E-GU Códice 2

Real Monasterio de Santa María, Archivo de Música, Guadalupe, Spain

manuscript of polyphony: 1603-c. 1675

Archive Real Monasterio de Santa María, Archivo de Música, Guadalupe, Spain (E-GU)
Shelfmark Códice 2
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 550 x 390 mm
Other Identifiers
  • CCM: GuadM (1)
  • olim (Former shelfmark): Census Catalogue: MS s.s. (1); I; A; 1
Copyists
Relationships
External Links
Provenance
Contents 51 pieces from 13 composers
General Description

The scribe, who also copied GuadM (2), may have been Juan de Alcázar, a monk at the Guadalupe monastery. GuadM (2) was originally the second part of this manuscript (Crawford). Possibly copied at Hieronymite monastery in Guadalupe.

Bruno Turner, 2013; Inventory and description from Francisco Rodilla León, 2013
Binding

Original covers of brown leather on boards, similar to the covers of GuadM (2) and GuadM (3).

Bruno Turner, 2013; Inventory and description from Francisco Rodilla León, 2013
Notation

not indicated

Bruno Turner, 2013; Inventory and description from Francisco Rodilla León, 2013
Foliation

Original foliation, 8-134 (ff. 1-7 now missing; f. 106 skipped or missing; 3 last folios with music not numbered).

Bruno Turner, 2013; Inventory and description from Francisco Rodilla León, 2013
Decoration

Stamped initials with yellow, aqua, and tan colouring; also some gold leaf and suspended silver ornamentation.

Bruno Turner, 2013; Inventory and description from Francisco Rodilla León, 2013
Index

Original index (inaccurate) on ff. ii-iii'.

Bruno Turner, 2013; Inventory and description from Francisco Rodilla León, 2013
Surface

paper

Bruno Turner, 2013; Inventory and description from Francisco Rodilla León, 2013
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 2 Magnificats, 19 psalms (3 of these, listed in the index, are now missing), 22 hymns, 4 motets = 49

Bernal Gonzalez-1, Boluda-8 + 1 now missing, R. Ceballos [Cavallos]-5, Guerrero-1, Morales-2, Navarro of Seville-22 + 2 now missing, Palestrina-1, B. Ribera-1, Roque de Salamanca-1, Torrentes-1, Vivanco-1, Wreede [Utreda]-1, anon-1

iii + 129 + i paper folios, 550 x 390. Original foliation, 8-134 (ff. 1-7 now missing; f. 106 skipped or missing; 3 last folios with music not numbered).

Original covers of brown leather on boards, similar to the covers of GuadM (2) and GuadM (3). Original index (inaccurate) on ff. ii-iii'. The scribe, who also copied GuadM (2), may have been Juan de Alcázar, a monk at the Guadalupe monastery. Stamped initials with yellow, aqua, and tan coloring; also some gold leaf and suspended silver ornamentation. GuadM (2) was originally the second part of this manuscript (Crawford).

1603-ca. 1675 (CrawTC). Perhaps copied at the Jeronimite monastery at Guadalupe.

Vol 4

Composers: Change "R. Ceballos [Cavallos]-5" to "R. Ceballos [Cavallos]-4, R. Ceballos-B. Ribera-1."

Provenance: Possibly copied at Hieronymite monastery in Guadalupe.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
[7v]–10 [Lauda Jerusalem] Quoniam confortavit I Navarro
Appears on: [7v]–10
Genres: Psalm
Source Attribution: Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam confortavit
General Note

Ps. 147: Lauda Ierusalem; Psalm tone II; fol. 7v lost

9v–12 [Lauda Jerusalem] Qui posuit I Navarro
Appears on: 9v–12
Genres: Psalm
Source Attribution: Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Qui posuit
General Note

Ps. 147: Lauda Ierusalem; Psalm tone II

12v–15 [Lauda Jerusalem] Quoniam confortavit Boluda
Appears on: 12v–15
Genres: Psalm
Source Attribution: Boluda
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam confortavit
General Note

Ps. 147: Lauda Ierusalem; Psalm tone III

15v–17 [Lauda Jerusalem] Qui posuit II Navarro
Appears on: 15v–17
Genres: Psalm
Source Attribution: Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Qui posuit
General Note

Ps. 147: Lauda Ierusalem; Psalm tone IV

17v–18 [Laudate Dominum] Quoniam confirmata est Roq. de Salamanca
Appears on: 17v–18
Genres: Psalm
Source Attribution: Roq. de Salamanca
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam confirmata est
General Note

Ps. 116: Laudate Dominum; Psalm tone IV

18v–20 [Lauda Jerusalem] Qui posuit III Navarro
Appears on: 18v–20
Genres: Psalm
Source Attribution: Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Qui posuit
General Note

Ps. 147: Lauda Ierusalem; Psalm tone V

20v–21 [Laudate Dominum] Quoniam confirmata est I Navarro
Appears on: 20v–21
Genres: Psalm
Source Attribution: Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam confirmata est
General Note

Ps. 116: Laudate Dominum; Psalm tone V

21v–23 [Lauda Jerusalem] Qui posuit Torrentes
Appears on: 21v–23
Genres: Psalm
Source Attribution: Torrentes
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Qui posuit
General Note

Ps. 147: Lauda Ierusalem; Psalm tone VI

23v–24 [Laudate Dominum] Quoniam confirmata est II -
Appears on: 23v–24
Genres: Psalm
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam confirmata est
General Note

Ps. 116: Laudate Dominum; Psalm tone VI

24v–27 [Lauda Jerusalem] Quoniam confortavit II Navarro
Appears on: 24v–27
Genres: Hymn
Source Attribution: Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam confortavit
General Note

Ps. 147: Lauda Ierusalem; Psalm tone VII

27v–28 [Laudate Dominum] Quoniam confirmata est Boluda
Appears on: 27v–28
Genres: Psalm
Source Attribution: Boluda
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam confirmata est
General Note

Ps. 116: Laudate Dominum; Psalm tone VII

28v–30 [Lauda Jerusalem] Qui posuit IV Navarro
Appears on: 28v–30
Genres: Psalm
Source Attribution: Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Qui posuit
General Note

Ps. 147: Lauda Ierusalem; Psalm tone VIII

30v–31 [Laudate Dominum] Quoniam confirmata est III Navarro
Appears on: 30v–31
Genres: Psalm
Source Attribution: Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam confirmata est
General Note

Ps. 116: Laudate Dominum; Psalm tone VIII

31v–36 [Memento Domine] Si introiero in tabernaculum Guerrero
Appears on: 31v–36
Genres: Psalm
Source Attribution: Guerrero
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Si introiero in tabernaculum
General Note

Ps. 131: Memento Domine; Psalm tone VIII

37v–41 [Domine probasti me] Intellexisti cogitationes Navarro
Appears on: 37v–41
Genres: Hymn
Source Attribution: Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Intelexisti cogitationes
General Note

Ps. 138: Domine probasti me; Psalm tone II

42v–48 [In exitu Israel] Mare vidit et fugit Navarro
Appears on: 42v–48
Genres: Psalm
Source Attribution: Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Mare vidit et fugit
General Note

Ps. 113: In exitu Israel, Tonus peregrinus

48v–50 Janitor caeli [Aurea luce] Ceballos
Appears on: 48v–50
Genres: Hymn
Source Attribution: Ceballos
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Ianitor coeli
General Note

Aurea luce / In festo apostolorum Petri et Pauli

50v–52 Vos saecli iusti [Exultet caelum] Boluda
Appears on: 50v–52
Source Attribution: Boluda
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Vos saecli iusti
General Note

Exultet caelum / Commune apostolorum

52v–54 Hic nempe mundi [Deus tuorum] Boluda
Appears on: 52v–54
Source Attribution: Boluda
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Hic nempe mundi
General Note

Deus tuorum / Commune unius martyris

54v–56 Hi sunt quos [Sanctorum meritis] Boluda
Appears on: 54v–56
Source Attribution: Boluda
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Hi sunt quos
General Note

Sanctorum meritis / Commune plurimorum martyrum

56v–58 Qui pascis inter illa [Jesu corona virginum] Boluda
Appears on: 56v–58
Source Attribution: Boluda
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Qui pascis inter illa
General Note

Iesu corona virginum / Commune virginum

58v–60 Qui pius prudens humilis [Iste confessor] Boluda
Appears on: 58v–60
Source Attribution: Boluda
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Qui pius prudens humilis
General Note

Iste confessor / Commune confessoris pontificis

60v–61 Maria soror Lazari [Lauda mater] Juan Navarro
Appears on: 60v–61
Source Attribution: Juan Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Maria soror Lazari
General Note

Lauda mater / In festo Maria Magdalenae

61v–62 Illustre quidam [Quicumque Christum] Navarro
Appears on: 61v–62
Source Attribution: Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Illustre quidam
General Note

Quicumque Christum / In festo Transfigurationis

62v–64 Collaudamus venerantes [Tibi Christi] Navarro
Appears on: 62v–64
Source Attribution: Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Collaudamus venerantes
General Note

Tibi Christi / In festo Sancti Michaelis

64v–66 Beata quoque [Christe Redemptor] Juan Navarro
Appears on: 64v–66
Source Attribution: Juan Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Beata quoque
General Note

Christe Redemptor omnium / In festo omnium Sanctorum

65v–66 Procul recedant [Te lucis ante terminum] Navarro
Appears on: 65v–66
Source Attribution: Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Procul recedant
General Note

Te lucis ante terminum / Ad completorium

66v–70 Quo vulneratus / O crux [Vexilla Regis] Navarro
Appears on: 66v–70
Source Attribution: Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Quo vulneratus / O crux
General Note

Vexilla Regis / Tempore Passionis

70v–72 Tu lumen tu splendor [Christe Redemptor] Christophorus Morales
Appears on: 70v–72
Source Attribution: Christophorus Morales
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Tu lumen tu splendor
General Note

Christe Redemptor omnium / In die Nativitatis

72v–74 Ibant Magi [Hostis Herodes] Ceballos
Appears on: 72v–74
Source Attribution: Ceballos
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Ibant Magi
General Note

Hostis Herodes / In Epiphania Domini

74v–75 Qui pius prudens [Iste confessor] Navarro
Appears on: 74v–75
Source Attribution: Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Qui pius prudens
General Note

Iste confessor / In natali unius confessoris

75v–77 Veni creator Spiritus D. Bernal
Appears on: 75v–77
Source Attribution: D. Bernal
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Veni creator Spiritus
General Note

Veni creator Spiritus / In die Penthecostes

77v–79 Ave maris stella Navarro
Appears on: 77v–79
Source Attribution: Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Ave maris stella / Monstra te esse matrem
General Note

Ave maris stella / In Assumptione Beatae Mariae

79v–81 Monstra te esse matrem [Ave maris stella] Navarro
Appears on: 79v–81
Source Attribution: Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Monstra te esse matrem
General Note

Ave maris stella / In Assumptione Beatae Mariae

81v–83 Monstra te esse matrem [Ave maris stella] Christophorus Morales
Appears on: 81v–83
Source Attribution: Christophorus Morales
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Monstra te esse matrem
General Note

Ave maris stella / In Assumptione Beatae Mariae

83v–84 Te mane laudum [O lux beata] Navarro
Appears on: 83v–84
Source Attribution: Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Te mane laudum
General Note

O lux beata / In festo Sanctae Trinitatis

84v–86 Pange lingua gloriosi (I) Utreda
Appears on: 84v–86
Genres: Hymn
Source Attribution: Utreda
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Nobis datus
General Note

Text set is 'Nobis datus' (=v2 of Pange lingua)

86v–88 Verbum caro panem [Pange lingua] Cevallos
Appears on: 86v–88
Source Attribution: Cevallos
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro panem
General Note

Pange lingua / In festo Corporis Christi

88v–95 Magnificat - tone 2: Anima mea Cavallos
Appears on: 88v–95
Genres: BVM, Canticle, Magnificat
Source Attribution: Cavallos
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Anima mea
96v–103 Magnificat quarti toni (Anima mea) Bernardinus Ribera
Appears on: 96v–103
Genres: BVM, Canticle, Magnificat
Source Attribution: Bernardinus Ribera
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Anima mea
103v–104 Benedicamus Domino Cavallos
Appears on: 103v–104
Source Attribution: Cavallos
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Benedicamus Domino
General Note

Final chant of the mass

104v–105 Benedicamus Domino - Anonymous

Benedicamus Domino

Anonymous
Appears on: 104v–105
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Benedicamus Domino
General Note

Final chant of the mass

107–111 Domine hissopo et munda [Asperges me] Gines de Boluda
Appears on: 107–111
Source Attribution: Gines de Boluda
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Domine hissopo et munda [Asperges me]
General Note

Chant preceding mass (out of Easter time)

111v–114 Domine hissopo et munda [Vidi aquam] Navarro Anonymous
Appears on: 111v–114
Source Attribution: Navarro
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Domine hissopo et munda [Vidi aquam]
General Note

Chant preceding mass (Easter time)

114v–134 Missa Sine nomine, 1567 (4vv): Kyrie J P A Penestinus
Appears on: 114v–134
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: J P A Penestinus
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Missa sine nomine: Kyrie (incompl.), Gloria, Credo, Sanctus, Benedictus y Agnus Dei I.
114v–134 Missa Sine nomine, 1567 (4vv): Gloria -
Appears on: 114v–134
Genres: Gloria (et in terra pax), Mass Ordinary
114v–134 Missa Sine nomine, 1567 (4vv): Credo -
Appears on: 114v–134
Genres: Credo (patrem omnipotentem), Mass Ordinary
114v–134 Missa Sine nomine, 1567 (4vv): Sanctus -
Appears on: 114v–134
Genres: Mass Ordinary, Sanctus [& Benedictus]
114v–134 Missa Sine nomine, 1567 (4vv): Agnus Dei I; Agnus Dei II (6vv) -
Appears on: 114v–134
Genres: Agnus Dei, Mass Ordinary
sn [A] v–sn [C] Missa Tu es vas electionis: Kyrie Mo bivanco
Appears on: sn [A] v–sn [C]
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Mo bivanco
Number of voices: 4
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Tu es vas electionis: Kyrie and Gloria (incompl.)
sn [A] v–sn [C] Missa Tu es vas electionis: Gloria -
Appears on: sn [A] v–sn [C]
Genres: Gloria (et in terra pax), Mass Ordinary
Number of voices: 4
General Note

incomplete

Composer Compositions
Anonymous
Bernal Goncalez, Jose
Boluda, Ginés de
Ceballos, Rodrigo de (ca. 1525-1581)
Guerrero, Francisco
Morales, Cristóbal de (ca. 1500-1553)
Navarro 'of Seville/Hispalensis', Juan
Palestrina, Giovanni Pierluigi da (1525-1594)
Ribera, Bernardino de
Roque de Salamanca
Torrentes, Andres de
Urrede (Wrede), Juan de (1451-c1482)
Vivanco, Sebastián de
Composition Composers (? Uncertain) Folios / Pages
[Domine probasti me] Intellexisti cogitationes 37v–41
[In exitu Israel] Mare vidit et fugit 42v–48
[Lauda Jerusalem] Qui posuit 21v–23
[Lauda Jerusalem] Qui posuit I 9v–12
[Lauda Jerusalem] Qui posuit II 15v–17
[Lauda Jerusalem] Qui posuit III 18v–20
[Lauda Jerusalem] Qui posuit IV 28v–30
[Lauda Jerusalem] Quoniam confortavit 12v–15
[Lauda Jerusalem] Quoniam confortavit I [7v]–10
[Lauda Jerusalem] Quoniam confortavit II 24v–27
[Laudate Dominum] Quoniam confirmata est 17v–18
[Laudate Dominum] Quoniam confirmata est 27v–28
[Laudate Dominum] Quoniam confirmata est I 20v–21
[Laudate Dominum] Quoniam confirmata est II 23v–24
[Laudate Dominum] Quoniam confirmata est III 30v–31
[Memento Domine] Si introiero in tabernaculum 31v–36
Ave maris stella 77v–79
Beata quoque [Christe Redemptor] 64v–66
Benedicamus Domino 103v–104
Benedicamus Domino Anonymous 104v–105
Collaudamus venerantes [Tibi Christi] 62v–64
Domine hissopo et munda [Asperges me] 107–111
Domine hissopo et munda [Vidi aquam] Anonymous 111v–114
Hi sunt quos [Sanctorum meritis] 54v–56
Hic nempe mundi [Deus tuorum] 52v–54
Ibant Magi [Hostis Herodes] 72v–74
Illustre quidam [Quicumque Christum] 61v–62
Janitor caeli [Aurea luce] 48v–50
Magnificat - tone 2: Anima mea 88v–95
Magnificat quarti toni (Anima mea) 96v–103
Maria soror Lazari [Lauda mater] 60v–61
Missa Sine nomine, 1567 (4vv): Agnus Dei I; Agnus Dei II (6vv) 114v–134
Missa Sine nomine, 1567 (4vv): Credo 114v–134
Missa Sine nomine, 1567 (4vv): Gloria 114v–134
Missa Sine nomine, 1567 (4vv): Kyrie 114v–134
Missa Sine nomine, 1567 (4vv): Sanctus 114v–134
Missa Tu es vas electionis: Gloria sn [A] v–sn [C]
Missa Tu es vas electionis: Kyrie sn [A] v–sn [C]
Monstra te esse matrem [Ave maris stella] 79v–81
Monstra te esse matrem [Ave maris stella] 81v–83
Pange lingua gloriosi (I) 84v–86
Procul recedant [Te lucis ante terminum] 65v–66
Qui pascis inter illa [Jesu corona virginum] 56v–58
Qui pius prudens [Iste confessor] 74v–75
Qui pius prudens humilis [Iste confessor] 58v–60
Quo vulneratus / O crux [Vexilla Regis] 66v–70
Te mane laudum [O lux beata] 83v–84
Tu lumen tu splendor [Christe Redemptor] 70v–72
Veni creator Spiritus 75v–77
Verbum caro panem [Pange lingua] 86v–88
Vos saecli iusti [Exultet caelum] 50v–52

denotes primary source study

Rodilla León, Francisco. 2013. El canto de órgano en el real monasterio de Santa María de Guadalupe: fuentes, repertorio y compositores. Musicología global, Musicología local,  Madrid: Sociedad Española de Musicología.

Noone, Michael John. 1982. Andrés de Torrentes (1510-1580), Spanish Polyphonist and Chapelmaster: Opera Omnia, Biography and Source Study. University of Sydney, Unpublished Masters dissertation. Pages: I,17,25-6,114,131-2; II,#59. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Snow, Robert Joseph. 1980. The Extant Music of Rodrigo de Ceballos and Its Sources. Detroit Studies in Music Bibliography, vol. 44.  Detroit. Pages: 28-31,66-70,75,118-9. Notes: mention of MS; contents list (partial); concordances (partial); incipits (partial); facsimile (partial).

Crawford, David Eugene. 1977. Two Choirbooks of Renaissance Polyphony at the Monasterio de nuestra Sefiora of Guadalupe. Fontes Artis Musicae, 24: 145-74. Notes: physical description; contents list; concordances; incipits; mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 138.

Rubio, P Samuel (editor). 1954-6. Antologia Polifònica Sacra.  Madrid. Pages: II,29-38.

Rubio Piqueras, Felipe. 1931. Organografía toledana. España Sacro-Musical, 21: 272.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description