The scribe, who also copied GuadM (2), may have been Juan de Alcázar, a monk at the Guadalupe monastery. GuadM (2) was originally the second part of this manuscript (Crawford). Possibly copied at Hieronymite monastery in Guadalupe.
E-GU Códice 2
Real Monasterio de Santa María, Archivo de Música, Guadalupe, Spain
manuscript of polyphony: 1603-c. 1675
| Archive | Real Monasterio de Santa María, Archivo de Música, Guadalupe, Spain (E-GU) |
|---|---|
| Shelfmark | Códice 2 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 550 x 390 mm |
| Other Identifiers |
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| Copyists |
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| Relationships | |
| External Links | |
| Provenance |
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| Contents | Contains 51 compositions, 49 from 12 composers, 2 are anonymous. |
General Description
Binding
Original covers of brown leather on boards, similar to the covers of GuadM (2) and GuadM (3).
Notation
not indicated
Foliation
Original foliation, 8-134 (ff. 1-7 now missing; f. 106 skipped or missing; 3 last folios with music not numbered).
Decoration
Stamped initials with yellow, aqua, and tan colouring; also some gold leaf and suspended silver ornamentation.
Index
Original index (inaccurate) on ff. ii-iii'.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
2 Masses, 2 Magnificats, 19 psalms (3 of these, listed in the index, are now missing), 22 hymns, 4 motets = 49
Bernal Gonzalez-1, Boluda-8 + 1 now missing, R. Ceballos [Cavallos]-5, Guerrero-1, Morales-2, Navarro of Seville-22 + 2 now missing, Palestrina-1, B. Ribera-1, Roque de Salamanca-1, Torrentes-1, Vivanco-1, Wreede [Utreda]-1, anon-1
iii + 129 + i paper folios, 550 x 390. Original foliation, 8-134 (ff. 1-7 now missing; f. 106 skipped or missing; 3 last folios with music not numbered).
Original covers of brown leather on boards, similar to the covers of GuadM (2) and GuadM (3). Original index (inaccurate) on ff. ii-iii'. The scribe, who also copied GuadM (2), may have been Juan de Alcázar, a monk at the Guadalupe monastery. Stamped initials with yellow, aqua, and tan coloring; also some gold leaf and suspended silver ornamentation. GuadM (2) was originally the second part of this manuscript (Crawford).
1603-ca. 1675 (CrawTC). Perhaps copied at the Jeronimite monastery at Guadalupe.
Vol 4
Composers: Change "R. Ceballos [Cavallos]-5" to "R. Ceballos [Cavallos]-4, R. Ceballos-B. Ribera-1."
Provenance: Possibly copied at Hieronymite monastery in Guadalupe.
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‡ denotes primary source study
Rodilla León, Francisco. 2013. El canto de órgano en el real monasterio de Santa María de Guadalupe: fuentes, repertorio y compositores. Musicología global, Musicología local, Madrid: Sociedad Española de Musicología.
Noone, Michael John. 1982. Andrés de Torrentes (1510-1580), Spanish Polyphonist and Chapelmaster: Opera Omnia, Biography and Source Study. University of Sydney, Unpublished Masters dissertation. Pages: I,17,25-6,114,131-2; II,#59. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Snow, Robert Joseph. 1980. The Extant Music of Rodrigo de Ceballos and Its Sources. Detroit Studies in Music Bibliography, vol. 44. Detroit. Pages: 28-31,66-70,75,118-9. Notes: mention of MS; contents list (partial); concordances (partial); incipits (partial); facsimile (partial).
Crawford, David Eugene. 1977. Two Choirbooks of Renaissance Polyphony at the Monasterio de nuestra Sefiora of Guadalupe. Fontes Artis Musicae, 24: 145-74. Notes: physical description; contents list; concordances; incipits; mention of MS; discussion.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 138.
Rubio, P Samuel (editor). 1954-6. Antologia Polifònica Sacra. Madrid. Pages: II,29-38.
Rubio Piqueras, Felipe. 1931. Organografía toledana. España Sacro-Musical, 21: 272.
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description