NL-L MS 1438

Gemeentearchief; Archieven van de Kerken, Leiden, Netherlands

manuscript of polyphony: 1549

Archive Gemeentearchief; Archieven van de Kerken, Leiden, Netherlands (NL-L)
Shelfmark MS 1438
Image Availability DIAMM does not have images of this source.
Surface Mixed Paper and Parchment
Numbering System Foliation
Measurements 562 x 398 mm
Other Identifiers
  • CCM: LeidGA 1438
  • olim (Former shelfmark): A; 422; 760; 861; 1003
Copyists
Relationships
External Links
Provenance
  • Netherlands
Contents 100 pieces from 15 composers
General Description

Copied by Anthonius de Blauwe, identified in colophon on recto of rear parchment flyleaf: 'Scribebat hoc Insigne opus musicum. Anthonius de blauwe. Ad honorem et usum sacre aedis divi petri. Theodorico Wilhelmi. Johanni de Brouchouen. Adriano Ysbrandi. Hugoni Wilhelmi. Prefectis hor arum eiusdem templi. Anno. 1549.' Blauwe also copied LeidGA 1439 and LeidSM 1440. Copied in Leiden, for use at St. Peter's Church. Transferred in 1578 to Town Hall, along with LeidGA 1439, 1441, 1442, 1443, and LeidSM 1440; same group moved to Stedelijk Museum in de Lakenhal in 1874. LeidSM 1440 remains at Stedelijk Museum; other manuscripts transferred to Gemeentearchief in 1931.

DIAMM, 2017
Binding

Restored and rebound in 1964 in new covers of brown leather on oak boards, tooled with classical busts; brass corners and clasps.

DIAMM, 2017
Watermark

anchor in circle (not in Briquet or Mosin)

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Original ink foliation, 1-300 (omits one blank folio following ff. 188, 206, 230, 253, and 277, respectively); new pencil foliation, 301-302.

DIAMM, 2017
Decoration

Large inked calligraphic initials; some voice designations and other indications in red ink

DIAMM, 2017
Index

Original index on verso of fourth and recto of fifth flyleaf gives number of voices for each piece and some attributions; motets listed alphabetically by title, Masses in order of appearance

DIAMM, 2017
Surface

iii paper + i parchment + i paper + 307 paper + i paper + i parchment + i paper

DIAMM, 2017
DIAMM Note

(Inventory from Christoph Burmester & JasPP)

DIAMM, 2024
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses, 38 motets = 41

Appenzeller [Benedictus]-1, Clemens non Papa-2, Clemens non Papa/(Crecquillon)-1, Cleve [Johannes Cleeff]-1, Crecquillon-18, Crecquillon/(Clemens non Papa)-1, Gombert-1, C. Hollander-1, Lupi-1, (Lupus/Richafort)-1, Manchicourt-2, Joannes de Monte [Joachimus de Monte]-4, Mouton-1, Richafort-1, anon-5

iii paper + i parchment + i paper + 307 paper + i paper + i parchment + it paper folios, 562 x 398. Original ink foliation, 1-300 (omits one blank folio following ff. 188, 206, 230, 253, and 277, respectively); new pencil foliation, 301-302. Restored and rebound in 1964 in new covers of brown leather on oak boards, tooled with classical busts; brass corners and clasps. Original index on verso of fourth and recto of fifth flyleaf gives number of voices for each piece and some attributions; motets listed alphabetically by title, Masses in order of appearance. Copied by Anthonius de Blauwe, identified in colophon on recto of rear parchment flyleaf: "Scribebat hoc Insigne opus musicum. Anthonius de blauwe. Ad honorem et usum sacre aedis divi petri. Theodorico Wilhelmi. Johanni de Brouchouen. Adriano Ysbrandi. Hugoni Wilhelmi. Prefectis hor arum eiusdem templi. Anno. 1549." Blauwe also copied LeidGA 1439 and LeidSM 1440. Large inked calligraphic initials; some voice designations and other indications in red ink. Watermark: anchor in circle (not in Briquet or Mosin).

1549 (colophon). Copied in Leiden, for use at St. Peter's Church. Transferred in 1578 to Town Hall, along with LeidGA 1439, 1441, 1442, 1443, and LeidSM 1440; same group moved to Stedelijk Museum in de Lakenhal in 1874. LeidSM 1440 remains at Stedelijk Museum; other manuscripts transferred to Gemeentearchief in 1931.

Vol 4

Contents: 4 Masses, 37 motets = 41

Composers: Change "Appenzeller [Benedictus]-1" to "Appenzeller [Benedictus]/ (Werrecore)-1"; change "Joannes de Monte [Joachimus de Monte]-4" to "Joachimus de Monte-3, Joachimus de Monte/(Simonides)-1."

Provenance: Copied in Amsterdam (VersprilleG); commissioned and used by St. Peter's Church, in Leiden.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
i(v)–ii index - -

index

Appears on: i(v)–ii
1v–4 Peccata mea - 1a pars (of 2): Peccata mea Domine Johannes Cleeff
Appears on: 1v–4
Genres: Motet
Source Attribution: Johannes Cleeff
4v–6 Peccata mea - 2a pars (of 2): Quoniam iniquitatem -
Appears on: 4v–6
Genres: Motet
6v–9 Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require Thomas Cricquillon
Appears on: 6v–9
Genres: Motet
Source Attribution: Thomas Cricquillon
9v–11 Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias -
Appears on: 9v–11
Genres: Motet
11v–15 Ecce ego mitto - 1a pars (of 2): Ecce ego mitto vos Thomas Cricquillon
Appears on: 11v–15
Genres: Motet
Source Attribution: Thomas Cricquillon
15v–18 Ecce ego mitto - 2a pars (of 2): Dum lucem habeatis -
Appears on: 15v–18
Genres: Motet
18v–21 Justum deduxit - 1a pars (of 2): Justum deduxit Dominus per vias rectas Thomas Cricquillon
Appears on: 18v–21
Genres: Motet
Source Attribution: Thomas Cricquillon
21v–24 Justum deduxit - 2a pars (of 2): Iste est qui ante Deum magna -
Appears on: 21v–24
Genres: Motet
24v–26 Delectare in Domino - 1a pars (of 2): Delectare in Domino et dabit tibi Thomas Cricquillon
Appears on: 24v–26
Genres: Motet
Source Attribution: Thomas Cricquillon
26v–28 Delectare in Domino - 2a pars (of 2): Et educet quasi lumen justitiam -
Appears on: 26v–28
Genres: Motet
28v–31 Servus tuus - 1a pars (of 2): Servus tuus ego sum da mihi intellectum Thomas Cricquillon
Appears on: 28v–31
Genres: Motet
Source Attribution: Thomas Cricquillon
31v–33 Servus tuus - 2a pars (of 2): Declaratio sermonum tuorum illuminat -
Appears on: 31v–33
Genres: Motet
33v–36 Recordare Domine - 1a pars (of 2): Recordare Domine Thomas Cricquillon
Appears on: 33v–36
Genres: Motet
Source Attribution: Thomas Cricquillon
36v–39 Recordare Domine - 2a pars (of 2): Propterea maestum -
Appears on: 36v–39
Genres: Motet
39v–41 Omnis terra adoret - 1a pars (of 2): Omnis terra adoret te (anon) Anonymous
Appears on: 39v–41
Genres: Motet
Source Attribution: (anon)
41v–44 Omnis terra adoret - 2a pars (of 2): Rex pacificus - Anonymous
Appears on: 41v–44
Genres: Motet
44v–46 O magnum mysterium - 1a pars (of 2): O magnum mysterium o admirabile sacramentum Benedictus
Appears on: 44v–46
Genres: Motet
Source Attribution: Benedictus
46v–48 O magnum mysterium - 2a pars (of 2): Ave Maria gratia plena Dominus tecum -
Appears on: 46v–48
Genres: Ave Maria, Motet
48v–51 Quem dicunt homines - 1a pars (of 2): Quem dicunt homines Johannes Richafort
Appears on: 48v–51
Genres: Motet
Source Attribution: Johannes Richafort
51v–54 Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit -
Appears on: 51v–54
Genres: Motet
54v–55 [blank pages] - -

[blank pages]

Appears on: 54v–55
55v–58 Memento salutis - 1a pars (of 2): Memento salutis auctor (anon)
Appears on: 55v–58
Genres: Motet
Source Attribution: (anon)
58v–61 Memento salutis - 2a pars (of 2): Maria mater gratiae -
Appears on: 58v–61
Genres: Motet
61v–64 Veni in hortum - 1a pars (of 2): Veni in hortum meum Thomas Cricquillon
Appears on: 61v–64
Genres: Motet
Source Attribution: Thomas Cricquillon
64v–67 Veni in hortum - 2a pars (of 2): In lectulo meo -
Appears on: 64v–67
Genres: Motet
67v–70 Ave stella matutina - 1a pars (of 2): Ave stella matutina Thomas Cricquillon
Appears on: 67v–70
Genres: Motet
Source Attribution: Thomas Cricquillon
70v–72 Ave stella matutina - 2a pars (of 2): O mater Dei electa -
Appears on: 70v–72
Genres: Motet
72v–75 Nigra sum - 1a pars (of 2): Nigra sum sed formosa Thomas Cricquillon
Appears on: 72v–75
Genres: Motet
Source Attribution: Thomas Cricquillon
75v–78 Nigra sum - 2a pars (of 2): Posuerunt me custodem in vinis -
Appears on: 75v–78
Genres: Motet
78v–81 Ave virgo gloriosa - 1a pars (of 2): Ave virgo gloriosa Thomas Cricquillon
Appears on: 78v–81
Genres: Motet
Source Attribution: Thomas Cricquillon
81v–84 Ave virgo gloriosa - 2a pars (of 2): Omnis sanctus -
Appears on: 81v–84
Genres: Motet
84v–87 Domine Deus (5vv) - 1a pars (of 2): Domine Deus omnipotens (or, Domine Deus qui conteris) Thomas Cricquillon
Appears on: 84v–87
Genres: Motet
Source Attribution: Thomas Cricquillon
87v–90 Domine Deus (5vv) - 2a pars (of 2): Allide virtutem illorum -
Appears on: 87v–90
Genres: Motet
90v–93 Domine Jesu Christe - 1a pars (of 2): Domine Jesu Christe Thomas Cricquillon
Appears on: 90v–93
Genres: Motet
Source Attribution: Thomas Cricquillon
93v–96 Domine Jesu Christe - 2a pars (of 2): Dum aurora finem daret -
Appears on: 93v–96
Genres: Motet
96v–99 Venite et videte - 1a pars (of 2): Venite et videte Thomas Cricquillon
Appears on: 96v–99
Source Attribution: Thomas Cricquillon
99–101 Venite et videte - 2a pars (of 2): Videntes sic admirati sunt -
Appears on: 99–101
Genres: Motet
101v–102 Domini sunt cardines - 1a pars (of 2): Domini sunt cardines Thomas Cricquillon
Appears on: 101v–102
Genres: Motet
Source Attribution: Thomas Cricquillon
General Note

incomplete: a folio is missing between f. 101v and f. 102

102v–104 Domini sunt cardines - 2a pars (of 2): Non in fortitudine -
Appears on: 102v–104
Genres: Motet
104v–107 Ave bissus castitatis - 1a pars (of 2): Ave bissus castitatis Thomas Cricquillon
Appears on: 104v–107
Genres: Motet
Source Attribution: Thomas Cricquillon
General Note

The etxt is ordered alphabetically: "Ave bissus castitatis ... Quaeso rosa sanitatis ..."

107v–110 Ave bissus castitatis - 2a pars (of 2): Quaeso rosa sanitatis -
Appears on: 107v–110
Genres: Motet
110v–112 Deus virtutum - 1a pars (of 2): Deus virtutum convertere respice de caelo Thomas Cricquillon
Appears on: 110v–112
Genres: Motet
Source Attribution: Thomas Cricquillon
112v–115 Deus virtutum - 2a pars (of 2): Et perfice eam -
Appears on: 112v–115
Genres: Motet
115v–118 Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem Johannes Lupi
Appears on: 115v–118
Genres: Motet
Source Attribution: Johannes Lupi
118v–121 Vidi speciosam - 2a pars (of 2): Quae est ista quae processit sicut -
Appears on: 118v–121
Genres: Motet
121v–124 Ego sum panis - 1a pars (of 3): Ego sum panis vitae C hollander
Appears on: 121v–124
Genres: Motet
Source Attribution: C hollander
124v–125 Ego sum panis - 2a pars (of 3): Ego sum panis vivus -
Appears on: 124v–125
Genres: Motet
125v–127 Ego sum panis - 3a pars (of 3): Gloria Patri -
Appears on: 125v–127
Genres: Doxology, Motet
127v–130 Mane nobiscum Domine - 1a pars (of 2): Mane nobiscum Domine quoniam advesperascit Clemens non papa
Appears on: 127v–130
Genres: Motet
Source Attribution: Clemens non papa
130v–134 Mane nobiscum Domine - 2a pars (of 2): Et intravit cum eis et factum est -
Appears on: 130v–134
Genres: Motet
134v–137 Angelus Domini - 1a pars (of 2): Angelus Domini descendit de caelo Joachimus de monte
Appears on: 134v–137
Genres: Motet
Source Attribution: Joachimus de monte
137v–140 Angelus Domini - 2a pars (of 2): Angelus Domini locutus est -
Appears on: 137v–140
Genres: Motet
140v–143 Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis jam non Joachimus de monte
Appears on: 140v–143
Genres: Motet
Source Attribution: Joachimus de monte
143v–146 Christus resurgens - 2a pars (of 2): Mortuus est enim propter delicta -
Appears on: 143v–146
Genres: Motet
146v–148 Jam non dicam - 1a pars (of 2): Jam non dicam vos servos (anon)
Appears on: 146v–148
Genres: Motet
Source Attribution: (anon)
148v–150 Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis -
Appears on: 148v–150
Genres: Motet
150v–154 Salvatorem expectamus Dominum nostrum Thomas Cricquillon
Appears on: 150v–154
Genres: Motet
Source Attribution: Thomas Cricquillon
154v–156 Cum inducerent puerum - 1a pars (of 2): Cum inducerent puerum (anon) Anonymous
Appears on: 154v–156
Genres: Motet
Source Attribution: (anon)
156v–159 Cum inducerent puerum - 2a pars (of 2): Senex puerum portabat - Anonymous
Appears on: 156v–159
Genres: Motet
159v–161 Benedictus Dominus - 1a pars (of 2): Benedictus Dominus Deus Israel Jochimus de monte [sic]
Appears on: 159v–161
Genres: Motet
Source Attribution: Jochimus de monte [sic]
161v–163 Benedictus Dominus - 2a pars (of 2): Replebitur maiestati -
Appears on: 161v–163
Genres: Motet
163v–166 Consolamini fillii - 1a pars (of 2): Consolamini filii Sion (anon) Anonymous
Appears on: 163v–166
Genres: Motet
Source Attribution: (anon)
166v–169 Consolamini fillii - 2a pars (of 2): Consolamini ergo omnes - Anonymous
Appears on: 166v–169
Genres: Motet
169v–172 Ite in orbem universum - 1a pars (of 2): Ite in orbem universum praedicate dicentes (anon)
Appears on: 169v–172
Genres: Motet
Source Attribution: (anon)
172v–176 Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt -
Appears on: 172v–176
176v–179 Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis Jo. De Monte
Appears on: 176v–179
Genres: Motet
Source Attribution: Jo. De Monte
179v–182 Surge Petre - 2a pars (of 2): Angelus Domini astitit -
Appears on: 179v–182
Genres: Motet
182v–185 Vere Dominus - 1a pars (of 2): Vere Dominus est in loco isto et ego Manchicourt
Appears on: 182v–185
Genres: Motet
Source Attribution: Manchicourt
185v–188 Vere Dominus - 2a pars (of 2): Haec est domus Domini firmiter -
Appears on: 185v–188
Genres: Motet
188v–188a [blank pages] - -

[blank pages]

Appears on: 188v–188a
188a (v)–191 Ave, salutis janua - 1a pars (of 2): Ave, salutis janua Thomas Cricquillon
Appears on: 188a (v)–191
Genres: Motet
Source Attribution: Thomas Cricquillon
191v–195 Ave, salutis janua - 2a pars (of 2): Misterium mirabile -
Appears on: 191v–195
Genres: Motet
195v–198 Reges terrae - 1a pars (of 2): Reges terrae congregati sunt Petrus Manchicourt
Appears on: 195v–198
Genres: Motet
Source Attribution: Petrus Manchicourt
198v–201 Reges terrae - 2a pars (of 2): Et venientes invenerunt puerum -
Appears on: 198v–201
Genres: Motet
201v–206 Ave mundi spes Maria ave mitis ave pia Clemens Non papa
Appears on: 201v–206
Genres: Motet
Source Attribution: Clemens Non papa
206v–206a [blank pages] - -

[blank pages]

Appears on: 206v–206a
206a (v)–209 Missa Beati omnes: Kyrie Nicola: Gombert
Appears on: 206a (v)–209
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Nicola: Gombert
209v–215 Missa Beati omnes: Gloria -
Appears on: 209v–215
Genres: Gloria (et in terra pax), Mass Ordinary
215v–223 Missa Beati omnes: Credo -
Appears on: 215v–223
Genres: Credo (patrem omnipotentem), Mass Ordinary
223v–227 Missa Beati omnes: Sanctus -
Appears on: 223v–227
Genres: Mass Ordinary, Sanctus [& Benedictus]
227v–230 Missa Beati omnes: Agnus Dei -
Appears on: 227v–230
Genres: Agnus Dei, Mass Ordinary
230v–230a [blank pages] - -

[blank pages]

Appears on: 230v–230a
230a (v)–233 Missa [NL-L 1438]: Kyrie - Anonymous
Appears on: 230a (v)–233
Genres: Kyrie eleison, Mass Ordinary
233v–239 Missa [NL-L 1438]: Gloria - Anonymous
Appears on: 233v–239
Genres: Gloria (et in terra pax), Mass Ordinary
239v–248 Missa [NL-L 1438]: Credo - Anonymous
Appears on: 239v–248
Genres: Credo (patrem omnipotentem), Mass Ordinary
248v–252 Missa [NL-L 1438]: Sanctus - Anonymous
Appears on: 248v–252
Genres: Mass Ordinary, Sanctus [& Benedictus]
252v–253 Missa [NL-L 1438]: Agnus Dei - Anonymous
Appears on: 252v–253
Genres: Agnus Dei, Mass Ordinary
253v–253a [blank pages] - -

[blank pages]

Appears on: 253v–253a
253a (v)–256 Missa Faulte d'argent: Kyrie Johannes Mouton
Appears on: 253a (v)–256
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Johannes Mouton
256v–262 Missa Faulte d'argent: Gloria -
Appears on: 256v–262
Genres: Gloria (et in terra pax), Mass Ordinary
262v–269 Missa Faulte d'argent: Credo -
Appears on: 262v–269
Genres: Credo (patrem omnipotentem), Mass Ordinary
269v–273 Missa Faulte d'argent: Sanctus -
Appears on: 269v–273
Genres: Mass Ordinary, Sanctus [& Benedictus]
273v–277 Missa Faulte d'argent: Agnus Dei -
Appears on: 273v–277
Genres: Agnus Dei, Mass Ordinary
277v–277a [blank pages] - -

[blank pages]

Appears on: 277v–277a
277a (v)–280 Missa Sex vocum: Kyrie (anon) Anonymous
Appears on: 277a (v)–280
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: (anon)
280v–285 Missa Sex vocum: Gloria - Anonymous
Appears on: 280v–285
Genres: Gloria (et in terra pax), Mass Ordinary
285v–294 Missa Sex vocum: Credo - Anonymous
Appears on: 285v–294
Genres: Credo (patrem omnipotentem), Mass Ordinary
294v–300 Missa Sex vocum: Sanctus - Anonymous
Appears on: 294v–300
Genres: Mass Ordinary, Sanctus [& Benedictus]
300v–302 Missa Sex vocum: Agnus Dei - Anonymous
Appears on: 300v–302
Genres: Agnus Dei, Mass Ordinary
Composer Compositions
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cleve, Johannes de (ca. 1528–1582)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Hollander, Christian
Lupi, Johannes (ca. 1506–1539)
Manchicourt, Pierre de
Monte, Joachimus de
Mouton, Jean (ca. 1459–1522)
Petit (de Latre), Jehan
Richafort, Jean (ca. 1480–ca. 1550)
Werrecore, Matthias Hermann
Composition Composers (? Uncertain) Folios / Pages
Angelus Domini - 1a pars (of 2): Angelus Domini descendit de caelo 134v–137
Angelus Domini - 2a pars (of 2): Angelus Domini locutus est 137v–140
Ave bissus castitatis - 1a pars (of 2): Ave bissus castitatis 104v–107
Ave bissus castitatis - 2a pars (of 2): Quaeso rosa sanitatis 107v–110
Ave mundi spes Maria ave mitis ave pia 201v–206
Ave stella matutina - 1a pars (of 2): Ave stella matutina 67v–70
Ave stella matutina - 2a pars (of 2): O mater Dei electa 70v–72
Ave virgo gloriosa - 1a pars (of 2): Ave virgo gloriosa 78v–81
Ave virgo gloriosa - 2a pars (of 2): Omnis sanctus 81v–84
Ave, salutis janua - 1a pars (of 2): Ave, salutis janua 188a (v)–191
Ave, salutis janua - 2a pars (of 2): Misterium mirabile 191v–195
Benedictus Dominus - 1a pars (of 2): Benedictus Dominus Deus Israel 159v–161
Benedictus Dominus - 2a pars (of 2): Replebitur maiestati 161v–163
Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis jam non 140v–143
Christus resurgens - 2a pars (of 2): Mortuus est enim propter delicta 143v–146
Consolamini fillii - 1a pars (of 2): Consolamini filii Sion Anonymous 163v–166
Consolamini fillii - 2a pars (of 2): Consolamini ergo omnes Anonymous 166v–169
Cum inducerent puerum - 1a pars (of 2): Cum inducerent puerum Anonymous 154v–156
Cum inducerent puerum - 2a pars (of 2): Senex puerum portabat Anonymous 156v–159
Delectare in Domino - 1a pars (of 2): Delectare in Domino et dabit tibi 24v–26
Delectare in Domino - 2a pars (of 2): Et educet quasi lumen justitiam 26v–28
Deus virtutum - 1a pars (of 2): Deus virtutum convertere respice de caelo 110v–112
Deus virtutum - 2a pars (of 2): Et perfice eam 112v–115
Domine Deus (5vv) - 1a pars (of 2): Domine Deus omnipotens (or, Domine Deus qui conteris) 84v–87
Domine Deus (5vv) - 2a pars (of 2): Allide virtutem illorum 87v–90
Domine Jesu Christe - 1a pars (of 2): Domine Jesu Christe 90v–93
Domine Jesu Christe - 2a pars (of 2): Dum aurora finem daret 93v–96
Domini sunt cardines - 1a pars (of 2): Domini sunt cardines 101v–102
Domini sunt cardines - 2a pars (of 2): Non in fortitudine 102v–104
Ecce ego mitto - 1a pars (of 2): Ecce ego mitto vos 11v–15
Ecce ego mitto - 2a pars (of 2): Dum lucem habeatis 15v–18
Ego sum panis - 1a pars (of 3): Ego sum panis vitae 121v–124
Ego sum panis - 2a pars (of 3): Ego sum panis vivus 124v–125
Ego sum panis - 3a pars (of 3): Gloria Patri 125v–127
Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require 6v–9
Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias 9v–11
Ite in orbem universum - 1a pars (of 2): Ite in orbem universum praedicate dicentes 169v–172
Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt 172v–176
Jam non dicam - 1a pars (of 2): Jam non dicam vos servos 146v–148
Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis 148v–150
Justum deduxit - 1a pars (of 2): Justum deduxit Dominus per vias rectas 18v–21
Justum deduxit - 2a pars (of 2): Iste est qui ante Deum magna 21v–24
Mane nobiscum Domine - 1a pars (of 2): Mane nobiscum Domine quoniam advesperascit 127v–130
Mane nobiscum Domine - 2a pars (of 2): Et intravit cum eis et factum est 130v–134
Memento salutis - 1a pars (of 2): Memento salutis auctor 55v–58
Memento salutis - 2a pars (of 2): Maria mater gratiae 58v–61
Missa [NL-L 1438]: Agnus Dei Anonymous 252v–253
Missa [NL-L 1438]: Credo Anonymous 239v–248
Missa [NL-L 1438]: Gloria Anonymous 233v–239
Missa [NL-L 1438]: Kyrie Anonymous 230a (v)–233
Missa [NL-L 1438]: Sanctus Anonymous 248v–252
Missa Beati omnes: Agnus Dei 227v–230
Missa Beati omnes: Credo 215v–223
Missa Beati omnes: Gloria 209v–215
Missa Beati omnes: Kyrie 206a (v)–209
Missa Beati omnes: Sanctus 223v–227
Missa Faulte d'argent: Agnus Dei 273v–277
Missa Faulte d'argent: Credo 262v–269
Missa Faulte d'argent: Gloria 256v–262
Missa Faulte d'argent: Kyrie 253a (v)–256
Missa Faulte d'argent: Sanctus 269v–273
Missa Sex vocum: Agnus Dei Anonymous 300v–302
Missa Sex vocum: Credo Anonymous 285v–294
Missa Sex vocum: Gloria Anonymous 280v–285
Missa Sex vocum: Kyrie Anonymous 277a (v)–280
Missa Sex vocum: Sanctus Anonymous 294v–300
Nigra sum - 1a pars (of 2): Nigra sum sed formosa 72v–75
Nigra sum - 2a pars (of 2): Posuerunt me custodem in vinis 75v–78
O magnum mysterium - 1a pars (of 2): O magnum mysterium o admirabile sacramentum 44v–46
O magnum mysterium - 2a pars (of 2): Ave Maria gratia plena Dominus tecum 46v–48
Omnis terra adoret - 1a pars (of 2): Omnis terra adoret te Anonymous 39v–41
Omnis terra adoret - 2a pars (of 2): Rex pacificus Anonymous 41v–44
Peccata mea - 1a pars (of 2): Peccata mea Domine 1v–4
Peccata mea - 2a pars (of 2): Quoniam iniquitatem 4v–6
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines 48v–51
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit 51v–54
Recordare Domine - 1a pars (of 2): Recordare Domine 33v–36
Recordare Domine - 2a pars (of 2): Propterea maestum 36v–39
Reges terrae - 1a pars (of 2): Reges terrae congregati sunt 195v–198
Reges terrae - 2a pars (of 2): Et venientes invenerunt puerum 198v–201
Salvatorem expectamus Dominum nostrum 150v–154
Servus tuus - 1a pars (of 2): Servus tuus ego sum da mihi intellectum 28v–31
Servus tuus - 2a pars (of 2): Declaratio sermonum tuorum illuminat 31v–33
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis 176v–179
Surge Petre - 2a pars (of 2): Angelus Domini astitit 179v–182
Veni in hortum - 1a pars (of 2): Veni in hortum meum 61v–64
Veni in hortum - 2a pars (of 2): In lectulo meo 64v–67
Venite et videte - 1a pars (of 2): Venite et videte 96v–99
Venite et videte - 2a pars (of 2): Videntes sic admirati sunt 99–101
Vere Dominus - 1a pars (of 2): Vere Dominus est in loco isto et ego 182v–185
Vere Dominus - 2a pars (of 2): Haec est domus Domini firmiter 185v–188
Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem 115v–118
Vidi speciosam - 2a pars (of 2): Quae est ista quae processit sicut 118v–121

denotes primary source study

Jas, Eric. 2018. Piety and Polyphony in Sixteenth-Century Holland: The Choirbooks of St Peter's Church, Leiden. Studies in Medieval and Renaissance Music. 432. Boydell Press. Pages: 98-105, 224-234 & passim. Notes: physical decsription, contents list; concordances, facsimiles (partial), discussion.

Walter, George R. 1975. The Five-Voice Motets of Thomas Crecquillon. University of West Virginia, Unpublished Ph.D. dissertation. Pages: I,248-51,255,262,267,294,316-7,320,347-8; II,58-72,870-87.

Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies.  Brooklyn. Pages: I,12-3; II,viii-x,xvii-xviii; IlI,iv-vi; IV,i,9-28, Plate XXXII.

Minor, Andrew C (editor). 1967-. Joannes Mouton: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, 89-130.

Versprille, Annie J. 1965. De Geschiedenis van de Leidse Motetboeken. Jaarboekje voor Geschiedenis en Oudheidkunde van Leiden en Omstreken, 100-5. Notes: physical description (partial); additional bibliography.

Bruning, Elisens (editor). 1959-. Monumenta Musica Neerlandica.  Amsterdam. Pages: IX/1-2.

Schmidt-Görg, Joseph (editor). 1951-75. Nicolai Gombert: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, 56-80.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: VIII, 511.

Overvoorde, J C. 1914. Catalogus van Voorwerpen in het Stedelijk Museum "De Lakenhal" te Leiden.  Leiden. Pages: 67-8.

Land, J P N. 1874-81. De Koorboeken van de St. Pieterskerk te Leiden. Bouwsteenen, 37-48.

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Christoph Burmester

Wednesday, 27 March, 2024

Provided inventory

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description