I-Rsld Armadio IV, Vol. 9

San Lorenzo in Damaso. Registri Amministrativi e Corali della Capella Musicale, Rome, Italy

manuscript of polyphony: second half of 16th century

Archive	San Lorenzo in Damaso. Registri Amministrativi e Corali della Capella Musicale, Rome, Italy (I-Rsld)
Shelfmark	Armadio IV, Vol. 9
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	415-20 x 275-80 mm
Other Identifiers	CCM: RomeSL IV/9
Relationships	Church of San Lorenzo in Dámaso (commissioned/made for)
Provenance	Italy
Contents	18 pieces from 7 composers

General Description

Copied by more than one scribe. Copied in Rome, for use at Church of San Lorenzo in Dámaso.

DIAMM, 2017

Physical Description

Folios in very poor condition

DIAMM, 2017

Binding

Original covers of light beige parchment

DIAMM, 2017

Watermark

(1) crab in circle; (2) crossed arrows surmounted by six-pointed star.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Staff height 16-17

DIAMM, 2017

Foliation

New pencil foliation, 1-98; new ink pagination, 1-196

DIAMM, 2017

Decoration

Inked calligraphic initials.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

11 Magnificats, 5 hymns, 2 motets = 18

C. Festa-2, A. Févin-1, Jacotin-1, (Josquin)-1, Morales-5, Mouton-2, anon-6

iii + 98 paper folios, 415-20 x 275-80. Folios in very poor condition. New pencil foliation, 1-98; new ink pagination, 1-196. Original covers of light beige parchment. No index. Copied by more than one scribe. Staff height 16. Inked calligraphic initials. No watermarks visible.

Second half of 16th century? Copied in Rome?

Vol 4

Composers: Change "(Josquin)-1" to "(Josquin)-2"; change "anon-6" to "anon-5."

Physical: ii + 98 + ii paper folios. Copied by several scribes. Staff height 16-17. Watermarks: (1) crab in circle; (2) crossed arrows surmounted by six-pointed star.

Date/provenance: Late 16th century. Copied in Rome, for use at Church of San Lorenzo in Dámaso.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2–3	O lux beata trinitas et principalis 2 Te mane laudum carmine te deprecemur	Anon.	Anonymous
O lux beata trinitas et principalis 2 Te mane laudum carmine te deprecemur Anonymous Appears on: 2–3 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [O lux beata trinitas et principalis] 2 Te mane laudum carmine te deprecemur
4–9	Lucis creator optime lucem dierum 3 Ne mens gravata crimine in te 5 Presta pater piissime patrique	[C. Festa]	Festa, Costanzo (ca. 1485–1545)
Lucis creator optime lucem dierum 3 Ne mens gravata crimine in te 5 Presta pater piissime patrique Festa, Costanzo (ca. 1485–1545) Appears on: 4–9 Genres: Motet Source Attribution: [C. Festa] Voice: [no designation] Languages: Latin Voice Text: Lucis creator optime lucem dierum 3 Ne mens gravata crimine in te(!) 5 Presta pater piissime patrique
14–17	Iste confessor Domini sacratus festa 2 Qui pius prudens humilis pudicus 4 Unde nunc noster chorus in honore	Anon.	Anonymous
Iste confessor Domini sacratus festa 2 Qui pius prudens humilis pudicus 4 Unde nunc noster chorus in honore Anonymous Appears on: 14–17 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Iste confessor domini sacratus festa] 2 Qui pius prudens humilis pudicus 4 Unde nunc noster chorus in honore
20–23	Jesu corona virginum quem mater illa 3 Quocunque pergis virgines sequuntur	Anon.	Anonymous
Jesu corona virginum quem mater illa 3 Quocunque pergis virgines sequuntur Anonymous Appears on: 20–23 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Jhesu corona virginum quem mater illa 3 Quocunque pergis virgines sequuntur
24–33	Magnificat primi toni: Anima Mea [K.914]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat primi toni: Anima Mea [K.914] Morales, Cristóbal de (ca. 1500–1553) Appears on: 24–33 Genres: BVM, Canticle, Magnificat Source Attribution: Morales Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Primi toni: Anima mea dominum
34–45	Magnificat primi toni: Et exultavit spiritus meus	J. Mouton	Mouton, Jean (ca. 1459–1522)
Magnificat primi toni: Et exultavit spiritus meus Mouton, Jean (ca. 1459–1522) Appears on: 34–45 Genres: Motet Source Attribution: J. Mouton Voice: [no designation] Languages: Latin Voice Text: (Magnificat) Primi toni: Et exultavit spiritus meus
46–57	Magnificat primi toni: Et exultavit	[A.] Fevin	Fevin, Antoine de (ca. 1470–ca. 1512)
Magnificat primi toni: Et exultavit Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 46–57 Genres: Motet Source Attribution: [A.] Fevin Voice: [no designation] Languages: Latin Voice Text: (Magnificat) Primi toni: Et exultavit spiritus meus
58–81	Magnificat primi toni (all verses) [K.764]	Co. Festa	Festa, Costanzo (ca. 1485–1545)
Magnificat primi toni (all verses) [K.764] Festa, Costanzo (ca. 1485–1545) Appears on: 58–81 Genres: BVM, Canticle, Magnificat Source Attribution: Co. Festa Voice: [no designation] Languages: Latin Voice Text: (Magnificat) Primi toni: Anima mea dominum
84–89	Lucis creator optime Lucem dierum 3 Ne mens gravata crimine vite sit 5 Presta pater piissime patrique	Anon.	Anonymous
Lucis creator optime Lucem dierum 3 Ne mens gravata crimine vite sit 5 Presta pater piissime patrique Anonymous Appears on: 84–89 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Lucis creator optime] Lucem dierum 3 Ne mens gravata crimine vite sit 5 Presta pater piissime patrique
92–101	Magnificat Tertii Toni: Et exultavit spiritus meus	Anon.	Anonymous
Magnificat Tertii Toni: Et exultavit spiritus meus Anonymous Appears on: 92–101 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Magnificat) Tertii Toni: Et exultavit spiritus meus
106–117	Magnificat Quarti Toni: Et exultavit spiritus meus	Jacotin	Jacotin, Jacques (1445–1529)
Magnificat Quarti Toni: Et exultavit spiritus meus Jacotin, Jacques (1445–1529) Appears on: 106–117 Genres: BVM, Canticle, Magnificat Source Attribution: Jacotin Voice: [no designation] Languages: Latin Voice Text: (Magnificat) Quarti toni: Et exultavit spiritus meus
130–141	Magnificat sexti toni: Et exultavit spiritus meus	Jo. Mouton	Mouton, Jean (ca. 1459–1522)
Magnificat sexti toni: Et exultavit spiritus meus Mouton, Jean (ca. 1459–1522) Appears on: 130–141 Genres: Chanson Source Attribution: Jo. Mouton Voice: [no designation] Languages: Latin Voice Text: (Magnificat) Sexti toni: Et exultavit spiritus meus
142–153	Magnificat septimi toni: Et exultavit [K.920]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat septimi toni: Et exultavit [K.920] Morales, Cristóbal de (ca. 1500–1553) Appears on: 142–153 Genres: BVM, Canticle, Magnificat Source Attribution: Morales Voice: [no designation] Languages: Latin Voice Text: (Magnificat) Septimi toni: Et exultavit spiritus meus
154–165	Magnificat septimi toni: Anima mea [K.920]	Morales Hyspanus	Morales, Cristóbal de (ca. 1500–1553)
Magnificat septimi toni: Anima mea [K.920] Morales, Cristóbal de (ca. 1500–1553) Appears on: 154–165 Genres: BVM, Canticle, Magnificat Source Attribution: Morales Hyspanus Voice: [no designation] Languages: Latin Voice Text: (Magnificat) Septimi toni: Anima mea dominum
166–177	Magnificat octavi toni: Anima mea [K.921]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat octavi toni: Anima mea [K.921] Morales, Cristóbal de (ca. 1500–1553) Appears on: 166–177 Genres: BVM, Canticle, Magnificat Source Attribution: Morales Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Octavi toni: Anima mea dominum
179–181	Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum	[Josquin]	Despres, Josquin (ca. 1450–1521)
Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum Despres, Josquin (ca. 1450–1521) Appears on: 179–181 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: [Benedicta es celorum regina et mundi] (Pars I missing in this source) 23.13 II: Per illud ave prolatum III: Nunc mater exora natum
182–185	Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	[Josquin]	Despres, Josquin (ca. 1450–1521)
Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum Despres, Josquin (ca. 1450–1521) Appears on: 182–185 Genres: Ave Maria, Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena dominus tecum 20.9 [Pars II of Pater noster qui es in caelis]
188–195	Magnificat octavi toni: Et exultavit [K.921]	[Morales]	Morales, Cristóbal de (ca. 1500–1553)
Magnificat octavi toni: Et exultavit [K.921] Morales, Cristóbal de (ca. 1500–1553) Appears on: 188–195 Genres: BVM, Canticle, Magnificat Source Attribution: [Morales] Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Octavi Toni: Et exultavit spiritus meus

Composer	Compositions
Anonymous	Iste confessor Domini sacratus festa 2 Qui pius prudens humilis pudicus 4 Unde nunc noster chorus in honore – 14–17 Jesu corona virginum quem mater illa 3 Quocunque pergis virgines sequuntur – 20–23 Lucis creator optime Lucem dierum 3 Ne mens gravata crimine vite sit 5 Presta pater piissime patrique – 84–89 Magnificat Tertii Toni: Et exultavit spiritus meus – 92–101 O lux beata trinitas et principalis 2 Te mane laudum carmine te deprecemur – 2–3
Despres, Josquin (ca. 1450–1521)	Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum – 179–181 Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum – 182–185
Festa, Costanzo (ca. 1485–1545)	Lucis creator optime lucem dierum 3 Ne mens gravata crimine in te 5 Presta pater piissime patrique – 4–9 Magnificat primi toni (all verses) [K.764] – 58–81
Fevin, Antoine de (ca. 1470–ca. 1512)	Magnificat primi toni: Et exultavit – 46–57
Jacotin, Jacques (1445–1529)	Magnificat Quarti Toni: Et exultavit spiritus meus – 106–117
Morales, Cristóbal de (ca. 1500–1553)	Magnificat octavi toni: Anima mea [K.921] – 166–177 Magnificat octavi toni: Et exultavit [K.921] – 188–195 Magnificat primi toni: Anima Mea [K.914] – 24–33 Magnificat septimi toni: Anima mea [K.920] – 154–165 Magnificat septimi toni: Et exultavit [K.920] – 142–153
Mouton, Jean (ca. 1459–1522)	Magnificat primi toni: Et exultavit spiritus meus – 34–45 Magnificat sexti toni: Et exultavit spiritus meus – 130–141

Composition	Composers (? Uncertain)	Folios / Pages
Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum	Despres, Josquin (ca. 1450–1521)	179–181
Iste confessor Domini sacratus festa 2 Qui pius prudens humilis pudicus 4 Unde nunc noster chorus in honore	Anonymous	14–17
Jesu corona virginum quem mater illa 3 Quocunque pergis virgines sequuntur	Anonymous	20–23
Lucis creator optime lucem dierum 3 Ne mens gravata crimine in te 5 Presta pater piissime patrique	Festa, Costanzo (ca. 1485–1545)	4–9
Lucis creator optime Lucem dierum 3 Ne mens gravata crimine vite sit 5 Presta pater piissime patrique	Anonymous	84–89
Magnificat octavi toni: Anima mea [K.921]	Morales, Cristóbal de (ca. 1500–1553)	166–177
Magnificat octavi toni: Et exultavit [K.921]	Morales, Cristóbal de (ca. 1500–1553)	188–195
Magnificat primi toni (all verses) [K.764]	Festa, Costanzo (ca. 1485–1545)	58–81
Magnificat primi toni: Anima Mea [K.914]	Morales, Cristóbal de (ca. 1500–1553)	24–33
Magnificat primi toni: Et exultavit	Fevin, Antoine de (ca. 1470–ca. 1512)	46–57
Magnificat primi toni: Et exultavit spiritus meus	Mouton, Jean (ca. 1459–1522)	34–45
Magnificat Quarti Toni: Et exultavit spiritus meus	Jacotin, Jacques (1445–1529)	106–117
Magnificat septimi toni: Anima mea [K.920]	Morales, Cristóbal de (ca. 1500–1553)	154–165
Magnificat septimi toni: Et exultavit [K.920]	Morales, Cristóbal de (ca. 1500–1553)	142–153
Magnificat sexti toni: Et exultavit spiritus meus	Mouton, Jean (ca. 1459–1522)	130–141
Magnificat Tertii Toni: Et exultavit spiritus meus	Anonymous	92–101
O lux beata trinitas et principalis 2 Te mane laudum carmine te deprecemur	Anonymous	2–3
Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	Despres, Josquin (ca. 1450–1521)	182–185

‡ denotes primary source study

Andrae, Karin. 1985. Der Musikalienfonds der Basilica di S. Lorenzo in Damaso in Rom. Note d'Archivio [Nuova Serie], 119-157. Pages: 122-5. Notes: physical description (partial); contents list; incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 158-9.

Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II,xvii.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: IV, 93.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description