' Alleluia in Oporto 40

Concordances

untexted "Trato Da Coresma" later addition Concordant with Mendes' Alleluia in Oporto 40

67v–69 Aqua sapientiae potavit eos alleluia Vs: Confitemini Domino Anuntiate inter gentes opera Anon. Anonymous
Appears on: 67v–69
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Aqua sapiencie) Potavit eos alleluia Vs: (Confitemini domino) Anunciate inter gentes oppera
69v–70 Si consurrexistis cum Christo Que sursum Anon. Anonymous
Appears on: 69v–70
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Si consurrexistis cum Cristo) Que sursum
70v–72 Venite Benedicti patris mei percipite Vs: Cantate Domino Quia mirabilia fecit Anon. Anonymous
Appears on: 70v–72
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Venite) Benedicti patris mei percipite Vs: (Cantate domino) Quia mirabilia fecit
72v–73 Christus Resurgens ex mortuis jam non Anon. Anonymous
Appears on: 72v–73
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Christus) Resurgens ex mortuis iam non
73v–75 Quasimodo geniti Infantes aleluia Vs: Exultate deo Jubilate deo Jacob Anon. Anonymous
Appears on: 73v–75
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Quasimodo geniti) Infantes aleluia Vs: (Exultate deo) Iubilate deo Iacob
74v–75 Mitte manum tuam et cognosce loca clavorem Anon. Anonymous
Appears on: 74v–75
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Mitte manum tuam et cognosce loca clavorem
75v–78 Misericordia Domini plena est terra Vs: Exultate justi Rectos decet colaudacio Anon. Anonymous
Appears on: 75v–78
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Misericordia) Domini plena est terra Vs: (Exultate iusti) Rectos decet colaudacio
78v–79 Ego sum pastor bonus aleluia et cognosco Anon. Anonymous
Appears on: 78v–79
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum pastor bonus aleluia et cognosco
79v–81 Jubilitate deo Omnis terra alleluia Vs: Dicite deo In multitudine virtutis Anon. Anonymous
Appears on: 79v–81
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Iubilitate deo) Omnis terra alleluia Vs: (Dicite deo) In multitudine virtutis
81v–82 Modicum Et non videbitis me aleluia Anon. Anonymous
Appears on: 81v–82
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Modicum) Et non videbitis me aleluia
82v–84 Cantate Domino canticum novum aleluia Vs: Salvabit sibi dextera Et brachium Anon.
Appears on: 82v–84
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Cantate) Domino canticum novum aleluia Vs: (Salvabit sibi dextera) Et brachium
Concordances

Alvarenga states that there is a (musical, not textual?) concordance with the piece at Oporto 40 ff.32v-34

84v–85 Cum venerit Paraclitus spiritus veritatis Anon. Anonymous
Appears on: 84v–85
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Cum venerit) Paraclitus spiritus veritatis
85v–87 Vocem Iocunditatis anunciate et audiatur Vs: Jubilate deo Date gloriam laudi eius Anon. Anonymous
Appears on: 85v–87
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Vocem) Iocunditatis anunciate et audiatur Vs: (Iubilate deo) Date gloriam laudi eius
87v–88 Cantate Domino Aleluia cantate Domino Anon. Anonymous
Appears on: 87v–88
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Cantate domino) Aleluia cantate domino
88v–90 Viri Galilei Quid admiramini aspicientes Vs: Cumque intuerentur Ecce duo viri Fonseca
Appears on: 88v–90
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Viri Galilei) Quid admiramini aspicientes Vs: (Cumque intuerentur) Ecce duo viri
90v–91 Psalite Domino Qui ascendit super caelos [Fonseca]
Appears on: 90v–91
Genres: Motet
Source Attribution: [Fonseca]
Voice: [no designation]
Languages: Latin
Voice Text: ([P]salite domino) Qui ascendit super celos
91v–93 Spiritus Domini Replevit orbem terrarum Vs: Exurgat Deus et disipentur Et fugiant Fonseca
Appears on: 91v–93
Genres: Motet
Source Attribution: Fonseca
Voice: [no designation]
Languages: Latin
Voice Text: (Spiritus domini) Replevit orbem terrarum Vs: (Exurgat deus et disipentur) Et fugiant
93v–94 Factus est repente De caelo sonnus [Fonseca]
Appears on: 93v–94
Genres: Motet
Source Attribution: [Fonseca]
Voice: [no designation]
Languages: Latin
Voice Text: (Factus est repente) De celo sonnus
94v–96 Cibavit eos Ex adipe frumenti aleluia Vs: Exultate deo Jubilate deo Jacob Anon.
Appears on: 94v–96
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Cibavit eos) Ex adipe frumenti aleluia Vs: (Exultate deo) Iubilate deo Iacob
96v–97 Spiritus sanctus docebit vos aleluia Anon. Anonymous
Appears on: 96v–97
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Spiritus sanctus) Docebit vos aleluia
97v–99 Accipite Jocunditatem gloriae vestrae Vs: Attendite popule meus Inclinate aurem Anon. Anonymous
Appears on: 97v–99
Genres: Introit, Proper
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Acipie) Iocunditatem glorie vestre Vs: (Attendite popule meus) Inclinate aurem
99v–100 Spiritus Qui a patre procedit aleluia Anon. Anonymous
Appears on: 99v–100
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Spiritus) Qui a patre procedit aleluia
100v–102 Benedicta sit sancta trinitas atque Vs: Benedicamus patrem Laudemus et super Anon. Anonymous
Appears on: 100v–102
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta sit sancta trinitas atque Vs: (Benedicamus patrem) Laudemus et super
102v–103 Benedicite Deum caeli et coram omnibus Anon. Anonymous
Appears on: 102v–103
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Benedicite) Deum celi et coram omnibus
103v–104 Quociesuscumque manducabitis Panem hunc Anon. Anonymous
Appears on: 103v–104
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Quociesuscumque manducabitis) Panem hunc
104v–106 Domine In tua misericordia speravi Vs: Usquequo oblivisceris Usquequo advertis Anon. Anonymous
Appears on: 104v–106
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Domine) In tua misericordia speravi Vs: (Usquequo oblivisceris) Usquequo advertis
106v–107 Narrabo omnia mirabilia tua letabor Anon. Anonymous
Appears on: 106v–107
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Narrabo omnia mirabilia tua letabor
107v–109 Factus Est Dominus protector meus Vs: Diligam te Domine Dominus firmamentum Anon. Anonymous
Appears on: 107v–109
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Factus) Est dominus protector meus Vs: (Diligam te domine) Dominus firmamentum
109v–110 Cantabo Domino qui bona tribuit mihi Anon. Anonymous
Appears on: 109v–110
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Cantabo) Domino qui bona tribuit mihi
110v–112 Respice in me Et miserere mei Domine Vs: Ad te Domine levavi Deus meus in te Anon. Anonymous
Appears on: 110v–112
Genres: Miserere mei Deus, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Respice in me) Et miserere mei domine Vs: (Ad te domine levavi) Deus meus in te
111v–112 Ego clamavi quoniam exaudisti me Anon. Anonymous
Appears on: 111v–112
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Ego) Clamavi quoniam exaudisti me
112v–114 Dominus Iluminacio mea et salus mea Vs: Si consistant adversum Non timebit cor Anon. Anonymous
Appears on: 112v–114
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Dominus) Iluminacio mea et salus mea Vs: (Si consistant adversum) Non timebit cor
114v–115 Dominus firmamentum meum et refugium meum Anon. Anonymous
Appears on: 114v–115
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Dominus) Firmamentum meum et refugium
115v–117 Exaudi domine vocem meam qua clamavi ad te Vs: Dominus illuminatio mea et salus mea Anon. Anonymous
Appears on: 115v–117
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Exaudi) Domine vocem meam qua clamavi Vs: (Dominus iluminacio mea) Et salus mea
117v–118 Unam petii a Domino hanc requiram Anon. Anonymous
Appears on: 117v–118
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Unam) Pecii a domino hanc requiram
118v–119a Dominus fortitudo Plebi sue et protector Vs: Ad te Domine clamabo Et asimilabor Anon. Anonymous
Appears on: 118v–119a
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Dominus fortitudo) Plebi sue et protector Vs: (Ad te domine clamabo) Et asimilabor
119av–120 Circuibo Et immolabo in tabernaculum Anon. Anonymous
Appears on: 119av–120
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Circuibo) Et immolabo in tabernaculum
120v–122 Omnes gentes plaudite manibus jubilate Vs: Subiecit populos Et gentes sub pedibus Anon.
Appears on: 120v–122
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Omnes gentes plaudite manibus iubilate Vs: (Subiecit populos) Et gentes sub pedibus
Concordances

Alvarenga states that there is a (musical, not textual?) concordance with the piece at Oporto 40 ff.35v-37

121v–122 Inclina Aurem tuam acelera ut eruas Anon. Anonymous
Appears on: 121v–122
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Inclina) Aurem tuam acelera ut eruas
122v–124 Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri Anon. Anonymous
Appears on: 122v–124
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Suscepimus deus) Misericordiam tuam Vs: (Magnus dominus) In civitate dei
124v–125 Gustate et videte quoniam suavis est Anon. Anonymous
Appears on: 124v–125
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Gustate et videte quoniam suavis est
125v–127 Ecce Deus adjuvat me et Dominus Vs: Deus in nomine tuo Et in virtute tua Anon. Anonymous
Appears on: 125v–127
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Ece) Deus adiuvat me et dominus Vs: (Deus in nomine tuo) Et in virtute tua
126v–127 Primum Querite regnum Dei et omnia Anon. Anonymous
Appears on: 126v–127
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Primum) Querite regnum dei et omnia
127v–130 Dum clamarem Ad Dominum et exaudivit Vs: Exaudi Deus oracionem Intende mihi Anon. Anonymous
Appears on: 127v–130
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Dum clamarem) Ad dominum et exaudivit Vs: (Exaudi deus oracionem) Intende mihi
129v–130 Aceptabis Sacrificium justicie oblaciones Anon. Anonymous
Appears on: 129v–130
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Aceptabis) Sacrificium iusticie oblaciones
130v–131 Missa L'homme armé super voces musicales 6.3: Agnus Dei [Josquin]
Appears on: 130v–131
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei qui tolis peccata [= Agnus III from Missa L'homme armé super voces musicales] 6.3
General Note

Agnus III only, 'clama ne cesses'

131v–133v Lumen ad revelationem gentium et gloriam Anon. Anonymous
Appears on: 131v–133v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Lumen ad revelacionem gencium et gloriam
134 Mirabantur omnes de his que procedebant Anon. Anonymous
Appears on: 134
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Mirabamtur omnes de his que procedebant
134v–135 Domine quinque talenta tradidisti mihi Anon.
Appears on: 134v–135
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Domine quinque talenta tradidisti mihi
Concordances

Alvarenga states that there is a (musical, not textual?) concordance with Oporto 40, ff. 20v-21

135v–136 Alleluia Anon.
Appears on: 135v–136
Genres: Alleluia
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia
Concordances

Alvarenga states that there is a (musical, not textual?) concordance with Oporto 40, ff. 20v-21

Composer Compositions
Anonymous
Despres, Josquin (ca. 1450–1521)
Fonseca, Miguel da
Mendes, Manoel (ca. 1547–1605)
Composition Composers (? Uncertain) Folios / Pages
Accipite Jocunditatem gloriae vestrae Vs: Attendite popule meus Inclinate aurem Anonymous 97v–99
Aceptabis Sacrificium justicie oblaciones Anonymous 129v–130
Ad te levavi Animam meam Deus meus Vs: Vias tuas Domine Et semitas tuas 1v–3
Alleluia 135v–136
Alleluia (Tractus - Missa in quadragesima) 66v–67
Aqua sapientiae potavit eos alleluia Vs: Confitemini Domino Anuntiate inter gentes opera Anonymous 67v–69
Benedicite Deum caeli et coram omnibus Anonymous 102v–103
Benedicta sit sancta trinitas atque Vs: Benedicamus patrem Laudemus et super Anonymous 100v–102
Cantabo Domino qui bona tribuit mihi Anonymous 109v–110
Cantate Domino Aleluia cantate Domino Anonymous 87v–88
Cantate Domino canticum novum aleluia Vs: Salvabit sibi dextera Et brachium 82v–84
Christus Resurgens ex mortuis jam non Anonymous 72v–73
Cibavit eos Ex adipe frumenti aleluia Vs: Exultate deo Jubilate deo Jacob 94v–96
Circuibo Et immolabo in tabernaculum Anonymous 119av–120
Circumdederunt Me gemitus mortis dolores Vs: Diligam te Domine Dominus firmamentum 43v–46
Cum venerit Paraclitus spiritus veritatis Anonymous 84v–85
Dicit Dominus implete Hidrias aqua 41v–43
Dicite Pusilanimes comfortamini et nolite 9v–10
Domine In tua misericordia speravi Vs: Usquequo oblivisceris Usquequo advertis Anonymous 104v–106
Domine quinque talenta tradidisti mihi 134v–135
Dominus dabit benignitatem et terra 3v–4
Dominus dixit ad me filius meus Vs: Quare fremuerunt gentes Et populi 13v–15
Dominus firmamentum meum et refugium meum Anonymous 114v–115
Dominus fortitudo Plebi sue et protector Vs: Ad te Domine clamabo Et asimilabor Anonymous 118v–119a
Dominus Iluminacio mea et salus mea Vs: Si consistant adversum Non timebit cor Anonymous 112v–114
Dum clamarem Ad Dominum et exaudivit Vs: Exaudi Deus oracionem Intende mihi Anonymous 127v–130
Dum medium silentium tenerent omnia Vs: Dominus regnavit Indutus est Dominus 29v–32
Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis 33v–35
Ecce Deus adjuvat me et Dominus Vs: Deus in nomine tuo Et in virtute tua Anonymous 125v–127
Ego clamavi quoniam exaudisti me Anonymous 111v–112
Ego sum pastor bonus aleluia et cognosco Anonymous 78v–79
Esto mihi In Deum protectorem et in locum Vs: In te Domine speravi In justicia tua 49v–51
Et enim sederunt Principes adversum Vs: Beati immaculati Qui ambulant in lege 20v–22
Ex ore infancium Deus et lactencium Vs: Domine Dominus noster Quam admirabile 26v–28
Exaudi domine vocem meam qua clamavi ad te Vs: Dominus illuminatio mea et salus mea Anonymous 115v–117
Exit sermo Inter fratres quod discipulus 25v–26
Exurge Quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri 47v–48
Factus Est Dominus protector meus Vs: Diligam te Domine Dominus firmamentum Anonymous 107v–109
Factus est repente De caelo sonnus 93v–94
Filii Quid fecisti nobis sic ego 38v–39
Gaudete In Domino semper iterum dico Vs: Et pax Dei Custodiat corda vestra 7v–10
Gustate et videte quoniam suavis est Anonymous 124v–125
Ilumina faciem tuam Super servum tuum 46v–47
In excelso throno vidi sedere virum Vs: Jubilate deo Psalmum dicite nomini 36v–38
In medio ecclesiae aperuit os eius Vs: Bonum est comfiteri Et psallere nomini 23v–25
In splendoribus sanctorum ex utero 15v–16
Inclina Aurem tuam acelera ut eruas Anonymous 121v–122
Introduxit Nos Dominus in terram Vs: Comfitemini Domino Quoniam in saeculum 63v–65
Introibo Ad altare Dei ad Deum 48v–49
Jerusalem Surge et sta in excelso 6v–7
Jubilitate deo Omnis terra alleluia Vs: Dicite deo In multitudine virtutis Anonymous 79v–81
Lumen ad revelationem gentium et gloriam Anonymous 131v–133v
Manducaverunt et saturati sunt nimis 51v–52
Memento Nostri Domine in bene placito Vs: Peccavimus cum patribus Iniuste egimus 10v–13
Mirabantur omnes de his que procedebant Anonymous 134
Misericordia Domini plena est terra Vs: Exultate justi Rectos decet colaudacio Anonymous 75v–78
Missa L'homme armé super voces musicales 6.3: Agnus Dei 130v–131
Mitte manum tuam et cognosce loca clavorem Anonymous 74v–75
Modicum Et non videbitis me aleluia Anonymous 81v–82
Narrabo omnia mirabilia tua letabor Anonymous 106v–107
Omnes gentes plaudite manibus jubilate Vs: Subiecit populos Et gentes sub pedibus 120v–122
Omnis terra adoret te Deus et psalat Vs: Jubilate deo Psalmum dicite nomini 39v–41
Pascha nostrum Immolatus est Christus 57v–59
Populus Sion ecce Dominus veniet Vs: Qui regis Isrrael Qui deducis velut 4v–6
Primum Querite regnum Dei et omnia Anonymous 126v–127
Psalite Domino Qui ascendit super caelos 90v–91
Puer Natus est nobis et filius datus Vs: Cantate Domino Quia mirabilia fecit 16v–19
Quasimodo geniti Infantes aleluia Vs: Exultate deo Jubilate deo Jacob Anonymous 73v–75
Quociesuscumque manducabitis Panem hunc Anonymous 103v–104
Respice in me Et miserere mei Domine Vs: Ad te Domine levavi Deus meus in te Anonymous 110v–112
Resurrexi Et adhuc tecum sum aleluia Vs: Domine probasti me Tu cognovisti 54v–57
Revelabi tui Gloria Domini et videbit 12v–13
Si consurrexistis cum Christo Que sursum Anonymous 69v–70
Spiritus Domini Replevit orbem terrarum Vs: Exurgat Deus et disipentur Et fugiant 91v–93
Spiritus Qui a patre procedit aleluia Anonymous 99v–100
Spiritus sanctus docebit vos aleluia Anonymous 96v–97
Surrexit Dominus et aparuit Petro 65v–66
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri Anonymous 122v–124
Tole puerum Et matrem eius et vade 32v–33
Unam petii a Domino hanc requiram Anonymous 117v–118
Venite Benedicti patris mei percipite Vs: Cantate Domino Quia mirabilia fecit Anonymous 70v–72
Victimae paschali laudes immolent Christiani 59v–63
Video caelos apertos Et Jesum stantem 22v–23
Viderunt omnes fines terre salutare 19v–20
Vidi aquam egredientem de templo 52v–54
Vidimus Stelam eius in oriente et venimus 35v–36
Viri Galilei Quid admiramini aspicientes Vs: Cumque intuerentur Ecce duo viri 88v–90
Vocem Iocunditatis anunciate et audiatur Vs: Jubilate deo Date gloriam laudi eius Anonymous 85v–87
Vox in rama Audita est ploratus 28v–29

denotes primary source study

Kastner, Macario Santiago (editor). 1959-. Portugaliae Musica.  Lisbon. Pages: XXXVII,xxxiii,37-40.

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description