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| Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
|---|---|---|---|
| Front flyleaf verso–18v | Missa Benedicta es caelorum regina a 5 | - | |
|
Appears on:
Front flyleaf verso–18v
Genres:
Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa Benedicta es (a 5)
|
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| 19v–38 | Missa Sine nomine a 5 | - | |
|
Appears on:
19v–38
Genres:
Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa [Sine nomine] (a 5)
|
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| 39v–61 | Missa Feria (5vv) | - | |
|
Appears on:
39v–61
Genres:
Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa de Feria (a 5)
|
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| 62v–82 | Missa ducis Saxsonie a 5 | - | |
|
Appears on:
62v–82
Genres:
Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa dulcis Saxsonie (a 5)
|
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| 83v–101 | Missa Maria Magdalena | - | |
|
Appears on:
83v–101
Genres:
Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa de sta. Maria Magdalena (a 5)
|
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| 102v–126 | Missa Urbs beata a 5 | - | |
|
Appears on:
102v–126
Genres:
Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa Urbs beata (a 5)
|
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| 127v–150 | Missa Emendemus | - | |
|
Appears on:
127v–150
Genres:
Mass Ordinary
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Missa super Emendemus
|
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| 151v | Missa Du bon du cuer: unidentified fragment (Agnus Dei?) | - | |
|
Appears on:
151v
Genres:
Mass Ordinary
Voice:
[no designation]
Languages:
none
Voice Text:
Textless (2 voices, incomplete)
General NoteProf. Peter Urquhart has identified the final fragment at the end of 'HerAB 72A (f. 151v) as an excerpt from a Noel Bauldeweyn mass, M. Du bon du cueur [contratenor is a fragment from the Domine Deus section of the Gloria]. Although the identification has a secure footing in one voice of the three that are presented in the manuscript, the placement of the excerpt within the mass remains a puzzle, for the other voices are not found in the mass as it exists in other sources. He proposed that it may have been drawn from the Agnus dei I & II sections no longer extant elsewhere, and offered a five-voice reconstruction of the counterpoint. The identification is discussed in his article (see bibliography); the middle section is devoted to the Bauldeweyn mass based on Mouton's chanson, pp. 45-52, and the fragment revealed from p. 47 on. Contributions towards this identification by Veronique Roelvink, Zoe Saunders, and Bernadette Nelson are also discussed in the article. |
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