NL-SHbhic MS 153

Brabants Historisch Informatie Centrum, 's-Hertogenbosch, Netherlands

manuscript of polyphony: 1530-1

Archive Brabants Historisch Informatie Centrum, 's-Hertogenbosch, Netherlands (NL-SHbhic)
Shelfmark MS 153
Surface Paper
Numbering System Foliation
Measurements 560 x 384 mm
Other Identifiers
  • CCM: 's HerAB 72A
  • olim (Former shelfmark): MS 72A
Copyists
Relationships
External Links
Provenance
  • Belgium
Contents 8 pieces from 8 composers
General Description

Copied by Netherlands court scribe Petrus Alamire (SmijMM); Warmington however distinguishes text/music scribe F (KellmanTO). Copied in Brussels/Mechlin for the Confraternity of Our Lady at 's Hertogenbosch; belongs to Netherlands court complex (SmijMM, KellJ). Blank folios: 1, 19, 82'-83, 101'-102, 126'-127, 15O'-151.

DIAMM, 2017
Binding

Original brown leather covers, with blind-tooled lozenge design.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Date

1530-1 (SmijMM)

DIAMM, 2017
Foliation

Modern pencil foliation, 1-151.

DIAMM, 2017
Decoration

Painted initials and inked calligraphic initials.

DIAMM, 2017
Index

Prof. Peter Urquhart has identified the final fragment at the end of 'HerAB 72A (f. 151v) as an excerpt from a Noel Bauldeweyn mass, M. Du bon du cueur. Although the identification has a secure footing in one voice of the three that are presented in the manuscript, the placement of the excerpt within the mass remains a puzzle, for the other voices are not found in the mass as it exists in other sources. He proposed that it may have been drawn from the Agnus dei I & II sections no longer extant elsewhere, and offered a five-voice reconstruction of the counterpoint. The identification is discussed in his article (see bibliography); the middle section is devoted to the Bauldeweyn mass based on Mouton's chanson, pp. 45-52, and the fragment revealed from p. 47 on. Contributions towards this identification by Veronique Roelvink, Zoe Saunders, and Bernadette Nelson are also discussed in the article.

Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

7 Masses, 1 incomplete textless piece = 8

N. Champion-2, Courtois-2, A. Févin-1, Willaert-1, Willaert/(Hesdin)-1, anon-1

ii + 151 paper folios, 560 x 384. Modern pencil foliation, 1-151. Blank folios: 1, 19, 82'-83, 101'-102, 126'-127, 15O'-151. Original brown leather covers, with blind-tooled lozenge design. No index. Copied by Netherlands court scribe Petrus Alamire (SmijMM). Painted initials and inked calligraphic initials.

1530-1 (SmijMM). Copied in Brussels/Mechlin for the Confraternity of Our Lady at 's Hertogenbosch; belongs to Netherlands court complex (SmijMM, KellJ).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

142v

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
Front flyleaf verso–18v Missa Benedicta es caelorum regina a 5 -
Appears on: Front flyleaf verso–18v
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Benedicta es (a 5)
19v–38 Missa Sine nomine a 5 -
Appears on: 19v–38
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa [Sine nomine] (a 5)
39v–61 Missa Feria (5vv) -
Appears on: 39v–61
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa de Feria (a 5)
62v–82 Missa ducis Saxsonie a 5 -
Appears on: 62v–82
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa dulcis Saxsonie (a 5)
83v–101 Missa Maria Magdalena -
Appears on: 83v–101
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa de sta. Maria Magdalena (a 5)
102v–126 Missa Urbs beata a 5 -
Appears on: 102v–126
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Urbs beata (a 5)
127v–150 Missa Emendemus -
Appears on: 127v–150
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa super Emendemus
151v Missa Du bon du cuer: Domine Deus? -
Appears on: 151v
Genres: Gloria (et in terra pax)
Voice: [no designation]
Languages: none
Voice Text: Textless (2 voices, incomplete)

Images © Brabants Historisch Informatie Centrum, 's Hertogenbosch

Set: Books prepared by the Alamire workshop

Type: Linked by Origin or Contents

No images available

A-Wn Cod. 1783

No images available

B-Baeb Fonds Sint-Goedele, 5170

No images available

B-Bcpas H 1135

No images available

B-Br MS 215-216

No images available

B-Br MS 6428

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B-Br MS 9126

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B-Br MS 15075

No images available

B-Br MS IV.922 (Occo Codex)

No images available

D-Mbs Mus. MS 6

No images available

D-Mbs Mus. MS 7

No images available

D-Mbs Mus. MS 34

No images available

D-Mbs Mus. MS F

No images available

I-VEc MS DCCLVI

No images available

V-CVbav MS Capp. Sist. 34

No images available

V-CVbav MS Capp. Sist. 36

No images available

V-CVbav MS Capp. Sist. 160

No images available

V-CVbav MS Pal. lat. 1976

No images available

V-CVbav MS Pal. lat. 1977

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V-CVbav MS Pal. lat. 1978

No images available

V-CVbav MS Pal. lat. 1979

denotes primary source study

Urquhart, Peter. 2015. Remarks on some chansons by Jean Mouton and related matters. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 37-66. Pages: 45-52 and 60-63. Notes: identification of the fragment of 'Du bon du cueur' at end of ms; reconstruction & completion of fragment.

Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535.  Leuven: Alamire Foundation.

Kellman, Herbert. 1989. Observations on the Production and Distribution of Music Manuscripts at the Netherlands Court. Early Music History, .

Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto.

Josephson, Nors S (editor). 1973. Nicolas Champion: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xi,xiii, 1-35,69-105.

Maas, Chris J. 1968. Determinering van Codex 73 uit de Illustre Lieve Vrouwe Broederschap te's Hertogenbosch. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 37-45. Pages: 37, 39, 42.

Kellman, Herbert. 1958. The Origins of the Chigi Codex: The Date, Provenance, and Original Ownership of Rome, Biblioteca Vaticana, Chigiana, C. VIII. 234. Journal of the American Musicological Society, 6-19. Pages: 18.

Smijers, Albert. 1940-46. Meerstemmige muziek van de Illustre Lieve Vrouwe Broederschap te 's-Hertogenbosch. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 1-30. Pages: 15-6.

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Peter Urquhart

Saturday, 15 April, 2017

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description