I-TVd 1

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

manuscript of polyphony: c.1554

Archive Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd)
Shelfmark 1
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None
Measurements unknown mm
Other Identifiers
  • CCM: TrevBC 1
  • olim (Former shelfmark): A
Relationships
Provenance
Contents 14 pieces from 8 composers
General Description

Copied in Treviso, for use by cathedral choir. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

13 Masses, 1 Credo = 14

Hesdin/(Willaert)-1, Jaquet of Mantua-4, Jhan of Ferrara-1, Morales-4, Mouton-1, Nasco-1, Rore-1, Willaert-1

Ca. 123 paper folios. No further physical description available.

1554 (date in manuscript). Copied in Treviso, for use by cathedral choir. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–10 Missa Benedicta es caelorum regina a 5 Gedin (=Hesdin)
Appears on: 1v–10
Genres: Mass Ordinary
Source Attribution: Gedin (=Hesdin)
Voice: [no designation]
Languages: none
Voice Text: 1 work
10v–17 Missa Chiare dolci e fresche acque Jachet de Mantua
Appears on: 10v–17
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Jachet de Mantua
17v–27 Missa Jerusalem luge Nasco Joan
Appears on: 17v–27
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Nasco Joan
Voice: [no designation]
Languages: none
Voice Text: 1 work
27v–36 Missa Hercules dux Ferrariae Jachet de Mantua
Appears on: 27v–36
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Jachet de Mantua
36v–47 Missa Si bona suscepimus: KGCSA Gombert
Appears on: 36v–47
Genres: Mass Ordinary
Source Attribution: Gombert
Voice: [no designation]
Languages: none
Voice Text: 4 works
47v–56 Missa Inviolata M. Jan
Appears on: 47v–56
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: M. Jan
Voice: [no designation]
Languages: none
Voice Text: 1 work
56v–65 Missa In die tribulationis Jachet (de Mantua)
Appears on: 56v–65
Genres: Mass Ordinary
Source Attribution: Jachet (de Mantua)
Voice: [no designation]
Languages: none
Voice Text: 4 works
65v–75 Missa Mille regrets Morales
Appears on: 65v–75
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Morales
General Note

Title was left blank in the index: but Morales wrote only 2 (known) 6vv masses, "Si bona suscepimus" (copied above at f. 37v-48 but attributed to Gombert) and "Mille regretz". Therefore this setting is assumed to be the latter.

75v–84 Missa Si bona suscepimus Jachet de Mantua
Appears on: 75v–84
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Jachet de Mantua
84v–95 Missa de Beata Virgine (5vv) Morales
Appears on: 84v–95
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Morales
95v–104 Missa L’homme armé quarti toni (5vv) Morales
Appears on: 95v–104
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Morales
104v–111 Missa Vivat foelix Hercules Cipriano de Rore * Missa Hercules
Appears on: 104v–111
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Cipriano de Rore * Missa Hercules
Voice: [no designation]
Languages: none
Voice Text: 1 work
111v–122 Missa Mente tota supplicamus Willaert Adrian
Appears on: 111v–122
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Willaert Adrian
Voice: [no designation]
Languages: none
Voice Text: 1 work
122v–? Patrem omnipotentem [Credo] (6vv) Moton J.
Appears on: 122v–?
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Moton J.
Voice: [no designation]
Languages: none
Voice Text: 1 work

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 456, 811.

Owens, Jessie Ann. 1979. An Illuminated Manuscript of Motets by Cipriano de Rore (München, Bayerische Staatsbibliothek, Mus. Ms. B). Princeton University, Unpublished Ph.D. dissertation. Pages: I, 175.

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 80.

Beck, Hermann. 1960. Adrian Willaerts Messen. Archiv für Musikwissenschaft, 215-42. Pages: 222-3.

Kast, Paul. 1955. Studien zu den Messen des Jean Mouton. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 56,71.

d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso.  Vedelago (Treviso). Pages: 184,211ff.

Johnson, Alvin Harold. 1954. The Liturgical Music of Cipriano de Rore. Yale University, Unpublished Ph.D. dissertation. Pages: 177.

Smijers, Albert. 1940-46. Meerstemmige muziek van de Illustre Lieve Vrouwe Broederschap te 's-Hertogenbosch. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 1-30. Pages: 15.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description