NL-Lml MS 1440

Stedelijk Museum in de Lakenhal, Leiden, Netherlands

manuscript of polyphony: 1559

Archive Stedelijk Museum in de Lakenhal, Leiden, Netherlands (NL-Lml)
Shelfmark MS 1440
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Mixed Paper and Parchment
Numbering System Foliation
Measurements 545 x 395 mm
Other Identifiers
  • CCM: LeidSM 1440
  • olim (Former shelfmark): C; 424; 762; 863; 1005
Copyists
Relationships
External Links
Provenance
  • Netherlands
Contents Contains 63 compositions, 50 from 14 composers, 13 are anonymous.
General Description

Copied by Anthonius de Blauwe, who also copied LeidGA 1438 and 1439. Copied in Leiden, for use at St. Peter's Church. Transferred in 1578 to Town Hall, along with LeidGA 1438, 1439, 1441, 1442, and 1443; same group moved to Stedelijk Museum in de Lakenhal in 1874. LeidSM 1440 remains on permanent display at Stedelijk Museum; other manuscripts transferred to Gemeentearchief in 1931.

DIAMM, 2017
Binding

Original covers of dark brown leather over wooden boards, tooled with classical busts and ornamental borders; brass corners, bosses, and clasps.

DIAMM, 2017
Watermark

shield with four-petalled leaf and initials "PP ONO." (unidentified)

DIAMM, 2017
Liminary Note

The copyist, Anthonius de Blauwe, identified in colophon on recto of back flyleaf: 'Scribebat hoc insigne opus musicum Anthonius de blauwe in usum et honorem conducibilem Sacrae aedis divi Petri Leidae : Prefectis horarum eiusdem aedis Theodorico guilielmi : Petro Jodoci : Bartholomeo Aleuni : Petro oem filius petri : Anno 1559.'

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Date

1559 (colophon)

DIAMM, 2017
Ruling

Staff height 23

DIAMM, 2017
Foliation

Original ink foliation, 1-322.

DIAMM, 2017
Decoration

Large black inked calligraphic initials; continuation signs; some texts and voice designations in red ink

DIAMM, 2017
Index

Original index on front flyleaf gives number of voices for each piece and some attributions; Masses listed in order of appearance, other pieces alphabetically by title

DIAMM, 2017
Surface

i paper + 322 paper + i paper + i parchment

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses, 2 Requiem Masses, 1 Magnificat, 34 motets = 40

(Arcadelt/Verdelot)-1, Canis-2, Clemens non Papa-9, Clemens non Papa/(Crecquillon)-1, Crecquillon-1, (Jaquet of Mantua)-1, Josquin-4, Josquin/(Richafort)-1, Lupi-4, Moulu-1, Morales-1, Vinders-1, anon-13

i paper + 322 paper + i paper + i parchment folios, 545 x 395. Original ink foliation, 1-322. Original covers of dark brown leather over wooden boards, tooled with classical busts and ornamental borders; brass corners, bosses, and clasps. Original index on front flyleaf gives number of voices for each piece and some attributions; Masses listed in order of appearance, other pieces alphabetically by title. Copied by Anthonius de Blauwe, identified in colophon on recto of back flyleaf: "Scribebat hoc insigne opus musicum Anthonius de blauwe in usum et honorem conducibilem Sacrae aedis divi Petri Leidae : Prefectis horarum eiusdem aedis Theodorico guilielmi : Petro Jodoci : Bartholomeo Aleuni : Petro oem filius petri : Anno 1559." Blauwe also copied LeidGA 1438 and 1439. Staff height 23. Large black inked calligraphic initials; continuation signs; some texts and voice designations in red ink. Unidentified watermark: shield with four-petalled leaf and initials "PP ONO."

1559 (colophon). Copied in Leiden, for use at St. Peter's Church. Transferred in 1578 to Town Hall, along with LeidGA 1438, 1439, 1441, 1442, and 1443; same group moved to Stedelijk Museum in de Lakenhal in 1874. LeidSM 1440 remains on permanent display at Stedelijk Museum; other manuscripts transferred to Gemeentearchief in 1931.

Vol 4

Provenance: Copied in Amsterdam (VersprilleG); commissioned and used by St. Peter's Church, in Leiden.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
i–i_v index - - -

index

Appears on: i–i_v
1v–4 Missa de Beata Virgine (5vv) = Missa Domina: Kyrie 5 Morales
Appears on: 1v–4
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Morales
Number of voices: 5
Voice: [no designation]
Languages: Greek
Voice Text: Kyrie
4v–10 Missa de Beata Virgine (5vv) = Missa Domina: Gloria [Tro] Spiritus et alme 5 -
Appears on: 4v–10
Genres: Gloria (et in terra pax), Mass Ordinary
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra pax
10v–18 Missa de Beata Virgine (5vv) = Missa Domina: Credo: 4 partes Et iterum: 4 voces 5 -
Appears on: 10v–18
Genres: Credo (patrem omnipotentem), Mass Ordinary
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Patrem omnipotentem
18v–24 Missa de Beata Virgine (5vv) = Missa Domina: Sanctus with: Osanna, Benedictus: 4 voces 5 -
Appears on: 18v–24
Genres: Mass Ordinary, Sanctus [& Benedictus]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
25v–28 Missa J'ai veu le cerf: Kyrie 5 Clemens non Papa
Appears on: 25v–28
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Clemens non Papa
Number of voices: 5
Voice: [no designation]
Languages: Greek
Voice Text: Kyrie
28v–34 Missa J'ai veu le cerf: Gloria 5 -
Appears on: 28v–34
Genres: Gloria (et in terra pax), Mass Ordinary
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra pax
34v–41 Missa J'ai veu le cerf: Credo 5 -
Appears on: 34v–41
Genres: Credo (patrem omnipotentem), Mass Ordinary
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Patrem omnipotentem
41v–45 Missa J'ai veu le cerf: Sanctus 5 -
Appears on: 41v–45
Genres: Mass Ordinary, Sanctus [& Benedictus]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
45v–47 Missa J'ai veu le cerf: Agnus Dei 5 -
Appears on: 45v–47
Genres: Agnus Dei, Mass Ordinary
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei
48v–73 Missa Pro Fidelibus Defunctis 4 Anon. Anonymous
Appears on: 48v–73
Genres: Mass Ordinary
Source Attribution: Anon.
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Missa pro Fidelibus Defunctis
Layout

[Requiem] Eternam ff. 48v-50; Kyrie ff. 50v-51; [Si ambulem] In medio ff. 51v-54; [Sicut cervus] desiderat ff. 54v-59; Rex glorie ff. 59v-64; [Requiem eternam ...] Et lux perpetua ff. 64v-65; Sanctus ff. 65v-69; Agnus dei ff. 69v-73

74v–77 Requiem 4.4 - i. Requiem aeternam 6 Josquin des Pres/[Richafort]
Appears on: 74v–77
Genres: Introit, Requiem
Source Attribution: Josquin des Pres/[Richafort]
Number of voices: 6
Voice: [no designation]
Languages: Latin
Voice Text: [Requiem] eternam
77v–80 Requiem 4.4 - ii. Kyrie 6 -
Appears on: 77v–80
Genres: Kyrie eleison, Requiem
Number of voices: 6
Voice: [no designation]
Languages: Latin
Voice Text: Kyrie
80v–84 Requiem 4.4 - iii. Si ambulem 6 -
Appears on: 80v–84
Genres: Gradual, Requiem
Number of voices: 6
Voice: [no designation]
Languages: Latin
Voice Text: [Si ambulem] in medio
84v–90 Requiem 4.4 - iv. Domine Jesu Christe 6 -
Appears on: 84v–90
Genres: Offertory, Requiem
Number of voices: 6
Voice: [no designation]
Languages: Latin
Voice Text: [Doine Jesu Christe] Rex glorie
90v–92 Requiem 4.4 - v. Sanctus 6 -
Appears on: 90v–92
Genres: Requiem, Sanctus [& Benedictus]
Number of voices: 6
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
92v–94 Requiem 4.4 - vi. Agnus Dei 6 -
Appears on: 92v–94
Genres: Agnus Dei, Requiem
Number of voices: 6
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei
94v–96 Requiem 4.4 - vii. Lux aeterna 6 -
Appears on: 94v–96
Genres: Communion, Requiem
Number of voices: 6
Voice: [no designation]
Languages: Latin
Voice Text: [Lux perpetua] Luceat eis
97v–124 Missa Pastores loquebantur 6 Cornelius Canis
Appears on: 97v–124
Genres: Mass Ordinary
Source Attribution: Cornelius Canis
Number of voices: 6
Voice: [no designation]
Languages: Latin
Voice Text: Missa Pastores loquebantur
Layout

Kyrie ff. 97v-102; Gloria ff. 102v-108; Credo ff. 108v-117; Sanctus ff. 117v-121; Agnus ff. 121v-124

125v–129 Salve regina misericordiae Vita dulcedo (2p. Ad te suspiramus gementes et flentes; 3p. Et Jesum benedictum fructum ventris; 4p. O pia) 5 Anon. Anonymous
Appears on: 125v–129
Genres: Motet, Salve Regina
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordiae] Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jhesum benedictum fructum ventris IV: O pia
129v–134 Salve regina misericordiae Vita dulcedo (2p. Ad te suspiramus gementes et flentes; 3p. Et Jesum benedictum fructum ventris; 4p. O pia) 5 Anon. Anonymous
Appears on: 129v–134
Genres: Motet, Salve Regina
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordiae] Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jhesum benedictum fructum ventris IV: O pia
135v–139 Regina caeli Laetare Alleluia (2p. Resurrexit sicut dixit Alleluia) 5 Anon. Anonymous
Appears on: 135v–139
Genres: Motet, Regina caeli laetare
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: (Regina celi) Letare alleluya II: Resurrexit sicut dixit alleluya
General Note

Note: Discantus II is called "Secundus puer"

140v–144 Regina caeli Laetare Alleluia (2p. Resurrexit sicut dixit Alleluia) 4 Anon. Anonymous
Appears on: 140v–144
Genres: Motet, Regina caeli laetare
Source Attribution: Anon.
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare alleluya II: Resurrexit sicut dixit alleluya
144v–148 Regina caeli laetare Quia quem meruisti (2p. Ora pro nobis Deum Alleluia) 4 Anon. Anonymous
Appears on: 144v–148
Genres: Motet, Regina caeli laetare
Source Attribution: Anon.
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: [Regina celi letare] Quia quem meruisti II: Ora pro nobis deum alleluya
148v–152 Regina caeli laetare Quia quem meruisti (2p. Ora pro nobis Deum Alleluia) 6 Anon. Anonymous
Appears on: 148v–152
Genres: Motet, Regina caeli laetare
Source Attribution: Anon.
Number of voices: 6
Voice: [no designation]
Languages: Latin
Voice Text: [Regina celi letare] Quia quem meruisti II: Ora pro nobis deum alleluya
General Note

Note: Discantus II is labelled "Secundus puer"

152v–156 Regina caeli Laetare Alleluia (2p. Resurrexit sicut dixit Alleluia) 4 Anon. Anonymous
Appears on: 152v–156
Genres: Motet, Regina caeli laetare
Source Attribution: Anon.
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare alleluya II: Resurrexit sicut dixit [alleluya]
156v–160 Regina caeli Laetare Alleluia (2p. Resurrexit sicut dixit Alleluia) 4 Anon. Anonymous
Appears on: 156v–160
Genres: Motet, Regina caeli laetare
Source Attribution: Anon.
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare alleluya II: Resurrexit sicut dixit alleluia
160v–164 Regina caeli Laetare Alleluia (2p. Resurrexit sicut dixit Alleluia) 4 Anon. Anonymous
Appears on: 160v–164
Genres: Motet, Regina caeli laetare
Source Attribution: Anon.
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare alleluya II: Resurrexit sicut dixit alleluya
164v–168 Regina caeli laetare Alleluia / Surrexit Christus (2p. Resurrexit sicut dixit Alleluia) 5 Anon. Anonymous
Appears on: 164v–168
Genres: Motet, Regina caeli laetare
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare alleluya/Surrexit Christus II: Resurrexit sicut dixit alleluya
169v–173 Advenit ignis divinus - 1a pars (of 2): Advenit ignis divinus non comburens 5 Clemens non Papa
Appears on: 169v–173
Genres: Motet
Source Attribution: Clemens non Papa
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Advenit ignis divinus non comburens
173v–176 Advenit ignis divinus - 2a pars (of 2): Misit eos in mundum universum 5 -
Appears on: 173v–176
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Misit eos in mundum universum
177v–180 Domine probasti me - 1a pars (of 2): Domine probasti me 5 Clemens non Papa
Appears on: 177v–180
Genres: Motet
Source Attribution: Clemens non Papa
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Domine probasti me et cognovisti me
180v–183 Domine probasti me - 2a pars (of 2): Proba me Domini 5 -
Appears on: 180v–183
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Proba me domine et scito cor meum
183v–186 Dum complerentur dies Pentecostes erant omnes 5 [Arcadelt/Verdelot]
Appears on: 183v–186
Genres: Motet
Source Attribution: [Arcadelt/Verdelot]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Dum complerentur dies penthecostes erant
186v–191 Hodie completi sunt dies pentecostes 5 Anon. Anonymous
Appears on: 186v–191
Genres: Motet
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Hodie completi sunt dies penthecostes
191v–195 In te Domine speravi non confundar 5 Clemens non Papa
Appears on: 191v–195
Genres: Motet, Te Deum
Source Attribution: Clemens non Papa
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar
195v–198 O Maria vernans - 1a pars (of 2): O Maria vernans rosa porta caeli speciosa 5 Clemens non Papa
Appears on: 195v–198
Genres: Motet
Source Attribution: Clemens non Papa
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: O Maria vernans rosa porta celi speciosa
198v–202 O Maria vernans - 2a pars (of 2): Tu lux pulchra 5 -
Appears on: 198v–202
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Tu lux pulcra tu medela tu lux vera
202v–208 Gaude tu baptista Christi qui de sterili (2p. Gaude quod tu reprehendisti Herodem) 5 [Lupi]
Appears on: 202v–208
Genres: Motet
Source Attribution: [Lupi]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Gaude tu baptista Christi qui de sterili II: Gaude quod tu reprehendisti Herodem
209v–213 O bone Jesu - 1a pars (of 2): O bone Jesu duo in me agnosco naturam 5 Clemens non Papa
Appears on: 209v–213
Genres: Motet
Source Attribution: Clemens non Papa
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: O bone Jhesu duo in me agnosco
213v–216 O bone Jesu - 2a pars (of 2): Eia dulcissime Jesu 5 -
Appears on: 213v–216
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Eya dulcissime Jhesu tolle ex me
216v–224 Cum esset Anna amaro animo oravit (2p. Cognovit autem Helchana Annam; 3p. Deferens puerum Heli ait Anna) 5 Clemens non Papa/[Tubal]
Appears on: 216v–224
Genres: Motet
Source Attribution: Clemens non Papa/[Tubal]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Cum esset Anna amaro animo oravit II: Cognovit autem Helchana Annam III: Deferens puerum Heli ait Anna
224v–231 Sancta Dei genitrix virgo semper Maria (2p. Haec est illa regina virginum) 5 Joannes Lupi
Appears on: 224v–231
Genres: Motet
Source Attribution: Joannes Lupi
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Sancta dei genitrix virgo semper Maria II: Hec est illa regina virginum
231v–237 Stirps Jesse virgam produxit virgaque (2p. Virgo Dei genitrix virga est flos) 5 Joannes Lupi
Appears on: 231v–237
Genres: Motet
Source Attribution: Joannes Lupi
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Stirps Jesse virgam produxit virgaque II: Virgo dei genitrix virga est flos
237v–245 Stella maris luminosa virga florens (2p. O Maria singularis mater thori) 5 Joannes Lupi
Appears on: 237v–245
Genres: Motet
Source Attribution: Joannes Lupi
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Stella maris luminosa virga florens II: O Maria singularis mater thori
246v–250 Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo 5 Josquin
Appears on: 246v–250
Genres: Motet
Source Attribution: Josquin
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Huc me sidereo descendere iussit Olimpo
250v–252 Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit 5 -
Appears on: 250v–252
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Felle sitim magni regis satiavit
252v–255 Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus 6 Josquin
Appears on: 252v–255
Genres: Motet
Source Attribution: Josquin
Number of voices: 6
Voice: [no designation]
Languages: Latin
Voice Text: Preter rerum seriem parit deum
255v–258 Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud 6 -
Appears on: 255v–258
Genres: Motet
Number of voices: 6
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Virtus sancti spiritus opus illud
258v–261 Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem 5 Josquin
Appears on: 258v–261
Genres: Motet, Stabat Mater
Source Attribution: Josquin
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Stabat mater dolorosa iuxta crucem
261v–264 Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire 5 -
Appears on: 261v–264
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Eya mater fons amoris me sentire
264v–267 Vulnerasti cor meum - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa 5 Molu [= Moulu]
Appears on: 264v–267
Genres: Motet
Source Attribution: Molu [= Moulu]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Vulnerasti cor meum soror mea sponsa
267v–270 Vulnerasti cor meum - 2a pars (of 2): Et vox tua dulcis in auribus meis 5 -
Appears on: 267v–270
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Et vox tua dulcis in auribus meis
271v–276 Responde mihi quandas habeo iniquitates 14.11 (2p. Posuisti in nervo pedem meum) 4 [Josquin]
Appears on: 271v–276
Genres: Motet
Source Attribution: [Josquin]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Responde mihi quantas habeo iniquitates 14.11 II: Posuisti in nervo pedem meum
276v–282 Ecce nos reliquimus omnia et secuti (2p. Et omnis qui reliquerit domum) 4 Cricquillon/[Maistre Jhan]
Appears on: 276v–282
Genres: Motet
Source Attribution: Cricquillon/[Maistre Jhan]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Ecce nos reliquimus omnia et secuti II: Et omnis qui reliquerit domum
282v–288 Magnificat anima mea Dominum 4 Jheronimus Vinders
Appears on: 282v–288
Genres: BVM, Canticle, Magnificat
Source Attribution: Jheronimus Vinders
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat anima mea dominum
General Note

a motet setting in 3 partes, rather than the usual alternatim verse setting

288v–292 Domus mea domus orationis vocabitur 4 Clemens non Papa
Appears on: 288v–292
Genres: Motet
Source Attribution: Clemens non Papa
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Domus mea domus orationis vocabitur II: Petite et accipietis querite
292v–297 Domine pater et Deus vitae meae (2p. Non veniat mihi pes superbiae) 4 Clemens non Papa/[Crecquillon]
Appears on: 292v–297
Genres: Motet
Source Attribution: Clemens non Papa/[Crecquillon]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Domine pater et deus vite mee II: Non veniat mihi pes superbie
297v–303 Domine pater et Deus vitae meae (2p. Aufer a me veneris concupiscentias) 4 Cornelius Canis
Appears on: 297v–303
Genres: Motet
Source Attribution: Cornelius Canis
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Domine pater et deus vite mee II: Aufer a me veneris concupiscentias
303v–306 Stetit angelus - 1a pars (of 2): Stetit angelus juxta aram templi 5 [Jaquet of Mantua]
Appears on: 303v–306
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Stetit angelus iuxta ara[m] templi
306v–309 Stetit angelus - 2a pars (of 2): Michael [archangele] Gabriel cherubin et seraphin 5 -
Appears on: 306v–309
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Michael Gabriel cherubin et seraphin
309v–312 Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra 5 Clemens non Papa
Appears on: 309v–312
Genres: Motet
Source Attribution: Clemens non Papa
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Concussum est mare et contremuit terra
312v–315 Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret 5 -
Appears on: 312v–315
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Factum est silentium in celo
316v–322 Te matrem Dei laudamus te Mariam 4 Anon. Anonymous
Appears on: 316v–322
Genres: Motet
Source Attribution: Anon.
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Te matrem dei laudamus te Mariam
Concordances

Concordant with (contrafactum of) the 'Te Deum' setting in ms 1442

[324] Colophon: "Scribebat ... Anthonius de Blauwe ... Anno 1559" - - -

Colophon: "Scribebat ... Anthonius de Blauwe ... Anno 1559"

Appears on: [324]
Voice: [no designation]
Languages: Latin
Voice Text: Colophon: "Scribebat ... Anthonius de Blauwe ... Anno 1559"
Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507-1568)
Canis, Cornelius
Clemens non Papa, Jacob (ca. 1510-ca. 1556)
Crecquillon, Thomas (ca. 1505-ca. 1557)
Despres, Josquin (ca. 1450-1521)
Ferrara, Maistre Jhan of (ca. 1485-1538)
Lupi, Johannes (ca. 1506-1539)
Mantua, Jacquet de (1483-1559)
Morales, Cristóbal de (ca. 1500-1553)
Moulu, Pierre (ca. 1484-ca. 1550)
Richafort, Jean (ca. 1480-ca. 1550)
Tubal, Adrian
Verdelot, Philippe (ca. 1480-ca. 1532)
Vinders, Jheronimus (c1525-1526)
Composition Composers (? Uncertain) Folios / Pages
Advenit ignis divinus - 1a pars (of 2): Advenit ignis divinus non comburens 169v–173
Advenit ignis divinus - 2a pars (of 2): Misit eos in mundum universum 173v–176
Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra 309v–312
Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret 312v–315
Cum esset Anna amaro animo oravit (2p. Cognovit autem Helchana Annam; 3p. Deferens puerum Heli ait Anna) 216v–224
Domine pater et Deus vitae meae (2p. Aufer a me veneris concupiscentias) 297v–303
Domine pater et Deus vitae meae (2p. Non veniat mihi pes superbiae) 292v–297
Domine probasti me - 1a pars (of 2): Domine probasti me 177v–180
Domine probasti me - 2a pars (of 2): Proba me Domini 180v–183
Domus mea domus orationis vocabitur 288v–292
Dum complerentur dies Pentecostes erant omnes 183v–186
Ecce nos reliquimus omnia et secuti (2p. Et omnis qui reliquerit domum) 276v–282
Gaude tu baptista Christi qui de sterili (2p. Gaude quod tu reprehendisti Herodem) 202v–208
Hodie completi sunt dies pentecostes Anonymous 186v–191
Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo 246v–250
Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit 250v–252
In te Domine speravi non confundar 191v–195
Magnificat anima mea Dominum 282v–288
Missa de Beata Virgine (5vv) = Missa Domina: Credo: 4 partes Et iterum: 4 voces 10v–18
Missa de Beata Virgine (5vv) = Missa Domina: Gloria [Tro] Spiritus et alme 4v–10
Missa de Beata Virgine (5vv) = Missa Domina: Kyrie 1v–4
Missa de Beata Virgine (5vv) = Missa Domina: Sanctus with: Osanna, Benedictus: 4 voces 18v–24
Missa J'ai veu le cerf: Agnus Dei 45v–47
Missa J'ai veu le cerf: Credo 34v–41
Missa J'ai veu le cerf: Gloria 28v–34
Missa J'ai veu le cerf: Kyrie 25v–28
Missa J'ai veu le cerf: Sanctus 41v–45
Missa Pastores loquebantur 97v–124
Missa Pro Fidelibus Defunctis Anonymous 48v–73
O bone Jesu - 1a pars (of 2): O bone Jesu duo in me agnosco naturam 209v–213
O bone Jesu - 2a pars (of 2): Eia dulcissime Jesu 213v–216
O Maria vernans - 1a pars (of 2): O Maria vernans rosa porta caeli speciosa 195v–198
O Maria vernans - 2a pars (of 2): Tu lux pulchra 198v–202
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus 252v–255
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud 255v–258
Regina caeli Laetare Alleluia (2p. Resurrexit sicut dixit Alleluia) Anonymous 135v–139
Regina caeli Laetare Alleluia (2p. Resurrexit sicut dixit Alleluia) Anonymous 140v–144
Regina caeli Laetare Alleluia (2p. Resurrexit sicut dixit Alleluia) Anonymous 152v–156
Regina caeli Laetare Alleluia (2p. Resurrexit sicut dixit Alleluia) Anonymous 156v–160
Regina caeli Laetare Alleluia (2p. Resurrexit sicut dixit Alleluia) Anonymous 160v–164
Regina caeli laetare Alleluia / Surrexit Christus (2p. Resurrexit sicut dixit Alleluia) Anonymous 164v–168
Regina caeli laetare Quia quem meruisti (2p. Ora pro nobis Deum Alleluia) Anonymous 144v–148
Regina caeli laetare Quia quem meruisti (2p. Ora pro nobis Deum Alleluia) Anonymous 148v–152
Requiem 4.4 - i. Requiem aeternam 74v–77
Requiem 4.4 - ii. Kyrie 77v–80
Requiem 4.4 - iii. Si ambulem 80v–84
Requiem 4.4 - iv. Domine Jesu Christe 84v–90
Requiem 4.4 - v. Sanctus 90v–92
Requiem 4.4 - vi. Agnus Dei 92v–94
Requiem 4.4 - vii. Lux aeterna 94v–96
Responde mihi quandas habeo iniquitates 14.11 (2p. Posuisti in nervo pedem meum) 271v–276
Salve regina misericordiae Vita dulcedo (2p. Ad te suspiramus gementes et flentes; 3p. Et Jesum benedictum fructum ventris; 4p. O pia) Anonymous 125v–129
Salve regina misericordiae Vita dulcedo (2p. Ad te suspiramus gementes et flentes; 3p. Et Jesum benedictum fructum ventris; 4p. O pia) Anonymous 129v–134
Sancta Dei genitrix virgo semper Maria (2p. Haec est illa regina virginum) 224v–231
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem 258v–261
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire 261v–264
Stella maris luminosa virga florens (2p. O Maria singularis mater thori) 237v–245
Stetit angelus - 1a pars (of 2): Stetit angelus juxta aram templi 303v–306
Stetit angelus - 2a pars (of 2): Michael [archangele] Gabriel cherubin et seraphin 306v–309
Stirps Jesse virgam produxit virgaque (2p. Virgo Dei genitrix virga est flos) 231v–237
Te matrem Dei laudamus te Mariam Anonymous 316v–322
Vulnerasti cor meum - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa 264v–267
Vulnerasti cor meum - 2a pars (of 2): Et vox tua dulcis in auribus meis 267v–270

denotes primary source study

Jas, Eric. 2018. Piety and Polyphony in Sixteenth-Century Holland: The Choirbooks of St Peter's Church, Leiden. Studies in Medieval and Renaissance Music. 432. Boydell Press. Pages: 98-105, 254-266 & passim. Notes: physical decsription, contents list; concordances, facsimiles (partial), discussion.

Blackburn, Bonnie J (editor). 1980-. Johannes Lupi: Opera Omnia. Corpus mensurabilis musicae, vol. 84.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xxiv-xxv,xxvii-xxviii; II,xviii-xix,xxiii-xxiv. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Rudolf, Homer. 1977. The Life and Works of Cornelius Canis. University of Illinois, Unpublished Ph.D. dissertation. Pages: 192,224,488,514-6,547. Notes: mention of MS; contents list (partial); incipits (partial).

Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies, vol. 21.  Brooklyn. Pages: I,12-4; IV,ii,29-37, Plate XXXIV.

Versprille, Annie J. 1965. De Geschiedenis van de Leidse Motetboeken. Jaarboekje voor Geschiedenis en Oudheidkunde van Leiden en Omstreken, 57: 100-5. Notes: physical description (partial); additional bibliography.

Kempers, Karel Philippus Bernet, and Chris J. Maas (editors). 1951-76. Jacobus Clemens non Papa: Opera Omnia. Corpus mensurabilis musicae, vol. 4.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI,ii, 137-9; XXI, xiii, 109-19,128-33.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: XIII, Tafel 9.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: VI,vi; VII,v; VIII,v.

Overvoorde, J C. 1914. Catalogus van Voorwerpen in het Stedelijk Museum "De Lakenhal" te Leiden.  Leiden. Pages: 71-2.

Land, J P N. 1874-81. De Koorboeken van de St. Pieterskerk te Leiden. Bouwsteenen, 3: 37-48.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

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