| Archive | Biblioteca Musicale Governativa del Conservatorio di Musical Santa Cecilia, Rome, Italy (I-Rsc) |
|---|---|
| Shelfmark | MS G.389 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 112 x 158 mm |
| Other Identifiers |
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| Inventory | This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk |
| Relationships |
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| Provenance |
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| Contents | Contains 7 uninventoried works or miscellaneous sections. |
Score format. Copied in Rome. Possibly copied by Alexander Nison, the original owner. Nison was organist at Church of Santa Maria sopra Minerva (inscription on front flyleaf).
Original covers of cream-colored parchment.
No watermarks visible.
not indicated
1617 (date on front flyleaf)
Staff height 10
Original ink foliation, 1-71.
No decorative initials; text of poem 'Musica Dei donum' copied on verso of front flyleaf, surrounded by painted ornamental border featuring scroll motifs and winged faces, in blue, red, green, and yellow.
paper
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
12 motets (1 without text and incomplete), 7 French secular pieces, 2 textless pieces = 21
Clemens non Papa-2, Crecquillon-S, Guyot [Jo. castileti]-1, Lassus-4, Manchicourt-1, Palestrina [Gianetto]-S, (Richafort/ Verdelot)-1, anon-4
i + 71 paper folios, 112 x 158. Original ink foliation, 1-71. Original covers of cream-colored parchment. No index. Score format. Possibly copied by Alexander Nison (see below). Staff height 10. No decorative initials; text of poem "Musica Dei donum" copied on verso of front flyleaf, surrounded by painted ornamental border featuring scroll motifs and winged faces, in blue, red, green, and yellow. No watermarks visible.
1617 (date on front flyleaf). Copied in Rome. Original owner was Alexander Nison, organist at Church of Santa Maria sopra Minerva (inscription on front flyleaf).
This source has not been fully inventoried. If you would like to contribute an inventory please get in touch. E-mail diamm@music.ox.ac.uk.
| Composers (? Uncertain) | Folios / Pages | Item title | Attribution in Source |
|---|---|---|---|
| Works by | [-] | - | - |
| Works by | [-] | - | - |
| Works by | [-] | - | - |
| Works by | [-] | - | - |
| Works by | [-] | - | - |
| Works by | [-] | - | - |
| Works by | [-] | - | - |
‡ denotes primary source study
Silbiger, Alexander. 1977. An Unknown Partbook of Early Sixteenth Century Polyphony. Studi Musicali, 43-67. Pages: 58.
Walter, George R. 1975. The Five-Voice Motets of Thomas Crecquillon. University of West Virginia, Unpublished Ph.D. dissertation. Pages: I, 353-4.
Slim, H Colin. 1972. A Gift of Madrigals and Motets. Chicago and London. Pages: I, 221.
Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 312-6.
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NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Surface Note
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description