E-GU Códice 2

Real Monasterio de Santa María, Archivo de Música, Guadalupe, Spain

manuscript of polyphony: 1603-c. 1675

Archive Real Monasterio de Santa María, Archivo de Música, Guadalupe, Spain (E-GU)
Shelfmark Códice 2
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 550 x 390 mm
Other Identifiers
  • CCM: GuadM (1)
  • olim (Former shelfmark): Census Catalogue: MS s.s. (1); I; A; 1
Copyists
Relationships
External Links
Provenance
Contents 51 pieces from 13 composers
General Description

The scribe, who also copied GuadM (2), may have been Juan de Alcázar, a monk at the Guadalupe monastery. GuadM (2) was originally the second part of this manuscript (Crawford). Possibly copied at Hieronymite monastery in Guadalupe.

Bruno Turner, 2013; Inventory and description from Francisco Rodilla León, 2013
Binding

Original covers of brown leather on boards, similar to the covers of GuadM (2) and GuadM (3).

Bruno Turner, 2013; Inventory and description from Francisco Rodilla León, 2013
Notation

not indicated

Bruno Turner, 2013; Inventory and description from Francisco Rodilla León, 2013
Foliation

Original foliation, 8-134 (ff. 1-7 now missing; f. 106 skipped or missing; 3 last folios with music not numbered).

Bruno Turner, 2013; Inventory and description from Francisco Rodilla León, 2013
Decoration

Stamped initials with yellow, aqua, and tan colouring; also some gold leaf and suspended silver ornamentation.

Bruno Turner, 2013; Inventory and description from Francisco Rodilla León, 2013
Index

Original index (inaccurate) on ff. ii-iii'.

Bruno Turner, 2013; Inventory and description from Francisco Rodilla León, 2013
Surface

paper

Bruno Turner, 2013; Inventory and description from Francisco Rodilla León, 2013
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 2 Magnificats, 19 psalms (3 of these, listed in the index, are now missing), 22 hymns, 4 motets = 49

Bernal Gonzalez-1, Boluda-8 + 1 now missing, R. Ceballos [Cavallos]-5, Guerrero-1, Morales-2, Navarro of Seville-22 + 2 now missing, Palestrina-1, B. Ribera-1, Roque de Salamanca-1, Torrentes-1, Vivanco-1, Wreede [Utreda]-1, anon-1

iii + 129 + i paper folios, 550 x 390. Original foliation, 8-134 (ff. 1-7 now missing; f. 106 skipped or missing; 3 last folios with music not numbered).

Original covers of brown leather on boards, similar to the covers of GuadM (2) and GuadM (3). Original index (inaccurate) on ff. ii-iii'. The scribe, who also copied GuadM (2), may have been Juan de Alcázar, a monk at the Guadalupe monastery. Stamped initials with yellow, aqua, and tan coloring; also some gold leaf and suspended silver ornamentation. GuadM (2) was originally the second part of this manuscript (Crawford).

1603-ca. 1675 (CrawTC). Perhaps copied at the Jeronimite monastery at Guadalupe.

Vol 4

Composers: Change "R. Ceballos [Cavallos]-5" to "R. Ceballos [Cavallos]-4, R. Ceballos-B. Ribera-1."

Provenance: Possibly copied at Hieronymite monastery in Guadalupe.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
[7v]–10 [Lauda Jerusalem] Quoniam confortavit I Navarro
Appears on: [7v]–10
Genres: Psalm
Source Attribution: Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam confortavit
General Note

Ps. 147: Lauda Ierusalem; Psalm tone II; fol. 7v lost

9v–12 [Lauda Jerusalem] Qui posuit I Navarro
Appears on: 9v–12
Genres: Psalm
Source Attribution: Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Qui posuit
General Note

Ps. 147: Lauda Ierusalem; Psalm tone II

12v–15 [Lauda Jerusalem] Quoniam confortavit Boluda
Appears on: 12v–15
Genres: Psalm
Source Attribution: Boluda
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam confortavit
General Note

Ps. 147: Lauda Ierusalem; Psalm tone III

15v–17 [Lauda Jerusalem] Qui posuit II Navarro
Appears on: 15v–17
Genres: Psalm
Source Attribution: Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Qui posuit
General Note

Ps. 147: Lauda Ierusalem; Psalm tone IV

17v–18 [Laudate Dominum] Quoniam confirmata est Roq. de Salamanca
Appears on: 17v–18
Genres: Psalm
Source Attribution: Roq. de Salamanca
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam confirmata est
General Note

Ps. 116: Laudate Dominum; Psalm tone IV

18v–20 [Lauda Jerusalem] Qui posuit III Navarro
Appears on: 18v–20
Genres: Psalm
Source Attribution: Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Qui posuit
General Note

Ps. 147: Lauda Ierusalem; Psalm tone V

20v–21 [Laudate Dominum] Quoniam confirmata est I Navarro
Appears on: 20v–21
Genres: Psalm
Source Attribution: Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam confirmata est
General Note

Ps. 116: Laudate Dominum; Psalm tone V

21v–23 [Lauda Jerusalem] Qui posuit Torrentes
Appears on: 21v–23
Genres: Psalm
Source Attribution: Torrentes
Voice: [no designation]
Languages: Latin
Voice Text: Qui posuit
General Note

Ps. 147: Lauda Ierusalem; Psalm tone VI

23v–24 [Laudate Dominum] Quoniam confirmata est II -
Appears on: 23v–24
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam confirmata est
General Note

Ps. 116: Laudate Dominum; Psalm tone VI

24v–27 [Lauda Jerusalem] Quoniam confortavit II Navarro
Appears on: 24v–27
Genres: Hymn
Source Attribution: Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam confortavit
General Note

Ps. 147: Lauda Ierusalem; Psalm tone VII

27v–28 [Laudate Dominum] Quoniam confirmata est Boluda
Appears on: 27v–28
Genres: Psalm
Source Attribution: Boluda
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam confirmata est
General Note

Ps. 116: Laudate Dominum; Psalm tone VII

28v–30 [Lauda Jerusalem] Qui posuit IV Navarro
Appears on: 28v–30
Genres: Psalm
Source Attribution: Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Qui posuit
General Note

Ps. 147: Lauda Ierusalem; Psalm tone VIII

30v–31 [Laudate Dominum] Quoniam confirmata est III Navarro
Appears on: 30v–31
Genres: Psalm
Source Attribution: Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam confirmata est
General Note

Ps. 116: Laudate Dominum; Psalm tone VIII

31v–36 [Memento Domine] Si introiero in tabernaculum Guerrero
Appears on: 31v–36
Genres: Psalm
Source Attribution: Guerrero
Voice: [no designation]
Languages: Latin
Voice Text: Si introiero in tabernaculum
General Note

Ps. 131: Memento Domine; Psalm tone VIII

37v–41 [Domine probasti me] Intellexisti cogitationes Navarro
Appears on: 37v–41
Genres: Hymn
Source Attribution: Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Intelexisti cogitationes
General Note

Ps. 138: Domine probasti me; Psalm tone II

42v–48 [In exitu Israel] Mare vidit et fugit Navarro
Appears on: 42v–48
Genres: Psalm
Source Attribution: Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Mare vidit et fugit
General Note

Ps. 113: In exitu Israel, Tonus peregrinus

48v–50 Janitor caeli [Aurea luce] Ceballos
Appears on: 48v–50
Genres: Hymn
Source Attribution: Ceballos
Voice: [no designation]
Languages: Latin
Voice Text: Ianitor coeli
General Note

Aurea luce / In festo apostolorum Petri et Pauli

50v–52 Vos saecli iusti [Exultet caelum] Boluda
Appears on: 50v–52
Source Attribution: Boluda
Voice: [no designation]
Languages: Latin
Voice Text: Vos saecli iusti
General Note

Exultet caelum / Commune apostolorum

52v–54 Hic nempe mundi [Deus tuorum] Boluda
Appears on: 52v–54
Source Attribution: Boluda
Voice: [no designation]
Languages: Latin
Voice Text: Hic nempe mundi
General Note

Deus tuorum / Commune unius martyris

54v–56 Hi sunt quos [Sanctorum meritis] Boluda
Appears on: 54v–56
Source Attribution: Boluda
Voice: [no designation]
Languages: Latin
Voice Text: Hi sunt quos
General Note

Sanctorum meritis / Commune plurimorum martyrum

56v–58 Qui pascis inter illa [Jesu corona virginum] Boluda
Appears on: 56v–58
Source Attribution: Boluda
Voice: [no designation]
Languages: Latin
Voice Text: Qui pascis inter illa
General Note

Iesu corona virginum / Commune virginum

58v–60 Qui pius prudens humilis [Iste confessor] Boluda
Appears on: 58v–60
Source Attribution: Boluda
Voice: [no designation]
Languages: Latin
Voice Text: Qui pius prudens humilis
General Note

Iste confessor / Commune confessoris pontificis

60v–61 Maria soror Lazari [Lauda mater] Juan Navarro
Appears on: 60v–61
Source Attribution: Juan Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Maria soror Lazari
General Note

Lauda mater / In festo Maria Magdalenae

61v–62 Illustre quidam [Quicumque Christum] Navarro
Appears on: 61v–62
Source Attribution: Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Illustre quidam
General Note

Quicumque Christum / In festo Transfigurationis

62v–64 Collaudamus venerantes [Tibi Christi] Navarro
Appears on: 62v–64
Source Attribution: Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Collaudamus venerantes
General Note

Tibi Christi / In festo Sancti Michaelis

64v–66 Beata quoque [Christe Redemptor] Juan Navarro
Appears on: 64v–66
Source Attribution: Juan Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Beata quoque
General Note

Christe Redemptor omnium / In festo omnium Sanctorum

65v–66 Procul recedant [Te lucis ante terminum] Navarro
Appears on: 65v–66
Source Attribution: Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Procul recedant
General Note

Te lucis ante terminum / Ad completorium

66v–70 Quo vulneratus / O crux [Vexilla Regis] Navarro
Appears on: 66v–70
Source Attribution: Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Quo vulneratus / O crux
General Note

Vexilla Regis / Tempore Passionis

70v–72 Tu lumen tu splendor [Christe Redemptor] Christophorus Morales
Appears on: 70v–72
Source Attribution: Christophorus Morales
Voice: [no designation]
Languages: Latin
Voice Text: Tu lumen tu splendor
General Note

Christe Redemptor omnium / In die Nativitatis

72v–74 Ibant Magi [Hostis Herodes] Ceballos
Appears on: 72v–74
Source Attribution: Ceballos
Voice: [no designation]
Languages: Latin
Voice Text: Ibant Magi
General Note

Hostis Herodes / In Epiphania Domini

74v–75 Qui pius prudens [Iste confessor] Navarro
Appears on: 74v–75
Source Attribution: Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Qui pius prudens
General Note

Iste confessor / In natali unius confessoris

75v–77 Veni creator Spiritus D. Bernal
Appears on: 75v–77
Source Attribution: D. Bernal
Voice: [no designation]
Languages: Latin
Voice Text: Veni creator Spiritus
General Note

Veni creator Spiritus / In die Penthecostes

77v–79 Ave maris stella Navarro
Appears on: 77v–79
Source Attribution: Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Ave maris stella / Monstra te esse matrem
General Note

Ave maris stella / In Assumptione Beatae Mariae

79v–81 Monstra te esse matrem [Ave maris stella] Navarro
Appears on: 79v–81
Source Attribution: Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Monstra te esse matrem
General Note

Ave maris stella / In Assumptione Beatae Mariae

81v–83 Monstra te esse matrem [Ave maris stella] Christophorus Morales
Appears on: 81v–83
Source Attribution: Christophorus Morales
Voice: [no designation]
Languages: Latin
Voice Text: Monstra te esse matrem
General Note

Ave maris stella / In Assumptione Beatae Mariae

83v–84 Te mane laudum [O lux beata] Navarro
Appears on: 83v–84
Source Attribution: Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Te mane laudum
General Note

O lux beata / In festo Sanctae Trinitatis

84v–86 Pange lingua gloriosi (I) Utreda
Appears on: 84v–86
Genres: Hymn
Source Attribution: Utreda
Voice: [no designation]
Languages: Latin
Voice Text: Nobis datus
General Note

Text set is 'Nobis datus' (=v2 of Pange lingua)

86v–88 Verbum caro panem [Pange lingua] Cevallos
Appears on: 86v–88
Source Attribution: Cevallos
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro panem
General Note

Pange lingua / In festo Corporis Christi

88v–95 Magnificat - tone 2: Anima mea Cavallos
Appears on: 88v–95
Genres: BVM, Canticle, Magnificat
Source Attribution: Cavallos
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Anima mea
96v–103 Magnificat quarti toni (Anima mea) Bernardinus Ribera
Appears on: 96v–103
Genres: BVM, Canticle, Magnificat
Source Attribution: Bernardinus Ribera
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Anima mea
103v–104 Benedicamus Domino Cavallos
Appears on: 103v–104
Source Attribution: Cavallos
Voice: [no designation]
Languages: Latin
Voice Text: Benedicamus Domino
General Note

Final chant of the mass

104v–105 Benedicamus Domino - Anonymous

Benedicamus Domino

Anonymous
Appears on: 104v–105
Voice: [no designation]
Languages: Latin
Voice Text: Benedicamus Domino
General Note

Final chant of the mass

107–111 Domine hissopo et munda [Asperges me] Gines de Boluda
Appears on: 107–111
Source Attribution: Gines de Boluda
Voice: [no designation]
Languages: Latin
Voice Text: Domine hissopo et munda [Asperges me]
General Note

Chant preceding mass (out of Easter time)

111v–114 Domine hissopo et munda [Vidi aquam] Navarro Anonymous
Appears on: 111v–114
Source Attribution: Navarro
Voice: [no designation]
Languages: Latin
Voice Text: Domine hissopo et munda [Vidi aquam]
General Note

Chant preceding mass (Easter time)

114v–134 Missa Sine nomine, 1567 (4vv): Kyrie J P A Penestinus
Appears on: 114v–134
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: J P A Penestinus
Voice: [no designation]
Languages: Latin
Voice Text: Missa sine nomine: Kyrie (incompl.), Gloria, Credo, Sanctus, Benedictus y Agnus Dei I.
114v–134 Missa Sine nomine, 1567 (4vv): Gloria -
Appears on: 114v–134
Genres: Gloria (et in terra pax), Mass Ordinary
114v–134 Missa Sine nomine, 1567 (4vv): Credo -
Appears on: 114v–134
Genres: Credo (patrem omnipotentem), Mass Ordinary
114v–134 Missa Sine nomine, 1567 (4vv): Sanctus -
Appears on: 114v–134
Genres: Mass Ordinary, Sanctus [& Benedictus]
114v–134 Missa Sine nomine, 1567 (4vv): Agnus Dei I; Agnus Dei II (6vv) -
Appears on: 114v–134
Genres: Agnus Dei, Mass Ordinary
sn [A] v–sn [C] Missa Tu es vas electionis: Kyrie Mo bivanco
Appears on: sn [A] v–sn [C]
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Mo bivanco
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Tu es vas electionis: Kyrie and Gloria (incompl.)
sn [A] v–sn [C] Missa Tu es vas electionis: Gloria -
Appears on: sn [A] v–sn [C]
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

incomplete

Composer Compositions
Anonymous
Bernal Goncalez, Jose
Boluda, Ginés de
Ceballos, Rodrigo de (ca. 1525–1581)
Guerrero, Francisco
Morales, Cristóbal de (ca. 1500–1553)
Navarro 'of Seville/Hispalensis', Juan
Palestrina, Giovanni Pierluigi da (1525–1594)
Ribera, Bernardino de
Roque de Salamanca
Torrentes, Andres de
Urrede (Wrede), Juan de (fl. 1451-c1482)
Vivanco, Sebastián de
Composition Composers (? Uncertain) Folios / Pages
[Domine probasti me] Intellexisti cogitationes 37v–41
[In exitu Israel] Mare vidit et fugit 42v–48
[Lauda Jerusalem] Qui posuit 21v–23
[Lauda Jerusalem] Qui posuit I 9v–12
[Lauda Jerusalem] Qui posuit II 15v–17
[Lauda Jerusalem] Qui posuit III 18v–20
[Lauda Jerusalem] Qui posuit IV 28v–30
[Lauda Jerusalem] Quoniam confortavit 12v–15
[Lauda Jerusalem] Quoniam confortavit I [7v]–10
[Lauda Jerusalem] Quoniam confortavit II 24v–27
[Laudate Dominum] Quoniam confirmata est 17v–18
[Laudate Dominum] Quoniam confirmata est 27v–28
[Laudate Dominum] Quoniam confirmata est I 20v–21
[Laudate Dominum] Quoniam confirmata est II 23v–24
[Laudate Dominum] Quoniam confirmata est III 30v–31
[Memento Domine] Si introiero in tabernaculum 31v–36
Ave maris stella 77v–79
Beata quoque [Christe Redemptor] 64v–66
Benedicamus Domino 103v–104
Benedicamus Domino Anonymous 104v–105
Collaudamus venerantes [Tibi Christi] 62v–64
Domine hissopo et munda [Asperges me] 107–111
Domine hissopo et munda [Vidi aquam] Anonymous 111v–114
Hi sunt quos [Sanctorum meritis] 54v–56
Hic nempe mundi [Deus tuorum] 52v–54
Ibant Magi [Hostis Herodes] 72v–74
Illustre quidam [Quicumque Christum] 61v–62
Janitor caeli [Aurea luce] 48v–50
Magnificat - tone 2: Anima mea 88v–95
Magnificat quarti toni (Anima mea) 96v–103
Maria soror Lazari [Lauda mater] 60v–61
Missa Sine nomine, 1567 (4vv): Agnus Dei I; Agnus Dei II (6vv) 114v–134
Missa Sine nomine, 1567 (4vv): Credo 114v–134
Missa Sine nomine, 1567 (4vv): Gloria 114v–134
Missa Sine nomine, 1567 (4vv): Kyrie 114v–134
Missa Sine nomine, 1567 (4vv): Sanctus 114v–134
Missa Tu es vas electionis: Gloria sn [A] v–sn [C]
Missa Tu es vas electionis: Kyrie sn [A] v–sn [C]
Monstra te esse matrem [Ave maris stella] 79v–81
Monstra te esse matrem [Ave maris stella] 81v–83
Pange lingua gloriosi (I) 84v–86
Procul recedant [Te lucis ante terminum] 65v–66
Qui pascis inter illa [Jesu corona virginum] 56v–58
Qui pius prudens [Iste confessor] 74v–75
Qui pius prudens humilis [Iste confessor] 58v–60
Quo vulneratus / O crux [Vexilla Regis] 66v–70
Te mane laudum [O lux beata] 83v–84
Tu lumen tu splendor [Christe Redemptor] 70v–72
Veni creator Spiritus 75v–77
Verbum caro panem [Pange lingua] 86v–88
Vos saecli iusti [Exultet caelum] 50v–52

denotes primary source study

Rodilla León, Francisco. 2013. El canto de órgano en el real monasterio de Santa María de Guadalupe: fuentes, repertorio y compositores. Musicología global, Musicología local,  Madrid: Sociedad Española de Musicología.

Noone, Michael John. 1982. Andrés de Torrentes (1510-1580), Spanish Polyphonist and Chapelmaster: Opera Omnia, Biography and Source Study. University of Sydney, Unpublished Masters dissertation. Pages: I,17,25-6,114,131-2; II,#59. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Snow, Robert Joseph. 1980. The Extant Music of Rodrigo de Ceballos and Its Sources. Detroit Studies in Music Bibliography.  Detroit. Pages: 28-31,66-70,75,118-9. Notes: mention of MS; contents list (partial); concordances (partial); incipits (partial); facsimile (partial).

Crawford, David Eugene. 1977. Two Choirbooks of Renaissance Polyphony at the Monasterio de nuestra Sefiora of Guadalupe. Fontes Artis Musicae, 145-74. Notes: physical description; contents list; concordances; incipits; mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 138.

Rubio, P Samuel (editor). 1954-6. Antologia Polifònica Sacra.  Madrid. Pages: II,29-38.

Rubio Piqueras, Felipe. 1931. Organografía toledana. España Sacro-Musical, 272.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description