Scribal hand of Johannes Parvus identifiable in this manuscript (BraunerP). Copied in Rome, for use at Santa Maria Maggiore.
I-Rsm 26
Santa Maria Maggiore, Archivio e Biblioteca del Capitolo Liberiano, Rome, Italy
chant book with added polyphony: c. 1566-7, with several additions in late 16th century.
| Archive | Santa Maria Maggiore, Archivio e Biblioteca del Capitolo Liberiano, Rome, Italy (I-Rsm) |
|---|---|
| Shelfmark | 26 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 460 x 335 mm |
| Other Identifiers |
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| Copyists | |
| Relationships |
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| Provenance |
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| Contents | Contains 40 compositions, 32 from 2 composers, 8 are anonymous. |
General Description
Binding
Original covers of light yellow parchment; inscription 'Inni 26' on spine.
Watermark
crossed arrows surmounted by six-pointed star.
Notation
not indicated
Date
Ca. 1566-7 (BraunerP).
Ruling
Staff height 20.
Foliation
Modern stamped foliation, 1-125, on lower right rectos.
Decoration
Inked calligraphic initials
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
33 hymns, 5 motets = 38
(C. Festa)-30, Josquin-3, anon-5
i + 125 + i paper folios, 460 x 335. Modern stamped foliation, 1-125, on lower right rectos. Original covers of light yellow parchment; inscription "Inni 26" on spine. No index. Scribal hand of Johannes Parvus identifiable in this manuscript (BraunerP); see general index for other manuscripts copied by the same scribe. Staff height 20. Inked calligraphic initials. Watermark: crossed arrows surmounted by six-pointed star.
Ca. 1566-7 (BraunerP). Copied in Rome, for use at Santa Maria Maggiore.
Vol 4
Contents: 36 hymns (1 incomplete), 4 motets = 40 Composers: Change "anon-5" to "anon-7."
Physical: i + 125 + ii paper folios. The main scribe was Johannes Parvus; see general index for other manuscripts copied by the same scribe. Later additions by several other scribes.
Date: Ca. 1566-7 (BraunerP), with several additions in late 16th century.
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‡ denotes primary source study
Brauner, Mitchell Paul. 1984. Music from the Cappella Sistina at the Cappella Giulia. The Journal of Musicology, 3: 287-311. Pages: 305-7. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Brauner, Mitchell Paul. 1982. The Parvus Manuscripts: A Study of Vatican Polyphony, ca. 1535 to 1580. Brandeis University, Unpublished Ph.D. dissertation. Pages: 12-3,57-60,186ff,373-4,376,379,400-4.
Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 129-30.
Loach, Donald Glenn. 1969. Aegidius Tschudi's Songbook (St. Gall MS 463): A Humanistic Document from the Circle of Heinrich Glarean. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 269.
Haydon, Glen. 1962. The Case of the Troublesome Accidental. Natalícia Musicologica Knud Jeppesen, 125-9. Copenhagen. Pages: 128-9.
Beck, Hermann. 1960. Adrian Willaerts Messen. Archiv für Musikwissenschaft, 17: 215-42. Pages: 223.
Main, Alexander. 1960. Costanzo Festa: The Masses and Motets. New York University, Unpublished Ph.D. dissertation. Pages: 37, 56.
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: XI, 768-9.
Smijers, Albert. 1935. Vijftiende en zestiende eeuwsche Muziekhandschriften in Italië met werken van Nederlandsche Componisten. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 14: 165-81. Pages: 176-7.
Casimiri, Raffaele (editor). 1930-1958. Vol. II: Constantius Festa, Sacrae cantiones. ed. Eduardo Dagnino. (1936) & Vol. III: Constantius Festa. Hymni per totum annum... transcr. Glen Haydon. (1958). Monumenta Polyphoniae Italicae. Rome. Pages: III, facs. 3, 183ff.
Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: VII, vi.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description